Joanne Kyger - Poems
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
On Gary Snyder's This Present Moment
ANQ: A Quarterly Journal of Short Articles, Notes and Reviews ISSN: 0895-769X (Print) 1940-3364 (Online) Journal homepage: http://www.tandfonline.com/loi/vanq20 Both Sides Now: On Gary Snyder’s This Present Moment Mark Gonnerman To cite this article: Mark Gonnerman (2017) Both Sides Now: On Gary Snyder’s This Present Moment, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 30:2, 88-92, DOI: 10.1080/0895769X.2016.1277128 To link to this article: http://dx.doi.org/10.1080/0895769X.2016.1277128 Published online: 15 Mar 2017. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=vanq20 Download by: [Mark Gonnerman] Date: 20 March 2017, At: 09:02 ANQ: A QUARTERLY JOURNAL OF SHORT ARTICLES, NOTES, AND REVIEWS 2017, VOL. 30, NO. 2, 88–92 http://dx.doi.org/10.1080/0895769X.2016.1277128 Both Sides Now: On Gary Snyder’s This Present Moment Mark Gonnerman William James Center for Consciousness Studies, Palo Alto, California, USA To finish the moment, to find the journey’s end in every step of the road, to live the greatest number of good hours is wisdom. … Since our office is with moments, let us husband them. —Ralph Waldo Emerson, “Experience” (1844) In This Present Moment: New Poems (hereafter cited as TPM), Gary Snyder circles back to and corrals many of the basic themes that have defined his long life as an artivist (activist artist): the Wild, reinhabitation, work, play, myth, ritual, poetics, epistemology, ethics, impermanence, con- noisseurship, and the endless work of cultural transmission and translation. -
Jordan Davis on Ted Berrigan
of the central aesthetic struggles of twentieth-century poetry in English, the attempt to resolve the tension between closed and open forms. Koch admired the poems of William Carlos Williams for being so “odd and exciting;” they “catch the music of a man alive in his time.” Koch’s poems aspire to do the same, and more often than not they achieve that sound. It’s the sound of a man happy to be alive despite the world’s terrors, and who is awake to that feeling. I don’t think readers of poetry will ever tire of it; I suspect it will continue to convey something real about their own experience. It’s the sound of a man reaching into history without embarrassment or sense of piety, to draw forth whatever elements of poetic form are best suited to his occasions—from tight rhyming stanzas, to heroic couplets, to long and short free verse lines, to experimental serial structures—cheerfully ripping out the lining of yesterday’s attitudes and shaking off the lint of a persistent yet tired idiom. The spirit of poetry lives in Koch’s work, but we return to the work because it is alive with the spirit of Koch himself. If he started to write his first real poems by thwarting the expectations of literary convention in 1952, he continued to write into the twenty-first century by escaping the expectations of New York School poetics, in its tertiary generation. I discovered Koch’s work late, in the mid-nineties, with the poem “One Train May Hide Another,” and the book from which it takes its name; finding the single volumes that preceded it, many of them out of print, was no small discovery. -
Senses of Place in the Poetry of Gary Snyder and Derek Walcott
RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT A thesis presented to the faculty of the Graduate School of Western Carolina University in partial fulfillment of the requirements for the degree of Master of Arts in English. By Jason T. Hertz Director: Dr. Laura Wright Associate Professor of English English Department Committee Members: Dr. Catherine Carter, English Prof. Deidre Elliott, English May 2011 ACKNOWLEDGEMENTS I would like to thank my committee members and director for their assistance and encouragement. I am especially grateful to Professor Laura Wright for being a wise and reliable adviser. I also extend sincere thanks to the following people, without whom this thesis would not have been possible: Mom and Dad, Tristan and Rikki, Michael, and Miranda. I offer my warmest regards and thanks to my extended family for their continued love and support. Above all, I thank my grandmother Lorraine. TABLE OF CONTENTS Abstract . 4 Introduction: Recasting the Castaway as an Island Re-Inhabitant . 6 Chapter One: Regarding Wave and Suwanose-Jima . 18 Chapter Two: O-Mer-Os, Singing the Sea‘s Quiet Culture . 37 Chapter Three: Snyder‘s and Walcott‘s Bioregional Muse . 56 Conclusion . 78 Works Cited . 83 ABSTRACT RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT Jason T. Hertz, M.A. Western Carolina University (May 2011) Director: Dr. Laura Wright Building on the castaway narratives in both Gary Snyder‘s and Derek Walcott‘s poetry, I use Yann Martel‘s novel Life of Pi as a contemporary analogue for reading Snyder‘s Pacific journeys, in Regarding Wave and Turtle Island, and the quests of Omeros’ fisherman protagonist, Achille. -
Tom Clark Papers 0151
http://oac.cdlib.org/findaid/ark:/13030/c80z76dp No online items Finding aid for the Tom Clark papers 0151 USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 213-740-5900 [email protected] Finding aid for the Tom Clark 0151 1 papers 0151 Language of Material: English Contributing Institution: USC Libraries Special Collections Title: Tom Clark papers creator: Clark, Tom Identifier/Call Number: 0151 Physical Description: 3 Linear Feet3 boxes Date (inclusive): 1986-1991 Abstract: Drafts and galleys of Writer: A Life of Jack Kerouac and The Exile of Celine; Kerouac chronology; notes for the 1986 Olson Lectures; holograph notebooks; typescript poems and articles by Clark (b.1941). Storage Unit: 1 Storage Unit: 2 Storage Unit: 3 Scope and Contents Drafts and galleys of Writer: A Life of Jack Kerouac and The Exile of Celine; Kerouac chronology; notes for the 1986 Olson Lectures; holograph notebooks; typescript poems and articles by Clark (b.1941). Preferred Citation [Box/folder# or item name], Tom Clark papers, Collection no. 0151, Special Collections, USC Libraries, University of Southern California Conditions Governing Access COLLECTION STORED OFF-SITE. Advance notice required for access. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Biographical note Tom Clark is a poet, editor and biographer who resides in California. -
Anne Waldman Poet, Performer, Educator on Naropa, Buddhism, and Gender
BOOKS Brenda Iijima, Eugene Marten MUSIC JOAN AS POLICE WOMAN SMALL PRESS Subpress Collective BOOG CITY POETRY Alan Semerdjian, Elizabeth Treadwell A COMMUNITY NEWSPAPER FROM A GROUP OF ARTISTS AND WRITERS BASED IN AND AROUND NEW YORK CITY’S EAST VILLAGE ISSUE 17 JUNE 2004 FREE BOOG CITY Interview: Anne Waldman Poet, Performer, Educator on Naropa, Buddhism, and Gender BY GREG FUCHS she works hard at her writing. to know Waldman. nne Waldman—an inspirational, nurturing, Although Waldman made the scene on the I have visited her and revolutionary force in American eve of the summer of love, she is pre-rock-n-roll. at her house in Apoetry for four decades—still inspires She conjures up the fire and brimstone spirit the West Village, audiences to curse, tremble, and weep. that influenced early rockers like Esquerita more photographed her, When he’s done, he declares, ‘That’s a Waldman has written many books, than her 1960s contemporaries. The earth and talked to her published more by other authors with Lewis quakes and walls shake when Waldman is on about poetry. She good song,’ and heads back to his seat. Nicolaus Czarnecki photo Warsh through their press Angel Hair, directed stage. She is witness to the love and hate that is beautiful and the Poetry Project at St. Mark’s Church through humans wield. She testifies like a holy-rolling busy but still has its inaugural years, collaborated with visual preacher channeling the primal energy of one time to engage with artists like George Schneeman, and, with who has returned from the other side yet lived colleagues and Allen Ginsberg, started The Jack Kerouac to tell of the horrors they have seen. -
JK Bloomsday Interview
A Bloomsday Interview With Joanne Kyger in New York Trevor Carolan “I don’t think it was until I moved to Bolinas in 1969 that I really entered into a close relationship with the land around me in my writing. About the birds who live here, to this day the quail are probably my closest neighbors.” * “Poetry has a lot to do with awakening,” Joanne Kyger has noted. I came to appreciate this while teaching a humanities seminar at Simon Fraser University in Vancouver. The readings included a constellation of writers associated with “San Francisco: the Athens of the American West”, a large number of whom were Buddhist-influenced. I noticed how young male students gravitated to work by Jack Kerouac, Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti, or Kenneth Rexroth; by contrast, women students responded strongly to the poetry and poetics of Joanne Kyger and Diane di Prima. Accordingly, I began paying closer attention to the transpacific inflections that percolate through the work of other women writers like Maxine Hong Kingston, Amy Tan, Alice Walker, Jane Hirschfield, and bell hooks. In June, 2008, Joanne Kyger was a featured speaker at The Beats In India, an Asia Centre symposium in New York. The event celebrated the journey made in 1962 by Kyger, her then-husband Snyder, and fellow American poets Ginsberg and Peter Orlovsky, and addressed ‘what drew the Beats to India and how they inspired successive generations of Americans to turn to the East for spiritual and creative wisdom’. There was a sense of historical importance about the gathering. Two days later on Bloomsday, I spoke with Kyger at the loft home office of Vincent Katz, publisher of Kyger’s poetry collection, Not Veracruz (Libellum Books). -
Transatlantica, 1 | 2019 Interview of Alice Notley 2
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2019 Gone With the Wind after Gone With the Wind Interview of Alice Notley David Reckford Electronic version URL: https://journals.openedition.org/transatlantica/13862 DOI: 10.4000/transatlantica.13862 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference David Reckford, “Interview of Alice Notley”, Transatlantica [Online], 1 | 2019, Online since 01 June 2020, connection on 04 May 2021. URL: http://journals.openedition.org/transatlantica/13862 ; DOI: https:// doi.org/10.4000/transatlantica.13862 This text was automatically generated on 4 May 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Interview of Alice Notley 1 Interview of Alice Notley David Reckford AUTHOR'S NOTE This interview took place in Alice Notley’s apartment in Paris, in June 2018. 1 Alice Notley is a major American poet of our day, who has been living in Paris since the early 1990s, when she moved there with her second husband, the English poet, Doug Oliver (1937-2000), because Paris was where his professorial career was taking him. At that point Alice Notley was finding New York less amenable and was keen to go somewhere else. When he died in 2000, Alice Notley was sufficiently settled into Paris to remain there. 2 Although she is a Parisian now, Alice Notley was also a key figure on the Lower Manhattan poetry scene particularly of the late 1970s and the 1980s. Her first husband, Ted Berrigan, was an equally charismatic figure among an influential group of downtown poets. -
Catalogue 143 ~ Holiday 2008 Contents
Between the Covers - Rare Books, Inc. 112 Nicholson Rd (856) 456-8008 will be billed to meet their requirements. We accept Visa, MasterCard, American Express, Discover, and Gloucester City NJ 08030 Fax (856) 456-7675 PayPal. www.betweenthecovers.com [email protected] Domestic orders please include $5.00 postage for the first item, $2.00 for each item thereafter. Images are not to scale. All books are returnable within ten days if returned in Overseas orders will be sent airmail at cost (unless other arrange- the same condition as sent. Books may be reserved by telephone, fax, or email. ments are requested). All items insured. NJ residents please add 7% sales tax. All items subject to prior sale. Payment should accompany order if you are Members ABAA, ILAB. unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions Cover verse and design by Tom Bloom © 2008 Between the Covers Rare Books, Inc. Catalogue 143 ~ Holiday 2008 Contents: ................................................................Page Literature (General Fiction & Non-Fiction) ...........................1 Baseball ................................................................................72 African-Americana ...............................................................55 Photography & Illustration ..................................................75 Children’s Books ..................................................................59 Music ...................................................................................80 -
Diane Di Prima
Utah State University DigitalCommons@USU ENGL 6350 – Beat Exhibit Student Exhibits 5-5-2016 Diane Di Prima McKenzie Livingston Follow this and additional works at: https://digitalcommons.usu.edu/beat_exhibit Recommended Citation Livingston, McKenzie, "Diane Di Prima" (2016). ENGL 6350 – Beat Exhibit. 2. https://digitalcommons.usu.edu/beat_exhibit/2 This Book is brought to you for free and open access by the Student Exhibits at DigitalCommons@USU. It has been accepted for inclusion in ENGL 6350 – Beat Exhibit by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Livingston 1 Diane DiPrima’s Search for a Familiar Truth The image of Diane DiPrima∗ sitting on her bed in a New York flat, eyes cast down, is emblematic of the Beat movement. DiPrima sought to characterize her gender without any constraints or stereotypes, which was no simple task during the 1950s and 1960s. Many of the other Beats, who were predominately male, wrote and practiced varying degrees of misogyny, while DiPrima resisted with her characteristic biting wit. In the early days of her writing (beginning when she was only thirteen), she wrote about political, social, and environmental issues, aligning herself with Timothy Leary’s LSD Experiment in 1966 and later with the Black Panthers. But in the latter half of her life, she shifted focus and mostly wrote of her family and the politics contained therein. Her intention was to find stable ground within her familial community, for in her youth and during the height of the Beat movement, she found greater permanence in the many characters, men and women, who waltzed in and out of her many flats. -
The Berkeley Poetry Conference
THE BERKELEY POETRY CONFERENCE ENTRY FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Berkeley_Poetry_Conference Leaders of what had at this time had been termed a revolution in poetry presented their views and the poems in seminars, lectures, individual readings, and group readings at California Hall on the Berkeley Campus of the University of California during July 12-24, 1965. The conference was organized through the University of California Extension Programs. The advisory committee consisted of Thomas Parkinson, Professor of English at U.C. Berkeley, Donald M. Allen, West Coast Editor of Grove Press, Robert Duncan, Poet, and Richard Baker, Program Coordinator. The roster of scheduled poets consisted of: Robin Blaser, Robert Creeley, Richard Durerden, Robert Duncan, Allen Ginsberg, Leroi Jones (Amiri Baraka), Joanne Kyger, Ron Lowewinson, Charles Olson, Gary Snyder, Jack Spicer, George Stanley, Lew Welch, and John Wieners. Leroi Jones (Amiri Baraka) did not participate; Ed Dorn was pressed into service. Seminars: Gary Snyder, July 12-16; Robert Duncan, July 12-16; LeRoi Jones (scheduled), July 19-23; Charles Olson, July 19-23. Readings (8-9:30 pm) New Poets, July 12; Gary Snyder, July 13; John Wieners, July14; Jack Spicer, July 15; Robert Duncan, July 16; Robin Blaser, George Stanley and Richard Duerden, July 17 New Poets, July 19; Robert Creeley, July 20; Allen Ginsberg, July 21; LeRoi Jones, July 22; Charles Olson, July 23; Ron Loewinsohn, Joanne Kyger and Lew Welch, July 24 Lectures: July 13, Robert Duncan, “Psyche-Myth and the Moment of Truth” July 14, Jack Spicer, “Poetry and Politics” July 16, Gary Snyder, “Poetry and the Primitive” July 20, Charles Olson, “Causal Mythology” July 21, Ed Dorn, “The Poet, the People, the Spirit” July 22, Allen Ginsberg, “What's Happening on Earth” July 23, Robert Creeley, “Sense of Measure” Readings: Gary Snyder, July 13, introduced by Thomas Parkinson. -
Beat Generation Icon William S. Burroughs Found Love – and Loved Life – During His Years in Lawrence
FOR BURROUGHS, IT ALL ADDED UP BURROUGHS CREEK TRAIL & LINEAR PARK Beat Generation icon William S. Burroughs found love – and loved life – during his years in Lawrence William S. Burroughs, once hailed by In 1943, Burroughs met Allen Ginsberg America after charges of obscenity were 11th Street Norman Mailer as “the only American and Jack Kerouac. They became fast rejected by the courts. In the meantime, novelist living today who may conceivably friends, forming the nucleus of the Burroughs had moved to Paris in 1958, be possessed by genius,” lived in Lawrence nascent Beat Generation, a group of working with artist Brion Gysin, then on a few blocks west of this spot for the last 16 often experimental writers exploring to London in 1960, where he lived for 14 13th Street years of his life. Generally regarded as one postwar American culture. years, publishing six novels. of the most influential writers of the 20th century, his books have been translated Burroughs became addicted to narcotics In 1974, Burroughs returned to 15th Street into more than 70 languages. Burroughs in 1945. The following year, he New York City where he met James was also one of the earliest American married Joan Vollmer, the roommate Grauerholz, a former University of multimedia artists; his films, recordings, of Kerouac’s girlfriend. They moved Kansas student from Coffeyville, paintings and collaborations continue to to a farm in Texas, where their son Kansas, who soon became Burroughs’ venue venue A A inspire artists around the world. He is the Billy was born. In 1948, they relocated secretary and manager. -
Philip Whalen Papers, Circa 1923-2002 (Bulk 1960-1997)
http://oac.cdlib.org/findaid/ark:/13030/kt2199q0t9 Online items available Finding Aid to the Philip Whalen Papers, circa 1923-2002 (bulk 1960-1997) Processed by Dean Smith. The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2003 The Regents of the University of California. All rights reserved. Finding Aid to the Philip Whalen BANC MSS 2000/93 p 1 Papers, circa 1923-2002 (bulk 1960-1997) Finding Aid to the Philip Whalen Papers, circa 1923-2002 (bulk 1960-1997) Collection number: BANC MSS 2000/93 p The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Processed by Dean Smith. Date Completed: 2002 June Finding Aid Encoded By: GenX © 2014 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Philip Whalen papers Date (inclusive): circa 1923-2002 Date (bulk): 1960-1997 Collection Number: BANC MSS 2000/93 p Creator: Whalen, Philip Extent: 2 cartons, 36 boxes, 11 oversize folders, 3 oversize boxes, and 1 tubecirca 30 linear feet4 digital objects (5 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: The Philip Whalen Papers, circa 1940-2001, consist of the writings (notebooks, poems, prose works), correspondence, professional papers, artwork and personal papers that detail Whalen’s dual life as poet (coming to prominence during San Francisco’s Beat era of the 50’s and often associated with his fellow Reed graduates, Gary Snyder and Lew Welch), and later, Buddhist monk.