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With its intimate feel, a simple, relatable plot, a gorgeous, lush score demanding only keyboard or piano, harp and percussion The Fantasticks 30th editionan eight-member cast and very modest technical requirements, this musical is a favorite with regional and educational The Fantasticks 30th edition, alike. The story is simplicity itself. Matt and Louisa, are in love, but their feuding fathers, Hucklebee and Bellomy, have built a wall between their properties to keep the children apart. Using reverse psychology, the fathers trick their progeny into secretly meeting, falling in love and pledging to marry. But to insure that it really happens, the. The lovers split up and this time the parents really quarrel and separate. The set is essentially the same, but Adam Veness has expanded The Fantasticks 30th edition basic platform flanked by supporting poles and simple curtain. Andrew H. Under conductor Roger L. Meredith Kochan is perfection as Louisa. This exceptional, stunning young actress has the clear soprano The Fantasticks 30th edition of an angel and moves gracefully and confidently through this love story, bringing the audience along on her journey toward understanding and maturity. This young man has a long future ahead of him. MacGregor plays Matt as a cocky, over-confident boy, at first. James Anest has that pure, rich baritone that defines El Gallo. This tall, lithe young actor, who looks great in Ms. Displaying perfect diction and vocal clarity, Mr. Fussy, meticulous and thrifty, Mr. Seeming to almost float through the air, this young actor ably provides the props and necessary assistance for El Gallo and the other characters. The original production by Tom Jones and Harvey Schmidt, with its intimate, less-is-more style of presentation, is nearly perfect as can be. While this expanded version is interesting, it lacks the intimacy of the version. Conductor Roger L. Sometimes sluggish, the pacing slows this production down to a ponderous two-and-a-half hours. Tickets are available by calling or by going to www. Additional information about this and other area productions can be found by visiting www. Light Opera Works at Cahn Auditorium. Less is Much More | Chicago Theatre Review

Dressed in disintegrating long johns, with a crown of string-mop hair, Thomas Bruce, the old actor who plays the Old Actor, will clearly never see 70 again himself. And yet as his character preens over long past, probably shabby stage triumphs, his memory slipping gears, the Old Actor glows with the sort The Fantasticks 30th edition gentle but insatiable passion for the theater that turns sawdust into gold dust. Unlike much of the rest of this production, he feels like the real thing. And, oh, one other thing: Mr. Jones, Mr. Schmidt, Mr. The first critical responses were less than ecstatic for this theatrically self-conscious masquerade, performed in the homemade, confetti-strewn style of traveling players with a penchant for sweet melody and spun-sugar poetry. Audiences were initially sparse. Yep, that was me. You may gag before you continue reading. I was enchanted by Mr. Of course that was around the time I thought Julie Andrews was the most totally brilliant movie star ever. What at 9 seemed oh so scenic inevitably brought out the cynic in this professional critic. The unsmooth course of their love is, now as then, paved and potholed by their conspiring fathers Leo Burmester and Martin Vidnovicthe Old Actor and his sidekick Mr. Bruce and the slapstick-funny Robert R. Moses and Ms. Ford do not avoid. Burmester and Mr. Vidnovic look a little sheepish as the horticulturally addicted fathers, as if they would rather be elsewhere. Fontana has a charmingly The Fantasticks 30th edition spontaneity, though, and he and Ms. Ford sing their sweet songs sweetly, accompanied only by a The Fantasticks 30th edition Dorothy Martin and harp Erin Hill. And Mr. Bruce — or Mr. So in that spirit, let me say that it is refreshing to find, on the edge of the Times Square theater district at Broadway and 50th, to be exacta musical that The Fantasticks 30th edition no artificial amplification and no special effects that exceed the complexity of a cardboard moon. And who knows? At that age, they could do worse. Running time: 2 hours, 5 minutes. Home Page World U. Die Romanticker – Wikipedia

It tells an allegorical story, loosely based on the play The Romancers Les Romanesques by Edmond Rostandconcerning two neighboring fathers who trick their children, Luisa and Matt, into falling in love by pretending to feud. The show's original off-Broadway production ran a total of 42 years until and 17, performances, making it the world's longest-running musical. It was awarded Tony Honors for Excellence in Theatre in The poetic book and breezy, inventive score, including such familiar songs as " Try to Remember ", helped make the show durable. Many productions followed, as well as television and film versions. The Fantasticks has become a staple of regional, community and high school productions since its premiere, with approximately new productions each year. It is played with a small cast, two- The Fantasticks 30th edition three-person orchestra and minimalist set design. The show was revived off-Broadway from to As ofits original investors had earned times their original investments. The Marc The Fantasticks 30th edition adaptation of The Threepenny OperaThe Fantasticks 30th edition ran for six years, showed that musicals could be profitable off-Broadway The Fantasticks 30th edition a small-scale, small orchestra format. This was confirmed in The Fantasticks 30th edition a revival of Jerome Kern and P. Wodehouse 's Leave It to Jane ran for more than two years. It was set in the American Westand featured a "half-breed Apache " as the show's antagonist. The script was substantially rewritten by Jones and Schmidt, with the character of Mortimer now "not really an Indian" but playing one during the "Rape Ballet" sequence. All but a few songs in the score were also jettisoned, and the staging of the play was changed to a thrust stage. Harvey Schmidt says he wrote it in a single afternoon, after it emerged in almost complete form after a fruitless afternoon attempting to compose other songs. The revamped play appeared on a bill of new one-act plays at Barnard College for one week in August The play is highly stylized and combines old-fashioned showmanship, classic musical theatrecommedia dell'arte and Noh theatrical traditions. The original production was directed by Word Baker and was produced on a very low budget. As for a curtain, he hung various small false curtains across the platform at The Fantasticks 30th edition times during the play. One side was painted bright yellow the sun and the other was black with a crescent of white the moon. The orchestra consists of a piano and sometimes also a harp, with the harpist also sometimes The Fantasticks 30th edition some percussion instruments. The production closed on January 13,after 17, performances. It is the world's longest-running musical and the longest-running uninterrupted show of any kind in the United States. The musical ran at London's Apollo Theatre from September 7,and ran for 44 performances. The company was made up of military personnel. Anthony Fedorov played the role of Matt in Margaret Anne Florence played Luisa in The musical was presented by the Arena Stage in Washington, D. The well-received production replaced the conventional "mysterious bandit" interpretation of El Gallo with a kindly carnival magician character. Washington Post theatre critic Peter Marks wrote, "they have been reconditioned to conceal the telltale signs of age and yield a diversion that feels fresh and alive again". The musical closed on June 26,less than three weeks into its run; it had been booking to September 5. The Fantasticks has been seen in at least 67 countries, and It has been translated into many languages [42]. A non-equity national tour, in a steampunk-inspired version, began at the Rushmore Plaza Civic Center on January 17, According to The New The Fantasticks 30th edition Times" The Fantasticks is one of the most widely produced [musicals] in the world, with more than 11, productions, byin The Fantasticks 30th edition, cities and towns in all 50 states, as well as in 67 countries. An abbreviated version of the show was broadcast by the Hallmark Hall of Fame on October 18, The roles of the old actor and Mortimer were cut for time, and some of their lines were assigned to the fathers, who indulged in some "amateur theatrics". A feature film directed by Michael Ritchie was completed in but not released until It was both a critical and box office failure. A mysterious bandit, El Gallo, tells about the kind of September "when love was an ember about to billow" " Try to Remember ". He begins to narrate the plot of the play. Two young people, Matt and Luisa, live next door to each other and fall in love. However, their fathers are feuding and order them not to speak The Fantasticks 30th edition each other. Luisa fantasizes about the experiences she wants to have in her life "Much More". Matt and Luisa climb to the top of the wall and speak secretly of Luisa's romantic vision of Matt saving her from kidnapping. Matt's father, Mr. Hucklebee, then appears and tells about his philosophy of life and gardening don't over-water. He orders Matt to go inside the house. Luisa's father, Mr. Bellomy, arrives and gives a contrasting philosophy of life and gardening plenty of water. He orders Luisa inside. He then calls to Hucklebee, and the two old friends boast about their cleverness in pretending to feud as a means to ensure that their children fall in love. They note that to manipulate children you need merely to say "no" "Never Say No". Hucklebee tells Bellomy of his plan to end the feud by having Luisa "kidnapped" by a professional abductor so that Matt can "rescue" her and appear heroic. The hired The Fantasticks 30th edition, El Gallo, appears and offers the fathers a menu of different varieties of " rape " — in the literary sense of an abduction or kidnapping — that he can simulate "It Depends on What You Pay". Deciding to spare no expense for their beloved children within reasonthe fathers agree to a "first class" abduction scene. A disheveled old actor with a failing memory, Henry Albertson, arrives with his sidekick, Mortimer, a Cockney dressed as an American Indian. El Gallo engages them to help with the staged kidnapping. El Gallo and the actors burst in and carry out the moonlit abduction scenario; Matt "defeats" the three "Rape Ballet". The Fantasticks 30th edition feud is ended and the wall between the houses torn down, with the children and the fathers joined in The Fantasticks 30th edition picturesque final tableau "Happy Ending". El The Fantasticks 30th edition collects the stage properties used in the "abduction" and wonders aloud how long the lovers and their fathers will be able to maintain their elaborately joyful poses. He and The Mute leave. The children and fathers The Fantasticks 30th edition discovered in the same poses but are visibly exhausted by the effort. El Gallo observes that what seemed romantic by moonlight may lose its charm when exposed to the harsh light of day. He exchanges his moon for a blazing sun. The fathers and lovers begin to complain about one another, noticing all the flaws The Fantasticks 30th edition have become glaringly visible by daylight "This Plum Is Too Ripe". The children try to recreate their romantic mood from the previous night and mock their fathers. Eventually, in a fit of pique, Hucklebee reveals that the kidnapping and the feud were fake. Matt and Luisa are mortified, and the fathers' mutual recrimination quickly escalates into a real feud; they storm off to their respective houses. Matt sees El Gallo and, in a desperate attempt to regain his honor and Luisa's love, challenges him to a duel. El Gallo easily disarms Matt and leaves him embarrassed. Matt and Luisa then argue; she calls him a poseur, while he calls her childish. Matt is eager to leave the provincial town. Henry and Mortimer return and lead Matt off to see the world. A month passes, and the fathers have rebuilt the wall. They meet and speak sadly of their children; Luisa is like a statue and does nothing but sit and dream; Matt still hasn't returned. They then sing about the uncertainties of raising children, as compared with The Fantasticks 30th edition reliability of vegetable gardening "Plant a Radish". Luisa sees El Gallo watching her and is intrigued by the handsome, experienced bandit. Impulsively, she asks him to take her away to see the world. In a long fantasy sequence, they preview a series of romantic adventures through a mask of unreality, while in the background Matt is being abused and beaten by Henry and Mortimer portraying a series of unpleasant exotic employers. Luisa's fantasies become increasingly frenzied, exhausting and darkly underscored "Round and Round". El Gallo tells Luisa to pack her things for the journey, but before she goes inside to do so, he asks her to give him her treasured necklace, a relic of her dead The Fantasticks 30th edition, as a pledge that she will return. As she goes inside, El Gallo promises her a world of beauty and grandeur; at the same time, Matt approaches, giving a contrasting version of the cruel experiences that one can suffer "I Can See It" reprise. As Luisa disappears, El Gallo turns to leave, the injured Matt makes a pitiful attempt to stop him from hurting Luisa, The Fantasticks 30th edition El Gallo knocks him away The Fantasticks 30th edition disappears. Luisa returns to find that El Gallo has left with her necklace, and she sits in tears. El Gallo, as the narrator, explains poetically that he had to hurt Matt and Luisa, and also himself in the process. Matt comforts Luisa, and he tells her a little about his experiences, and the two realize that everything they wanted was each other "They Were You"; "Metaphor" reprisebut that they now understand that more deeply. The Fathers return joyfully and are about to tear down the wall, when El Gallo reminds them that the wall must always remain "Try to Remember" reprise. After the initial success of the musical, The Fantasticks came under criticism for the repeated use of the word "rape" in the scene preceding the song "It Depends on What You Pay", and in the lyrics of the song. In the original production, when El Gallo offers to stage the phony kidnapping of Luisa, he refers to the proposed event as a "rape", although he makes it clear that he uses the word only in its traditional literary sense of "abduction", explaining that many classical works, including Alexander Pope 's The Rape of the Lockuse the word in this sense. See raptio and bride kidnapping. In his song "It Depends on What You Pay" he describes different kidnapping scenarios, some comic or outlandish, that he classifies as the "Venetian rape", the " Gothic rape ", the "Drunken rape", etc. However, as the public issues of rape and sexual assault became a controversial subject during the play's long run, some audience members became offended by the repeated use of the word. To deal with changing audience perceptions, the book is usually edited to replace the word "rape" with alternatives such as "abduction" and the similar-sounding "raid". InJones The Fantasticks 30th edition Schmidt wrote an optional replacement piece called "Abductions", which uses the music of the "Rape Ballet", although this song did not replace "It Depends on What You Pay" at the Sullivan Street Playhouse, where, with The Fantasticks 30th edition edits made in the book, audiences accepted the song. From Wikipedia, the free encyclopedia. For the film based on the musical, see The Fantasticks film. Not to be confused with The Fantastics. The Washington Post.