Germanic: the Runes Germánico: Las Runas
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0. Introduction L2/12-386
Doc Type: Working Group Document Title: Revised Proposal to Encode Additional Old Italic Characters Source: UC Berkeley Script Encoding Initiative (Universal Scripts Project) Author: Christopher C. Little ([email protected]) Status: Liaison Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Replaces: N4046 (L2/11-146R) Date: 2012-11-06 0. Introduction The existing Old Italic character repertoire includes 31 letters and 4 numerals. The Unicode Standard, following the recommendations in the proposal L2/00-140, states that Old Italic is to be used for the encoding of Etruscan, Faliscan, Oscan, Umbrian, North Picene, and South Picene. It also specifically states that Old Italic characters are inappropriate for encoding the languages of ancient Italy north of Etruria (Venetic, Raetic, Lepontic, and Gallic). It is true that the inscriptions of languages north of Etruria exhibit a number of common features, but those features are often exhibited by the other scripts of Italy. Only one of these northern languages, Raetic, requires the addition of any additional characters in order to be fully supported by the Old Italic block. Accordingly, following the addition of this one character, the Unicode Standard should be amended to recommend the encoding of Venetic, Raetic, Lepontic, and Gallic using Old Italic characters. In addition, one additional character is necessary to encode South Picene inscriptions. This proposal is divided into five parts: The first part (§1) identifies the two unencoded characters (Raetic Ɯ and South Picene Ũ) and demonstrates their use in inscriptions. The second part (§2) examines the use of each Old Italic character, as it appears in Etruscan, Faliscan, Oscan, Umbrian, South Picene, Venetic, Raetic, Lepontic, Gallic, and archaic Latin, to demonstrate the unifiability of the northern Italic languages' scripts with Old Italic. -
ABSTRACT Savannah Dehart. BRACTEATES AS INDICATORS OF
ABSTRACT Savannah DeHart. BRACTEATES AS INDICATORS OF NORTHERN PAGAN RELIGIOSITY IN THE EARLY MIDDLE AGES. (Under the direction of Michael J. Enright) Department of History, May 2012. This thesis investigates the religiosity of some Germanic peoples of the Migration period (approximately AD 300-800) and seeks to overcome some difficulties in the related source material. The written sources which describe pagan elements of this period - such as Tacitus’ Germania, Bede’s Ecclesiastical History of the English People, and Paul the Deacon’s History of the Lombards - are problematic because they were composed by Roman or Christian authors whose primary goals were not to preserve the traditions of pagans. Literary sources of the High Middle Ages (approximately AD 1000-1400) - such as The Poetic Edda, Snorri Sturluson’s Prose Edda , and Icelandic Family Sagas - can only offer a clearer picture of Old Norse religiosity alone. The problem is that the beliefs described by these late sources cannot accurately reflect religious conditions of the Early Middle Ages. Too much time has elapsed and too many changes have occurred. If literary sources are unavailing, however, archaeology can offer a way out of the dilemma. Rightly interpreted, archaeological evidence can be used in conjunction with literary sources to demonstrate considerable continuity in precisely this area of religiosity. Some of the most relevant material objects (often overlooked by scholars) are bracteates. These coin-like amulets are stamped with designs that appear to reflect motifs from Old Norse myths, yet their find contexts, including the inhumation graves of women and hoards, demonstrate that they were used during the Migration period of half a millennium earlier. -
The Ogham-Runes and El-Mushajjar
c L ite atu e Vo l x a t n t r n o . o R So . u P R e i t ed m he T a s . 1 1 87 " p r f ro y f r r , , r , THE OGHAM - RUNES AND EL - MUSHAJJAR A D STU Y . BY RICH A R D B URTO N F . , e ad J an uar 22 (R y , PART I . The O ham-Run es g . e n u IN tr ating this first portio of my s bj ect, the - I of i Ogham Runes , have made free use the mater als r John collected by Dr . Cha les Graves , Prof. Rhys , and other students, ending it with my own work in the Orkney Islands . i The Ogham character, the fair wr ting of ' Babel - loth ancient Irish literature , is called the , ’ Bethluis Bethlm snion e or , from its initial lett rs, like “ ” Gree co- oe Al hab e t a an d the Ph nician p , the Arabo “ ” Ab ad fl d H ebrew j . It may brie y be describe as f b ormed y straight or curved strokes , of various lengths , disposed either perpendicularly or obliquely to an angle of the substa nce upon which the letters n . were i cised , punched, or rubbed In monuments supposed to be more modern , the letters were traced , b T - N E E - A HE OGHAM RU S AND L M USH JJ A R . n not on the edge , but upon the face of the recipie t f n l o t sur ace ; the latter was origi al y wo d , s aves and tablets ; then stone, rude or worked ; and , lastly, metal , Th . -
Thinking in ⅃TЯ
Nathan P. Gibson • University of Munich (LMU) • usaybia.net Thinking in ⅃TЯ Reorienting the Directional Assumptions of Global Digital Scholarship https://tinyurl.com/gibson190608 Right2Left Workshop #DHSI19RTL Victoria, 8 June 2019 This presentation is licensed under a CC-BY 4.0 International License. Images may be subject to individual licenses (see captions). Outline Forward from Failures The State of Standards A Dizzying Tour of Directionality (Present Meets Future) (Past Meets Present) (The Past) Nathan Gibson, “Thinking in ⅃TЯ,” Right2Left DHSI, 8 June 2019, https://tinyurl.com/gibson190608 A Dizzying Tour of Directionality #sinistrodextrification Nathan Gibson, “Thinking in ⅃TЯ,” Right2Left DHSI, 8 June 2019, https://tinyurl.com/gibson190608 Modern Writing Systems Image: Adapted from https://commons.wikimedia.org/wi ki/File:WritingSystemsOfTheWorld. svg. Creator of the vector version: Pmx. Original work: Maximilian Dörrbecker, CC BY-SA 3.0. Nathan Gibson, “Thinking in ⅃TЯ,” Right2Left DHSI, 8 June 2019, https://tinyurl.com/gibson190608 Selected Languages* with Primarily Right-to-Left Writing Systems by Number of First-Language Speakers #5 Arabic 319 (millions) #10 Lahnda (Western Punjabi, etc.) 119 #20 Urdu 69 #23 Persian 62 * Or macrolanguages. ** May include non-primary speakers Pushto 38** Source: Eberhard, David M., Gary F. Simons, and Charles Sindhi 25 D. Fennig, eds. 2019. “Summary by Language Size” [and Kurdish 22** individual language profile pages]. In Ethnologue: Languages of the World, 22nd ed. Dallas: SIL Uyghur 10** International. Hebrew 5 https://www.ethnologue.com/statistics/size. Rohingya 3** Nathan Gibson, “Thinking in ⅃TЯ,” Right2Left DHSI, 8 June 2019, https://tinyurl.com/gibson190608 > half a billion people almost 10% of the world population Nathan Gibson, “Thinking in ⅃TЯ,” Right2Left DHSI, 8 June 2019, https://tinyurl.com/gibson190608 The State of Standards (Past Meets Present) Plain Text Logical vs. -
University of London Deviant Burials in Viking-Age
UNIVERSITY OF LONDON DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA Ruth Lydia Taylor M. Phil, Institute of Archaeology, University College London UMI Number: U602472 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602472 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA The thesis brings together information yielded from archaeology and other sources to provide an overall picture of the types of burial practices encountered during the Viking-Age in Scandinavia. From this, an attempt is made to establish deviancy. Comparative evidence, such as literary, runic, legal and folkloric evidence will be used critically to shed perspective on burial practices and the artefacts found within the graves. The thesis will mostly cover burials from the Viking Age (late 8th century to the mid- 11th century), but where the comparative evidence dates from other periods, its validity is discussed accordingly. Two types of deviant burial emerged: the criminal and the victim. A third type, which shows distinctive irregularity yet lacks deviancy, is the healer/witch burial. -
WAGNER and the VOLSUNGS None of Wagner’S Works Is More Closely Linked with Old Norse, and More Especially Old Icelandic, Culture
WAGNER AND THE VOLSUNGS None of Wagner’s works is more closely linked with Old Norse, and more especially Old Icelandic, culture. It would be carrying coals to Newcastle if I tried to go further into the significance of the incom- parable eddic poems. I will just mention that on my first visit to Iceland I was allowed to gaze on the actual manuscript, even to leaf through it . It is worth noting that Richard Wagner possessed in his library the same Icelandic–German dictionary that is still used today. His copy bears clear signs of use. This also bears witness to his search for the meaning and essence of the genuinely mythical, its very foundation. Wolfgang Wagner Introduction to the program of the production of the Ring in Reykjavik, 1994 Selma Gu›mundsdóttir, president of Richard-Wagner-Félagi› á Íslandi, pre- senting Wolfgang Wagner with a facsimile edition of the Codex Regius of the Poetic Edda on his eightieth birthday in Bayreuth, August 1999. Árni Björnsson Wagner and the Volsungs Icelandic Sources of Der Ring des Nibelungen Viking Society for Northern Research University College London 2003 © Árni Björnsson ISBN 978 0 903521 55 0 The cover illustration is of the eruption of Krafla, January 1981 (Photograph: Ómar Ragnarsson), and Wagner in 1871 (after an oil painting by Franz von Lenbach; cf. p. 51). Cover design by Augl‡singastofa Skaparans, Reykjavík. Printed by Short Run Press Limited, Exeter CONTENTS PREFACE ............................................................................................ 6 INTRODUCTION ............................................................................... 7 BRIEF BIOGRAPHY OF RICHARD WAGNER ............................ 17 CHRONOLOGY ............................................................................... 64 DEVELOPMENT OF GERMAN NATIONAL CONSCIOUSNESS ..68 ICELANDIC STUDIES IN GERMANY ......................................... -
Sniðmát Meistaraverkefnis HÍ
MA ritgerð Norræn trú Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Leiðbeinandi: Terry Adrian Gunnell Október 2019 Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Adrian Gunnell 60 einingar Félags– og mannvísindadeild Félagsvísindasvið Háskóla Íslands Október, 2019 Að hitta skrímslið í skóginum Ritgerð þessi er lokaverkefni til MA-gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Caroline Elizabeth Oxley, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Caroline Oxley MA in Old Nordic Religion: Thesis Kennitala: 181291-3899 Október 2019 Abstract Að hitta skrímslið í skóginum: Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view This thesis is a study of animal shape-shifting in Old Norse culture, considering, among other things, the related concepts of hamr, hugr, and the fylgjur (and variations on these concepts) as well as how shape-shifters appear to be associated with the wild, exile, immorality, and violence. Whether human, deities, or some other type of species, the shape-shifter can be categorized as an ambiguous and fluid figure who breaks down many typical societal borderlines including those relating to gender, biology, animal/ human, and sexual orientation. As a whole, this research project seeks to better understand the background, nature, and identity of these figures, in part by approaching the subject psychoanalytically, more specifically within the framework established by the Swiss psychoanalyst, Carl Jung, as part of his theory of archetypes. -
Nancy L. Wicker and Henrik Williams. Futhark 3
Futhark International Journal of Runic Studies Main editors James E. Knirk and Henrik Williams Assistant editor Marco Bianchi Vol. 3 · 2012 © Contributing authors 2013 This work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivs 3.0 Unported License, http://creativecommons.org/licenses/by-nc-nd/3.0/ All articles are available free of charge at http://www.futhark-journal.com A printed version of the issue can be ordered through http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-194111 Editorial advisory board: Michael P. Barnes (University College London), Klaus Düwel (University of Göttingen), Lena Peterson (Uppsala University), Marie Stoklund (National Museum, Copenhagen) Typeset with Linux Libertine by Marco Bianchi University of Oslo Uppsala University ISSN 1892-0950 Bracteates and Runes Review article by Nancy L. Wicker and Henrik Williams Die Goldbrakteaten der Völkerwanderungszeit — Auswertung und Neufunde. Eds. Wilhelm Heizmann and Morten Axboe. Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde 40. Berlin and New York: Walter de Gruyter, 2011. 1024 pp., 102 plates. ISBN 978-3-11-022411-5, e-ISBN 978-3-11-022411-2, ISSN 1866-7678. 199.95 €, $280. From the Migration Period we now have more than a thousand stamped gold pendants known as bracteates. They have fascinated scholars since the late seventeenth century and continue to do so today. Although bracteates are fundamental sources for the art history of the period, and important archae- o logical artifacts, for runologists their inscriptions have played a minor role in comparison with other older-futhark texts. It is to be hoped that this will now change, however. -
Nerthus, That Is, Mother Earth
Odin’s Wife: Mother Earth in Germanic Mythology SAMPLE CHAPTER © 2018 William P. Reaves II. Nerthus, that is, Mother Earth “Tacitus’ much-quoted account in Germania ch. 40 of the ceremonies related to the goddess Nerthus in the area around Schleswig-Holstein or Jylland is of particular interest here for several reasons. First of all, it suggests that the images of the Bronze Age petroglyphs depicting the hieros gamos and processions related to a fertility deity had parallels in southern Scandinavia as late as AD 100, when Tacitus wrote his account. Secondly, it provides the first reliable evidence that the ceremonies were now associated with a named goddess, who must therefore have had her own mythology and background. This in turn implies that enacted rituals to do with the goddess probably had a mythological parallel.” —Terry Gunnell, The Origins of Drama in Scandinavia, (1995), p.53. In literature, Terra Mater (Mother Earth) first appears as a distinct figure of the old heathen religion in the Germania. Despite intense scholarly debate over the motivations of its author, Germania, written by the Roman historian Tacitus around 98 AD, was probably intended as an accurate account of the customs and conditions of the Germanic tribes who posed a threat on the northern border of the Roman Empire for several hundred years. While his moral observations of the Germanic tribes in contrast to the Roman way of life have led some scholars to propose that this was his chief aim in writing it, this is not sufficient as a general interpretation of the text.1 Not only does Tacitus criticize the Germanic way of life almost as often as he praises it, but much of the material has nothing to do with moral issues and cannot be explained simply as filler. -
Elder Futhark Runes (1/2) (9 Points)
Ozclo2015 Round 1 1/15 <1> Elder Futhark Runes (1/2) (9 points) Old Norse was the language of the Vikings, the language spoken in Scandinavia and in the Scandinavian settlements found throughout the Northern Hemisphere from the 700’s through the 1300’s. Much as Latin was the forerunner of the Romance languages, among them Italian, Spanish, and French, Old Norse was the ancestor of the North Germanic languages: Icelandic, Faroese, Norwegian, Danish, and Swedish. Old Norse was written first in runic alphabets, then later in the Roman alphabet. The first runic alphabet, found on inscriptions dating from throughout the first millennium CE, is known as “Elder Futhark” and was used for both proto- Norse and early Old Norse. Below are nine Anglicized names of Old Norse gods and the nine Elder Futhark names to which they correspond. Listed below are also two other runic names for gods. The names given below are either based on the gods’ original Old Norse names, or on their roles in nature; for instance, the god of the dawn might be listed either as ‘Dawn’ or as Delling (his original name). Remember that the modern version of the name may not be quite the same as the original Old Norse name – think what happened to their names in our days of the week! Anglicized names: Old Norse Runes: 1 Baldur A 2 Dallinger B 3 Day C 4 Earth 5 Freya D 6 Freyr E 7 Ithun F 8 Night G 9 Sun H I J K Task 1: Match the runes to the correct names, by placing the appropriate letter (from A to K) for the runic word corresponding in meaning to the anglicized name in the first table. -
The Gentics of Civilization: an Empirical Classification of Civilizations Based on Writing Systems
Comparative Civilizations Review Volume 49 Number 49 Fall 2003 Article 3 10-1-2003 The Gentics of Civilization: An Empirical Classification of Civilizations Based on Writing Systems Bosworth, Andrew Bosworth Universidad Jose Vasconcelos, Oaxaca, Mexico Follow this and additional works at: https://scholarsarchive.byu.edu/ccr Recommended Citation Bosworth, Bosworth, Andrew (2003) "The Gentics of Civilization: An Empirical Classification of Civilizations Based on Writing Systems," Comparative Civilizations Review: Vol. 49 : No. 49 , Article 3. Available at: https://scholarsarchive.byu.edu/ccr/vol49/iss49/3 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Comparative Civilizations Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Bosworth: The Gentics of Civilization: An Empirical Classification of Civil 9 THE GENETICS OF CIVILIZATION: AN EMPIRICAL CLASSIFICATION OF CIVILIZATIONS BASED ON WRITING SYSTEMS ANDREW BOSWORTH UNIVERSIDAD JOSE VASCONCELOS OAXACA, MEXICO Part I: Cultural DNA Introduction Writing is the DNA of civilization. Writing permits for the organi- zation of large populations, professional armies, and the passing of complex information across generations. Just as DNA transmits biolog- ical memory, so does writing transmit cultural memory. DNA and writ- ing project information into the future and contain, in their physical structure, imprinted knowledge. -
ERILAZ a Ritual for Baritone, Violoncello and Percussion
Jeffrey Holmes ERILAZ a ritual for baritone, violoncello and percussion Score 2018 ce-jh1e1-dl-s JEFFREY HOLMES :ERILAZ: eRilay:ayt:alu A Ritual... for Baritone, Violoncello, and Percussion Text from the Lindholm amulet (DR 261, Rundata) ca. 3rd century, Skåne Full Score ii iii PERFORMANCE NOTES General 1. All tempi are approximate, but the relationships between tempi should be proportionally exact. 2. All accidentals apply through the measure and within one octave, and many cautionary accidentals are provided. 3. The following microtonal accidentals are used: B Quarter tone flat µ Quarter tone sharp J 1/6 tone lower than flat j 1/6 tone higher than flat K 1/6 tone lower than natural k 1/6 tone higher than natural L 1/6 tone lower than sharp l 1/6 tone higher than sharp 4. Pitches based on the harmonic series are labeled above the staff by their hypothetical fundamental and partial number. For example, G(7) indicates the seventh partial in the overtone series of G. (The fundamental is partial number 1.) These precise tunings are notationally approximated to the nearest quarter or sixth tone. Performers may either produce the notated quarter or sixth tone or, if accustomed to performing in just intonation, may produce the exact pitches of the indicated partials. Baritone In addition to singing, the baritone is asked to perform on three instruments: an Uruz horn (a primitive cowhorn) tuned to Eb, a lyre (or psaltery), and a drum, preferably a very large skinned tom-tom. Notation is as follows: iv Violoncello 1. The abbreviation s.t.