Visual Artists Nominated by the Public to Appear on the Next £20 Note
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An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson
An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson A Thesis submitted by: Andre Weiss B. A. 1998 Supervisor: Dr. Gavin Stamp Submitted in fulfilment of the requirements for the Master of Architecture Mackintosh School of Architecture, The University of Glasgow September 1999 ProQuest N um ber: 13833922 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833922 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Contents List of Illustrations ...................................................................................................... 3 Introduction .................................................................................................................9 1. The Previous Claims of an InfluentialRelationship ............................................18 2. An Exploration of the Individual Backgrounds of Thomson and Schinkel .............................................................................................................38 -
Uncovering the Underground's Role in the Formation of Modern London, 1855-1945
University of Kentucky UKnowledge Theses and Dissertations--History History 2016 Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945 Danielle K. Dodson University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.339 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Dodson, Danielle K., "Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945" (2016). Theses and Dissertations--History. 40. https://uknowledge.uky.edu/history_etds/40 This Doctoral Dissertation is brought to you for free and open access by the History at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--History by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
The Making of the Sainsbury Centre the Making of the Sainsbury Centre
The Making of the Sainsbury Centre The Making of the Sainsbury Centre Edited by Jane Pavitt and Abraham Thomas 2 This publication accompanies the exhibition: Unless otherwise stated, all dates of built projects SUPERSTRUCTURES: The New Architecture refer to their date of completion. 1960–1990 Sainsbury Centre for Visual Arts Building credits run in the order of architect followed 24 March–2 September 2018 by structural engineer. First published in Great Britain by Sainsbury Centre for Visual Arts Norwich Research Park University of East Anglia Norwich, NR4 7TJ scva.ac.uk © Sainsbury Centre for Visual Arts, University of East Anglia, 2018 The moral rights of the authors have been asserted. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher. British Library Cataloguing-in-Publication Data. A catalogue record is available from the British Library. ISBN 978 0946 009732 Exhibition Curators: Jane Pavitt and Abraham Thomas Book Design: Johnson Design Book Project Editor: Rachel Giles Project Curator: Monserrat Pis Marcos Printed and bound in the UK by Pureprint Group First edition 10 9 8 7 6 5 4 3 2 1 Superstructure The Making of the Sainsbury Centre for Visual Arts Contents Foreword David Sainsbury 9 Superstructures: The New Architecture 1960–1990 12 Jane Pavitt and Abraham Thomas Introduction 13 The making of the Sainsbury Centre 16 The idea of High Tech 20 Three early projects 21 The engineering tradition 24 Technology transfer and the ‘Kit of Parts’ 32 Utopias and megastructures 39 The corporate ideal 46 Conclusion 50 Side-slipping the Seventies Jonathan Glancey 57 Under Construction: Building the Sainsbury Centre 72 Bibliography 110 Acknowledgements 111 Photographic credits 112 6 Fo reword David Sainsbury Opposite. -
Advice to Inform Post-War Listing in Wales
ADVICE TO INFORM POST-WAR LISTING IN WALES Report for Cadw by Edward Holland and Julian Holder March 2019 CONTACT: Edward Holland Holland Heritage 12 Maes y Llarwydd Abergavenny NP7 5LQ 07786 954027 www.hollandheritage.co.uk front cover images: Cae Bricks (now known as Maes Hyfryd), Beaumaris Bangor University, Zoology Building 1 CONTENTS Section Page Part 1 3 Introduction 1.0 Background to the Study 2.0 Authorship 3.0 Research Methodology, Scope & Structure of the report 4.0 Statutory Listing Part 2 11 Background to Post-War Architecture in Wales 5.0 Economic, social and political context 6.0 Pre-war legacy and its influence on post-war architecture Part 3 16 Principal Building Types & architectural ideas 7.0 Public Housing 8.0 Private Housing 9.0 Schools 10.0 Colleges of Art, Technology and Further Education 11.0 Universities 12.0 Libraries 13.0 Major Public Buildings Part 4 61 Overview of Post-war Architects in Wales Part 5 69 Summary Appendices 82 Appendix A - Bibliography Appendix B - Compiled table of Post-war buildings in Wales sourced from the Buildings of Wales volumes – the ‘Pevsners’ Appendix C - National Eisteddfod Gold Medal for Architecture Appendix D - Civic Trust Awards in Wales post-war Appendix E - RIBA Architecture Awards in Wales 1945-85 2 PART 1 - Introduction 1.0 Background to the Study 1.1 Holland Heritage was commissioned by Cadw in December 2017 to carry out research on post-war buildings in Wales. 1.2 The aim is to provide a research base that deepens the understanding of the buildings of Wales across the whole post-war period 1945 to 1985. -
Newsletter 2017
Newcastle Philatelic Society Newsletter VIEWS FROM NOBBYS Newcastle Philatelic Society, P.O. Box 34, JESMOND NSW 2299 Website : www.newcastlephilatelicsociety.org.au NOVEMBER, 2017 : Newsletter No. 183 : EDITOR: Ron Davis WHAT’S ON IN YOUR SOCIETY THE NEWCASTLE PHILATELIC SOCIETY MEETS 7.30pm SECOND THURSDAY of EACH MONTH MAYFIELD SENIOR CITIZENS HALL, cnr, PACIFIC HWY & HANBURY STREET , MAYFIELD AND EACH THIRD WEDNESDAY AT 10.00 a.m. AT STUDIO 48, 48 MACKIE AVENUE, NEW LAMBTON. VISITORS ALWAYS WELCOME DATES DETAILS Thurs 9 Nov 2017 Display by Andrew Brockett “RAAF OVERSEAS MAIL DURING WWII” Wed 15 Nov 2017 Newcastle Daytime Meeting : 10 am, 48 Mackie Avenue, New Lambton, Display by Paul Storm – “THE WORLD’S GREATEST EXHIBITIONS (EXPOS) FROM 1851” Sun 19 Nov 2017 Junior Stamp Activities Meeting, at WALLSEND STAMP FAIR, 11 a.m Mon 11 Dec 2017 Visit to Maitland Stamp Club (Take along some pages) Thurs 14 Dec 2017 Display by Tony Walker – “GERMAN OCCUPATION OF GUERNSEY” Sun 17 Dec 2016 Junior Stamp Activities Meeting, at WALLSEND STAMP FAIR, 11 a.m December 2017 NO Newcastle Daytime Meeting Thurs 11 Jan 2018 Display by John Lavender/ Mark Saxby “HUNTER VALLEY POSTMARKS” Wed 17 Jan 2018 Newcastle Daytime Meeting : 10 am, 48 Mackie Avenue, New Lambton, Display by Anna Hill– “DESIGN ERRORS ON STAMPS” Sun 21 Jan 2018 Junior Stamp Activities Meeting, at WALLSEND STAMP FAIR, 11 a.m Thurs 8 Feb 2018 Display by Warren Oliver “NEW SOUTH WALES” Sun 18 Feb 2018 Junior Stamp Activities Meeting, at WALLSEND STAMP FAIR, 11 a.m Wed 21 Feb 2018 Newcastle Daytime Meeting : 10 am, 48 Mackie Avenue, New Lambton Display by Ed Burnard – “ GREAT BRITAIN & N,Z. -
Check List 2019
Post & Go Faststamps of Great Britain Check List 2019 Version: V.2019.0 First Day Covers Presentation Packs Collectors Strips National Exhibitions International Exhibitions Local Shows & Fairs The Postal Museum (Formerly BPMA) National Museum of Royal Navy - NMRN Royal Marines Museum - RMM Fleet Air Arm Museum - FAAM Royal Navy Submarine Museum - RNSM National Museum of RN - HMS Trincomalee National Museum of RN - HMS Caroline Explosion! Museum of Naval Firepower Museum of the Great Western Railway - STEAM GWR British Forces Post Office (BFPO) HQ - RAF Northolt The Shakespeare Centre The Royal Signals Museum East Anglian Railway Museum (EARM) Jersey Post Guernsey Post Royal Gibraltar Post Office State of Qatar Kiosks Fonts Datastrings Office Identifiers 2008 to 2019 The information contained within this document is believed to be correct at the time of publication. Details are constantly being reviewed and up-dated and therefore the right is reserved to change anything at any time. Please use the Contacts page to report any errors, corrections or omissions to S. Leigh. Esel PostandgoCheckList Copyright © 2017 S. Leigh Post & Go Faststamps Esel PostandgoCheckList This Check List has been designed to only include standard issued stamps, reference is made to premature issues, major print errors and the like, but does not include all software and local print errors. Similarly, not all listings are made where, in recent times following the introduction of NCR machines, 1st and 2nd class stock are placed in the wrong printer (accidentally or intentionally) - where known they are included Also, the list does not include the Open Value (OV) Faststamps issued from NCR machines since their introduction in 2014. -
No 424, February 2020
The Clapham Society Newsletter Issue 424 February 2020 We meet at Omnibus Theatre, 1 Clapham Common North Side, SW4 0QW. Our guests normally speak for about 45 minutes, followed by around 15 minutes for questions and discussion. The bar is open before and after. Meetings are free and open to non-members, who are strongly urged to make a donation. Please arrive in good time before the start to avoid disappointment. Gems of the London Underground Monday 17 February On 18 November, we were treated to a talk about the London Underground network, Sharing your personal data in the the oldest in the world, by architectural historian Edmund Bird, Heritage Manager of Health and Care System. Dr Jack Transport for London. He has just signed off on a project to record every heritage asset Barker, consultant physician at King’s and item of architectural and historic interest at its 270 stations. With photographs and College Hospital, is also the Chief back stories, he took us on a Tube ride like no other. Clinical Information Officer for the six One of his key tools is the London Underground Station Design Idiom, which boroughs of southeast London. He is groups the stations into 20 subsets, based on their era or architectural genre, and the driving force behind attempting to specifies the authentic historic colour schemes, tile/masonry repairs, etc, to be used improve the effectiveness and efficiency for station refurbishments. Another important tool is the London Underground Station of local health and care through the use of Heritage Register, which is an inventory of everything from signs, clocks, station information technology, and he will tell us benches, ticket offices and tiling to station histories. -
PRESS RELEASE New Lease of Life for Burslem School Of
PRESS RELEASE New lease of life for Burslem School of Art Burslem School of Art, in the heart of the Mothertown, will soon be embarking on a new chapter in its illustrious history. From September 2016, 200 students from Haywood Sixth Form Academy will move into the newly refurbished grade II listed building to enjoy purpose-built facilities. A state-of-the-art design enterprise suite will be used for engineering product design and textiles. A specialist photography suite will house its own dark room and Apple Macs to enable students to learn digital photography skills. An ICT ‘window on the world’ room and specialist computing laboratory will provide students with leading-edge computer equipment and there will also be a specialist science lab and language lab. Students will develop their artistic talents in the magnificent art room, with its huge windows and perfect lighting for artwork, following in the footsteps of the Burslem School of Art’s prestigious alumni, including Clarice Cliff, Susie Cooper and William Moorcroft. The Burslem School of Art Trust carried out a refurbishment of the building in 2000 and has developed and delivered many arts events, projects and activities over the past fifteen years, working with diverse communities and artists. Now, Haywood Sixth Form Academy is working closely with the Trust to form a partnership that will build on its fantastic work and secure the future of this beautiful building. Carl Ward, Executive Headteacher, said: “Haywood Sixth Form Academy is becoming as popular as I had hoped when many parents and students asked if we would consider opening, just a few years ago. -
University College London: Library DDA Works PPG15 Justification
DRAFT UNIVERSITY COLLEGE LONDON LIBRARY DDA WORKS PPG15 JUSTIFICATION Prepared for UNIVERSITY COLLEGE LONDON ALAN BAXTER & ASSOCIATES MAY 2004 DRAFT CONTENTS CONTENTS 1. Introduction...................................................... 2 2. History of the Wilkins building .......................... 3 3. The Wilkins building today .............................. 10 4. Significance.................................................... 12 5. Impact of proposals ........................................ 15 6. Conclusion ..................................................... 17 Prepared by: William Filmer-Sankey and Lucy Markham Reviewed by: [name] Revised: [date] This report may not be issued to third parties without the prior permission of Alan Baxter & Associates © Alan Baxter & Associates 2004 ALAN BAXTER & ASSOCIATES UCL CONSERVATION STRATEGY REPORT AND PPG 15 JUSTIFICATION • MAY 2004 1 DRAFT 1. INTRODUCTION 1. INTRODUCTION This report has been prepared for the Estates and Facilities Division of University College London (UCL). UCL needs to make alterations to the Wilkins building to improve access to the library (on its upper floors) by the end of the year in order to comply with the terms of the Disability Discrimination Act (DDA). In December 2003 Alan Baxter & Associates produced draft Management Guidelines for UCL which identified what is significant about the UCL buildings and to help streamline the process of gaining future listed building consents. This report is based on these Management Guidelines but includes information from the recent opening-up works. The Wilkins Building is Grade I listed. The new access proposals involve removing a staircase, one of which was inserted by TL Donaldson in 1849-51, and installing a lift (along with a new staircase) to provide access for the mobility impaired to the library. This report has been written to accompany an application for listed building consent, and to demonstrate that the alterations are required by the DDA, and are justifiable in terms of the criteria set out in PPG15. -
Women Sculptors and Their Male Assistants: a Criticised but Common Practice in France in the Long Nineteenth-Century
Laurence Riviale et Jean-François Luneau (dir.) L’Invention partagée © Presses Universitaires Blaise Pascal, 2019 ISBN (papier) – 978-2-84516-847-3 ISBN (pdf) – 978-2-84516-848-0 ISBN (ePub) – 978-2-84516-849-7 Women Sculptors and their Male Assistants: a Criticised but Common Practice in France in the long Nineteenth-Century Marjan Sterckx Maître de conférences en histoire de l’art / Associate professor in art history Université de Gand / Ghent University Abstract: The creation process of sculpture always has relied on the use of assistants. However, women sculptors often have faced a double standard. Despite simply following standard sculpting practices, they have commonly been reproached for not being the true authors of their works, as sceptics could hardly believe a woman, due to her slighter physique, could be a sculptor. The multitude of references to such rumours and comments in historic and more recent publications on women sculptors shows that it has been an international and persistent phenomenon. This article takes France, and particularly Paris, as a case study, covering the (very) long nineteenth century, with the aim of examining developments across different periods. The earliest French sculptresses – some worked as ‘amateurs’ because of their high social status while others struggled to make money – were attacked for their use of assistants. The Second Empire, with its many commissions for contemporary sculptors, saw a rise in ‘professional’ women sculptors from the middle classes. It then became more acceptable for women to employ assistants and openly communicate about it. The relatively easy access to praticiens in Paris actually seems to have helped sculptresses in nurturing professional careers alongside their male colleagues, while their training opportunities were still all but equal. -
Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1Pm Knightsbridge, London
Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge, London Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge Bonhams Bids Enquiries Please see page 2 for bidder Montpelier Street +44 (0) 20 7447 7448 Modern British & Irish Art information including after-sale Knightsbridge +44 (0) 20 7447 7401 fax Emma Corke collection and shipment London SW7 1HH To bid via the internet please visit +44 (0) 20 7393 3949 www.bonhams.com www.bonhams.com [email protected] Please see back of catalogue for important notice to bidders Viewings Please note that bids should be Shayn Speed submitted no later than 24 hours +44 (0) 20 7393 3909 Illustration [email protected] East Anglian Pictures only before the sale. Front cover: Lot 91 The Guildhall Back cover: Lot 216 East Anglian Pictures Guildhall Street New bidders must also provide Inside front: Lot 46 Daniel Wright Bury St Edmunds proof of identity when submitting Inside back: Lot 215 +44 (0) 1284 716195 Suffolk, IP33 1PS bids. Failure to do this may result [email protected] in your bids not being processed. Tuesday 5 November 9am to 7pm Bidding by telephone will only be Customer Services Monday to Friday 8.30am to 6pm Wednesday 6 November accepted on a lot with a lower +44 (0) 20 7447 7447 9am to 4pm estimate in excess of £400. ----------- St Michael’s Hall Sale Number: 20779 Church Street Live online bidding is Reepham available for this sale Catalogue: £12 Norfolk, NR10 4JW Please email [email protected] with “Live bidding” in the subject Tuesday 12 November line 48 hours before the auction 9am to 7pm to register for this service. -
Download the Annual Report And
SIR JOHN SOANE'S MUSEUM Registered Charity No. 313609 THE ANNUAL REPORT AND ACCOUNTS FOR THE YEAR 1 APRIL 2013 TO 31 MARCH 2014 HC 359 SIR JOHN SOANE'S MUSEUM Registered Charity No. 313609 THE ANNUAL REPORT AND ACCOUNTS FOR THE YEAR 1 APRIL 2013 TO 31 MARCH 2014 PRESENTED TO PARLIAMENT PURSUANT TO ARTICLE 3(3) OF THE GOVERNMENT RESOURCES AND ACCOUNTS ACT 2000 (AUDIT OF PUBLIC BODIES) ORDER 2003 (SI 2003/1326) ORDERED BY THE HOUSE OF COMMONS TO BE PRINTED 15 JULY 2014 HC 359 © Sir John Soane’s Museum (2014) The text of this document (this excludes, where present, the Royal Arms and all departmental and agency logos) may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context The material must be acknowledged as Sir John Soane’s Museum copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to us at [email protected] This publication is available at https://www.gov.uk/government/publications Print ISBN 9781474109130 Web ISBN 9781474109147 Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office ID 07071401 07/14 41865 19585 Printed on paper containing 75% recycled fibre content minimum TRUSTEES OF SIR JOHN SOANE'S MUSEUM (AS AT 31 MARCH 2014) Guy Elliott (Chairman) Alderman Alison Gowman (Deputy Chairman) Molly Lowell Borthwick Bridget Cherry, OBE, FSA, Hon.