The Cinema of Attractions Reloaded Wanda Strauven [Ed.] 1906
HC omslag Cinema Attractions 19-09-2006 11:42 Pagina 1 Twenty years ago, Tom Gunning and André Gaudreault introduced the concept of attraction to define the quin- tessence of the earliest films made between 1895 and [ED.] STRAUVEN WANDA RELOADED THE CINEMA OF ATTRACTIONS 1906. As “cinema of attractions” this concept has become widely adopted, even outside the field of early cinema. FILM FILM Ranging from the films of the Lumière brothers to The Matrix by Andy and Larry Wachowski, from trains rushing CULTURE CULTURE into the audience to bullet time effects, the “cinema of IN TRANSITION IN TRANSITION attractions” is a cinema that shocks, astonishes and directly addresses the film spectator. This anthology traces the history of the “cin- ema of attractions,” reconstructs its conception and questions its attractiveness and useful- ness for both pre-classical and post-classical cinema. With contributions by Christa Blüm- linger, Warren Buckland, Scott Bukatman, Donald Crafton, Nicolas Dulac, Thomas Elsaesser, André Gaudreault, Laurent Guido, Tom Gunning, Malte Hagener, Pierre-Emma- nuel Jaques, Charlie Keil, Frank Kessler, Ger- main Lacasse, Alison McMahan, Charles Musser, Viva Paci, Eivind Røssaak, Vivian Sobchack, Wanda Strauven, Dick Tomasovic. Wanda Strauven teaches Film Theory and Media Archae- ology at the University of Amsterdam. She is the author of Marinetti e il cinema: tra attrazione e sperimentazione (Udine: Campanotto, 2006). THE CINEMA OF ATTRACTIONS RELOADED EDITED BY 9 789053 569450 WANDA STRAUVEN ISBN-13ISBN-13 978-90-5356-945-0 978-90-5356-945-0 ISBN-10ISBN-10 90-5356-945-6 90-5356-945-6 Amsterdam University Press Amsterdam University Press WWW.AUP.NL The Cinema of Attractions Reloaded The Cinema of Attractions Reloaded Edited by Wanda Strauven Cover illustration: Carrie-Anne Moss in The Matrix ().
[Show full text]