20Th-Century Repertory
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Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
江昭穎大提琴演奏會chao-Ying Chiang
國立交通大學 音樂研究所 演奏組 碩士論文 江昭穎大提琴演奏會 含輔助文件 李蓋悌《無伴奏大提琴奏鳴曲》 作品之樂曲分析與演奏詮釋探討 CHAO-YING CHIANG CELLO RECITAL WITH A SUPPORTING PAPER AN ANALYSIS AND INTERPRETATAION ON LIGETI’S SONATA FOR VIOLONCELLO SOLO 研究生：江昭穎 演奏指導教授：顧美瑜 輔助文件指導教授：顧美瑜 董昭民 中華民國 一百年 一月 江昭穎大提琴演奏會 含輔助文件 李蓋悌《無伴奏大提琴奏鳴曲》作品之樂曲分析 與演奏詮釋探討 CHAO-YING CHIANG CELLO RECITAL WITH A SUPPORTING PAPER AN ANALYSIS AND INTERPRETATAION ON LIGETI’S SONATA FOR VIOLONCELLO SOLO 研究生：江昭穎 STUDENT: CHAO-YING CHIANG 演奏指導教授：顧美瑜 PERFORMANCE ADVISOR：MEI-YU KU 輔助文件指導教授：顧美瑜 董昭民 SUPPORTING PAPER ADVISOR：MEI-YU KU, CHAO-MING TUNG 國立交通大學 音樂研究所 演奏組 碩士論文 A THESIS SUBMITTED TO THE INSTITUTE OF MUSIC COLLEGE OF HUMANITIES AND SOCIAL SCIENCES NATIONAL CHIAO TUNG UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC (CELLO PERFORMANCE) HSINCHU, TAIWAN January 2011 中華民國一百年一月 江昭穎大提琴演奏會 研究生：江昭穎 演奏指導教授：顧美瑜 輔助文件指導教授：顧美瑜 董昭民 演奏會曲目 佛烈斯可巴第：觸技曲 貝多芬：C 大調第四號大提琴奏鳴曲，作品 102 之 1 李蓋悌：大提琴無伴奏奏鳴曲 蕭邦：夜曲，作品 9 之 2 法朗克：A 大調大提琴奏鳴曲 上列曲目已於一百年一月十日晚間七點十五分，在國立交通大學演奏廳演出， 該場音樂會實況錄音之雷射唱片，附錄於本文封底。 輔助文件：李蓋悌《無伴奏大提琴奏鳴曲》作品之樂曲分析與 演奏詮釋探討 輔助文件摘要 李蓋悌為20世紀代表性的作曲家之一，他不斷地嘗試各類型的音樂創作，發 展出獨特的音樂手法：「微分複音音樂」(Micropolyphony)，成功締造了在樂壇 上不朽的地位。《無伴奏大提琴奏鳴曲》隸屬李蓋悌的早期作品，富有濃烈的民 謠風格。本論文將分成三部分進行探討：第一部分為早期生平與創作風格的整理 與歸納，並闡述此曲的創作背景；第二部分就巴爾托克對其之影響進而架構曲式 分析的概念，並從中研究李蓋悌如何在調性系統與非調性系統中完成此曲；第三 部分為演奏探討，以曲式分析的結果來建構演奏的詮釋想法，使音樂表達能更貼 近作者原意。 i Chao-Ying Chiang Cello Recital Student：Chao-Ying Chiang Advisor：Mei-Yu Ku Supporting Paper Advisor：Mei-Yu Ku, Chao-Ming Tung Recital Program G.Frescobaldi：Toccata (Arranged for Cello and Piano by Gaspar Cassadó) L. V. Beethoven：Sonata for Cello and Piano No.4 in C Major, Op. 102/1 György Ligeti：Sonata for Violoncello Solo F. Chopin：Nocturne op.9, No. 2 for Cello and Piano (Transcribed by David Popper) C. -
Sample Questions (PDF)
Question Question The Amati Quartet is an extremely rare set of four musical The following are all official mottos from Canadian universities. instruments owned by the University of Saskatchewan—the only Which one is the motto for the University of Saskatchewan? set of its kind in Canada and one of few in the world. The oldest of these instruments is a viola. When was it made? a) For God and Country b) Whatsoever Things are True a) 1607 c) I Will Lift up my Eyes b) 1707 d) By Work all Things Increase and Grow c) 1807 d) 1907 Answer Answer a) The University of Saskatchewan motto, in Latin, is Deo et Patriae, translated as For God and Country. Motto b) is University a) The viola dates to 1607, and was commissioned by Pope Paul V. of Alberta, c) is University of Calgary, d) is McGill University. The two violins date to 1627 and 1637, while the cello is comparatively "new", built in 1690. They were made by the famous Amati family of northern Italy, who supplied finely crafted musical instruments to royalty and the wealthy. The tone Question of these rare masterpieces is considered beyond compare. They were brought to Saskatchewan by Stephen Kolbinson, a Which of the following famous writers said that the University of Kindersley area farmer, Saskatchewan was "apparently half a century ahead of musician and avid Cambridge in Science and of Oxford in common sense"? musical instrument collector. In 1959, he a) W.O. Mitchell sold the set to the b) Farley Mowat university for a c) Norman Mailer nominal fee, making d) George Bernard Shaw the music from these instruments more Answer accessible to the people of Saskatchewan. -
20Th-Century Repertory
Mikrokosmos List 575. - 2 - June 2013 ....20TH-CENTURY REPERTORY 1 Ahrens, Joseph: Das heilige Jahr - comp.organ S 3 x MUSICA VIV MV 601114 A 20 2 Anrooy, Peter van: Piet Hein/ H.Andriessen: Kuhnau Variations/ J.Wagenaar: FONTANA 6530044 A 10 Cyrano & De getemde feeks Overtures - Residentie Orkest, cond.Dorati, Otterloo (Dutch pressing) S 3 Arndt, Rudi: Burleske for Trompet & Orch/Hattwig: Carpe diem/Rosenfeld: Scherzo NOVA 885008 A 10 for Vln & Orch/Arenz: Sommer/Bruchmann: Toccata S 4 Auric: Trio/ M.Constant: Trio/ Canteloube: Rustiques/ Lesur: Suite - Monte Carlo REM 11029 A 12 Wind Trio (gatefold) 1987 S 5 Balanchivadze: Piano Concerto 3, Ritsa Lake Intermezzo, On the Tbilisi Sea Waltz - MELODIYA D 3916 A 60 CP1 L.Oborin, cond.Khaikin, Dimitriadi 10" OLD 6 Bantock: Pierrot Ov/ Bridge: Summer, Hamlet, Suite for String Orch/ Butterworth: RCA RL 25184 A 10 Idyll for Small Orch - cond.Del Mar (UK) S 7 Bartok: Cantata Profana, 5 Hungarian Folk Songs, Village scenes, 7 Choruses - HUNGAROT SLPX 11510 A 10 cond.Dorati, Ferencsik, Korodi (Complete Edition) S 8 Bartok: Kossuth Sym Poem; Scherzo for Pno; Scherzo from Sym in E flat - E.Tusa, HUNGAROT SLPX 11517 A 10 cond.Lehel S 9 Bartok: Miraculous Mandarin ballet, Dance Suite, Hungarian Peasant Songs - HUNGAROT SLPX 11319 A 10 Budapest PO, cond.J.Sandor (Complete Edition) S 10 Bartok: Sonata for 2 Pnos & Perc; Solo Sonata for Vln - Kocsis, Ranki, Petz, Marton, HUNGAROT SLPX 11479 A 10 D.Kovacs (Complete Edition) S 11 Bartok: Suite 2, Rumanian Folk Dances, Transylvanian Dances, Hungarian Sketches -
ONYX4081.Pdf
ROBERT SCHUMANN (1810–1856) CD 1 50.10 String Quartet no.1 in A minor op.41 no.1 Streichquartett Nr. 1 a-moll · Quatuor à cordes no1 en la mineur 1 I Introduzione: Andante espressivo – Allegro 10.18 2 II Scherzo: Presto – Intermezzo 4.09 3 III Adagio 5.33 4 IV Allegro molto vivace 6.05 String Quartet no.2 in F op.41 no.2 Streichquartett Nr. 2 F-dur · Quatuor à cordes no2 en fa majeur 5 I Allegro vivace 6.00 6 II Andante, quasi variazioni 7.53 7 III Scherzo: Presto 2.57 8 IV Allegro molto vivace 7.09 CD 2 57.58 String Quartet no.3 in A op.41 no.3 Streichquartett Nr. 3 A-dur · Quatuor à cordes no3 en la majeur 1 I Andante espressivo – Allegro molto moderato 7.30 2 II Assai agitato – Un poco adagio – Tempo risoluto 6.42 3 III Adagio molto 8.01 4 IV Finale: Allegro molto vivace 6.49 Piano Quintet in E flat op.44 Klavierquintett E-dur · Quintette pour piano et cordes en mi bémol majeur 5 I Allegro brillante 8.26 6 II In modo d’una marcia. Un poco largamente 8.30 7 III Scherzo: Molto vivace 4.47 8 IV Allegro ma non troppo 7.07 Total timing: 1:48.08 Gringolts Quartet Ilya Gringolts · Anahit Kurtikyan violins Silvia Simionescu viola · Claudius Herrmann cello Peter Laul piano Schumann: String Quartets · Piano Quintet Schumann’s habit of immersing himself in one genre at a time began with 23 works for solo piano, written during a ten-year period. -
University Diversity
ON CAMPUS NEWS news.usask.ca FEB. 14, 2020 Volume 27, Issue 6 UNIVERSITY DIVERSITY From Black History Month to Indigenous Achievement Week, international student success and the upcoming One Day for Students fundraiser, we tell some of the stories of University of Saskatchewan students and staff with diverse backgrounds, coming from across the province and around the world. USask’s diversity enhances the university’s vibrant campus culture, while educating students for the opportunities of tomorrow. SEE PAGES 4-5, 8-9, 13-14. — 3 — — 6 — — 14 — GIVE PEAS A CHANCE CLIMATE CHANGE ONE DAY FOR STUDENTS Publication Mail Agreement #40065156 Pediatric residency program begins in Regina KRISTEN MCEWEN Saskatchewan now has its first degree before applying to medical Regina-based pediatrics residency school, which is a four-year program. On Campus News is published 12 times program. Once students have completed per year by University of Saskatchewan In July, two pediatric residents medical school, they are required Marketing and Communications. It is started their training at the Univer- to complete residency programs, distributed to all USask faculty, staff, graduate students and members of sity of Saskatchewan (USask) College which can be between two and seven governing bodies, as well as to others of Medicine Regina campus, where years depending on the specialty. in the university community, related roughly 30 per cent of all USask While residents have always organizations, some Saskatchewan medical students train each year. travelled between the cities and to government officials and news media. “We’re excited to have residents sites across the province for their Subscriptions are available for $24 based here,” said Dr. -
Terry Rileybiography and W Orks
Biography and Works Riley Terry G. Schirmer and Associated Music Publishers Composer and performer Terry Riley is one of the ing of his epic five-quartet cycle, Salome Dances for founders of music’s Minimalist movement. His early Peace was selected as the Classical album of the year Biography works, notably In C (1964), pioneered a form in by "USA Today" and was nominated for a Grammy. Western music based on structured interlocking repet- Riley Terry itive patterns. The influence of Riley’s hypnotic, multi- The Palmian Chord Ryddle, a concerto, was premiered layered, polymetric, brightly orchestrated Eastern-fla- in May 2012 by electric violinist Tracy Silverman and vored improvisations and compositions is heard The Nashville Symphony led by conductor Giancarlo across the span of contemporary and popular music. Guerrero. A subsequent performance occurred at Carnegie Hall. Recent works include Transylvanian Performers who have commissioned and/or played his Horn Courtship (2008) for string quartet doubling on works include: Kronos Quartet, Rova Saxophone Stroh instruments, Universal Bridge (2008) for pipe Quartet, ARTE Quartet, Array Music, Zeitgeist, organ, and the violin concerto Zephir (2009). Steven Scott Bowed Piano Ensemble, John Zorn, Sarah Cahill, California E.A.R. Unit, guitarist David Past commissions include: the orchestral Jade Palace Tanenbaum, electric violinist Tracy Silverman, drum- (1991) for Carnegie Hall’s centennial celebration, pre- mer George Marsh, bassist Bill Douglass, the Assad miered there by the Saint Louis Symphony -
Nbr 227 1972
KRAB PROGRAM GUI DE NUMBE R TWO HUNDRED AND TWENTY SEVEN Publ ished by the J ack Straw Memorial Foundati on, a non- profit, tax- exemp t ~ public or ganizat i on s olely designed to oper ate non- commercial, listener suppor ted radio s t at ions , of which KRAB is one, and KBOO (Portland) t he other. Th i s progr am guide, containing program listings for t he month of June , 1 972 ~ is not s o l d ~ it is gi ven, f ree of charge, to t he subs cr i bers and supporters of KRAB . We emph asize the fact that those who subs cribe aren't paying f or the progr am guide ~ but paying for KRAB o Subs cription rates to KRAB are $25 . 00 average yearly, $15 . 00 minimum yearly (for students , reti red people, and unemployed people) J or $5.00 for four months. Your contri bution or subscription is tax-deductible; checks and money orders should be made out to the Jack Straw Memori al Foundation. KRAB PM Studl o~ 90 29 Roosevelt Way N. E. Off ice : 1400 Harvard Avenue Se at t l e, WaD 98115 Seattle, Wa D 9812 2 Studi o : LA 2-5111 Office ~ EA 5-5110 and EA 5-5111 20.000 watts e .r.p . 107.7 on your dial If you 're moving please let us know so we can change your address card i n our file ; otherwise the post office may thr ow out your program guides r ather t han forwar d them. -
Conrad Tao, Piano
CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 The McKim Fund in the Library of Congress JACK QUARTET & CONRAD TAO, PIANO Thursday, December 3, 2020 ~ 8:00 pm The Library of Congress Virtual Event The MCKIM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Conversation with the Artists Join us online at https://loc.gov/concerts/jack-quartet.html for a conversation with the artists, videos about Elliott Carter and Ruth Crawford Seeger, and additional resources related to the concert, available starting at 10am on Thursday, December 3. Facebook Chat Want more? Join other concert goers and Music Division curators after the concert for a chat that may include the artists, depending on availability. You can access this during the premiere and for a few minutes after by going to facebook.com/pg/libraryofcongressperformingarts/videos How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc 3) Watch the premiere of the concert on Facebook: facebook.com/libraryofcongressperformingarts/videos Videos may not be available on all three platforms, and some videos will only be accessible for a limited period of time. The Library of Congress Virtual Event Thursday, December 3, 2020 — 8:00 pm The McKim Fund in the Library of Congress JACK QUARTET & CONRAD TAO, PIANO Christopher Otto & Austin Wulliman, VIOLIN John Pickford Richards, VIOLA Jay Campbell, CELLO Videography: Stuart Breczinski (Rodericus & Crawford Seeger) Videography: David Bird (Carter & Sorey) Audio Engineering: Ryan Streber 1 Program Rodericus (fl. -
Spohr Recorded Quartet Cycle on Marco Polo
THE SPW7r1R RECORDED QUARTET CYGLE ON MARCO POLO by Keith Warsep Introduction TN HIS NOTES included with the llilarco Polo recordings of Spohr's string quartets, Clive I Brown states: "The compositlbn of sting quartets ran as a continuous thread throughout ISpohr's life. He wrote his first, Op.4, at about the age of twenty, and more than frfty years later his last completed large-scale work was his String Quartet No. 36, Op.157." Such an @uwe makes the project of recording all 36 a daunting undertaking, a task made more difficult by the fact that Spohr's quartet output comprises a variety of sub-genres within the main format. There are six quartets plus two potpourris and two sets of variations which follow the example set by the French violinist Pierre Rode whose playing style and compositions Spohr deeply admired. Clive Brown again: "Since the piano was not yet the universal accompaniment instrument it later became, many violinist-composers wrote pieces with string accompaniment to provide them with a repertoire in which they could display their technical brilliance at soir6es and other occasions when an orchestra was not available. The quatuor brillant, a kind of chamber concerto, was a natural outcome of this." Spohr's six quatuors brillants are in tlree movements, without a minuet or scherzo, after th&l pattern of Rode's prototypes. A few more quartets are in a mixed mode, a title coined by Hans Glenewinkel in his 1912 authoritative dissertation on Spohr's chamber music for strings. The A major quartet, Op.30, features a quatuor brillant-type role for the first violin but otherwise the work is close to a "true" quartet with four movements and a considerable degree of involvement for the other instruments. -
24 January 2020 Page 1 of 13
Radio 3 Listings for 18 – 24 January 2020 Page 1 of 13 SATURDAY 18 JANUARY 2020 Keyboard Concerto in F minor, BWV.1056 Harmonia Mundi HMM902313 Angela Hewitt (piano), Norwegian Chamber Orchestra http://www.harmoniamundi.com/#!/albums/2578 SAT 01:00 Through the Night (m000d8zy) Missa Solemnis from Berlin 06:00 AM Dan Jones: Music for Seven Ice Cream Vans Giuseppe Verdi (1813-1901) Dan Jones (sound design) Beethoven's choral masterpiece performed by String Quartet in E minor NMC NMCDL2019-16 (download only) Kammerakademie Potsdam and Berlin Radio Chorus with Vertavo Quartet https://www.nmcrec.co.uk/recording/music-seven-ice-cream- Marek Janowski. Presented by John Shea. vans-live-recording 06:24 AM 01:01 AM Johannes Brahms (1833-1897) Roderick Williams: 3 Songs from Ethiopia Boy Ludwig van Beethoven (1770-1827) 6 Quartets for soprano, alto, tenor, bass and piano, Op 112 Roderick Williams (baritone) Missa Solemnis in D, op. 123 Danish National Radio Choir, Bengt Forsberg (piano), Stefan Chineke! Orchestra Iwona Sobotka (soprano), Jennifer Johnston (alto), David Butt Parkman (conductor) Eduardo Portal (conductor) Philip (tenor), Franz-Josef Selig (bass), Berlin Radio Chorus, NMC NMCDL2019-11 (download only) Kammerakademie Potsdam, Marek Janowski (conductor) 06:35 AM https://www.nmcrec.co.uk/recording/three-songs-ethiopia-boy- Johann Gottfried Muthel (1728-1788) live-recording 02:15 AM Concerto in D minor for harpsichord, 2 bassoons, strings and Ludwig van Beethoven (1770-1827) continuo Granados: Goyescas Symphony no 6 in F major, Op 68 (Pastoral) -
Formák És Kifejezésmódok Ligeti György Vokális Művészetében
ANTAL LAURA FORMÁK ÉS KIFEJEZÉSMÓDOK LIGETI GYÖRGY VOKÁLIS MŰVÉSZETÉBEN DOKTORI ÉRTEKEZÉS 2008 Liszt Ferenc Zeneművészeti Egyetem Doktori iskola (7.6 zeneművészet) FORMÁK ÉS KIFEJEZÉSMÓDOK LIGETI GYÖRGY VOKÁLIS MŰVÉSZETÉBEN ANTAL LAURA TÉMAVEZETŐ: TIHANYI LÁSZLÓ DOKTORI ÉRTEKEZÉS 2008 I TARTALOMJEGYZÉK ELŐZETES MEGJEGYZÉSEK................................................................................................... II 1. INDULÁS – EGY ÚJ IRÁNY ELSŐ CSÍRÁI ...................................................................... 1 1.1. KEZDETEK, KÓRUSÉLMÉNYEK ......................................................................................... 1 1.2. BARÁTSÁG WEÖRES SÁNDORRAL – ÚJ UTAKON................................................................ 2 1.3. ÉJSZAKA - REGGEL.......................................................................................................... 3 2. ÚJ POLIFÓNIA SZÜLETÉSE ........................................................................................... 10 2.1. MIKROPOLIFÓNIA ÉS EXPRESSZIONIZMUS – REQUIEM ..................................................... 10 2.2. MOZDULATLAN VÁLTOZÁS - LUX AETERNA ................................................................... 24 2.3. A STATICO ÉS MECCANICO ELŐZMÉNYEI ÉS VOKÁLIS CSÚCSA – CLOCKS AND CLOUDS ..... 35 3. GROTESZK GESZTUSOK................................................................................................ 46 3.1. AZ ELEKTRONIKÁTÓL A BESZÉDHANGOKIG – AVENTURES, NOUVELLES AVENTURES ....... 47 3.2. FÉLELEM MÁS SZEMSZÖGBŐL: EGY