The Life of C.S. Lewis
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The Narnia Code: C
!!!! uif Obsojb!Dpef D/!T/!MFXJT BOE!UIF!TFDSFU! PG!UIF! TFWFO!IFBWFOT NJDIBFM!XBSE Uzoebmf!Ipvtf!Qvcmjtifst-!Jod/ Dbspm!Tusfbn-!Jmmjopjt TheNarniaCode.indd iii 8/26/2010 10:23:20 AM Visit Tyndale’s exciting Web site at www.tyndale.com. TYNDALE and Tyndale’s quill logo are registered trademarks of Tyndale House Publishers, Inc. The Narnia Code: C. S. Lewis and the Secret of the Seven Heavens Narnia is a trademark of C. S. Lewis (Pte) Ltd. Copyright © 2010 by Michael Ward. All rights reserved. Based on the book Planet Narnia, previously published by Oxford University Press under ISBN 978-0-19-531387-1. Visit www.planetnarnia.com. North American edition published with permission of Paternoster, a division of Authentic Media, Ltd. Cover photograph of lion copyright © memoossa/stock.xchng. All rights reserved. Cover photograph of sky copyright © by Sabine Fischer/phoenixstudios.de. All rights reserved. Chapter opener illustrations by Timothy Botts. Copyright © by Tyndale House Publishers, Inc. All rights reserved. Astronomy diagram from Cosmographia by Peter Apian, c. 1585. The Jupiter by Hans Sebald Beham. Copyright © by The Warburg Institute. All rights reserved. Photograph of Mars mural copyright © Floriano Rescigno/iStockphoto. All rights reserved. Photograph of Apollo Sauroctonus by The Warburg Institute. Photograph of Luna by The Warburg Institute. Photograph of Mercury by kind permission of Christ Church, Oxford. Photograph by Michael Ward. Venus painting by Bartholomeus van der Helst. Photograph of Father Time by Carol Highsmith. Illustration of Wisemen by Gustave Dore, The Dore Bible Illustrations. Copyright © by Dover Publications. All rights reserved. Author photo copyright © 2010 by William Clayton, www.williamclayton.com. -
Joy Davidman Lewis: Author, Editor and Collaborator
Volume 22 Number 2 Article 3 1998 Joy Davidman Lewis: Author, Editor and Collaborator Diana Pavlac Glyer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Glyer, Diana Pavlac (1998) "Joy Davidman Lewis: Author, Editor and Collaborator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Biography of Joy Davidman Lewis and her influence on C.S. Lewis. Additional Keywords Davidman, Joy—Biography; Davidman, Joy—Criticism and interpretation; Davidman, Joy—Influence on C.S. Lewis; Davidman, Joy—Religion; Davidman, Joy. Smoke on the Mountain; Lewis, C.S.—Influence of Joy Davidman (Lewis); Lewis, C.S. -
Few Return to the Sunlit Lands': Lewis's Classical Underworld in the Is Lver Chair Benita Huffman Muth Macon State College
Inklings Forever Volume 8 A Collection of Essays Presented at the Joint Meeting of The Eighth Frances White Ewbank Article 17 Colloquium on C.S. Lewis & Friends and The C.S. Lewis & The Inklings Society Conference 5-31-2012 'Few Return to the Sunlit Lands': Lewis's Classical Underworld in The iS lver Chair Benita Huffman Muth Macon State College Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Muth, Benita Huffman (2012) "'Few Return to the Sunlit Lands': Lewis's Classical Underworld in The iS lver Chair," Inklings Forever: Vol. 8 , Article 17. Available at: https://pillars.taylor.edu/inklings_forever/vol8/iss1/17 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume VIII A Collection of Essays Presented at the Joint Meeting of The Eighth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS and THE C.S. LEWIS AND THE INKLINGS SOCIETY CONFERENCE Taylor University 2012 Upland, Indiana Few Return to the Sunlit Lands: Lewis’s Classical Underworld in The Silver Chair Benita Huffman Muth Macon State College Muth, Benita Huffman. “Few Return to the Sunlit Lands: Lewis’s Classical Underworld in The Silver Chair.” Inklings Forever 8 (2012) www.taylor.edu/cslewis 1 Few Return to the Sunlit Lands: Lewis’s Classical Underworld in The Silver Chair Benita Huffman Muth Macon State College In re-reading the Narnia books as asserts his commitment to individual free an adult, classical studies professor Emily will. -
A CS Lewis Related Cumulative Index of <I>Mythlore</I>
Volume 22 Number 2 Article 10 1998 A C.S. Lewis Related Cumulative Index of Mythlore, Issues 1-84 Glen GoodKnight Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation GoodKnight, Glen (1998) "A C.S. Lewis Related Cumulative Index of Mythlore, Issues 1-84," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 10. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/10 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Author and subject index to articles, reviews, and letters in Mythlore 1–84. Additional Keywords Lewis, C.S.—Bibliography; Mythlore—Indexes This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol22/iss2/10 MYTHLORE I s s u e 8 4 Sum m er 1998 P a g e 5 9 A C.S. -
The Perils, Pitfalls, and Pleasures of Writing a New Biography of Lewis
Inklings Forever: Published Colloquium Proceedings 1997-2016 Volume 10 A Collection of Essays Presented at the Tenth Frances White Ewbank Colloquium on Article 56 C.S. Lewis & Friends 6-5-2016 The Perils, Pitfalls, and Pleasures of Writing a New Biography of Lewis Devin Brown Asbury University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Brown, Devin (2016) "The Perils, Pitfalls, and Pleasures of Writing a New Biography of Lewis," Inklings Forever: Published Colloquium Proceedings 1997-2016: Vol. 10 , Article 56. Available at: https://pillars.taylor.edu/inklings_forever/vol10/iss1/56 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever: Published Colloquium Proceedings 1997-2016 by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. The Perils, Pitfalls, and Pleasures of Writing a New Biography of Lewis by Devin Brown Devin Brown is a Professor of English at Asbury University. He has written ten books, including the most recent biographies of Lewis and Tolkien. He has taught in the Summer Seminar program at The Kilns and recently wrote the script for Discussing Mere Christianity which was shot on location in Oxford with host Eric Metaxas. In 2013, I published A Life Observed: A Spiritual Biography of C. S. Lewis. The increased interest in Lewis generated in 2013 by the fiftieth anniversary of his death and the unveiling of the Lewis memorial in the Poets’ Corner of Westminster Abbey helped make it possible for Brazos, my publisher, to release another book about Lewis. -
The Silver Chair by C
73 The Silver Chair by C. S. Lewis Overview Plot Aslan calls Eustace Scrubb and Jill Pole into Narnia to help old King Caspian find his long-lost son, Prince Rilian, who has been kidnapped by an evil enchantress. Conflict Can Jill and Eustace find and save the lost prince? (Man vs. Man, Man vs. Nature) Will the children learn to trust and obey the signs that Aslan has given them? Will they believe what Aslan says about the world, or will they trust the evidence of their senses? (Man vs. Self) Setting Experiment House, the English boarding school; the wildlands of Narnia; Underworld, the domain of the enchantress. Characters Eustace Scrubb and Jill Pole, the English children; Puddleglum, the Narnian Marshwiggle who accompanies them on their quest; Prince Rilian; the witch and her subjects, who inhabit Underworld; Aslan the Lion Theme The Nature of Faith; Appearances vs. Reality Literary Devices Simile; Irony; Foreshadowing; Motif The Silver Chair 74 Questions About Structure: Setting (1) Where does the story happen? The frame for this story is a horrid English boarding school called Experiment House. Co-educational and modern, it is a den of bullies and abusive teachers. The two protagonists, Jill and Eustace, are students trying to survive the term when they are whisked away to Narnia. The central tale is set in the outskirts of Narnia. The story ranges from the wild northern border of Narnia and its marshes, to Ettinsmoor, the country of the giants, and then through Underland. (1.c) Does the story happen in one spot or does it unfold across a wide area? The action unfolds across a wide area due to the nature of the children’s quest. -
Not a Tame Lion: What This Does and Does Not Mean Raven Richardson Asbury College
Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 22 Lewis & Friends 3-2004 Not a Tame Lion: What This Does and Does Not Mean Raven Richardson Asbury College Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Richardson, Raven (2004) "Not a Tame Lion: What This Does and Does Not Mean," Inklings Forever: Vol. 4 , Article 22. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/22 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. Not a Tame Lion: What This Does and Does Not Mean Cover Page Footnote Undergraduate Student Essay Third Place Student Essay Winner This essay is available in Inklings Forever: https://pillars.taylor.edu/inklings_forever/vol4/iss1/22 INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana Not a Tame Lion: What This Does and Does Not Mean Raven Richardson Richardson, Raven. “Not a Tame Lion: What This Does and Does Not Mean.” Inklings Forever 4 (2004) www.taylor.edu/cslewis THIRD PLACE STUDENT ESSAY Not a Tame Lion: What This Does and Does Not Mean Raven Richardson The Lion, the Witch, and the Wardrobe was unrestrained and independent of the whims of the written by C.S. -
Mere Christianity
Welcome to Dr. Kerry Irish’s study guide of C. S. Lewis’ Mere Christianity. This study guide is unique in that it begins with an introduction that explains how Mere Christianity came into being, and also how Lewis became a Christian. I have divided Mere Christianity into six discussions. Each of the discussions is labeled according to the Book and Chapters it includes. I did not use page numbers as there are many editions of Mere Christianity each with its own pagination system. However, my study guide retains the four books and chapter titles that Lewis used. The chapters are all about four to six pages long so finding the answers to the study questions should not be too hard. May the God who pursued C.S. Lewis bless your study. Introduction: C.S. Lewis: Reluctant Convert The unfolding of your words gives light; It gives understanding to the simple. Psalm 119:130 It is August, 1941 London, England. Great Britain has been at war against Nazi Germany and the Italian Empire for nearly two years. The British people stand virtually alone against the greatest combined aggressive power the world has ever seen. These stalwart people have survived the fall of France and Germany’s attempted invasion of England itself the previous year. In that autumn of 1940, their young men answered the siren call, ran to their aircraft, and flew into the clouds to face the overwhelming numbers of the German air force. Almost miraculously these few hundred men saved the British Empire, and perhaps the world, as they traded their blood for time, time for Great Britain to arm and respond to Adolf Hitler’s attempt to rule Europe. -
An Introduction to C. S. Lewis
An Introduction to C. S. Lewis Clive Staples Lewis—C. S. Lewis to many readers—was born in Belfast, Ireland, on November 29, 1898. His parents were Albert James Lewis, a solicitor, and Florence Augusta Lewis. Lewis had one brother, Warren Hamilton Lewis, with whom he remained close for all of his life. Lewis read widely as a child, but dearly enjoyed stories about animals and nature, a theme which resurfaced in his later work The Chronicles of Narnia. Lewis and his brother Warren even created an imaginary world called Boxen in which animals lived and talked together. Coupled with Lewis’ love of creating worlds filled with anthropomorphic animals and lively natural settings was his love for ancient literature, including the epic sagas of Iceland, Norse mythology, and Greek and Medieval literature. Readers familiar with his work will recognize how these these genres and themes influenced the trajectory of his life’s work. In his early years of education, Lewis attended several private preparatory schools in Britain, including Wynyard School in Hertfordshire (1908), Campbell College in Belfast (1910), and Cherbourg House at Malvern, Worcestershire (1911). Due to poor health, though, he never remained at these schools for long. It was during his time in Worcestershire that Lewis pronounced himself an atheist, a belief he held onto until 1929 when he became a theist and then a Christian. In December 1916, Lewis received a scholarship to study at University College, Oxford. His life of academic study took a tremendous turn, however, for in 1917 Lewis enlisted in the British Army. After training, Lewis attained the rank of Second Lieutenant with the Third Battalion of the Somerset Light Infantry. -
The Chronicles of Narnia | C.S. Lewis Reviewed by Max Frazier in the November 2005 Philogian the Year Was 1950
The Chronicles of Narnia | C.S. Lewis Reviewed by Max Frazier in the November 2005 Philogian The year was 1950. England the rest of the world was still recovering from the devastation of the Second World War. It was a world searching for some hope of peace and assurance. Following its critical vote to grant an independent statehood to Israel, the still adolescent United Nations was now facing a serious crisis in Korea – a crisis that would soon plunge that part of the world into war once again. That year, a rather unknown professor literature at Oxford University, wrote a story for children that has captured childhood imaginations around the world. The concept for the story began churning in C. S. Lewis’ mind after viewing a picture that featured a faun – a mythological creature that was half man and half goat – carrying an umbrella and a pile of packages into a snowy woods. Lewis later recalled, “This picture had been in my mind since I was about sixteen. Then, one day, when I was about forty, I said to myself: ‘Let’s try to make a story about it'” (The Creation of Narnia by Brian Sibley) Thus the beginning of The Lion, The Witch, and the Wardrobe, the first in what would become a seven-volume series titled, The Chronicles of Narnia. Other volumes include: Prince Caspian (published in 1951), The Voyage of the Dawn Treader (1952), The Silver Chair(1953), The Horse and His Boy (1954), The Magician’s Nephew (1955 – this is the account of the origins of Narnia, its creation by Aslan and, according to some, should be the first book read), and The Last Battle (1956 – the story of the final days of Narnia). -
Images of His World Photo Archive at the Marion E. Wade Center
Images of His World Photo Archive - photos by Douglas Gilbert Marion E. Wade Center, Wheaton College, Wheaton, IL Call number Page location Archive folder Description Section Copies? Oxford DG/O-A p. 26 2-14 Students and other people walking on High Street Oxford DG/O-B p. 27 2-14 Chapel at Magdalen Chapel, altar view Oxford DG/O-C p. 28 2-14 Deer in view from window of Magdalen College Oxford DG/O-D p. 29 2-14 Deer in woods outside of Magdalen College Oxford DG/O-E p. 30 2-14 View from CSL's south window at Magdalen College Oxford Building where CSL's rooms were at Magdalen College; gardener DG/O-F p. 31 2-14 in the forefront Oxford DG/O-G p. 34 2-14 Swimming area with large tree to the left Oxford DG/O-H p. 38 2-14 St. Mary the Virgin's Church; view inside Oxford DG/O-I p. 39 2-14 St. Mary the Virgin's Church; view outisde Oxford DG/O-J p. 40 2-14 Street outside of Blackwell Bookstore Oxford DG/O-K p. 41 2-15 Broad Street, showing part of the Bodleian Library Oxford DG/O-L p. 44 2-15 Owen Barfield in front of Kilby home Oxford DG/O-M p. 46 2-15 Nevill Coghill Oxford DG/O-N p. 49 2-15 Bar at Eagle and Child Oxford DG/O-O p. 52 2-15 JRRT in the hallway with cane Oxford DG/O-P p. -
Exploring Narnia, Middle Earth, and Other Exotic Places, with Seminarians
EXPLORING NARNIA, MIDDLE EARTH, AND OTHER EXOTIC PLACES, WITH SEMINARIANS Joseph Coleson Nazarene Theological Seminary All who have read The Lion, the Witch and the Wardrobe, or have seen one of the several film adaptations, remember Lucy’s wonder the first time she stepped from the back of the wardrobe into the winter wonderland of Narnia, met Tumnus the Faun, and went to his cozy cave home for tea. Those who have read all seven books to the end will remember Aslan singing the Narnian creation into existence in The Magician’s Nephew, or Aslan’s final words in The Last Battle, “The term is over: the holidays have begun. The dream is ended: this is the morning.” Speaking of holidays, all Tolkien enthusiasts would love to spend a holiday in the Shire; an invitation to an epicurean hobbit tea with Bilbo Baggins would be a very pleasant bonus. For evoking the security of safety from dangers narrowly escaped, and from dangers yet lurking all round, nothing I’ve read surpasses the restorative serenity and perfect hospitality Frodo and the Fellowship enjoyed in the house of Elrond in Rivendell. Who is not stirred by, and who can forget--from the book, or from Peter Jackson’s film adaptation--the desperation of the battle for Gondor, or the majestic shalom following, when Aragorn took his rightful place as King Elessar? Why Lewis and Tolkien? Several times in my career as a professor of Old Testament, I have taught a course on the theology of Lewis’s fiction, and once, a course on the theology of Tolkien’s fiction.