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(Hons.) Karnatak Music (Vocal/ Instrumental) Submitted to University Grants Commission New Delhi Under Choice Based Credit System
Syllabus of B.A. (Hons.) Karnatak Music (Vocal/ Instrumental) Submitted to University Grants Commission New Delhi Under Choice Based Credit System CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI DELHI-110007 1 CHOICE BASED CREDIT SYSTEM IN B.A HONOURS KARNATAK MUSIC (VOCAL/INSTRUMENTAL) Semester CORE COURSE (14) Ability Skill Elective: Discipline Elective: Enhancement Enhancement Specific DSE (4) Generic (GE) Compulsory Course (SEC) (2) (4) Course(AECC) (2) I C 1 Theory: General (English/MIL GE-1 Musicology Communication)/ C 2 Practical : Stage Environmental Performance & Science Viva-Voce II C 3Theory: Environmental GE-2 Theory of Indian Music Science/(English/MI C 4 Practical : Stage L Communication) Performance & Viva-Voce III C 5 Theory: SEC-1 GE-3 Indian Musicology C 6 Practical : Stage Performance C 7 Practical : Viva Voce IV C 8 Theory : Indian SEC-2 GE-4 Music C 9 Practical : Stage Performance C 10 Practical : Viva Voce V C 11 Theory: *DSE-1 Indian Music Vocal/Instrumental C 12 Practical : Stage /Karnatak/Percussi Performance & Viva on Music: Voce (Tabla/Pakhawaj) *DSE-2 Vocal/Instrumental /Karnatak/Percussi on Music: (Tabla/Pakhawaj) VI C 13 Theory : Study of *DSE-3 Hindustani Music Vocal/Instrumental C 14 Practical : Stage /Karnatak/Percussi Performance & Viva on Music: Voce (Tabla/Pakhawaj) *DSE -4 Project Work: Vocal/Instrumental /Karnatak/Percussi on Music 2 *These courses shall be offered to the students of B.A. Honours, other than their own discipline. Syllabus for B.A. -
The Mountain Path Vol. 45 No. 4, Oct 2008
CONTENTS RAMANA A SHTOTTARAM 2 EDITORIAL Effort and Effortlessness 3 BHAGAVAN’S FORTY TWO V ERSES FROM T HE G ITA Neera Kashyap 9 FREEWILL John Grimes 21 MY CHILDHOOD WITH BHAGAVAN: PART TWO Rajalakshmi 27 ON THE NATURE OF SELF-INFLICTED SUFFERING Mukesh Eswaran 37 KEYWORD Mounam 47 ULLADU NARPADU: VERSE TWENTY S. Ram Mohan 53 THE SIGNIFICANCE OF PRADAKSHINA N.A. Mohan Rao 57 THE N AMES OF SIVA Ramesh Menon 64 IN PRAISE OF THE LAZY ONES David Godman 65 FREUD’S UNCONSCIOUS IN THE LIGHT OF VEDANTA S. Mohan 71 JULIAN OF NORWICH: PART ONE Sister Bridget Mary 77 PRACTICAL INSTRUCTION: PART THREE Swami Sadasivananda 87 EXPERIENCING GOD AS ‘I AM’ Michael James 95 BOOK E XCERPT: A WOMAN’S WORK Mary Ellen Korman 101 SRI ARUNACHALA VENBA Sadhu Om Swami 109 R AMANA KIDS’ CORNER 115 LETTERS TO THE EDITOR 117 BOOK REVIEWS 120 ASHRAM BULLETIN 125 EDITORIAL Ramana Ashtottaram 56. Aae< ivmlay nm> Effort and Om VimalÅya namah. Prostration to the flawless one. Effortlessness The flaws in our human nature, which hide the Self as clouds conceal the Sun, are the dark shadows cast by the ego. Bhagavan, being wholly egoless, shines as pure Awareness free from every flaw. 57. Aae< dI"RdizRne nm> Om D≠rgha dar±ine namah Prostration to the far-sighted one. One of transcendental vision who sees beyond time and space; one mong the exceptional individuals whose stature is recognised not who looks through the phenomenal and sees the Real. Aonly in India but around the world, Mahatma Gandhi stands out in the public eye as the one who shaped modern India and influenced other political activists who sought freedom through peaceful means. -
Carnatic Music Theory Year Ii
CARNATIC MUSIC THEORY YEAR II BASED ON THE SYLLABUS FOLLOWED BY GOVERNMENT MUSIC COLLEGES IN ANDHRA PRADESH AND TELANGANA FOR CERTIFICATE EXAMS HELD BY POTTI SRIRAMULU TELUGU UNIVERSITY ANANTH PATTABIRAMAN EDITION: 2.1 Latest edition can be downloaded from https://beautifulnote.com/theory Preface This text covers topics on Carnatic music required to clear the second year exams in Government music colleges in Andhra Pradesh and Telangana. Also, this is the second of four modules of theory as per Certificate in Music (Carnatic) examinations conducted by Potti Sriramulu Telugu University. So, if you are a music student from one of the above mentioned colleges, or preparing to appear for the university exam as a private candidate, you’ll find this useful. Though attempts are made to keep this text up-to-date with changes in the syllabus, students are strongly advised to consult the college or univer- sity and make sure all necessary topics are covered. This might also serve as an easy-to-follow introduction to Carnatic music for those who are generally interested in the system but not appearing for any particular examination. I’m grateful to my late guru, veteran violinist, Vidwan. Peri Srirama- murthy, for his guidance in preparing this document. Ananth Pattabiraman Editions First published in 2010, edition 2.0 in 2018, 2.1 in 2019. Latest edition available at https://beautifulnote.com/theory Copyright This work is copyrighted and is distributed under Creative Commons BY-NC-ND 4.0 license. You can make copies and share freely. Not for commercial use. Read https://creativecommons.org/licenses/by-nc-nd/4.0/ About the author Ananth Pattabiraman is a musician. -
Shri Guru Charitra
SRI GURUCHARITRA 1 Contents Introduction 1 ...............................................................................................................................................3 Introduction 2 ................................................................................................................................................4 Chapter 1a - Namdharak is blessed with the Vision of Sri Guru Nath.........................................................5 Chapter 1 - Namdharak sees Shri Guru in Dream.........................................................................................7 Chapter 2 - Siddha Muni Guides Namdharak ...............................................................................................7 Chapter 3 - Durwas Curses King Ambarish................................................................................................10 Chapter 4 - Birth of Shri Dattatraya ............................................................................................................11 Chapter 5 - Birth of Shripad Shri Vallabha.................................................................................................12 Chapter 6 - Ravana and Gokarna Mahabaleshwar ......................................................................................13 Chapter 7 - Soumini and Madayanti at Gokarna.........................................................................................15 Chapter 8 - Shripad Shrivallabha Blesses a Brahmani and Her Son...........................................................17 -
Upcoming Sruti Concert
SRUTI The India Music & Dance Society A Publication of SRUTI Volume 1, Issue 4 Fall 1998 Board of Directors President Sudhakar Rao From the Editors 610-277-1607 Dear Sruti Friends Vice President Prabhakar Chitrapu As we present this last quarterly issue of Sruti Notes for 1998, we would like to thank all the 215-616-0486 writers who contributed to the issues during the year. The active participation made it possible for us Recording Secretary to make timely presentations of news, views, reviews and other articles. We have also received en- Poornima Narayan thusiastic responses to the Quiz and the Discussion Forum introduced in the last newsletter, encour- 215-493-9091 aging us to continue these features in the future. We thank all those who sent us their responses. Corresponding Secretary In addition to the usual reports from Sruti committees, this issue contains information regarding A. Srinivasa Reddy upcoming events in the area, news from the Sruti community, reviews of recent Sruti concerts, re- 610-272-5198 sposes to the quiz and the discussion forum and an article on music improvisation. Treasurer Usha Balasubramanian 215-699-2827 For the remainder of the year, the Library Committee will be working on bringing out the 1998 issue of Sruti Ranjani, Sruti's major publication. Please send your articles related to Indian Classical Members at Large music and dance to a Library Committee member. In particular, we would very much like to hear Santi Kanumalla from the children and youth and request parents to encourage them to write on any topic related to 610-277-8955 music and dance. -
Ācārya Śaṅkara and His Brahma-Sūtra: a Realistic Approach
Ācārya Śaṅkara and His Brahma-Sūtra: A Realistic Approach Prajna Panda1 Prof. N.C. Panda2 Abstract Ācārya Śaṅkara was a great philosopher of ancient India. He was most renowned exponent of the Advaita Vedānta School of philosophy, from whose doctrines the main currents of modern Indian thought are derived. He has propagated Advaita Vedānta. According to Ācārya Śaṅkara, there is one Absolute Brahman, who is known as Sat- Cit-Ānanda-- who is of an absolutely homogeneous nature. The appearance of this World is due to Māyā -- the illusory power of Brahman which is neither Sat (true) nor Asat (false). This World is also unreal. Ācārya Śaṅkara travelled widely in India and preached his Advaita philosophy wherever he went. He taught that supreme Brahman is Nirguṇa (without the guṇas), Nirākāra (formless), Nirviśeṣa (without attributes) and Akartā (non-agent). Brahman is above all needs and desires. This paper will highlight all about the Vedāntic Philosophy of Śaṅkara as described in his Brahma Sūtra. Keywords : Brahma Sūtra, Vedāntic thoughts, Ultimate Reality, The word Vedānta literally means ‘the end of the Vedas’. Primarily, the word understood for the Upaniṣads, though afterwards its denotation widened to include all thoughts developed out of the Upaniṣads. The Upaniṣads may be regarded as the end of the Vedas in different senses, viz. firstly, the Upaniṣads were the last literary products of the Vedic period. Three kinds of literature of this period can be broadly classified: the earliest being the Vedic mantras, the next being the Brāhmaṇas, which guiding and encouraging the Vedic rituals and the last, the Upaniṣads, which clearly discuss the philosophical tattvas or matters in a comprehensive way. -
To Download Bramasuthra Sankara Bhashya
Vedanta Vandanam-II 8_¯AVG?RRk<9R@;A\$_B Brahmasutrasankarabhashyasangrahah (Adisankara with his four disciples) FU1A:Y16U<R0R5R:R=;\"À0R=;:Q5:R:9$>16R3\?k<\=RW"?k<:Q I 8_¯AVG?Rk<9R@;A\$_B Brahmasutrasankarabhashyasamgrahah Compiled by V. Swaminathan and published on the occasion of the shastiabhdapurti celebrations of Dr. R. Krishnamurthi Sastrigal. (12th January 2005) Under the guidance of Dr. R. Krishnamurthi Sastrigal, M. A., Phd. Rtd. Principal, Madras Sanskrit College, Mylapore, Chennai 600004. Published by Saradambal Seva Samiti Trust, "Sankara Nilayam", 3, Sankaranarayana St., Tamabaram Sanatorium East, Chennai. 600047 ( Ph: 22233790 ) January 2005 3S Publication No : 9 Price Rs. 50.00 Typeset by : G. Periaswamy, C\o. Dr. R. Krishnamurthi Sastrigal, No.2 Sanskrit college Road, Chennai - 4. Printed at : Hindi Prachar Press T. Nagar Chennai - 17 Table of Contents 9V:"R Preface................................................................................................................. REALITY ........................................................................................................ 1 8_¯ 3 8_¯=mR514 )T> 17 )$1Q22 Ì4;RA25 Ì>}R30 REFUTATION .............................................................................................. 32 ARl×:Q 35 ;RW$44 >X?W@"5;R;44 8RX ARXGRt51">X9R@"RX 50 8RX;RW$R'R<55 :R4;:"57 )X5R58 Ò]?><5:H"R<0>R3 60 9R$>1:1:Q62 'R>R]" 65 6V>]:T:R\AR 67 A7RW, >R3 71 ER5":]A:Uc; 72 9W3R9W3 72 6_6b6_>=;73 R E F L E C T I O N .................................................................................... -
Journal Royal Asiatic Society
FIRST QUARTER JANUARY, 1935. THE JOURNAL OF THE ROYAL ASIATIC SOCIETY OF GREAT BRITAIN AND IRELAND With which are incorporated the Proceedings of the Society of Biblical Archaeology January 1935 PUBLISHED BY THE SOCIETY 74 GROSVENOR STREET, LONDON, W. 1 Price Fifteen Shillings Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.219, on 28 Sep 2021 at 23:38:38, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0035869X00083222 Indexes to the Transactions and Journal of the Royal Asiatic Society FOR THE YEARS 1827-1888. Price Four Shillings and Sixpence. FOR THE YEARS 1889-1903. Price Four Shillings and Sixpence. Centenary Volume of the Royal Asiatic Society, containing a brief history of the Society from 1823 to 1923, together with indexes of authors, their contributions to the Journal and of the regions and countries dealt with, 1827—1922. Compiled and edited by F. E. PARGITER. 1923. Price 7s. 6d. The Centenary Supplement of the Journal of the Royal Asiatic Society, 1924. Being a selection of papers read to the Society during the celebrations of July, 1923. Price 7s. 6d. Decade Index of the Journal of the Royal Asiatic Society, 1920-29. Paper Covers similar to JOURNAL, each Is. ; Bound in paper boards, each 1 s. 6d. ; Bound in paper boards and interleaved, each 2s. Members are asked to present the following numbers of the R.A.S. Journal:— OLD SERIES. 1842. Vol. VII, No. 13. 1849. Vol. XI. 1861. Vol. XIX, Pt. II. -
Darsana Iii (Skt4 C12)
DARSANA III (SKT4 C12) IV SEMESTER CORE COURSE M.A. SANSKRIT (GENERAL) (2019 Admission onwards) UNIVERSITY OF CALICUT School of DistanceEducation Calicut UniversityP.O. Malappuram - 673 635 Kerala 190214 School of Distance Education UNIVERSITY OF CALICUT School of Distance Education Study Material IV SEMESTER Core Course (SKT4 C12) M.A. SANSKRIT (GENERAL) DARSANA III Prepared by: Sri. Sumesh A.S, Assistant Professor in Sanskrit, SDE, University of Calicut. Scrutinized by: Dr. Geetha. H, Assistant Professor & Head, Dept. of Sanskrit, Govt. College, Chittur, Palakkad. DISCLAIMER “The author shall be solely responsible for the content and views expressed in this book” Darsana III 2 School of Distance Education CONTENTS UNIT I – 5 UNIT II – 21 Darsana III 3 School of Distance Education Darsana III 4 School of Distance Education Unit I A general survey of pre and post Śaṅkara literature - A general survey of literature on Śāṅkaravedānta - Vedāntaparibhāṣā as a prakriyā grantha on Advaita Vedanta - Synoptical survey and content analysis of Vedāntaparibhāṣā - Date, time and works of Dharmarājādhvarīndra Pre-Sankara Advaita The Advaita tradition has its roots in the Vedas, which have been expounded from times immemorial; it cannot be dated with great accuracy. However, the earliest formulation of the system can be traced back to the Mandukya-karikas of Gaudapada. The predecessor and teacher of Gaudapada is said to be Suka the famous author of the Bhagavatapurana. To this day, however, there is no hard evidence to support this traditional belief. Prior to Suka seems to be the sage Vyasa whom Vacaspati identifies with the author of the Brahmasutras in the introductory verse of his commentary Bhamati: "brahmasutrakrte tasmai vedavyasaya dhimate". -
Ragas Are There? — P
THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXII 1991 mimumHHmMjUUMmBimMlIBBBBBBBlIBBBBUIlllIHlBW" ■■nBBBBBBBBBBBflBBBBBBBflBBBBBBBBBBBBM 5n? * jiffitfro to* i tr^TT to nrafci to firoiftr n “I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!” Edited by T. S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras-600 014 Annual Subscription - Inland Rs.40: Foreign $ 3-00 V OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewritten (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full.) The Editor of the Journal is not responsiblev«r for the views expressed by contributors in their articles. CONTENTS . PAGE y The 64th Madras Music Conference - Official Report — 1 Advisory Committee Meetings — 19 The Sadas — 52 Margadarsi Whom Swati Tirunal Followed — T.S. Parthasarathy — 72 Compositions of Ettayapuram Rulers -—Dr. Gowri Kuppuswamy & Dr. M. Hariharan — 82 Development of the Repertoire in Modern Bharata Natyam —-Annie-Marie Gaston (Anjali) — 95 Tana Varnam - Its Identity and Significance -—Lalita Ramakrishna — 135 How many Janya Ragas are there? — P. -
The Transformation of the Scholar As a Factor in Hindu-Christian Studies
Journal of Hindu-Christian Studies Volume 3 Article 3 January 1990 The Transformation of the Scholar as a Factor in Hindu-Christian Studies Francis X. Clooney Follow this and additional works at: https://digitalcommons.butler.edu/jhcs Part of the Religion Commons Recommended Citation Clooney, Francis X. (1990) "The Transformation of the Scholar as a Factor in Hindu-Christian Studies," Journal of Hindu-Christian Studies: Vol. 3, Article 3. Available at: https://doi.org/10.7825/2164-6279.1026 The Journal of Hindu-Christian Studies is a publication of the Society for Hindu-Christian Studies. The digital version is made available by Digital Commons @ Butler University. For questions about the Journal or the Society, please contact [email protected]. For more information about Digital Commons @ Butler University, please contact [email protected]. Clooney: The Transformation of the Scholar as a Factor in Hindu-Christian Studies The Transformation of the Scholar as a Factor in Hindu·Christian Studies Francis X. Clooney, S. J. University of Chicago A lively, varied range of scholarly activities is gathered today under the title of "Hindu-Christian studies." Indeed, we find as many different approaches and interests surfacing in this field as can be found in other areas of theology and the study of religion. The wealth of material that deals with the study of the religions grouped loosely under the titles of "Hinduism" and "Christianity" is itself enormous and still growing. Now, in addition, many of us are documenting and predicting the relationships among these religions; monographs, collections of essays and, most recently, this journal, all offer us considerations of how the re1igion~ have interacted, how they are similar and differ, what the implications of the growing mutual information and respect are, etc. -
In the Samkarite Advaita Vedanta
CHAPTER - 2 THE CONCEPT OF ~ IN THE SAMKARITE.I • ADVAITA VEDANTA- : ... .. , : ·- 41 , - THE CQ\JCEPT OF MAYA IN THE SAMKARITE ADVAITA VEDANTA I. Some Preliminary Observations about Advaita View of .Maia with special reference to Gaudapada • • , . Gaudapada, the teachers' teacher of Samkara recovered the • 1 creed of Advaita from the Vedas. It is not needless to say that he revived the monistic tendencies of the Upanisads and exposed • them .in a very systematic manner. In his Mandu.kya~.lGri.ki which , . is otherwise known as Agama Sastra or Gaudapida Karika , he did • not refer to any other writer of the monistic schoolo Samkara~ . admits the credit of Gaudapada,. but not of Badrayana, in recover- ing the non-dualistic ( advaita ) creed from the Vedas. He expre ssed his regards to Gaudapada at the conclusion of his commentary • 2 on Gaudapada's Kariki o 0 1o Gaudapada- was said to be the teacher of Govindapada- and Samkara~ . - _, . was .recognised as the direct disciple of Govindapada. Samkara 1 s student Suresvara also refers to Gaudapada as the 11 revered • Gaud a " in Naiskarmyasiddhi by saying, " Evam Gaud air Dravidair o ah . - . ,. pujaniyair arthah prabhasitah o11 Samkara was influenced by • • • 0 Gaudapada's great wisdomo Dro SoNo Dasgupta thinks thattin order • to~ble to teach Samkara , Gaudapada must have been living till ~ . at least 800 A.D.~ One may see in this respect, A History of Indian Philosophy ( Motilal Banarsidass, 1975 ) , Po 423o 2o ·Samkarabhasya on Gaudapada-Karika ( Tro Durgacaran Samkhya Vedanta-Ti~tha ; Cal~utta Deb Sahitya Kuthir , 1355 BoS. ) p. 296o 42 , .