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http://oac.cdlib.org/findaid/ark:/13030/c80z76dp No online items Finding aid for the Tom Clark papers 0151 USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 213-740-5900 [email protected] Finding aid for the Tom Clark 0151 1 papers 0151 Language of Material: English Contributing Institution: USC Libraries Special Collections Title: Tom Clark papers creator: Clark, Tom Identifier/Call Number: 0151 Physical Description: 3 Linear Feet3 boxes Date (inclusive): 1986-1991 Abstract: Drafts and galleys of Writer: A Life of Jack Kerouac and The Exile of Celine; Kerouac chronology; notes for the 1986 Olson Lectures; holograph notebooks; typescript poems and articles by Clark (b.1941). Storage Unit: 1 Storage Unit: 2 Storage Unit: 3 Scope and Contents Drafts and galleys of Writer: A Life of Jack Kerouac and The Exile of Celine; Kerouac chronology; notes for the 1986 Olson Lectures; holograph notebooks; typescript poems and articles by Clark (b.1941). Preferred Citation [Box/folder# or item name], Tom Clark papers, Collection no. 0151, Special Collections, USC Libraries, University of Southern California Conditions Governing Access COLLECTION STORED OFF-SITE. Advance notice required for access. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Biographical note Tom Clark is a poet, editor and biographer who resides in California. He has published biographes of Jack Kerouac, Ted Berrigan, Robert Creeley, Charles Oleon, Edward Dorn, and Celine. He served as editor of The Paris Review from 1963 to 1973 and has published numerous volumes of poetry with Black Sparrow Press. Charles Olson was one of his poetic mentors. Subjects and Indexing Terms Authors, American -- 20th century -- Archival resources Typescripts Notebooks Galley proofs Clark, Tom Clark, Tom -- Archives Kerouac, Jack -- Archives Olson, Charles -- Archives Finding aid for the Tom Clark 0151 2 papers 0151.

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Tom Clark Archive
http://oac.cdlib.org/findaid/ark:/13030/kt8c60409c No online items Preliminary Guide to the Tom Clark Archive Preliminary arrangement and description by D. Tambo Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html © 2011 The Regents of the University of California. All rights reserved. Preliminary Guide to the Tom Mss 14 1 Clark Archive Preliminary Guide to the Tom Clark Archive, ca. 1962-1990 Collection number: Mss 14 Department of Special Collections Davidson Library University of California, Santa Barbara Processed by: Preliminary arrangement and description by D. Tambo Date Completed: Dec. 17, 2007 Encoded by: A. Demeter © 2011 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Tom Clark Archive Dates: ca. 1962-1990 Collection number: Mss 14 Creator: Clark, Tom, 1941- Collection Size: ca. 18 linear feet (43 document boxes, 2 oversize boxes, and 4 audiotapes). Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Abstract: Correspondence, manuscripts and proofs of writings (monographs, poems, reviews, essays), notebooks, research and teaching files, audiotapes, and ephemera of American poet Tom Clark, who lived in Santa Barbara for several years and published several works with Black Sparrow Press. Correspondents include writers and publishers Carolyn Cassady, Andrei Codrescu, Robert Creeley, Edward Dorn, Barry Gifford, Christopher Lemann-Haupt, John Martin, George Plimpton, Harry Reese, and Leslie Scalapino. Also includes the Great Naropa Poetry Wars Archive, with audiotapes (Allen Ginsberg, Gregory Corso, Tom Clark), transcripts, correspondence, newsclippings, and publications re an investigation into a 1975 confrontation between W.
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ALEXANDER Literary Firsts & Poetry RARE BOOKS
ALEXANDER Literary Firsts & Poetry RARE BOOKS CATALOGUE THIRTY-SEVEN Mark Alexander Alexander Rare Books 234 Camp Street Barre, VT 05641 (802) 476-0838 [email protected] All items are US or UK First Editions, First Printings, unless otherwise stated. All items guaranteed & are fully refundable for any reason within 30 days; orders subject to prior sale. VT residents please add 6% sales tax. Checks, money orders, most credit cards, & PayPal accepted. Net 30 days. Institutions billed according to need. Reciprocal terms offered to the trade. Shipping is free in the US (via Priority or First Class Mail); Canada $10 per shipment; elsewhere $20 per shipment. Visit AlexanderRareBooks.com for scans of most items. We encourage you to visit for the latest acquisitions. Thank you in advance for perusing this list [printed on recycled paper] Catalogue 37 Little Magazines 1. BIG SKY 1. Bolinas: Big Sky, 1971. First edition. Illustrated, stapled wrappers; 4to. Very good copy of the first of twelve issues of this seminal 70's little mag edited by Bill Berkson; this issue with work by Alice Notley, Ted Berrigan, Tom Clark, Anne Waldman, Diane Di Prima, Allen Ginsberg, Joanne Kyger, Clark Coolidge, Lewis Warsh, Robert Creeley and many others; many associated with the Bolinas crowd. Cover illustration by Greg Irons; Irons and Tom Veitch collaboration on a satirical comic regarding the growth of Bolinas. Light wear, rubbing, soiling and sunning, still very good. [12908] $150.00 2. CAFE SOLO. San Luis Obispo, CA: Luschei, 1978. First Edition. Stapled photographic wrappers; 4to. Glenna Luschei (ed.). Photographs by David Arnold and typoglifs (concrete poetry) by Karl Kempton are the entire contents except for a poetry insert.
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Joanne Kyger and the Aesthetics of Attention
Joanne Kyger and the Aesthetics of Attention Terence Diggory Skidmore College In the popular mind Beat writing is expressionist, a “howl” of agony or an exclamation of ecstasy. Emotion is projected, expressed from the writer into the world. The attention of the reader or listener is directed to the writer as the source of what is expressed, so the person of Allen Ginsberg or Jack Kerouac, for instance, becomes as famous as his writing. Joanne Kyger, the subject of this paper, is not famous in this way. The fact that she is a woman has tended to keep her on the margins of the homosocial network of Beat writers, as recent critics, including my fellow panelists, Linda Russo and Amy Friedman, have noted. But Kyger’s writing practice also tends to direct attention away from the writer onto the world in which the writer is situated. “Being me” seems less urgent to Kyger than “being there,” the phrase that both Michael Davidson (88) and Linda Russo (“Introduction”) cite to characterize Kyger’s work. The phrase “being there” appears in a sequence entitled Joanne (1970), and that title makes clear that Kyger is not wholly detached from the concept of personal identity. But she writes, “I wasn’t built in a day” (About Now 196). The sequence Joanne, like much of her later work, gives the impression of a self being built during the writing process rather than a preexisting self being expressed through the writing. Individual moments of perception supply the building blocks, and each moment is equally capable of making or unmaking what has preceded it.
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Tom Clark Papers, 1963-1991
http://oac.cdlib.org/findaid/ark:/13030/kt1779n6j5 No online items Finding Aid for the Tom Clark Papers, 1963-1991 Processed by Tine Spencer; machine-readable finding aid created by Alight Tsai UCLA Library Special Collections UCLA Library Special Collections staff Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2002 The Regents of the University of California. All rights reserved. Note Finding Aid for the Tom Clark 1020 1 Papers, 1963-1991 Finding Aid for the Tom Clark Papers, 1963-1991 Collection number: 1020 UCLA Library Special Collections UCLA Library Special Collections staff Los Angeles, CA Contact Information UCLA Library Special Collections staff UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Tine Spencer, March 1973 Encoded by: Alight Tsai Encoding supervision by: Caroline Cubé Text converted and initial container list EAD tagging by: Apex Data Services Online finding aid edited by: Josh Fiala, February 2002 © 2002 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Tom Clark Papers, Date (inclusive): 1963-1991 Collection number: 1020 Creator: Clark, Tom, 1941- Extent: 7 boxes (3.5 linear ft.) Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Abstract: Thomas Willard Clark (1941- ) was the poetry editor of The Paris Review (1963-73), senior writer of The Boulder Monthly (1978-79) and instructor in poetics at New College of California (1988- ).
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Papers of Edward Dorn M1460
http://oac.cdlib.org/findaid/ark:/13030/c8154fdt No online items Papers of Edward Dorn M1460 Dept. of Special Collections & University Archives Stanford University Libraries 557 Escondido Mall Stanford, California, 94305-6064 Repository Email: [email protected] 2009 Papers of Edward Dorn M1460 M1460 1 Title: Papers of Edward Dorn Identifier/Call Number: M1460 Contributing Institution: Dept. of Special Collections & University Archives Language of Material: English Physical Description: 4.5 Linear feet(7 boxes, 1 flat box) Date (inclusive): circa 1930-2002 Abstract: The collection is primarily letters and documents written by Ed Dorn to Tom Clark. Also included are manuscripts and typescripts of works by Dorn. Reviews of Dorn's work, articles about him, along with audiocassettes and videotapes complete the collection. Creator: Dorn, Edward Acquisition Information This collection was purchased by Stanford University, Special Collections in 2006. Access to Collection The materials are open for research use. Audio-visual materials are not available in original format, and must be reformatted to a digital use copy. Publication Rights All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94305-6064. Consent is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. See: http://library.stanford.edu/depts/spc/pubserv/permissions.html. Restrictions also apply to digital representations of the original materials.
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Robert Creeley Tapes Note: #1-12 Are 7 Inch Reels, #13-74 Are 5 Inch Reels
Robert Creeley Tapes Note: #1-12 are 7 inch reels, #13-74 are 5 inch reels 1. Pocouin Tape – Music from Lower West Side 2. Charles Olson – Poetry Reading Beloit College 3. The Single Voice – Louis Zukofsky 4. John Linsley – “Walking The Dog”, 9/28/78 5. Side 1, “A” (both sides) – “The Best Bands”; Primary reading, Spring 1956 (the first large public reading of this grump); Reading, Ruth Stephen Poetry, December 4th, 1963 6. Side 1: Rock & Roll, Side 2: Rock & Roll (AVG ’63) 7. Clifford Brown: Side 1 – Daahoud, Ghost of a Chance, Joyspring, I Get a Kick Out of You, Foolish Things, Mildama, Delilah, Parisian Thoroughfare, Jordu, I Might As Well Be Singing Side 2- I remember Clifford (Dinah Washington), Walkin’, Night in Tunisia, Donna Lee, Valse Hot (with Sonny Rollins), Kiss and Run, (with Sonny Rollins), I Feel a Song Comin’ on (with Sonny Rollins), Pent-up-House (with Sonny Rollins) 8. Tom Clark and Joanne Kyger in Bolinas 6.24.72 – conversation, music, invocation, brief valedictory address and SMACK 9. Side 1 – Charles recording Boston June 1962 Side 2 – John Wieners Lecture Buffalo, March 5, 1967 (The ending, see other tape for beginning); John Linsley, March 11, 1967;John Wieners, lecture 2, Buffalo, March 19, 1967 10. Splicer, Blaser, Persky 11. Ezra Pound 12. Spicer Lectures, #2 and #3 13. Denise Levertov; Joanne Kyger – “Descartes etc”; “Joanne Kyger – part of UNM reading 4/11/68; Joanne Kyger – summer 1972 at Gloucester (8/26/72), Three poems 14. Side 1: Darvius Milhaud – Concerto for Viola (Ulrich Koch, viola); Concerto for Percussion (Faure Daniel, percussion); “Le Carnival D’Aix” (Carl Seaman, piano); Orchestra of Radio Luxemburg, cond.
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Still Kicking Selections from the Lsd Library of Julio Mario Santo Domingo, Carl Williams Rare Books Catalogue 2
Still KicKing SelectionS from the lSD library of Julio mario Santo Domingo, carl WilliamS rare bookS catalogue 2. 23 11 Still KicKing SelectionS from the lSD library of Julio mario Santo Domingo, 151 the ‘ReUp’. contentS. I. ART, PROSE & POETRY 1–22. II. MAGICKALS 23–29. this is the second catalogue sourced from a private library of altered states of consciousness created by my former employer the late Julio mario Santo III. CELLULOID HIGHS & LOWS Domingo (JmSD). for me, a carny for the ludlow Santo Domingo library (lSD 30–50. library) of course, it was, to quote Winona ryder in this very catalogue: IV. BODIES -EXPOSED, INKED & “the greatest library on earth!!” PUNKED 51–59. or, ‘the louis Santo Domingo library’, as JmSD jokingly called it, after his V. SATIRE, CARICATURE, beloved and rather temperamental Wheaten terrier. at the very least, it was the PROVOCATION & HATE 60–72. greatest library on earth dedicated to a dog. So,i have included some of ‘louis’s VI. DRUGS & COMIX 73–77. books’ in this catalogue as a token of that accolade. VII. ZEPHYRUS IMAGE 78–127. JmSD was a voracious buyer with an insatiable appetite, who amassed a vast range of material in a relatively short space of time. his collection was mainly VIII. COLD WAR WOMEN 128–130. spread over three units, one huge, over two ﬂoors of a small business centre in IX. BAY AREA RENAISSANCE grey block on chemin du foron 16, thônex, Switzerland and his pads in 131 –134. Promenade Saint-antoine, genève, avenue montaigne, Paris, ferme des carneaux, boigneville and a ﬂat in manhattan.
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A Remarkable Legacy: Hopwood Winners from Arthur Miller to Elizabeth Kostova
Deep Blue Deep Blue https://deepblue.lib.umich.edu/documents Research Collections Library (University of Michigan Library) 2006 A Remarkable Legacy: Hopwood Winners from Arthur Miller to Elizabeth Kostova Jones, Morgan https://hdl.handle.net/2027.42/120274 Downloaded from Deep Blue, University of Michigan's institutional repository A REMARKABLE A REMARKABLE LEGACY LEGACY H o p w o o d Winners H o p w o o d Winners from Arthur Miller from Arthur Miller to Elizabeth Kostova to Elizabeth Kostova A A REMARKABLE REMARKABLE LEGACY LEGACY Hopwood Winners Hopwood Winners from from Arthur Miller Arthur Miller to to Elizabeth Kostova Elizabeth Kostova Special Collections Library Special Collections Library University of Michigan University of Michigan Ann, Arbor, Michigan Ann, Arbor, Michigan 2006 2006 Exhibit Hours Exhibit Hours 10:00 A.M. - 5:00 P.M. Monday - Friday 10:00 A.M. - 5:00 P.M. Monday - Friday 10:00 A.M. - 12:00 P.M. Saturday 10:00 A.M. - 12:00 P.M. Saturday Copyright 2006 by the University of Michigan Library Copyright 2006 by the University of Michigan Library University of Michigan, Ann Arbor. University of Michigan, Ann Arbor. University of Michigan Board of Regents: University of Michigan Board of Regents: David A. Brandon Laurence B. Deitch David A. Brandon Laurence B. Deitch Olivia P. Maynard Rebecca McGowan Olivia P. Maynard Rebecca McGowan Andrew C. Richner Andrea Fischer Newman Andrew C. Richner Andrea Fischer Newman S. Martin Taylor Katherine E. White S. Martin Taylor Katherine E. White Mary Sue Coleman (ex officio) Mary Sue Coleman (ex officio) Catalog design: Morgan Jones Catalog design: Morgan Jones 2 2 Introduction Introduction Avery Hopwood – what a life and what a gift! A graduate of Michigan in 1905 Avery Hopwood – what a life and what a gift! A graduate of Michigan in 1905 and a dramatist who enjoyed immense success on Broadway from 1906 until 1927, and a dramatist who enjoyed immense success on Broadway from 1906 until 1927, Hopwood led a short yet luminous life.
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4 Skanky Possum Press
SKANKY POSSUM PRESS A(PERSONAL)GENEALOGY SKANKY POSSUM PRESS A (PERSONAL) GENEALOGY Dale Smith a m o n g t h e n e i g h b o r s 4 The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York Buffalo, New York 2018 ________________________________________________________________ _ among the neighbors a pamphlet series for the study of Little Magazines The Poetry Collection of the University Libraries, University at Buffalo Edric Mesmer, series editor [email protected] This series is supported by The Mildred Lockwood Lacey Fund for Poetry This issue © Dale Smith cover design by Patrick Riedy and Edric Mesmer Skanky Possum Press: A (Personal) Genealogy I draw emphasis to Skanky Possum’s elaboration of ethos, not “aesthetics,” “innovation,” or “experimentation,” all terms in circulation in the 1990s to describe the culturally fugitive and institutionally marginal poetics I supported with my co-editor, Hoa Nguyen. Ethos as an element in the development of social outlooks helps explain the editorial impulses and the formations of attitude that gave definition and meaning to Skanky Possum. Ethos draws attention to the communicative and communityestablishing function of the small press literary zine. Ethos also points to structures of feeling that converged in the years of the publication of Skanky Possum (1998-2004). Diverse and at times conflicting lines of force were drawn socially through the extended network of poets and readers who contributed to, and received, the journal. Part of the work of Skanky Possum then was to acknowledge division in literary and social practice while encouraging forms of poetic conspiracy on the edges of established networks of writing.
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Reviews & Press •
REVIEWS & PRESS Lewis Warsh & Anne Waldman, eds. Angel Hair Sleeps with a Boy in My Head:Angel Hair Anthology. Granary Books, 2001. • Black, Noel. "Toeing the Lines." Fine Print (January 31- February 6, 2002). This is John Ashbery (of a generation before) at his most accessible smugness, which isn't saying much. His "entries," which range from a laundry list of names and oil companies to faux diary moments, is made bearable by Joe Brainard's always gorgeous black-and-white pop doodles of cartoon rain, the toilet, bacon and eggs, and other illuminated mundanities. The Angel Hair Anthology, edited by Anne Waldman and Lewis Warsh, Granary Books, 2001. Like Donald Allen's seminal 1960 anthology The New American Poetry, this collection of avant- irreverance reads like notes from a collective of disillusioned scientists furtively searching for a new feeling. Gathered from the archives of poets Waldman and Warsh's underground magazine and press of the same name, The Angel Hair Anthology rounds up works of brilliant then-young poets the likes of Bernadette Mayer, Ted Berrigan, John Wieners, Rene Ricard, Dick Gallup, and Joanne Kyger. Like all anthologies, the poems are hit-and-miss, but it's great to see works by many lesser-known and less-published authors like Mary Ferrari and Charles Stein. A great look into Angel Hair's sphere of influences and progressions. González, Ray. "The Writing Life: Poetry, Anthologies and Recordings." The Bloomsbury Review 22.2 (March/ April 2002). This is a massive collection reflecting the mid-sixties poetry scene in New York and a 12-year publishing venture between Anne Waldman and Lewis Warsh.
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Tom Clark Archive
http://oac.cdlib.org/findaid/ark:/13030/kt8c60409c No online items Preliminary Guide to the Tom Clark Archive Preliminary arrangement and description by D. Tambo Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html © 2011 The Regents of the University of California. All rights reserved. Preliminary Guide to the Tom Mss 14 1 Clark Archive Preliminary Guide to the Tom Clark Archive, ca. 1962-1990 Collection number: Mss 14 Department of Special Collections Davidson Library University of California, Santa Barbara Processed by: Preliminary arrangement and description by D. Tambo Date Completed: Dec. 17, 2007 Encoded by: A. Demeter © 2011 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Tom Clark Archive Dates: ca. 1962-1990 Collection number: Mss 14 Creator: Clark, Tom, 1941- Collection Size: ca. 18 linear feet (43 document boxes, 2 oversize boxes, and 4 audiotapes). Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Abstract: Correspondence, manuscripts and proofs of writings (monographs, poems, reviews, essays), notebooks, research and teaching files, audiotapes, and ephemera of American poet Tom Clark, who lived in Santa Barbara for several years and published several works with Black Sparrow Press. Correspondents include writers and publishers Carolyn Cassady, Andrei Codrescu, Robert Creeley, Edward Dorn, Barry Gifford, Christopher Lemann-Haupt, John Martin, George Plimpton, Harry Reese, and Leslie Scalapino. Also includes the Great Naropa Poetry Wars Archive, with audiotapes (Allen Ginsberg, Gregory Corso, Tom Clark), transcripts, correspondence, newsclippings, and publications re an investigation into a 1975 confrontation between W.
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Maestas Washington 0250E 11282
Calling Out the State: Postmodern American Anthropoetics Nadine A. Maestas A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Brian Reed, Chair Paul Remley Jeanne Heuving Program Authorized to Offer Degree: English ©Copyright 2012 Nadine A. Maestas University of Washington Abstract Calling Out the State: Postmodern American Anthropoetics Nadine A. Maestas Chair of the Supervisory Committee: Professor Brian Reed English Department This dissertation explores the relationship between the postmodern and the premodern in American poetry. Beginning with Lyotard’s definition of the postmodern, I move to incorporate Charles Olson’s introduction of the term postmodern in American letters. While Lyotards’ definition offers that the postmodern is against the meta narrative of modernity, Olson’s introduction of the term postmodern in 1952 emphasizes a temporal blurring that is central to the notion of the postmodern. After illustrating how the work of Olson, Burroughs, and Rothenberg are derived from anthropological and ethnographic exploration of premodern cultures and their poetic forms, I then move to the anthropologist Michael Taussig, whose contribution to the field was to turn anthropological analysis to critique Western culture. Taussig believes that our very means of representation are under siege, and that in order disrupt this siege of representation, writing must engage and disrupt the languages and images that reify the power of the modern nation-state. For Taussig, poetry can and does produce this type of disruption. My goal is to effectively apply anthropology as an alternative method of reading poetry. Though partly informed by anthropology, ethnopoetics, textual studies and literary studies, my method of anthropoetics heavily draws on the methodology of Michael Taussig.
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