Selective Listing of Basic Original Issued Albums
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Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Thad Jones Discography Copy
Thad Jones Discography Compiled by David Demsey 2012-15 Recordings released during Thad Jones’ lifetime, as performer, bandleader, composer/arranger; subsequent CD releases are listed where applicable. Each entry lists Thad Jones compositions/arrangements contained on that recording. Album titles preceded by (•) are contained in the Thad Jones Archive collection. I. As a Leader or Co-Leader Big Band Leader or Co-Leader (chronological): • Thad Jones/Mel Lewis Orchestra, Live at the Vanguard (rec. 1/7 [sic], 3/21/66) [live recording donated by George Klabin] Contains: All My Yesterdays (2 versions), Backbone, Big Dipper (2 versions), Mean What You Say, Morning Reverend, Little Pixie, Willow Weep for Me (Brookmeyer), Once Around, Polka Dots and Moonbeams (small group), Low Down, Lover Man, Don’t Ever Leave Me, A-That’s Freedom • Thad Jones/Mel Lewis Orchestra, On Tour (rec. varsious dates and locations in Europe) Discs 1-7, 10-11 [see Special Recordings section below] On iTunes. • Thad Jones/Mel Lewis Orchestra, In the Netherlands (rec. 1974) [unreleased live recording donated by John Mosca] • Thad Jones/Mel Lewis Orchestra, Presenting the Thad Jones-Mel Lewis Orchestra (rec. 5/4-5-6/66) Solid State UAL18003 Contains: Balanced Scales = Justice, Don’t Ever Leave Me, Mean What You Say, Once Around, Three and One • Thad Jones/Mel Lewis Orchestra, Opening Night (rec. 1[sic]/7/66, incorrect date; released 1990s) Alan Grant / BMG Ct. # 74321519392 Contains: Big Dipper, Polka Dots and Moonbeams (small group), Once Around, All My Yesterdays, Morning Reverend, Low Down, Lover Man, Mean What You Say, Don’t Ever Leave Me, Willow Weep for Me (arr. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
Horace Parlan Us Three Mp3, Flac, Wma
Horace Parlan Us Three mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Us Three Country: Japan Released: 2007 Style: Bop MP3 version RAR size: 1266 mb FLAC version RAR size: 1843 mb WMA version RAR size: 1931 mb Rating: 4.5 Votes: 586 Other Formats: MP4 MP1 DMF WAV APE VOX MPC Tracklist Hide Credits Us Three 1 4:33 Written-By – Parlan* I Want To Be Loved 2 4:50 Written-By – Churchill* Come Rain Or Come Shine 3 6:25 Written-By – Mercer-Arlen* Wadin' 4 5:52 Written-By – Parlan* The Lady Is A Tramp 5 7:08 Written-By – Hart*, Rodgers* Walkin' 6 7:05 Written-By – Richard Carpenter Return Engagement 7 4:50 Written-By – Parlan* Companies, etc. Manufactured By – EMI Music Japan Inc Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Bass – George Tucker Design [Cover] – Reid Miles Drums – Al Harewood Liner Notes – Kazunori Harada (tracks: 原田和典), Nat Hentoff Liner Notes [Translated By] – 林田ひめじ* Photography By – Francis Wolff Piano – Horace Parlan Recorded By [Recording By] – Rudy Van Gelder Notes Recorded on April 20, 1960. Barcode and Other Identifiers Barcode: 4 988006 686229 Mastering SID Code: IFPI L154 Mould SID Code: IFPI 28U7 Matrix / Runout: TOCJ-8523 2 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year Horace Us Three (LP, BLP 4037 Blue Note BLP 4037 US 1960 Parlan Album, Mono) Horace Us Three (CD, Hallmark Music & 715482 715482 2014 Parlan Album, RE) Entertainment Horace Us Three (LP, GXF 3154 Blue Note GXF 3154 Japan 1986 Parlan Album, RE) Horace Us Three (LP, BLP 4037 Blue Note BLP 4037 France 1983 Parlan Album, RE) TOCJ-8523, Us Three (CD, TOCJ-8523, Horace Blue Note, Blue ST-84037, Album, Ltd, RE, ST-84037, Japan 2009 Parlan Note, Blue Note BST-84037 RM) BST-84037 Related Music albums to Us Three by Horace Parlan Horace Parlan - Up & Down Archie Shepp / Horace Parlan Duo - En Concert: 1rst Set Stanley Turrentine - Look Out! Lou Donaldson - The Best Of Lou Donaldson Vol. -
Kenny G Bio 2018
A phenomenally successful instrumentalist whose recordings routinely made the pop, R&B, and jazz charts during the 1980s and ’90s, Kenny G‘s sound became a staple on adult contemporary and smooth jazz radio stations. He’s a fine player with an attractive sound (influenced a bit by Grover Washington, Jr.) who often caresses melodies, putting a lot of emotion into his solos. Because he does not improvise much (sticking mostly to predictable melody statements), his music largely falls outside of jazz. However, because he is listed at the top of “contemporary jazz” charts and is identified with jazz in the minds of the mass public, he is classified as jazz. Kenny Gorelick started playing professionally with Barry White‘s Love Unlimited Orchestra in 1976. He recorded with Cold, Bold & Together (a Seattle-based funk group) and freelanced locally. After graduating from the University of Washington, Kenny G worked with Jeff Lorber Fusion, making two albums with the group. Soon he was signed to Arista, recording his debut as a leader in 1982. His fourth album, Duotones(which included the very popular “Songbird”), made him into a star. Soon he was in demand for guest appearances on recordings of such famous singers as Aretha Franklin, Whitney Houston, and Natalie Cole. Kenny G’s own records have sold remarkably well, particularly Breathless, which has easily topped eight million copies in the U.S.; his total album sales top 30 million copies. The holiday album Miracles, released in 1994, and 1996’s Moment continued the momentum of his massive commercial success. He also recorded his own version of the Celine Dion/Titanic smash “My Heart Will Go On” in 1998, but the following year he released Classics in the Key of G, a collection of jazz standards like “‘Round Midnight” and “Body and Soul,” possibly to reclaim some jazz credibility. -
Svensk Jazzhistoria - En Översikt Norstedts 1985
Svensk jazzhistoria - en översikt Norstedts 1985. Av Erik Kjellberg Förord till den reviderade nätupplagan 2009 Denna bok är slutsåld sedan många år. Men intresset för jazzhi storia har ökat och litteraturen är numera mycket omfattande. Jazzens historia i Sverige har under de senaste 25 åren doku menterats på skivor och sysselsatt flera forskare, författare och musiker. Förutsättningen då jag skrev boken var min deltidsan ställning vid Svenskt visarkiv (1978-83) i den verksamhet som resulterade i arkivets Jazzavdelning. Jag hade förmånen att ta del av de intervjuer som vi gjorde i Gruppen för svensk jazzhisto ria och de noter, tidskrifter och skivor som vi samlade in till den nya avdelningen vid Svenskt visarkiv. Boken författades på ledi ga stunder. Varje tid ställer nya förväntningar på det som skildras. Det är det med viss tvekan som jag nu gör min text tillgänglig igen. Jag har justerat en del formuleringar och felaktigheter, och (den för åldrade) diskografin har utelämnats liksom även personregistret som ju hänvisar till boksidor. I övrigt är boken intakt. En diskus sion av jazzens öden och äventyr i Sverige fr.o.m. 1980-talet till idag finns alltså inte med. En sådan komplettering skulle kräva en ny bok! Stockholm i september 2009 Erik Kjellberg INLEDNING 1900-talets musik och musikkulturer skulle kunna liknas vid ett brokigt lapptäcke, sammansytt av olikstora bitar i de mest varie rade former, färger och mönster. Vi finner en rad musiksorter och musiktraditioner sida vid sida, men där finns också över-gångar och samspel mellan olika riktningar och tendenser. Det som bru kar kallas konstmusik, populärmusik, folkmusik och jazzmusik, uppvisar var och en sin speciella färgskala och sina skiftningar, även om gränserna mellan dem inte alltid är så skarpa och enty diga som man kanske förleds att tro. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
Tapestry of Light a Holiday Celebration
EPISODE FOUR TAPESTRY OF LIGHT: A HOLIDAY CELEBRATION A MESSAGE FROM OUR PRESIDENT & CEO We welcome you to Heinz Hall to enjoy the music and traditions of the holiday season with the Pittsburgh Symphony Orchestra. While we can’t gather together at Heinz Hall this year, we are excited to offer Front Row: Tapestry of Light, A Holiday Celebration to offer some comfort and joy during these uncertain times. This year’s program has old favorites – and new delights. Principal Pops Conductor Byron Stripling welcomes special guest vocalist Vanessa Campagna, a global star and a Beaver County native, who was discovered by Marvin Hamlisch, the PSO’s first Principal Pops Conductor. Byron also showcases his amazing trumpet playing in special performances of “Joy to the World” and an improvisation on the theme from “Dance of the Sugar Plum Fairy.” The glorious brass section of the PSO is featured in three pieces, and the PSO is joined by members of the Pittsburgh Youth Chorus and a dancer from Pittsburgh Ballet Theatre School for special performances. Valerie Coleman’s Umoja (Swahili for “unity” or “togetherness”) is played by the PSO’s flute section. And, the celebration wouldn’t be complete without the annual tradition of a sing-along! We’re also very proud to present our first ever virtual Sensory Friendly Holiday Concert. This will be the Pittsburgh Symphony’s sixth season offering sensory friendly concerts, and our second Sensory Friendly Holiday Concert. Open to all, our sensory friendly performances are customized especially for those with autism spectrum disorders or who have other disabilities that create sensory sensitivities. -
Download Playbill
JAZZ AT THE SOUTHERN THEATRE CONCERT SERIES Speakeasy Hot Jazz featuring Tony Glausi ON-DEMAND FRI, FEB 26 – SUN, MAR 7, 2021 ARTISTIC CHAIR SPONSOR Ann & Tom Hoaglin www.JAG.tv JAZZ ARTS GROUP BOARD OF DIRECTORS Gary Wadman | President Jim Negron | Past President Managing Partner | BakerHostetler President | Corna Kokosing Construction Tami Van Tassell | Treasurer Kevin L. Murch | Secretary Partner | PricewaterhouseCoopers LLP Partner | Perez & Morris LLC John Ammendola Robert Lee Heather Brod Therese McCann Alessandro Ciaffoncini Pete Mills Steve Driver Michael Peddicord Kevin Flanigan, MD Milton Ruffin Dale Greeson Larry Smith John Johanssen Press Southworth Ron Johnson Kelly Wilson Bill Kiefaber ADMINISTRATION Press Southworth III Byron Stripling Chief Executive Officer CJO Artistic Director Yvette Boyer Mary Manos Accountant Jazz Academy Coordinator & Orchestra Manager Alexa Brennan Education & Outreach Coordinator Pete Mills Program Director, Alex Burgoyne Jazz at The Lincoln Theatre Digital Media Manager Sarah Simon Diane Cattran Office Administrator & Database Specialist Grant Manager Louis Tsamous Zach Compston Director of Affiliate Musicians Director of Education & Community Engagement Terence Womble Director of Marketing & Communications Kimberlee Goodman Director of Development PRODUCTION TEAM Vital Companies Jason Clayton – Chief Marketing Officer and Founding Partner Fred Blitzer – CEO and Founding Partner The Social Firm Matt Erney – Strategy Director Jason Willis – Creative Director The Columbus Jazz Orchestra (CJO) was formed as a vehicle to create performance opportunities for jazz musicians in a big band setting. Forty-eight years later, the CJO is considered one of the world's finest jazz orchestras and a model for success, presenting big band jazz and world-renowned guest artists to thousands each year. -
Alice Ricciardi
ALICE RICCIARDI bio Italian jazz singer and composer Alice Ricciardi, born in Milan now living between Rome and New York, approached music at seven, attending the Giuseppe Verdi Conservatory in Milan where she studied violin and piano. In 1998 she started studying jazz singing at "Accademia Internazionale della Musica" in Milan directed by Enrico Intra and Franco Cerri. In 2002 she achieved European diploma "F.N.E.I.J." (Fèdèration Nationale des Ecoles d' Influence Jazz et des Musiques Actuelles) in France, valid for the instruction of jazz and modern music in all Europe. She also studied with Rachel Gould in Italy, and with Jazz Legend Ran Blake in Boston. Award Winning 2nd prize at 2005 International Montreux Jazz Festival Voice Competition - Performer at 2006 IAJE Conference in New York and at Jazz at the Lincoln Center Dizzys Club. Collaborations include some of the most renowned Italian and international musicians such as: Fabrizio Bosso, Nicola Conte, Flavio Boltro, Pietro Lussu, Giovanni Amato, Gaetano Partipilo, Dario Deidda, Enrico Bracco, Marco Valeri, Enrico Intra, Franco Cerri, Civica Jazz Band directed by Enrico Intra, Till Bronner, Magnus Lindgren, Olivier Hutman, Darryl Hall, Gregory Hutchinson, Olivier Temime, James Cammack, Joseph Lepore, Adam Pache, Anthony Pinciotti, Will Terrill, Neal Miner, Jesper Lundgaard, Morten Lund, Darrell Green, Ameen Saleem, Dezron Douglas, Saul Rubin, Josè James, Ville Herrala, Teppo Mäkynen. She performed at: Teatro Morlacchi Umbria Jazz, Jazzhus Montmartre Copenhagen, Blue Note Tokyo, Cotton