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Concetta E. Ribaudo Scrapbook on the Hollywood Canteen 7093
http://oac.cdlib.org/findaid/ark:/13030/c8474hpv No online items Finding aid for the Concetta E. Ribaudo scrapbook on the Hollywood Canteen 7093 Bo Doub USC Libraries Special Collections 2019 June Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 [email protected] URL: http://libraries.usc.edu/locations/special-collections Finding aid for the Concetta E. 7093 1 Ribaudo scrapbook on the Hollywood Canteen 7093 Language of Material: English Contributing Institution: USC Libraries Special Collections Title: Concetta E. Ribaudo scrapbook on the Hollywood Canteen creator: Ribaudo, Concetta E. Identifier/Call Number: 7093 Physical Description: 0.21 Linear Feet1 box Date (inclusive): 1938-1944 Abstract: The Concetta E. Ribaudo scrapbook on the Hollywood Canteen includes a variety of memorabilia collected by Ribaudo, who went by the stage name Connie Roberts, during her employment as a hostess at the Hollywood Canteen during World War II. The Hollywood Canteen was a converted barn that operated at 1451 Cahuenga Boulevard in Hollywood from October 3, 1942 to Thanksgiving Day 1945 as a club offering food, dancing, and entertainment for more than three million servicemen. A military uniform served as ticket for admission and everything at the canteen was free of charge. The collection includes Ribaudo's nametag and identification card, letters she received from servicemen she met at the Canteen, news clippings, and various other forms of ephemera and memorabilia. One pilot who went by the name "Crash Clark" wrote to Ribaudo: "You are an OK kid in my books and I can not tell you just how much fun we had at the canteen. -
Swing: from Time to Torque (Dance Floor Democracy at the Hollywood Canteen)
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen) by Sherrie Tucker 2013 This is the published version of the article, made available with the permission of the publisher. The original published version can be found at the link below. Sherrie Tucker. (2013). “Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen.” Daedalus: Journal of the American Academy of Arts & Sciences 142(4):82-97. Published version: http://www.dx.doi.org/10.1162/DAED_a_00243 Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml KU ScholarWorks is a service provided by the KU Libraries’ Office of Scholarly Communication & Copyright. Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen) Sherrie Tucker Abstract: The Hollywood Canteen (1942–1945) was the most famous of the USO and USO-like patriotic nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations during World War II. It is also the subject of much U.S. national nostalgia about the “Good War” and “Greatest Gen- eration.” Drawing from oral histories with civilian volunteers and military guests who danced at the Hol- lywood Canteen, this article focuses on the ways that interviewees navigated the forceful narrative terrain of national nostalgia, sometimes supporting it, sometimes pulling away from or pushing it in critical ways, and usually a little of each. This article posits a new interpretative method for analyzing struggles over “democracy” for jazz and swing studies through a focus on “torque” that brings together oral history, improvisation studies, and dance studies to bear on engaging interviewees’ embodied narratives on ideo - logically loaded ground, improvising on the past in the present. -
THE DARK PAGES the Newsletter for Film Noir Lovers Vol
THE DARK PAGES The Newsletter for Film Noir Lovers Vol. 6, Number 1 SPECIAL SUPER-SIZED ISSUE!! January/February 2010 From Sheet to Celluloid: The Maltese Falcon by Karen Burroughs Hannsberry s I read The Maltese Falcon, by Dashiell Hammett, I decide on who will be the “fall guy” for the murders of Thursby Aactually found myself flipping more than once to check and Archer. As in the book, the film depicts Gutman giving Spade the copyright, certain that the book couldn’t have preceded the an envelope containing 10 one-thousand dollar bills as a payment 1941 film, so closely did the screenplay follow the words I was for the black bird, and Spade hands it over to Brigid for safe reading. But, to be sure, the Hammett novel was written in 1930, keeping. But when Brigid heads for the kitchen to make coffee and the 1941 film was the third of three features based on the and Gutman suggests that she leave the cash-filled envelope, he book. (The first, released in 1931, starred Ricardo Cortez and announces that it now only contains $900. Spade immediately Bebe Daniels, and the second, the 1936 film, Satan Met a Lady, deduces that Gutman palmed one of the bills and threatens to was a light comedy with Warren William and Bette Davis.) “frisk” him until the fat man admits that Spade is correct. But For my money, and for most noirists, the 94 version is the a far different scene played out in the book where, when the definitive adaptation. missing bill is announced, Spade ushers Brigid The 1941 film starred Humphrey Bogart into the bathroom and orders her to strip naked as private detective Sam Spade, along with to prove her innocence. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Humphrey Boohit CHARLES LAUGHTON, MARY Hyattsmled MS&Mfc BOLAND
■_. 11 »jn., It10, 3:30, 5:30, 7:40 and "Sons o’ Pun” the team Is now Local Audience to Sec Where and When 9:50 pjn. , ready for a coast-to-coast tour and AMUSEMENTS,_ Likely Ptx—'"Soul of a Monster"; 2:10, are due in Constitution Hall De- • 7 and 9:20 kidney Uit'i Currant Thuatur Attractions 4:35, pm. cember 5. Their company includes Trane-Lax — News and shorts, several additional WASH. GRAND OPERA HIPPODROME NT*Ut*ya Sweet 1 ond Tim* of Spanish dancers, 'Sing Out, Land,’ Jan. Showing continuous from 10 a.m, a guitarist and a pianist. Tickets mu OF TUB “MET.” OTHERS By JAY CARMODT. am opening JAMES STEWART 1:30 pm. are on sale at the Cappel Concert > Walter Kerr’a National—"Iolanthe”; CONSTITUTION HAIX Booking department: Catholic University musical Bureau, 1300 O street N.W. Sweet a Screen. Concerts List & IMVAIME. m. If, 1:31 hits CAROLE LOMBARD triumph, “Sing Out, Land," now Theater Guild production with Cappel /X Alfred is a to come to Capitol—"Something for the Goebbeb called our For- Drake, strong possibility Washington after all. Flying 1 11:06 7:15 Rosario and Antonio The weeks of January 1 and 8 will “very probably" see it at the National Boys"; am., 1:45, 4:30. tresses "Flying Coffins.” We need Martinalli, Svad, RIMa,, "MADE FOR'EACH OTHER" and 10 (hows: Chavlllos Theater, this department is Informed. pm. Stage 1:10, 3:55, Loe is whit they are more of them over Germany. Let’s 6:40 and called in but In RM That will be after its current four-week in 0:20'pm. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Yankee Doodle Dandy, Starring Jimmy Cagney As Playwright George M
ALL EARS!! The Litchfield Fund Weekly Newsletter “We just don’t hear it on the street, we have our ears spread across all the fields!!!!!” During the first half of the 20th century, Americans received most of their news from newspapers & magazines. Weekly magazines like Life, Time & The Saturday Evening Post might arrive by mail, but a regular stop at the newsstand was part of most people’s lives! During the first week of July, 1942, by request of FDR, all of the U.S. magazines patriotically displayed an American Flag on their cover*. Of course by 1942, the movie industry was churning out patriotic movies, which that year included Yankee Doodle Dandy, starring Jimmy Cagney as playwright George M. Cohan & as his wife Mary, the beautiful redhead Joan Leslie. Yankee Doodle Gal: Miss Leslie, one of our favorite actresses, passed away recently at age 90. She often played the young ingénue in WWII movies & besides the somewhat fictionalized account of Mr. Cohan’s life, appeared in many patriotically inspired movies such as Sergeant York, The Sky’s the Limit, This is the Army, Thank Your Lucky Stars & Hollywood Canteen. After the war, she fought Warner Brothers for better roles, eventually breaking her contract. She moved on to independent productions & early television. She retired to focus on raising her young twin daughters, taking occasional TV roles into the 1990s! Watching Yankee Doodle Dandy on TV was a Fourth of July family tradition growing up! The nearly 30-year old movie was inspiring then & remains so today. The Fourth was always this little boy’s favorite holiday, for the same reason as Mr. -
R,Fay 16 2013 Los Angeles City Council Room 395, City Hall 200 North Spring Street, Room 410 Los Angeles, California 90012
DEPARTMENT OF CITY PLANNING EXECUTIVE OFFICES OFFICE OF HISTORIC RESOURCES MICHAEL LOGRANDE 200 N. SPRING STREET. ROOM 620 CITY OF Los ANGELES los ANGELES,CA 90012·4801 DIRECTOR (213) 978 ·1200 CALIFORNIA (213) 978·1271 ALAN BELl, Arc? CULTURAL HERITAGE COMMISSION O,PUlY D1R'CTOR· (213) 978-1272 RICHARD BARRON PR,S!O~NT USA WEBBER, Ale!> ROELLA H. LOUIE DEPUTY DIRECTOR VlCE-PR,SIOENT (213) 978-1274 TARA}. HAMACHER GAlL KENNARD EVA YUAN-MCDANrEl OZSCOTT DEPUlY DIRECTOR ANTONIO R. VILLARAIGOSA (213) 978-1273 FElY C PINGOl MAYOR FAX: (213) 978-1275 COMMISSION iOXECUTIVE ASSISTANT (213) 978-1294 INFORMATION (213) 978·1270 wwwplanning.ladty.org Date: r,fAY 16 2013 Los Angeles City Council Room 395, City Hall 200 North Spring Street, Room 410 Los Angeles, California 90012 Attention: Sharon Gin, Legislative Assistant Planning and Land Use Management Committee CASE NUMBER: CHCw2013w510wHCM GIBBONSwDEL RIO RESIDENCE 757 KINGMAN AVENUE At the Cultural Heritage Commission meeting of May 9, 2013, the Commission moved to include the above property in the list of Historic-Cultural Monument, subject to adoption by the City Council. As required under the provisions of Section 22.171.10 of the Los Angeles Administrative Code, the Commission has solicited opinions and information from the office of the Council District in which the site is located and from any Department or Bureau. of the city whose operations may be affected by the designation of such site as a Historic-Cultural Monument. Such designation in and of itself has no fiscal impact Future applications for permits may cause minimal administrative costs. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood
The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Andrew Paul IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Lary May, Tracey Deutsch March 2014 © Andrew Paul 2014 Acknowledgements Writing this dissertation would not have been possible without the support of countless others. First, I acknowledge the generosity of my dissertation committee. My advisors, Lary May and Tracey Deutsch offered enthusiastic guidance, criticism, and support. Lary’s own contributions to the historiography of the blacklist were second in value only to his personal attention to my work, and his questions yielded important research leads. Tracey helped me to think across sub-fields and pushed me to improve my writing. Both of them encouraged me to take intellectual risks and to make bold claims and interventions. Elaine Tyler May, Riv-Ellen Prell, and Malinda Lindquist all shaped my development as a scholar as well. With thoughtful and critical attention to my writing, they challenged me to clarify my ideas and helped me to see how my work was entering different conversations, and how it might stand to enter others. It was a privilege to be able to discuss my ideas with this committee. I was awarded generous financial sums from the University of Minnesota’s Harold Leonard Memorial Film Studies Fellowship and the University of Minnesota Foundation, which allowed me travel to archives in California, Wisconsin, and New York. In these locales, at the Charles Young Research Library at the University of California Los Angeles, the Margaret Herrick Library and the Paley Center for Media, both located in Beverly Hills, the Wisconsin State Historical Society in Madison, and at the Center for Jewish History in New York City, numerous archivists assisted me in my work., and for this I owe them my gratitude. -
Hollywood Studio Magazine (January 1972)
JANUARY 1972/AO CENTS DON RAY'S INVEST YOUR REPEAT SPECIAL CHRISTMAS GIFT A Word to the Wise CHECQUES WISELY! Watch for Don Ray’s TV Specials During the Coming Year. ___ Computer I mljP * I Crafted Color OU $ ewePry m a cj Lca (ly re-dedig^ned into an oriainad creation • 95 . ADD Diamonds . Re-design a ring or re-set a diamond . add a diamond wrist band. repair, re-style a favorite watch - Free estimates and designs. 14 INCH DIAGONAL PORTABLE Take this RCA portable home at this special price. (The EQ 325 Co-Ed) 95 16 INCH DIAGONAL PORTABLE Take this RCA portable home at this All manufacturing and designs are created in our special price. (The EQ 363W) own Salon in Fashion Square. NO DOWN Low monthly payments Special consideration to STUDIO employees EXCLUSIVE Rolex dealer for San Fernando Valley . Movado, Audemar Piguet, Wyler, Le Coultre and 21 YEARS DEPENDABLE SERVICE other fine watches. Bankamericard and Master Charge DON RAYM Berggren Jewelers AND APPLIANCES^^ T J Famous Jewelers in the Valley for thirty-nine years. iHHBBBankamerica . Easy Financing^- Creative custom designing in our own shop o Certified gemologists Poplar 3-9431 TR 7-4692 No. 25 Fashion Square, Sherman Oaks 4257 LANKERSHIM BLVD. 788-4014, LA-872-2406 NORTH HOLLYWOOD FREE! Key Protection in Solid Bronze You don’t'have to be a customer ... come in today, and protect your keys with North Hollywood Federal’s solid bronze “Key Minder” service. There’s no obligation. Here’s how it works: • you visit one of the NHF offices • we give you a solid bronze medallion attached to a sturdy key ring • we personalize it with your own “Key Minder” number • we keep this number in our confidential files • if you ever mislay your keys, the finder simply drops them into the nearest mail box. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.