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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Le Chemin Des Etoiles
LE CHEMIN DES ETOILES 1.Pedro Almodovar 2004 27.Vanessa Redgrave 1992 44. Val Kilmer 2005 2. Pénélope Cruz 2006 28. Isabella Rosselini 1990 45. Pierre Richard 1985 3. Julie Andrews 1992 29. Ettore Scola 1988 46. Jean Rochefort 2003 4. Luc Besson 1988 30. Jean Louis Trintignant 1985 47. Richard Bohringer 1987 5. Claudia Cardinale 1993 31. Andrezj Wadja 1990 48. Micheline Presle 1987 6. Jean-Paul Belmondo 1988 32. Franco Zeffireli 1986 49. Anthony Quinn 1994 7. Charlotte Gainsbourg 1990 33. Jodie Foster 2001 50. Sidney Pollack 1986 8. Lars Von Trier 2003 34. Lambert Wilson 1987 51. Keanu Reeves 2003 9. Catherine Deneuve 1985 35. Sylvester Stallone 1993 52. Charlotte Rampling 1986 10. Sandrine Bonnaire 2006 36. Quentin Tarantino 2004 53. Gregory Peck 1989 11. Claude Chabrol 1985 37. Jack Nicholson 2002 54. Diane Kruger 2007 12. Kar-Wai Wong 2001 38. Sophia Loren 1989 55. Claude Lelouch 1986 13. Tim Burton 2006 39. David Lynch 1990 56. Michelangelo Antonioni 1977 14. Andrezj Zulawski 1990 40. Paul McCartney 2001 57. Nicole Kidman 2001 15. Johnny Hallyday 1986 41. Nicolas Cage 1990 58. Cameron Diaz 2002 16. Dennis Hopper 1991 42. Meryl Streep 1989 59. Nathalie Portman 2008 17.Angelina Jolie 2007 43. Liza Minelli 2005 60. Georges Lucas 2002 18. Vigo Mortensen 2005 61. Ewan Mac Gregor 2001 19. Michel Legrand 1987 62. Michel Piccoli 2007 20. Meg Ryan 2003 63. Tim Robbins 1992 21. Leonardo Dicaprio 2002 70. Ben 2004 64. Francesco Rosi 1990 22. Gérard Jugnot 1985 71. Michael Moore 2004 65. Claude Sautet 1990 23. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
The American Film Musical and the Place(Less)Ness of Entertainment: Cabaret’S “International Sensation” and American Identity in Crisis
humanities Article The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis Florian Zitzelsberger English and American Literary Studies, Universität Passau, 94032 Passau, Germany; fl[email protected] Received: 20 March 2019; Accepted: 14 May 2019; Published: 19 May 2019 Abstract: This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry. -
Paddy Breathnach the Irish Film Institute
AUGUST 2016 PADDY BREATHNACH THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s national cultural institution for film. EXHIBIT It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. LAST CHANCE Commune The FRENCH FILM CLUB Some new releases carrying over from our July programme This month’s French Film Club screening – where IFI and include: Author: The JT LeRoy Story, the astonishing Alliance Française members pay just €7 a ticket – on August unmasking of the real story behind novelist wunderkind 17th at 18.30, is Guillaume Nicloux’s Valley of Love starring JT LeRoy, whose tough prose about his sordid childhood Isabelle Huppert and Gérard Depardieu as a divorced couple captivated icons and luminaries internationally; and drawn together by their son’s suicide note instructing them The Commune, Thomas Vinterberg’s new feature about the to travel to Death Valley where he will briefly reappear to clash between personal desires and tolerance in a Danish them. See page 8 for film notes. Please visit www.ifi.ie commune in the 1970s. or ask at the IFI Box Office for further details. IFI CAFÉ BAR DEAL IFI PLAYER We have a sizzling new summer menu in the IFI Café Bar The IFI Player launches in late August, and will create and a very special deal for the month of August, where free online access to a range of collections that have you can have a main course and film ticket for only €18. -
FESTIVAL to the Volcanoes of Auvergne – Unforgettable
InsPIrIng you to reach your dreams #19 /JuLy-AUGUST 2010 Glorious Cannes, Glamorous summer MICK JAGGER A Stone in exile? PAlme d’oR wInner Exclusive interview AlEx Cox British film expert BElGIAn EU PRESIdEnCY Back in business? EDITORIAL Cannes-tastic! Cannes is one of those places cocktails, courtesy of chivas and the utter where you feel anything could exhilaration of being handed the controls of J happen. Away from the glitz craft’s latest speedboat the Torpedo as it and glamour of La Croisette topped 40 knots in Cannes harbour, we did our best to enjoy ourselves. and its famous red carpet, a whole industry throbs in the Of course, it’s not all parties. Closer to home, Andy background. Carling returns with a sideways look at how Belgium may handle its six months as head of n such a city of movers and shakers, a the EU’s rotating presidency. There’s still time to place which seems practically never to get yourself in trim for the beach, too – let Together sleep and a town in which new stars are and Power Plate Institute Brussels introduce you born, Together is right at home. To save to the latest exercise craze, with our fantastic you the trouble of trekking the thousand- readers giveaway. oddI kilometres to Cannes, we selflessly ventured there to bring you the very best in fashion shows, Plus, as we know you’ve come to expect and private parties and everything you might expect enjoy by now, there’s a beautiful fashion from the hardest working (and hardest partying) photoshoot, Kimberley Lovato’s sensual magazine in Brussels. -
The Chronicle Thursday
THE CHRONICLE THURSDAY. FEBRUARY 4, 1988 © DUKE UNIVERSITY DURHAM. NORTH CAROLINA CIRCULATION: 15,000 VOL. 83. NO. 93 Ticket Reagan to speak on campus Monday information By DAN BERGER all students who don't get tickets to the President Reagan will visit the Univer speech will come out to see the landing," Undergraduates: ASDU will distribute sity Monday to speak at a conference on he said. Several local high school bands 2,500 free tickets for President substance abuse, the White House an and community groups will also attend Reagan's speech to undergraduates nounced Wednesday. the ceremony at the landing site, Mizell presenting a student ID between 10 Reagan will address the conference said. He added that the men's basketball a.m. and 4 p.m. Thursday at the upper "Substance Abuse in the Workplace: team will likely participate in the fevet of the Bryan Center. Another dis Strategies for the 1990s," which is being program at the lacrosse field prior to the tribution table may be set up at the East sponsored by the University and the office president's landing and to a lesser extent Campus Union during the same hours, of North Carolina Gov. Jim Martin. The after he arrives. but a final decision will not be made un president's trip from Washington D.C. Before taking the dais, Reagan will hold til Thursday morning. Of the 2,500 tick will be made exclusively to attend the a closed meeting in Cameron with several ets, 750 will be allocated to East Cam event. community leaders affiliated with the pus. -
View Entire Issue As
6 Li Volume 3, Issue 16 0 1 0 August 21 - September 3, 1986 ANIMINC't A ik3L___ 4111 11114 - ' i ) :... - Friday, Aug. 29 & Saturday, Aug. 30 MILWAUKEE'S FINEST VIDEO DISCO 11.0. 14r•a- : c Sunday, Aug. 31 (3:30am closing) _ SUNDAY MADNESS, PLUS! $1 Door Charge, 75 Rail & Giant Tappers Win the LAST MOTOR SCOOTER (Drawing at 2am) I "MR SAFE SEX" CONTEST & SHOW 11pm Guest MC, Stars and Dancers ...._ Over $300 in Prizes + sponsorship to Pageant Categories: Swim Suit + Description of "Erotic" Safe Sex (Contestant sign-up at La Cage through Sat. 8/30) -.., Monday, Sept. 1st, LABOR DAY SEE YOU ALL AT M.A.P. FEST '86 The Community Event of the Year! Page 2 • August 21 - September 3, 1986 • InStep 63 IN STEP PUBLISHER & EDITOR Staff cartoonist Tom Rezza created this Ron Geiman issues cover to salute and commemorate the American Women in t -le work place. AIDE-de-"CAMP" Joe Koch COLUMNISTS Ken Kurtz Kevin Michael W.W. Wells III Note: Dan Brown Dee Dailey Carl Ohly Deadline for the next issue CARTOONIST Issue 17 Wisconsin's gay/lesbian bi-weekly Tom Rezza the September 4th Issue is 5pm, August 27th PHOTOGRAPHY Call our office at 931-8115 for any other Carl Ohly information. Business Owners . • GRAFFITTI EDITOR Events occuring after August 14th are not in Katie this issue. TYPESETTING C i X . I. D.S. If you've never advertised in INSTEP, you Alpha Composition HOTLINES just may be pleasantly suprised at the results. AD REPRESENTATIVE TOLL FREE Ron Geiman mit. -
The World to Come
THE WORLD TO COME Directed by Mona Fastvold *World Premiere - 2020 Venice International Film Festival - Competition* PRESS CONTACTS US Press: Emilie Spiegel, [email protected] Intl Press: Claudia Tomassini, [email protected] SYNOPSIS In this frontier romance framed by the four seasons and set against the backdrop of rugged terrain, Abigail (Katherine Waterston), a farmer’s wife, and her new neighbor Tallie (Vanessa Kirby) find themselves powerfully, irrevocably drawn to each other. As grieving Abigail tends to the needs of her taciturn husband Dyer (Casey Affleck) and Tallie bristles at the jealous control of her husband Finney (Christopher Abbot), both women are illuminated and liberated by their intense bond, filling a void in their lives they never knew existed. Director Mona Fastvold (The Sleepwalker, co-writer of CHILDHOOD OF A LEADER and VOX LUX) examines the interior lives of two women resisting constraints, giving voice to their experiences. Scripted by Jim Shepard and Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford), THE WORLD TO COME explores how isolation is overcome by the power of imagination and human connection. Q&A with Director Mona Fastvold First of all, tell me how the material came your way. It’s an interesting pairing of a novelist adapting a short story — was this a script that came to you fully formed? The script came to me from one of our producers, Whitaker Lader, who had seen my previous film. She and Casey had been developing the script with the screenwriters, Ron Hansen and Jim Shepard, for some time. I was immediately struck by it. -
December 26-30, 2018 Wheeler Opera House + Paepcke Auditorium
December 26-30, 2018 Wheeler Opera House + Paepcke Auditorium PROGRAM | aspenfilm.org TICKETS | aspenshowtix.com SOCIAL | @aspenfilm GOLD MEDAL DIVERSE WINTER BIKING AND LOCAL RETAIL ARTS AND FREE • Friday, November 9, 2018 RIVERS RECREATION HIKING TRAILS FOOD THERAPY CULTURE THE ASPEN TIMES SINCE 1881 .COM COLORADO | 2018-2019 THE SNOWBELL EFFECT Aspen Mtn. set 4-Season Guide to the Best of to open early Basalt Ski area will open Saturday, Nov. 17; terrain to be determined Scott Condon The Aspen Times spen Mountain will open for the season Saturday, Nov. 17, five days before the scheduled opening — though what exactly will open is yet to be deter- mined, Aspen Skiing Co. announced Thursday. A“We’re opening. We’re happy to be opening. We just don’t know what we’re opening yet,” said Jeff Hanle, Skico vice presi- dent of communications. The amount of terrain that opens will depend on how much snow falls between now and then. “At a minimum, we’ll do Nell and Bell,” Hanle said, referring to the Little Nell chairlift at the base and the old standby Bell Mountain chairlift. If that’s all that opens Nov. 17, Aspen Moun- tain will still offer more vertical feet of skiing than many of the resorts now open in Colorado, according to Hanle. The top of the Bell Mountain chair is at an elevation of about 10,500 feet. The base is at about 7,945 feet. Hanle said the ticket price can’t be set because it’s uncertain how much terrain will open. Ski passes will be able to be used.