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Redalyc.JOSÉ DONOSO, TELLING the TALE and RECLAIMING THE
Lingüística y Literatura ISSN: 0120-5587 [email protected] Universidad de Antioquia Colombia Gómez, Juan David JOSÉ DONOSO, TELLING THE TALE AND RECLAIMING THE SOCIAL RESPONSIBILITY OF THE ARTIST Lingüística y Literatura, núm. 58, julio-diciembre, 2010, pp. 51-66 Universidad de Antioquia Medellín, Colombia Available in: http://www.redalyc.org/articulo.oa?id=476548732005 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative JOSÉ DONOSO, TELLING THE TALE AND RECLAIMING THE SOCIAL RESPONSIBILITY OF THE ARTIST Juan David Gómez universidad de Antioquia Recibido: 16/09/2009 Aceptado: 05/11/2009 Abstract: The Cuban revolution and the military coups in Latin America, among other things, forced Latin American artists committed to addressing the social problems in their countries to consider transforming their social commitment into socialist commitment. This essay shows how Jose Donoso’s novel, Curfew, rejects this call and marks a new stage in the relationship between socialism and American literature by being socially committed to the actual political situation in Chile without being a socialist text. Key words: Curfew, Socialism, Pinochet, Donoso, social responsibility. JOSÉ DONOSO, CONTANDO LA HISTORIA Y RECLAMANDO LA RESPONSABILIDAD SOCIAL DEL ARTISTA Resumen: La Revolución Cubana y los golpes de estado en Latinoamérica, entre otras cosas, obligaron a artistas latinoamericanos comprometidos con el mejoramiento de sus LINGüÍSTICA y literatuRA 51 N.º 58, 2010 JuAN David GÓMEZ respectivas sociedades, a meditar sobre la posibilidad de transformar su compromiso social en un compromiso socialista. -
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Frankfurt Book Fair Briefcase 2019 Rights Wednesday, 16th October 2019 Agents announce their top titles for the Frankfurt Book Fair (16-20 October) Aitken Alexander Girl, Woman, Other is Bernardine Evaristo's Booker-shortlisted verse novel, about an interconnected group of Black British women (agent Emma Patterson; Hamish Hamilton UK; Grove US; Eksmo Russia). Sisters is the new novel by Daisy Johnson (left), the youngest author to be shortlisted for the Booker Prize: a "taut, powerful and deeply moving" account of sibling love (agent Chris Wellbelove; Cape UK; Riverhead US; Shanghai Literature and Art China; Stock France; BTB Germany; Koppernik Netherlands; Swiat Ksiazki Poland). In Imperfect: The Power of Good Enough in the Age of Perfectionism, behavioural psychologist Tom Curran distils his research on perfectionism to show why being "just good enough" is the key to happiness, health and success (agent Chris Wellbelove; Scribner US; under offer UK). Meet Dean and his rescue kitten Nala on an adventurous and inspiring journey around the globe, in Nala's World by Dean Nicholson and Garry Jenkins (agent Lesley Thorne; Hodder UK; Grand Central US; WSOY Finland; Nona Sweden; Luebbe Germany; Sperling Italy; Meulenhoff Netherlands; Porto Portugal). Social scientist Des Fitzgerald explores the future of urban spaces in Metropolis Now (agent Chris Wellbelove; Faber UK; Basic Books US). Richard Cohen's The History Makers is an epic exploration of who gets to write the history books, and of how the lives and biases of certain storytellers continue to influence our ideas (agent the Robbins Office; Random House US; Weidenfeld UK). Ampersand Agency Eleanor Porter's debut, provisionally entitled The Ripped Earth, is the lyrical and unsparing story – based on a real event - of a young girl scapegoated for a catastrophe that divided her Elizabethan community (agent Peter Buckman; Boldwood world English). -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki Permalink https://escholarship.org/uc/item/97g9d23n Author Mewhinney, Matthew Stanhope Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki By Matthew Stanhope Mewhinney A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Alan Tansman, Chair Professor H. Mack Horton Professor Daniel C. O’Neill Professor Anne-Lise François Summer 2018 © 2018 Matthew Stanhope Mewhinney All Rights Reserved Abstract The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki by Matthew Stanhope Mewhinney Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Alan Tansman, Chair This dissertation examines the transformation of lyric thinking in Japanese literati (bunjin) culture from the eighteenth century to the early twentieth century. I examine four poet- painters associated with the Japanese literati tradition in the Edo (1603-1867) and Meiji (1867- 1912) periods: Yosa Buson (1716-83), Ema Saikō (1787-1861), Masaoka Shiki (1867-1902) and Natsume Sōseki (1867-1916). Each artist fashions a lyric subjectivity constituted by the kinds of blending found in literati painting and poetry. I argue that each artist’s thoughts and feelings emerge in the tensions generated in the process of blending forms, genres, and the ideas (aesthetic, philosophical, social, cultural, and historical) that they carry with them. -
Graphic Novels: Enticing Teenagers Into the Library
School of Media, Culture and Creative Arts Department of Information Studies Graphic Novels: Enticing Teenagers into the Library Clare Snowball This thesis is presented for the Degree of Doctor of Philosophy of Curtin University of Technology March 2011 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgement has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Signature: _____________________________ Date: _________________________________ Page i Abstract This thesis investigates the inclusion of graphic novels in library collections and whether the format encourages teenagers to use libraries and read in their free time. Graphic novels are bound paperback or hardcover works in comic-book form and cover the full range of fiction genres, manga (Japanese comics), and also nonfiction. Teenagers are believed to read less in their free time than their younger counterparts. The importance of recreational reading necessitates methods to encourage teenagers to enjoy reading and undertake the pastime. Graphic novels have been discussed as a popular format among teenagers. As with reading, library use among teenagers declines as they age from childhood. The combination of graphic novel collections in school and public libraries may be a solution to both these dilemmas. Teenagers’ views were explored through focus groups to determine their attitudes toward reading, libraries and their use of libraries; their opinions on reading for school, including reading for English classes and gathering information for school assignments; and their liking for different reading materials, including graphic novels. -
The Extraordinary Flight of Book Publishing's Wingless Bird
LOGOS 12(2) 3rd/JH 1/11/06 9:46 am Page 70 LOGOS The extraordinary flight of book publishing’s wingless bird Eric de Bellaigue “Very few great enterprises like this survive their founder.” The speaker was Allen Lane, the founder of Penguin, the year before his death in 1970. Today the company that Lane named after the wingless bird has soared into the stratosphere of the publishing world. How this was achieved, against many obstacles and in the face of many setbacks, invites investigation. Eric de Bellaigue has been When Penguin Books was floated on the studying the past and forecasting Stock Exchange in April 1961, it already had the future of British book twenty-five profitable years behind it. The first ten Penguin reprints, spearheaded by André Maurois’ publishing for thirty-five years. Ariel and Ernest Hemingway’s Farewell to Arms, In this first instalment of a study came out in 1935 under the imprint of The Bodley of Penguin Books, he has Head, but with Allen Lane and his two brothers combined his financial insights underwriting the venture. In 1936, Penguin Books Limited was incorporated, The Bodley Head having with knowledge gleaned through been placed into voluntary receivership. interviews with many who played The story goes that the choice of the parts in Penguin’s history. cover price was determined by Woolworth’s slogan Subsequent instalments will bring “Nothing over sixpence”. Woolworths did indeed de Bellaigue’s account up to the stock the first ten titles, but Allen Lane attributed his selection of sixpence as equivalent to a packet present day. -
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“I am being taught my own work”: Editor Claire Pratt of McClelland and Stewart Ruth Panofsky* One of the first women to enter the book trade as a professional editor, Claire Pratt (1921–1995) was at the vanguard of mid-twentieth century Canadian publishing. At McClelland and Stewart, where she was senior editor from 1956 to 1965, Pratt made her most significant contribution to Canadian literary culture. She worked collegially with Jack McClelland, the charismatic head of the firm, and experienced firsthand the challenges and rewards of Canadian literary publishing. She also worked closely with English professor Malcolm Ross, who served as general editor of the firm’s paperback reprint series New Canadian Library, and directly with some of Canada’s most prominent writers, including parliamentarian Stanley Knowles, journalist Peter C. Newman, historian W.L. Morton, novelists Henry Kreisel and Margaret Laurence, and poet Irving Layton. Unlike the majority of women in publishing “whose domestic and behind-the-scenes labour [as wives, daughters, and employees often] made the family business possible, or made it flourish,”1 and who typically toiled invisibly in a field dominated by men, Pratt’s interest in literature and art was fostered by both her parents who encouraged her to pursue a career in publishing. This essay focuses on the nine-year period when Claire Pratt was a key member of McClelland and Stewart’s editorial staff. It * Ruth Panofsky is Professor of English at Ryerson University in Toronto. Her latest book, The Literary Legacy of the Macmillan Company of Canada: Making Books and Mapping Culture, was published by the University of Toronto Press in 2012. -
Paradigm Explorer
JOURNAL OF THE SCIENTIFIC AND MEDICAL NETWORK ESTABLISHED 1973 Paradigm Explorer FRONT COVER INSIDE PAGE 3 Bohm and Krishnamurti PAGE 9 Beyond Duality PAGE 15 Contrasting Futures ISSN 1362-1211 | No 124 | 2017/2 www.scimednet.org 1 Paradigm Explorer 2017/2 2017-18 NETWORK CALENDAR October 28-29 Beyond the Brain XII, Regent’s University, London with Dr Rupert Sheldrake and Prof Chris Roe from the Parapsychological Association, Dr Cassandra Vieten and Dr Dean Radin from the Institute of Noetic Sciences, Dr Diane Corcoran and Dr Penny Sartori from the International Association for Near-Death Studies and Prof Stuart Hameroff from the Center for Consciousness Studies, University of Arizona – leaflet enclosed November 17 Launch lecture for Rupert Sheldrake’s new book, Science and Spiritual Practice, King’s London – leaflet enclosed November 18 Transformative Innovations in Health. Day conference with the British Holistic Medical Association and the University of Westminster – leaflet enclosed Jan 29 – Feb 7 Jamaica seminar – see advert below April 6-8 Mystics and Scientists 41, Latimer Place July 6-8 Annual Meeting, venue tbc September 15 Day conference to celebrate 80th birthdays of Keith Ward and Ravi Ravindra September 28-30 Continental Meeting in Bagni di Lucca, Italy, with Laszlo Institute LONDON - CLAUDIA NIELSEN – 0207 431 1177 or email [email protected] We meet at 38 Denning Rd NW3 1SU at 7.30 for an 8pm start when parking restrictions are lifted. Nearest tube station is Hampstead (Northern Line) or Hampstead Heath (Overground). Cost is £10 for members and £12 for guests. Please confirm attendance so I can anticipate numbers. -
Age of the Dandy: the Flowering of Yoshiwara Arts
5 Age of the Dandy: The Flowering of Yoshiwara Arts Kiragawa Uramaro. Two geisha in typical niwaka festival attire with their hair dressed in the style of a young man. Ohide of the Tamamura-ya, seated, is receiving shamisen instruc- tion from Toyoshina of the Tomimoto school, ca. 1789. Courtesy of n 1751, Tanuma Okitsugu, a politician who left a significant mark on Christie’s New York. the second half of the eighteenth century, was one of many osobashti I serving the ninth shogun Ieshige. Osobashti were secretaries who con- veyed messages between the shogun and counselors, a position of a modest income, which in Tanuma’s case carried an annual salary of 150 koku. By 1767, Tanuma was receiving approximately 20,000 koku as the personal secretary to the tenth shogun, Ieharu. Two years later, with a salary of 57,000 koku, Tanuma was a member of the powerful shogunate council. Although examples of favoritism and extravagant promotion had occurred under the previous shoguns Tsunayoshi and Ienobu, there was no precedent for the degree of actual power Tanuma Okitsugu had assumed. He won his position through a combination of superior intelligence, political skill, and personal charm. In addition, he made unscrupulous use of bribery to coun- selors in key positions and ladies of the shogun’s harem.1 In 1783, after his son Okitomo’s name was added to the shogun’s select list of counselors, father and son virtually ruled Japan. Kitagawa Utamaro. Komurasaki of To strengthen the nation’s economy, Tanuma Okitsugu allied himself the Great Miura and her lover Shirai with the commercial powers of Edo and Osaka and promoted industry and Gonpachi (discussed in Chapter 3). -
The 25 Most Important Classical Shunga Artists (Vol
Issue 04 12-2019 The 25 Most Important Classical Shunga Artists (Vol. 2) Issue 04 12-2019 The 25 Most The Important Classical Shunga 25 Most Artists (Vol. 2) Important Classical Shunga Artists (Vol. 2) On our forum (will be launched later this year!) and blog you can find much more exciting info about Hokusai. You can also check out other free eBooks in the following section! Issue 04 12-2019 Contents The 25 Most The 25 Most Important Classical Shunga Artists (Vol. 2) 7 Important Chōbunsai Eishi (1756-1829) 9 Classical Shunga Chōkyōsai Eiri (act. c. 1789-1801) 11 Artists Kikugawa Eizan (1787-1867) 13 (Vol. 2) Keisai Eisen ((1790-1848) 15 Yanagawa Shigenobu (1787-1832) 17 Utagawa Toyokuni (1769-1825 19 Utagawa Kunisada (1786-1865) 21 Utagawa Kuniyoshi (1797-1861) 23 Kawanebe Kyosai (1831-1889) 25 Tomioka Eisen (1864-1905) 27 Ikeda Terukata (1883-1921) 29 Mission 31 Copyright © 2019 On our forum (will be launched later this year!) and Design and lay out: Haags Bureau blog you can find First print: december 2019 much more exciting info about Hokusai. You can also No part of this publication may be reproduced and/or check out other published by means of printing, photocopying, microfilm, free eBooks in the scan, electronic copy or in any other way, without prior following section! permission from the author and publisher. Issue 04 12-2019 The 25 Most Important Classical Shunga Artists (Vol. 2) The 25 Most In our previous volume (both can be downloaded in our eBooks section) Important we examined the first 15 of the 25 most important shunga artists Classical Shunga ending with Kitao Masanobu. -
Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003)
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2003 Stories of Canada: National Identity in Late- Nineteenth-Century English-Canadian Fiction Elizabeth Hedler Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Cultural History Commons, Ethnic Studies Commons, and the Literature in English, North America Commons Recommended Citation Hedler, Elizabeth, "Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003). Electronic Theses and Dissertations. 193. http://digitalcommons.library.umaine.edu/etd/193 This Open-Access Dissertation is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION Elizabeth Hedler B.A. McGill University, 1994 M.A. University of Maine, 1996 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) The Graduate School The University of Maine May, 2003 Advisory Commit tee: Marli F. Weiner, Professor of History, Co-Advisor Scott See, Professor of History and Libra Professor of History, Co-Advisor Graham Cam, Associate Professor of History, Concordia University Richard Judd, Professor of History Naorni Jacobs, Professor of English STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION By Elizabeth Hedler Thesis Co-Advisors: Dr. Scott W. See and Dr. Marli F. Weiner An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) May, 2003 The search for a national identity has been a central concern of English-Canadian culture since the creation of the Dominion of Canada in 1867. -
Malcolm Ross and the New Canadian Library: Making It Real Or Making a Difference?
Malcolm Ross and the New Canadian Library: Making It Real or Making a Difference? LAURA GROENING Our culture cannot be expressed in terms of someone else’s experience. … Like other peoples, and whatever the direction, we must advance over our own cobblestones. (Ross, The Arts in Canada 5) N THE INTRODUCTION to Other Solitudes: Canadian Multicultural Fictions, Linda Hutcheon writes, “There is no obvious place to I start any investigation of the ethnocultural diversity that has created what we call ‘multiculturalism’ in Canada today” (5). “Fifty years ago,” Marion Richmond, Hutcheon’s co-editor argues, “the term multi- culturalism — as we understand it in Canada today — was unknown, and a book such as … [Other Solitudes] would not have been considered an important literary endeavour” (preface, n. pag.). In 1954, Malcolm Ross, the founding editor of the New Canadian Library (NCL) series, in- troduced a book called Our Sense of Identity, writing that Ours is not, can never be, the “one hundred per cent” kind of nation- alism. We have always had to think in terms of 50-50. No “melting pot.” Rather, the open irony of the multi-dimensional structure, an openness to “the larger mosaic,” to the vivid themes of A.M. Klein’s Jewish heritage, to the fine Slavic interlacings of Winnipeg and the prairies. (xi) This diversity Ross calls “the proper diversity of the full Canadianism” (xi). Surely this is precisely multiculturalism “as we understand it in Canada today”; that is, a view of the nation rooted in the idea that a multi- ethnic culture produces not a series of discrete and different communities, but rather a new community of many voices singing in harmony, what Ross calls “a diverse yet single people” in his introduction to F.P. -
King's Research Portal
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by King's Research Portal King’s Research Portal DOI: 10.1177/0163443709344251 Link to publication record in King's Research Portal Citation for published version (APA): Lee, H-K. (2009). Between fan culture and copyright infringement: manga scanlation. Media Culture & Society, 31(6), 1011 - 1022. 10.1177/0163443709344251 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.