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Saregama India
Saregama India Q2 FY20 Result Conference Call 14 November 2019 (Thursday), at 3:00 pm IST Hosted by Anand Rathi Research Participants Mr Vikram Mehra (Managing Director) Mr Vineet Garg (CFO) Mr B L Chandak (Executive Director – RP Sanjiv Goenka Group) Primary Access Numbers for Participants Mumbai Access: 022 6280 1386 / 7115 8287 Local Access: 7045671221 (Ahmedabad, Bangalore, Chandigarh, Chennai, Cochin, Delhi (NCR), Gurgaon (NCR), Hyderabad, Kolkata, Lucknow, Pune) International Access USA: +1 866 746 2133 Hong Kong: 800 964 448 UK: 0808 101 1573 Singapore: 800 101 2045 For further information, please contact Call Leaders Shobit Singhal Office No: (022) 6626 6511 Mobile: 9768637537 Press release for the results of Saregama India Limited. for the Quarter ended September 30, 2019 25% Q-o-Q Growth in Consolidated Revenue from Operations Mumbai, Nov 13, 2019: Saregama, India’s oldest music label and the youngest movie studio, announced its financial results for the 2nd Quarter ended Sep 30. Company’s consolidated Revenue from Operations for the Q2 FY20 is Rs. 1575 Mn as compared to Rs.1259 Mn in Q1FY20, an increase of 25% Q-o-Q. Consolidated PAT for the Q2 FY20 is Rs 194 Mn in comparison to Rs (12) Mn in last quarter and Rs 157 Mn in last year same quarter. Licensing Income continued on its growth trajectory and registered 21% growth in revenue on Y-o-Y basis in H1 FY20. Inspite of lower footfalls in Consumer Durable and Telecom outlets during this festival season, Carvaan sales managed to grow. The number of units sold went up by 14% Q-o-Q to 250 K, and 19% on half yearly basis to 469K. -
Saregama India Limited Music | Films | Web Series | Tv Serials
SAREGAMA INDIA LIMITED MUSIC | FILMS | WEB SERIES | TV SERIALS ANNUAL REPORT 2020-21 B O A R D O F D I R E C T O R S Dr. Sanjiv Goenka Mr. Santanu Bhattacharya (DIN: 00074796) (DIN: 01794958) Chairman (Non-Executive) Non-Executive Independent Director Mrs. Preeti Goenka Mr. Arindam Sarkar (DIN: 05199069) (DIN: 06938957) Non-Executive Director Non-Executive Independent Director Mrs. Avarna Jain Mr. Noshir Naval Framjee (DIN: 02106305) (DIN: 01646640) Non-Executive Director Non-Executive Independent Director Mr. Vikram Mehra Mr. Umang Kanoria (DIN: 03556680) (DIN: 00081108) Managing Director Non-Executive Independent Director Ms. Suhana Murshed Ms. Kusum Dadoo (DIN: 08572394) (DIN: 06967827) Non-Executive Independent Director Non-Executive Independent Director (w.e.f March 23, 2021) (period June 5, 2020 - Feb 4, 2021) Registered Office - Kolkata Chief Financial Officer - Mr. Vineet Garg 33, Jessore Road, Dum Dum, Kolkata - 700028, West Bengal. Company Secretary - Ms. Kamana Goenka Phone: (033) 2551 2984, 2551 4773 e-mail: [email protected] Bankers CIN : L22213WB1946PLC014346 Punjab National Bank (erstwhile United Bank of India) Website : www.saregama.com State Bank of India ICICI Bank Limited Head Office - Mumbai 2nd Floor, Spencer Building, 30, Forjett Street, Statutory Auditor Grant Road (W), Mumbai – 400 036 BSR and Co. LLP, Chartered Accountants Phone: (022) 6688 6200 (ICAI Firm Registration Number - 101248W/W-100022) Regional Offices Internal Auditor Ernst and Young LLP Delhi Secretarial Auditor A-62, 1st Floor, FIEE Complex, Okhla Industrial Area, MR & Associates Phase – II, New Delhi – 110 020 Phone: (011) 4051 9759 Cost Auditor Shome and Banerjee Chennai rd Door No. -
Saregama India Limited: Rating Reaffirmed Summary of Rating Action
November 27, 2020 Saregama India Limited: Rating reaffirmed Summary of rating action Previous Rated Amount Current Rated Amount Instrument* Rating Action (Rs. crore) (Rs. crore) Commercial Paper1 40.00 40.00 [ICRA]A1+; Reaffirmed Total 40.00 40.00 *Instrument details are provided in Annexure-1 Rationale The assigned rating considers Saregama India Limited’s (SIL) status as a RP-SG Group company, of which CESC Limited (rated at [ICRA]A1+) is the flagship company, leading to a considerable financial flexibility The rating also considered the company’s comfortable financial profile, as indicated by a healthy operating profitability, a conservative capital structure, and strong debt protection metrics. ICRA notes that while the lower sales volume of Carvaan adversely impacted the operating income in H1 FY2021, the continued growth in high-margin licensing business and cost rationalisation measures undertaken by the management in advertising and sales promotion expenses significantly improved the profitability during the same period. The liquidity also remained strong with cash and bank balance of around Rs. 80 crore as on September 30, 2020. The rating also considered SIL’s extensive experience in the music industry with a strong competitive position as one of India’s major music recording and publishing companies with more than 1.3 lakh songs in its library. ICRA notes that the music industry has undergone significant changes over the past decade, with the digital content contributing to an increasing share of revenues for music publishers, including SIL. The company has benefited from the same as corroborated by a significant growth in the licensing revenue over the past few years. -
Carnatic Music (Melodic Instrumental) (Code No
(B) CARNATIC MUSIC (MELODIC INSTRUMENTAL) (CODE NO. 032) CLASS–XI: (THEORY)(2019-20) One theory paper Total Marks: 100 2 Hours Marks : 30 Theory: A. History and Theory of Indian Music 1. (a) An outline knowledge of the following Lakshana Grandhas Silappadikaram, Natyasastra, Sangita Ratnakara and Chaturdandi Prakasika. (b) Short life sketch and contributions of the following:- Veena Dhanammal, flute Saraba Sastry, Rajamanikkam Pillai, Tirukkodi Kaval Krishna lyer (violin) Rajaratnam Pillai (Nagasvaram), Thyagaraja, Syamasastry, Muthuswamy Deekshitar, Veena Seshanna. (c) Brief study of the musical forms: Geetam and its varieties; Varnam – Padavarnam – Daruvarna Svarajati, Kriti/Kirtana and Padam 2. Definition and explanation of the following terms: Nada, Sruti, Svara, Vadi, Vivadi:, Samvadi, Anuvadi, Amsa & Nyasa, Jaati, Raga, Tala, Jati, Yati, Suladisapta talas, Nadai, Arohana, Avarohana. 3. Candidates should be able to write in notation the Varnam in the prescribed ragas. 4. Lakshanas of the ragas prescribed. 5. Talas Prescribed: Adi, Roopaka, Misra Chapu and Khanda Chapu. A brief study of Suladi Saptatalas. 6. A brief introduction to Manodhama Sangitam CLASS–XI (PRACTICAL) One Practical Paper Marks: 70 B. Practical Activities 1. Ragas Prescribed: Mayamalavagowla, Sankarabharana, Kharaharapriya, Kalyani, Kambhoji, Madhyamavati, Arabhi, Pantuvarali Kedaragaula, Vasanta, Anandabharavi, Kanada, Dhanyasi. 2. Varnams (atleast three) in Aditala in two degree of speed. 3. Kriti/Kirtana in each of the prescribed ragas, covering the main Talas Adi, Rupakam and Chapu. 4. Brief alapana of the ragas prescribed. 5. Technique of playing niraval and kalpana svaras in Adi, and Rupaka talas in two degrees of speed. 6. The candidate should be able to produce all the gamakas pertaining to the chosen instrument. -
Senior School Curriculum 2017-18
SENIOR SCHOOL CURRICULUM 2017-18 VOLUME - III Music and Dance for Class XII Central Board of Secondary Education “Shiksha Sadan”, 17, Rouse Avenue, New Delhi – 110 002 / Telephone : +91-11-23237780 /Website : www.cbseacademic.in Downloaded from: www.cbseportal.com Courtesy : CBSE Senior School Curriculum 2017 - 18 Volume - III CBSE, Delhi – 110092 March, 2017 Copies: Price: ` This book or part thereof may not be reproduced by any person or Agency in any manner Published by: The Secretary, CBSE Printed by: Multi Graphics, 8A/101, WEA Karol Bagh, New Delhi – 110 005, Phone: 25783846 Printed by: II Downloaded from: www.cbseportal.com Courtesy : CBSE CONTENTS Page No. Music and Dance Syllabus (i) Carnatic Music 1 (a) Carnatic Music (Vocal) 2 (b) Carnatic Music (Melodic Instrument) 6 (c) Carnatic Music (Percussion Instrumental) 10 (ii) Hindustani Music 15 (a) Hindustani Music (Vocal) 16 (b) Hindustani Music (Melodic Instrument) 19 (c) Hindustani Music (Percussion Instrumental) 22 (iii) (a) Dances 25 (a) Kathak 27 (b) Bharatnatyam 32 (c) Kuchipudi 36 (d) Odissi 38 (e) Manipuri 42 (f) Kathakali 46 (g) Mohiniyattam 49 III Downloaded from: www.cbseportal.com Courtesy : CBSE SENIOR SCHOOL CURRICULUM 2017-18 VOLUME III (i) Carnatic Music Effective from the academic session 2017–2018 for Classes–XI and XII 1 Downloaded from: www.cbseportal.com Courtesy : CBSE (A) CARNATIC MUSIC (VOCAL): (CODE NO. 031) CLASS–XII (2017-18): (THEORY) One Theory Paper Total Marks: 100 3 Hours Marks: 30 72 Periods Theory: A. History and Theory of Indian Music 1. (a) Brief history of Carnatic music with special reference to Sangita Saramrita, Sangita Sampradaya Pradarsini, Svaramelakalanidhi, Raga Vibodham, Brihaddesi. -
Press Release Titled 'Saregama Inks a Global Licensing Deal with the World
April 06, 2021 The Manager, The Listing Department Listing Department, BSE Limited National Stock Exchange of India Limited Phiroze Jeejeebhoy Towers, Exchange Plaza, C-1, Dalal Street, Block G, Bandra – Kurla Complex, Mumbai – 400 001 Bandra (East), Mumbai – 400 051 Symbol: SAREGAMA EQ Scrip Code : 532163 Dear Sir/ Madam, Sub: Intimation under Regulation 30 of SEBI (Listing Obligations and Disclosure Requirements) Regulations, 2015 Re: Press Release titled “Saregama inks a global licensing deal with the world-renowned social video platform, Triller” Please find enclosed the Press Release titled “Saregama inks a global licensing deal with the world-renowned social video platform, Triller.” Kindly take the same on record. Thanking you, Yours faithfully, For Saregama India Limited Kamana Goenka Company Secretary and Compliance Officer Encl.: as above SAREGAMA India Limited, 33, Jessore Road, Dum Dum, Kolkata - 700 028, India. Tel: +91 33 2551 2984, Fax: +91 33 2550 0817, Web: www.saregama.com CIN: L22213WB1946PLC014346 Email ID: [email protected] Saregama inks a global licensing deal with the world-renowned social video platform, Triller ~ Triller users will now have access to the robust catalogue of India’s oldest music label ~ Mumbai 06|04|21: Saregama, one of India’s largest music labels, has announced a global music licensing deal with widely popular short format video platform, Triller. As part of this deal, Saregama will license its entire catalogue to Triller allowing users to create innovative content using the robust music library of over 1,30,000 songs in diverse Indian languages like Hindi, Bhojpuri, Bengali, Tamil, Marathi, Telugu, Malayalam, Kannada, Punjabi and Gujarati, amongst many others. -
The Journal of the Music Academy Madras Devoted to the Advancement of the Science and Art of Music
The Journal of Music Academy Madras ISSN. 0970-3101 Publication by THE MUSIC ACADEMY MADRAS Sangita Sampradaya Pradarsini of Subbarama Dikshitar (Tamil) Part I, II & III each 150.00 Part – IV 50.00 Part – V 180.00 The Journal Sangita Sampradaya Pradarsini of Subbarama Dikshitar of (English) Volume – I 750.00 Volume – II 900.00 The Music Academy Madras Volume – III 900.00 Devoted to the Advancement of the Science and Art of Music Volume – IV 650.00 Volume – V 750.00 Vol. 89 2018 Appendix (A & B) Veena Seshannavin Uruppadigal (in Tamil) 250.00 ŸÊ„¢U fl‚ÊÁ◊ flÒ∑ȧá∆U Ÿ ÿÊÁªNÔUŒÿ ⁄UflÊÒ– Ragas of Sangita Saramrta – T.V. Subba Rao & ◊jQÊ— ÿòÊ ªÊÿÁãà ÃòÊ ÁÃDÊÁ◊ ŸÊ⁄UŒH Dr. S.R. Janakiraman (in English) 50.00 “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; Lakshana Gitas – Dr. S.R. Janakiraman 50.00 (but) where my Bhaktas sing, there be I, Narada !” Narada Bhakti Sutra The Chaturdandi Prakasika of Venkatamakhin 50.00 (Sanskrit Text with supplement) E Krishna Iyer Centenary Issue 25.00 Professor Sambamoorthy, the Visionary Musicologist 150.00 By Brahma EDITOR Sriram V. Raga Lakshanangal – Dr. S.R. Janakiraman (in Tamil) Volume – I, II & III each 150.00 VOL. 89 – 2018 VOL. COMPUPRINT • 2811 6768 Published by N. Murali on behalf The Music Academy Madras at New No. 168, TTK Road, Royapettah, Chennai 600 014 and Printed by N. Subramanian at Sudarsan Graphics Offset Press, 14, Neelakanta Metha Street, T. Nagar, Chennai 600 014. Editor : V. Sriram. THE MUSIC ACADEMY MADRAS ISSN. -
A Rhythm of His Own V
COVER STORY KARAIKUDI MANI A rhythm of his own V. Karpagalakshmi Ramanatha Iyer, who had learnt music from Mazhavarayanendal Subbarama Bhagavatar as well as Swaminatha Iyer of Ganapati Agraharam, was a keen music enthusiast, well-versed in the bhajanai paddhati. Their home in Karaikudi was right opposite Ariyakudi Ramanuja Iyengar’s. In fact, Iyengar’s disciples K.V. Narayanaswamy and B. Rajam Iyer regularly partook of the simple breakfast of pazhaiyadu or rice soaked overnight in water and buttermilk, at Ramanatha Iyer’s household. The Nagarathars of Chettinad often sponsored concerts by the leading vidwans at Karaikudi; Ramanatha Iyer not only did not miss a single concert but also cultivated the friendship of the musicians and invited them home. It was but natural for Mani to be initiated into Carnatic music by his father, that too as early as at the age of three. By the time he was four, Mani had learnt all five of Tyagaraja’s Pancharatna kritis. In the month of Margazhi, father and son regularly woke up at the crack of dawn to join the bhajanai at the Koppudai Amman temple. During temple festivals, Ramanatha Iyer carried young Mani aloft on his shoulders to watch nagaswara vidwans Karukurichi Arunachalam and Vedaranyam Vedamurthy and tavil artist Nachiarkoil Raghava Pillai lead the procession around the four mada veedis – the streets around the temple. It was ridangam maestro Mani was born on during these processions, which began at nine at night and 11 September 1945 in Karaikudi, Tamil Nadu. often went on into the early hours of the morning after, MHis father T. -
Abhinaya in Bharatanatyam
PAPER 6 DANCE IN INDIA TODAY, DANCE-DRAMAS, CREATIVITY WITHIN THE CLASSICAL FORMS, INDIAN CLASSICAL DANCE IN DIASPORA (USA, UK, EUROPE, AUSTRALIA, ETC.) MODULE 19 THE EARLY FEMALE GURUS AND DANCERS OF BHARATANATYAM From early 1900 A D, some brave girls and their families started a journey, going where earlier it was a great taboo to go. The courage, conviction and love for dance prompted them to venture on a path which at that point had no direction and was beyond worldly gains. Also in such a tumultuous time, to be born to that tradition was really tough. We need to know, understand and get inspired by these women, due to whom millions are not only learning Bharatanatyam, but it has given dignity and purpose to the art. Here we study a few of them. SMT. BALASARASWATI Balasaraswati was born in 1918 and died at 1984. She rose on the solo Bharatanatyam horizon through her sheer genius. She belonged to the devadasi tradition and was extremely proud of it, though she was never initiated into any temple service. The only dancer to be conferred the prestigious Sangitha Kalanidhi title; she reacted sharply to compartmentalizing the dance into sacred and profane water-tight divisions. For Bala, Shringara / �रĂगार was an all- 1 encompassing mood which included all the other moods. In 1975, speaking at the Annual Conference of Tamil Sangam, Bala made the famous statement, "In Bharatanatyam, the shringara we experience is never carnal, never, never!" Bala came from a home where musicians like Dharmapuri Subbarayar / धरमऩुरी, Tiruvottiyur Tyagier, Hayagrivachari / हयाग्रिवाचारी (from Dharwad / धारवाड़), Govindaswamy Pillai, Ariyakkudi Ramanuja lyengar were frequent visitors, who came to meet and listen to Bala's grandmother, the inimitable Dhanammal, the veena player. -
01 Marathi Mini Bhakti Songlist
01. Invocation - Stotra - Ganesh Vandaana 14. Gannayaka Shubhdayaka (Lenyadri) 28. Pail Toge Kau (Commentary) 43. Bheti Lagi Jiva Lagalise Aas 57. Punya Parupkar Paap Te Parpeeda 72. Tuch Mai Baap Bandhu 87. Adhik Dekhane Tari Nirantan Pahane 101. Hari Bhajanaveen Kaal Ghalvu Nako Re Album/Film: Sumiran - Sanskrit Shlokas Album/Film: Ganapati Aarti By Album/Film: Maharashtrachi Bhaktidhara Volume Album/Film: Abhang Tukayache Album/Film: Gajalele Abhang Album/Film: Ek Daon Bhutacha Album/Film: Jeevan Gane Pandit Bhimsen Joshi Album/Film: Swartarang Artiste: Lata Mangeshkar Lata Mangeshkar And Usha Mangeshkar 2 Artiste: Lata Mangeshkar Artiste: Pt. Bhimsen Joshi Artistes: Shrikant Pargaonkar, Chorus Artiste: Pt. Bhimsen Joshi Artiste: Pt. Jitendra Abhisheki Artiste: Usha Mangeshkar Artiste: Lata Mangeshkar 02. Shree Ganpatichi Aarti 44. Khel Mandiyala Valvanti Ghai 58. Uthi Uthi Ba Moreshwara 73. Devajicha Naav Ghyava 88. Kabirache Vinito Shele (Level ??) 102. Mala He Dattaguru Disale Album/Film: Essential Ganesha 15. Rachilya Rishi Munini (Mahad) 29. Mogara Phulala Album/Film: Abhang Tukayache Album/Film: Namila Ganpati And Shri Ganesh Album/Film: Kunku Maaaza Bhagyacha Album/Film: Dev Pavala Album/Film: Amhi Jato Amuchya Gava Artiste: Lata Mangeshkar Album/Film: Ganapati Aarti By Album/Film: Mogara Phulala Artiste: Lata Mangeshkar Mahamantra Artistes: Sudhir Phadke, Keshar, Bakul Pandit Artiste: Manik Varma Artiste: Asha Bhosle Lata Mangeshkar And Usha Mangeshkar Artistes: Lata Mangeshkar, Chorus Artiste: Suresh Wadkar 03. Ganraj Rangi Nachato Artistes: Usha Mangeshkar, Chorus 45. Jethe Jato Tethe Tu Maza Sangati 74. Devaki Nandan Gopala 89. Aaisa Yeie Ba (Dhoop Aarti) 103. Majha Bhav Tujhe Charani Album/Film: Ganapati Aarti By Lata Mangeshkar 30. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume - Annual: TRN 2007 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume - Annual: TRN 2007 ------------------------------------------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article in this Issue: Gramophone Celebrities-II Other articles : Teheran Records, O. P. Nayyar. 1 ‘The Record News’ – Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members --------------------------- V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US$ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy -
Saregama India Limited
SAREGAMA INDIA LIMITED CORPORATE PRESENTATION | MAY 2019 Snapshot India’s oldest music label and High Dividend Yield and a Zero Strong and professional youngest film production house Debt Company management team with experienced stalwarts from the entertainment industry Owning Intellectual Property (IP) India’s first song was recorded in Digital licensing agreements rights for more than 120,000 1902 under the company’s across global OTT platforms, TV songs, 5,700+ hours of television erstwhile label - HMV channels, radio stations, telcos serials and 20 movies Revolutionary product Carvaan: Leading producer in terms of Producing digital thematic Digital Music Player with 5000 number of hours of content films targeted at the youth preloaded songs, easy UI and produced for Tamil television segment high quality speakers serials 2 Strategic Overview Rising Smartphone Falling Rising Individual Ownership Data Prices Falling Piracy based Content 450-500M >Rs3/GB Consumption Content Consumption thru Legal means Going Up • Indians spent 30% of their phone time on entertainment • 325M people viewed video online in 2018 growing @25% • Avg. data consumption went from 4 to 8 GB/pm Greater Monetisation opportunities for Premium Content IP Owners A d v a n t a g e S a r e g a m a 120k songs IP across 18 Indian languages 20 Films IP 5700+ hrs of Tamil serial content IP + + + 20% Market Share in New Film Music in next 3 yrs 50 New Films over next 3 years 1800 hours of new content over next 3 yrs 3 Strategic Overview Saregama’s Saregama’slong term strategy