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IIPABHTEJlbCTBO MOCKBbI AEOAPTAMEHT nPE^nPHHHMATEJTbCTBA M MHHOBALJHOHHOrO PA3BMTRB EOPOflA MOCKBBI I1PHKA3 /7~ /$•'/d -J>c£ds/jj? J3. /0. d£*U) No 7 O BHeceHHH H3MeHeHHH b npHKa3 flenapxaMeHTa ot 26 Mapxa 2020 r. JV2 II-l 8-12-89/20 Ha ocHOBaHHH peKOMCHAabHH 06mecTBeHHO-AeJiOBoro coBexa npH HIxaGe no samnxe npas h saKOHHBix HHxepecoB cySBCKTOB HHBecxHijHOHHOH n npeAnpHHHMaxejibCKOH ^e^TejiBHOCTH b ropOAe Mockbo (abjicc - OSmecxBeHHO-AejiOBon cobct) no pesyjTBTaxaM paccMOTpenna oSpamennH cySbeicroB Manoro n cpeAnero npeAnpnHHMaxejibCTBa n (hjih) npo(j)HJTbHbix oGmecxBennbix h (hjih) aenoBbix oprannsabHH n (hjih) o6beAHneHHH o BKjnonenHH b nepenenb KOHrpeccno-BbicxaBOHHbix MeponpHaxHH, saxpaxbi na ynacTHe b Koxopbix no^Jic^cax BOSMemennio 3a cnex cpe^cxE cy6cHAHH, npe^ocxaBjiHCMbix cySbexxaM Manoro h cpeAnero npeanpHHHMaxejibcxBa (npoxoKOJi saoHHoro saceAanHn OGmecxBenHO-AeJioBoro cosexa ox 15 oKxaGpa 2020 r.), npHKa3biBaio: 1. Bhccxh HSMeneHHH b npHKa3 flenapxaMenxa ox 26 Mapxa 2020 r. JVo H-18-12-89/20 «OG yxBep^enHH nepenna h KpHxepneB cooxbcxcxbhh KonrpeccHO- BbicxaBOHHbix MeponpH5ixHH», H3JioxcHB npHJio^ceHHe 1 k npHKa3y b pe^aKijHH corjiacno npHJio>KeHHK) k nacxonmeMy npHKasy. 2. YnpaBJICKHK) KOMMyHHKailHH H KOHrpeCCHO-BbICTaBOHHOH AGHXeJlbHOCXH cobmccxho c YnpaBJieHHeivi noAaepacKH h pa3BHXHH npe^npHHHMaxejibcxBa oGecnenHXb paBMemenne na otjiHHHajTbHOM canxe flenapxaMenxa B HH(|)OpMaU,HOHHO- xejieKOMMynHKaHHOHHOH cexH Hnxepnex naoxonmero npHKaaa ne no3Anee xpex paGonnx ^hch c Aaxw ero noAnncaHHa. 3. Konxpojib 3a BbinojinenHeM naoxonmero npHKaaa bosjio^hxb na saMecxnxejia pyKOBOAHxejin ^enapxaMenxa A.H.HcaeBHna. PyKOBOAHxejib /JenapxaMeHxa A.A.<l>ypcHH ripHJio}KeHHe k npHKasy ^enapTaMeuxa npe^npHHHMaTejibCTBa u HHHOBaUHOHHOrO pa3BHTHS FOpO^a Mockbbi ot /p. 2020 r. No /7~ /tf' /d DpHJicmeHiie 1 k npHKasy ^enapxaMeHTa npezinpHHHMaTejTbCTBa h HHHOBauHOHHoro pasBHTHa ropo/ia Mockbbi ot 26 Mapxa 2020 r. NoH-18-12-89/20 IlepeHeHb KOHrpeccHO-BbiCTaeoHHbix MeponpHHTHH, saxparbi na ynacTHe b Koxopbix no/uieacaT BO^MeineHHio 3a chct cy6cH#HH, npe/iocTaBJiaeivibix cy6i>eKTaM Majioro h cpe/jHero npe^npHHHMaxejibCTBa 1. SpEXPO, Me^AyHapOAHWH (j)OpyM BbICTaBOHHOH HHAyCTpHH. 2. ABTOKOMnneKC, MOCKOBCKan Me^cayHapo^HaH BbicxaBKa. 3. ABTOMaxHsauHH. 3aeKTpoHHKa. 3aeKTpoxex. Csex. 4. ArpoKoMnjieKC, Ycjja. 5. ArpoKOMnaeKc: Hnxeparpo. AHHMea. OepMep FloBoa^bH. 6. ArponpoAMam, Me^KayHapoanaH BbicxaBKa o6opyaoBaHHH, MaillHH h HHrpeaHCHxoB rjm mnncBOH h nepepa6axbiBaioineH npoMbimacHHOCxH. 7. ArpoFIpOMKpbiM. 8. ArpoPycb, MeacayHapoanaa arponpoMbimjieHHaa BbicxaBKa-apMapKa. 9. ArpoxexHoaorH. 10. ArpoOapM, MeacaynapoaHaa BbicxaBKa njieMCHHoro aeaa h xexHOJiorHH aaa npoH3BoacxBa h nepepaGoxKH npoayKijHH a<HBOxHOBoacxBa. 11. Arpo3KcnoKpbiM. 12. Arpo3KcnoKpbiM, cneiiHajiHSHpoBaHHaa arpapnaa BbicxaBKa. 13. AsepOafiaacaHCKaa MeacaynapoaHaa BbicxaBKa H KOH(j)epeHaHa «TejieKOMMyHHKaaHH, nHHOBaii,Hn h BbicoKHe xexHOJiorHH)) (BakuTel). 14. AnajiHXHKa 3Kcno, MOKaynapoaHaa BbicxaBKa aaOcpaxopnoro o6opyaoBaHHa H XHMHHCCKHX peaKXHBOB. 15. AHTEKA, MeacayHapoaHaa cneuHaaH3HpoBaHHaa BbicxaBKa. 16. ApKXHMCCKHH ^GCXHBaJIb aBXOpCKOH KyKJIbl. 17. ApMHa, MeacayHapoaHblH BOCHHO-XeXHHHeCKHH ^)OpyM. 18. APT-ranepea. Kaxanb. 19. APY Acxana, MeacayHapoanaa lOBejiHpHaa BbicxaBKa. 20. APX MocKBa, MeacaywapoaHaa BbicxaBKa apxHxeKxypbi h an3aHHa. 21. ATOM3KCFIO, MeacayHapoaHbm 4)opyM h BbicxaBKa. 22. Art Basel. 2 23. EesonacHOCTb h oxpana Tpy^a, Me^cAyHapoflHaH cneuHajiHSHpOBaHHaa BbicTasKa. 24. EesonacHocTb.KpbiM, BbicxaBKa KOMnjieKCHOH GesonacHoexH. 25. EHOxexHOJioras: Cocxohhhc h nepcneKXHBbi pasBHXHH, Me>KAyHapoAHbiH KOHrpecc. 26. BejiHKHe peKH (3KOJiorHHecKas, rHApOMexeopojiorHHecKaa, BHeprexHnecKaH GesonacHocxb) / ICEF, Me^AyHapoAHbifi HayHHO-npoMbimjieHHbm ^opyM. 27. BoCXOHHblH 3KOHOMHHeCKHH (j)OpyM. 28. Bee ajih Jiexa. CaHKX-nexep6ypr. 29. BcepOCCHHCKHH BOAHblH KOHrpecc. 30. BcepoccHHCKHH 4)opyM-BbicxaBKa FOC3AKA3. 31. BbicxaBKa «MAPIC Russia». 32. BbicxaBKa Begin Group, «Me>KAyHapoAHoe o6pa30BaHHe». 33. BbicxaBKa ICE London. 34. BbicxaBKa MIFUR. 35. BbicxaBKa The Radiological Society of North America (RSNA). 36. Battery Show Europe, MOKAynapOAHaa BbicxaBKa. 37. Faa. Heijjxb. Hobmc xcxhojiofhh KpaHHCMy Cesepy, Me^cperHOHajibHan cneuHajiHBHpOBaHHaa BbicxaBKa. 38. Fax. Het^xb. TexHOiioran, pocchhckhh He^xeraxoxHMHnecKHH 4>opyM. 39. Fjio6ajibHoe odpaxosaHHe, Me>KAyHapoAHa5i BbicxaBKa. 40. Fopnoe Aeno, MexajuiyprHH h Mexajuioo6pa6oxKa, Me^cAynapOAHaa BbicxaBKa (MiningMetals Uzbekistan). 41. FopoA OGpaxoBaHHH, mockobckhh Me>KAyHapoAHbiH (jiopyM. 42. FPAHfl TEKCTHJIE. 43. /I,A!MOSCOW, Me^KAyHapOAnaa HpMapKa cospeMenHoro HCKyccxsa. 44. /JaMaccKaa MOKAynapoAHan apMapKa (Damascus International Fair). 45. /lana. CaA. JlaHAmactix. Majiaa MexaHHxaAHH. 46. /],EHTAJI CAJIOH, mockobckhh Me^KAyHapoAHbin cxoMaxojiorHHecKHH 4>opyM MOKAynapoAHaa BbicxaBKa. 47. flEFFTAJI-PEBIO, BcepoccHHCKHH cxoMaxojiorHHecKHH (fiopyM BbicxaBKa- spMapKa. 48. flEHTAJI-OKCFlO, Mockobckhh Me)KAyHapoAHbiH cxoMaxojiorHHecKHH ^opyM h Me^cAywapoAHaa BbicxaBKa. 49. /JenxHMa, cxoMaxojiorHHecKaji BbicxaBKa, KpacnoAap. 50. flepeBaHHbifi floM. 51. AEOEKTOCKOUMR/NDT ST.PETERSBURG, Me^AywapoAHaH cneu,HajiH3HpoBaHHaH BbicxaBKa npHOopos h o6opyAOBanH« A-n^ npoMbimnenHoro Hepaxpymaiomero Konxpojifl. 52. flEOEKTOCKOURa/NDT Tyumen. 53. /(HxaHH h PeKjiaMa. 54. flopora, Me^KAyHapoAHaa cneunajiHSHpoBaHHan BbicxaBKa. 55. ^AP-ITTRLIA, BbicxaBKa-jipMapKa napoAHbix xyAO^KHHKOB h Macxepos Pocchh. 56. 3aropOAHbm J\om, BbicxaBKa AepeBHHHbix aomob, HH^eHepHbix chcxcm h oxAenoHHbix MaxepnajiOB. 3 57. SamHmeHHbiH rpyHT Pocchh, cneu,Hajin3HpoBaHHa^ BbicxaBKa. 58. 3AOPOBLIH OBPA3 >KH3HM. 59. 3APABOOXPAHEHHE. 60. 3ApaBooxpaHeHHe. KpbiM, cneiiHajiHSHpoBaHHaa, MeAHUHHCKaH BbicxaBKa. 61. 300MHP. floMauiHue ^CHBOTHbie, KpacnoapcK. 62. MrpoMiip, MOKayHapoAHaa BbicxaBKa HHxepaKXHBHbix paBBJieneHHH. 63. PlHBa3Kcno. OOmecxBo rjik bccx, MOKAynapoAHan cneu,HajTH3HpoBaHHas BbicxaBKa. 64. MHAycxpHa MOAbi, MOKAynapoAHaji BbicxaBKa nerKOH h xckcxhjibhoh npOMbimJICHHOCXH. 65. HHJIErMAUI, Me^cAyHapoAHaH BbicxaBKa oGopyAOBaHHH aji« npoH3BOA0XBa H o6pa6oXKH XCKCXHJI5I. 66. HHHOnPOM, Me^AyHapoAHaa npoMbiiujicHHaji BbicxaBKa. 67. HHTEEPAUM^ MOCKBA, MOKAynapoAHaa BbicxaBKa peaGHJiHxaiiHOHHoro oOopyAOBaHHS H XeXHOJlOXHH. 68. MHTEPJIAKOKPACKA. 69. PiHxepnojiHxex, MOKAyHapoAHaa BbicxaBKa cpeACXB oGecneHCHHH 6e30nacH0cxH rocyAapcxBa. 70. HHTEPTKAHL, MOKAyHapOAnaa BbicxaBKa xKaHCH h xeKCXHAbHbix MaxepHajiOB. 71. HnxepIOBejiHp, Me^AyHapoAnaa BbicxaBKa iobcjihphoh HHAycxpHH. 72. HHxypMapKex, Me^cAyHapoAHaa xypHCXHHCCKafl BbicxaBKa. 73. MH(|)opMauHOHHbie xcxhojioxhh Ha cjiy)K6e oOopoHHO-npoMbimjieHHoro KOMIUlCKCa, 4>OpyM. 74. Mnnoc^epa, MOKAyHapoAHaa KOHHan BbicxaBKa. 75. KaBKa3: cxpoHxejibcxBO h pcmohx, MOKAynapoAHaji cneuHajiH3HpOBaHHaa BbicxaBKa. 76. KuHMax AKBaT3KC, cneAHaAH3HpoBaHnaA BbicxaBKa HH>KeHepHoro oGopyAOBaHHa H KJlHMaXHHCCKOH XCXHHKH. 77. Kcma. 06yBb. Mexa. Tcxhojioxhh. 78. KoMHACKCHaa OeaonacHocxb, MOKAyHapoAHbm cajioH. 79. KoH(f)epeHAHH PgConf.Russia (MOKAynapoAHaA xexHHHecKaA KOHcjiepeHUHA no oxKpbixoH CYB/I, PostgreSQL rim oGMena odbixom h npo^eccHonajibHoro oGiachha. B nporpaMMe - Macxep-KAaccw BCAymux MHpoBbix 3KcnepxoB, AOKAaAbi b xpH xeMaxnnecKHx noxoKa, npHMepbi Aynmexo onbixa h paaGop ohihGok, Gaha- AOKAaAbi H3 3aAa). 80. KpanSKcno, BbicxaBKa noA'beMno-xpancnopxHoro oGopyAOBanHA. 81. KpacHBbie AOMa. Pocchhckhh apxHxeKxypHbiH caAOH, MOKAynapoAHaA apxHxcKxypHO-cxpOHxeAbHaA BbicxaBKa. 82. KpbiM. CxpoHHHAycxpHA. 3HeprocGepeAceHHe. 83. KpbiM Bhaa, cxpoHxeAbHaA BbicxaBKa. 84. Kypopxbi h xypH3M, MOKAynapoAHaA xypncxcKaA BbicxaBKa. 85. JIAflB^, BbicxaBKa napoAHbix xyAOAcecxBCHHbix npoMbicAOB Pocchh. 86. JlecApeBMam. 87. MAKC, MCACAyHapOAHblH aBHaAHOHHO-KOCMHHCCKHH caAOH. 88. MamHHocxpoeHHe. MexaAAOoGpaGoxKa. CsapKa. Kasanb. 4 89. MBMK, MOKAyHapoAHaa BbicraBKa Me6ejiH b KpbiMy. 90. MEBEJ1L, MOKAynapoAHaa BbicTaBKa «Me6ejib, c|)ypHHTypa h o6HBOHHbie MaTepHajibi». 91. Me6ejibHbie TexHOJiornH h o6opyAOBaHHe. /],epeBoo6pa6oTKa, KasaHb. 92. MeAHUHHa h sApaBooxpaneHHe, Me^cpernoHajibHaa cneunajiHSHpoBaHHaH BbicTaBKa. 93. Me>KAyHapoAHaH BbicxasKa «TpaHcnopT h JIoracTHKa TransLogistica Uzbek! stan». 94. MexcAynapoAHaa BbicxaBKa «ATxpaKAHOHbi h pasBJieKaxejibHoe o6opyAOBaHHe» noA 6peHAOM PAFinA 3KCEIO. 95. MoKAywapoAHaa BbicxaBKa 6H3Hec-aBHaij,HH RUBAE 2019. 96. Me^CAyHapoAHaa BbicxasKa A-aa cneAHanHcxoB MyseeB h KyjibxypHbix AoexonpHMeHaxejTbHoexeH MUSEUM CONNECTION. 97. Me^AynapoAHaa BbicxaBKa h KOH(^epeHUHH no rpaxcAancxoMy cyAoexpoenmo, cyAoxoACXBy, AeHxejibnocxn nopxoB, ocbochhio oxeana h mejib(j)a «HEBA». 98. MoKAynapOAHaa BbicxaBxa n KOH^epenuna no xexnojiorn^M nponsBOACXBa hoboxo noKOJienna «Formnext». 99. Me^KAynapoAnaa BbicxasKa HHAycxpnH sApaBooxpaneHHH Inter Health Expo. 100. Me^KAyHapoAnaa BbicxasKa HHAycxpnH njiacxMacc Koplas. 101. MexcAynapoAnaji BbicxasKa KOMMepnecKOH hoabh^khmocxh «MIPIM». 102. MexcAyHapoAHaa BbicxaBKa nHnueBbix HnrpeAHenxoB Ingredients Russia. 103. Me^AyHapoAnan BbicxaBxa nponsBOACXBa nanHXKOB BevialeMoscow. 104. Me^KAynapOAnaa nec|)x»Ha5i BbicxasKa h Kon^epenitHH ADIPEC. 105. MoKAyHapOAnaa cneunajiHSHpoBanHaH BbicxaBKa njiacxMacc h KaynyxoB HHTEPHJIACTHKA. 106. Me^AynapoAHoe oOpasoBanHe (Kasaxcxan). 107. Me^KAyHapoAHbiH Konrpecc BbicxasKa)(cneunajiHSHpOBanHaH «HH({)OpMaAHOHHbie XeXHOJlOXHH B MCAHAHHe)). 108. Me^cAyHapOAHbiH Me>KAHCu,HnjiHHapHbiH Konrpecc MANAGE PAIN. 109. Me^cAyHapoAHbm canon aBxopcxnx xyKOJi b OKxnOpe h BbicxaBKa-npoAa^ca aBXopcKHx Kyxoji h HrpymeK «BECEHHHH BAJI KYKOJI». 110. MexcAynapOAHbiH cxponxejibnbiH
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    ПРАВИТЕJIЬСТВО N{ОСКВЫ Д Е ПАР ТА М Е НТ П Р ЕДПРИ Н ИшIА-Т ЕЛ ЬС ТВА И ИННОВАЦИОННОГО РАЗВИТИЯ ГОРОДА МОСКВЫ прикАз 09 pts /o,,t/ х! п- //-// - Об утвержлении перечней и критериев соответствllя конгрессно-выставочных мероприятий, мелцународных конкурсов и фестивалей, рекламно- информационных площадок, оказывающих ус.пуги по продвиr(ению товаров, работ и услуг в информационно- телекоммуникационной сетп Интернет, торговых площадок по продажам товаров, работ и услуг и сервисов по доставке продуктов питания в пнформаuионно-теJIекоммуникационной сети Интернет В соответствии с постановлением Правительства Москвы от 18 апреля 2018 г. Jф З43-tIП <Об угверждении Порядка предоставления субсидий из бюджета города Москвы в целях возмещениrI части затрат, связанных с r{астием в конгрессно-выставочных мероприятиJIх)) и на основании приказа,Щепартамента предпринимательства и инновациоЕного развития города Москвы (далее -.Щепартамент) от 3 декабря 2018 г. Ns П-18-12-З8/8 (О распределении обязанностей между руководителем и заместителями руководителя .Щепартамента предпринимательства и инновационного развития города Москвы>> приказываю: l. Утвердить: 1.1. Перечень конгрессно-выставочных мероприятий, международньж конкурсов и фестивалей, затраты на r{астие в которых подлежат возмещению за счет средств субсидий, предоставJuIемых субъектам мчlлого и среднего предпринимательства (приложение l ). 1.2. Критерии соответствия коЕгрессно-выставочньIх мероприятий, международных конкурсов и фестивалей, затраты на )ластие в которых 2 подлежат возмещению за счgг средств субсидий, предоставляемьrх субъектам малого и среднего предпринимательства (приложение 2). 1.3. Перечень рекJIамно-информационных площадок, оказывающих услуги по продвижепию товаров, работ и услуг в информациоЕно- телекоммуникационной сети Интернет, затраты на продвижение на которых товаров, работ и услуг субъектов мЕlлого и среднего предпринимательства подлежат возмещению за счет средств субсидий (приложение 3).
  • Nycemf 2021 Program Book

    Nycemf 2021 Program Book

    NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ VIRTUAL ONLINE FESTIVAL __ www.nycemf.org CONTENTS DIRECTOR’S WELCOME 3 STEERING COMMITTEE 3 REVIEWING 6 PAPERS 7 WORKSHOPS 9 CONCERTS 10 INSTALLATIONS 51 BIOGRAPHIES 53 DIRECTOR’S NYCEMF 2021 WELCOME STEERING COMMITTEE Welcome to NYCEMF 2021. After a year of having Ioannis Andriotis, composer and audio engineer. virtually all live music in New York City and elsewhere https://www.andriotismusic.com/ completely shut down due to the coronavirus pandemic, we decided that we still wanted to provide an outlet to all Angelo Bello, composer. https://angelobello.net the composers who have continued to write music during this time. That is why we decided to plan another virtual Nathan Bowen, composer, Professor at Moorpark electroacoustic music festival for this year. Last year, College (http://nb23.com/blog/) after having planned a live festival, we had to cancel it and put on everything virtually; this year, we planned to George Brunner, composer, Director of Music go virtual from the start. We hope to be able to resume Technology, Brooklyn College C.U.N.Y. our live concerts in 2022. Daniel Fine, composer, New York City The limitations of a virtual festival meant that we could plan only to do events that could be done through the Travis Garrison, composer, Music Technology faculty at internet. Only stereo music could be played, and only the University of Central Missouri online installations could work. Paper sessions and (http://www.travisgarrison.com) workshops could be done through applications like zoom. We hope to be able to do all of these things in Doug Geers, composer, Professor of Music at Brooklyn person next year, and to resume concerts in full surround College sound.
  • NEVADA GAMING LAWYER the Year in Review: GLS Update

    NEVADA GAMING LAWYER the Year in Review: GLS Update

    NEVADA GAMING LAWYER The Year in Review: GLS Update The 2015 Session of the Nevada Legislature: A Step Forward for Gaming Hot Topics in Gaming: A Chairman’s and Physician’s Perspective Legislators, Regulators Take on Live Entertainment Tax in 2015 Standing on the Shoulders of Giants: Governor Paul Laxalt and the Corporate Gaming Act of 1969 Introduction to the Gaming Division, Office of the Nevada Attorney General GLS Pro Bono Gaming Employee Registration Program Manufacturers Consolidation: Effects on the Gaming Industry Submit, Test, Approve: Rethinking the Regulation of Gaming Devices The “Primary Business” Conundrum: State of Restricted Gaming Laws in Nevada Time to Shut Down Illegal Gambling, Highlight Benefits of Legal, Regulated Gaming Industry Casino Anti-Money Laundering Compliance in 2015: Where the Feds are Focusing Their Enforcement Efforts The Taxation of Individual EXECUTIVE COMMITTEE Gambling Winnings and the Jeffrey R. Rodefer, Chairman* Proposed IRS Amendments P. Gregory Giordano, Vice Chairman* A.C. Ansani Hotel Safe-Deposit Boxes and Unclaimed Michael J. Bonner A.G. Burnett Property: A Change in Nevada’s Approach Michael R. Brunet Chairman, Nevada Jennifer Carleton Gaming Control Board Gaming Law Education Advances: Lou Dorn* The First LL.M. in Gaming John A. Godfrey Sean McGuinness SEPTEMBER 2015 Maren Parry Blurred Lines or Bright Line Between Official Legal Publication of the Jennifer Roberts* State Bar of Nevada Gaming and Medical Marijuana Scott Scherer GAMING LAW SECTION *Editors of the Nevada Gaming Lawyer All rights reserved NEVADA GAMING CONTENTS Official LeLgaAl PuWblicatYion Eof R the 2 Foreword By A.G. Burnett State Bar of Nevada GAMING LAW SECTION 7 The Year in Review: GLS Update All rights reserved 10 The 2015 Session of the Nevada Legislature: A Step Forward for Gaming EXECUTIVE COMMITTEE Jeffrey R.
  • Sejmi 2020 2 2

    Sejmi 2020 2 2

    SSeejmmi i 2020 Fairs • Fiere • Messen KOT VEČ T Po meri v sejemski svet! LE 20 ENJ UŠ EM IZK OVN OSL U V P IZM TUR L E i s T . i / 10 YE jm ARS Se Strokovnjaki za sejemska potovanja Sejmi, turistiœno podjetje, d. o. o. Dunajska 10, 1000 Ljubljana T 041 321 868, 040 295 491, E [email protected], W www.sejmi.si Sejmi Fairs • Fiere • Messen Sejmi, turistiœno podjetje, d. o. o. Dunajska 10, 1000 Ljubljana, T 041 321 868, 040 295 491, E [email protected], W www.sejmi.si Vse pravice pridræane. Brez dovoljenja avtorjev Sejmi d. o. o. je prepovedano reproduciranje, distribuiranje, javna priobœitev, predelava in druga uporaba tega avtorskega dela ali njegovih delov v kakrønem koli obsegu ali postopku, hkrati s kopiranjem, tiskanjem ali shranitvijo v elektronski obliki, v okviru doloœil Zakona o avtorski in sorodnih pravicah. 2020 JANUAR FEBRUAR MAREC APRIL Po 6 13 20 27 Po 3 10 17 24 Po 2 9 16 23 30 Po 6 13 20 27 To 7 14 21 28 To 4 11 18 25 To 3 10 17 24 31 To 7 14 21 28 Sr 1 8 15 22 29 Sr 5 12 19 26 Sr 4 11 18 25 Sr 1 8 15 22 29 Œe ♥ 2 9 16 23 30 Œe 6 13 20 27 Œe 5 12 19 26 Œe 2 9 16 23 30 Pe 3 10 17 24 31 Pe 7 14 21 28 Pe 6 13 20 27 Pe 3 10 17 24 So 4 11 18 25 So 1 8 15 22 29 So 7 14 21 28 So 4 11 18 25 Ne 5 12 19 26 Ne 2 9 16 23 Ne 1 8 15 22 29 Ne 5 12 19 26 MAJ JUNIJ JULIJ AVGUST Po 4 11 18 25 Po 1 8 15 22 29 Po 6 13 20 27 Po 3 10 17 24 31 To 5 12 19 26 To 2 ♥ 9 16 23 30 To 7 14 21 28 To 4 11 18 25 Sr 6 13 20 27 Sr 3 10 17 24 Sr 1 8 15 22 29 Sr 5 12 19 26 Œe 7 14 21 28 Œe 4 11 18 25 Œe 2 9 16 23 30 Œe 6 13 20 27 Pe 1 8 15 22 29 Pe 5 12 19 26 Pe 3
  • Clint Bajakian 361 Mountain View Avenue San Rafael, CA 94901 Tel: 415-225-4565 E-Mail: Clintbajakian@Gmail.Com

    Clint Bajakian 361 Mountain View Avenue San Rafael, CA 94901 Tel: 415-225-4565 E-Mail: [email protected]

    Clint Bajakian 361 Mountain View Avenue San Rafael, CA 94901 Tel: 415-225-4565 E-Mail: [email protected] • 23-year game industry music composer, manager, producer, with over 200 credits • Proven leader in music design, direction and production for top video games • Often recipient of awards, nominations and accolades for musical scores and soundtracks • Industry leader in development, management, methodology, quality and efficiency • Budgetary oversight of up to 20 million dollars annually • Solution oriented team player with honed client services and communication skills • Extensive experience and skillset in orchestral music production Professional Experience Sr. Music Manager, VP of Development, Pyramind Studios, Inc. 2013-present Responsible for composing musical scores, developing internal staff and production practices, and developing business Senior Manager of Music, Sony Computer Entertainment America LLC 2004-2013 Co-recruited and led 16-person music team in pioneering strategy, musical score design, production, resource allocation, budgeting and scheduling for Sony PlayStation video games • Responsible for portfolio of up to 30 titles annually with music budgets ranging from $100,000 to 1,000,000, including God of War, Uncharted, SOCOM and inFamous franchises • Provided creative and technical scoring direction working closely with director and fellow staff • Constant emphasis on creative and technical excellence, and industry benchmark quality Hired to Sony in 2004 at a time when the music department had been prompted to win more awards by senior management. Initially produced music for God of War, and it won an AIAS award for best music in 2005. Managed continually growing world-class music staff at Sony to consistently receive prestigious music awards and nominations every year since, including prized BAFTA and AIAS awards and nominations for best music.
  • A Retrospective Analysis and the Future for Game Music. Bbw Hochschule

    A Retrospective Analysis and the Future for Game Music. Bbw Hochschule

    Interactive Music writing in the Age of AI: A retrospective analysis and the future for game music. bbw Hochschule – Management of Creative Industries MA Ugur, Huseyin Can Matriculation Number: 037201 Course Code: HM029 Primary supervisor – Peter Mathias Konhäusner Secondary supervisor – Prof. Dr. Ingo Schünemann Submitted on: 26/09/2020 Abstract In this thesis, the practices, workers and monetary aspects of interactive music industry has been investigated. As the terminology regarding this industry is observed to be ambiguous, each of the elements that make up the industry and where they came from were explored. Once the definitions and their relevance to industry have been established, the effects of progressive technology on this industry have been hypothesized. As technologies such as Virtual Reality and Augmented reality are still limited to niche area of console gaming and just recently making their appearance on mainstream, they have been only mentioned. However, with the all-encompassing nature of Artificial Intelligence technologies and what they offer to software industry int this thesis it is hypothesized to impact the industry on its population of workers and their financial and professional practices. As the industry has been observed to be in a stable state financially and dependent on the gaming industry itself, it is proposed that the biggest impact will be in their use of technology and how they can bring new dimensions to future games have been discussed. Furthermore, as these effects have been described anecdotally, to observe the psychosomatic experience a more developed game music can offer, an experiment game based on earlier studies in the field have been conducted.
  • April 20–22, 2016 Spring Conference 2016

    April 20–22, 2016 Spring Conference 2016

    SPRING CONFERENCE 2016 SAN FRANCISCO, CALIFORNIA APRIL 20–22, 2016 T:8.5” THE SCALES OF FUN T:11” Konami Gaming, Inc. is a proud sponsor of the International Masters of Gaming Law. For more information please visit gaming.konami.com IMGL_Sponsorship_AD_8x11.indd 1 3/31/16 6:49 PM 1 IMGL_Sponsorship_AD_8x11.indd Saved at 3-31-2016 6:48 PM from Duane’s iMac by Duane / Duane Printed At None Job info Approvals Fonts & Images Job None Art Director None Fonts Client None Copywriter None Helvetica Neue LT Std (45 Light) Account Mgr None Live 7.5” x 10” Studio Artist None Images Trim 8.5” x 11” Proofreader None White-Bkg.psd (CMYK; 340 ppi; 102.94%), Lat- Bleed 8.75” x 11.25” est Brand Logo_CMYK_8_16_13.ai (12.05%), Notes BornFromFun_Tag.eps (100%), Konami_Con- Folded Size None certoScale.psd (CMYK; 1335 ppi; 22.46%), None Gutter None Konami_ConcertoScale-shadow.psd (CMYK; Panel Sizes None 1296 ppi; 23.14%) Inks Cyan, Magenta, Yellow, Black SPRING CONFERENCE WELCOME When IMGL held its 2015 Autumn Conference in Lima, Peru, it marked the first time that IMGL hosted its conference in South America. Set against the backdrop of Peru’s capital city, the Lima conference featured a timely and relevant program to keep attendees informed of the latest in emerging gaming issues and technologies. IMGL is pleased to be holding its Spring 2016 conference in San Francisco, California — a city that needs no introduction. Like Los Angeles and New York, this city already enjoys international renown for everything from its sightseeing to shopping to entertainment.