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Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’S Media Landscape
UCLA UCLA Entertainment Law Review Title Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape Permalink https://escholarship.org/uc/item/2152q2t4 Journal UCLA Entertainment Law Review, 27(1) ISSN 1073-2896 Author Roth, Blaine Publication Date 2020 DOI 10.5070/LR8271048856 Peer reviewed eScholarship.org Powered by the California Digital Library University of California TUNING INTO THE ON-DEMAND STREAMING CULTURE— Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape Blaine Roth Abstract Hollywood television and film production has largely been unionized since the early 1930s. Today, due in part to technological advances, the industry is much more expansive than it has ever been, yet the Hollywood unions, known as “guilds,” have arguably not evolved at a similar pace. Although the guilds have adapted to the needs of their members in many aspects, have they suc- cessfully adapted to the evolving Hollywood business model? This Comment puts a focus on the Writers Guild of America, Directors Guild of America, and the Screen Actors Guild, known as SAG-AFTRA following its merger in 2012, and asks whether their respective collective bargaining agreements are out-of- step with the evolution of the industry over the past ten years, particularly in the areas of new media and the direct-to-consumer model. While analyzing the guilds in the context of the industry environment as it is today, this Com- ment contends that as the guilds continue to feel more pronounced effects from the evolving media landscape, they will need to adapt at a much more rapid pace than ever before in order to meet the needs of their members. -
DEG Guide June 2020 Digital Entertainment Definitions Electronic Sell-Through (EST) – Refers to Digital Titles Priced for Sale
DEG Guide June 2020 Digital Entertainment Definitions Electronic Sell-through (EST) – Refers to digital titles priced for sale to consumers. Once a title is purchased, the consumer has the right to watch the title as many times as they like, on various devices. Video-on-Demand – Refers to digital titles priced for rental, with consumers’ paying for access to content for a limited term. • TVOD – Transactional Video-on-Demand. Refers to a discrete transaction fee for a limited viewing period. Rental terms may vary, but many popular services make rentals available for 30 days from the date of the transaction. Once viewing is started, the renter typically has access to view the title as many times as they like within 48 hours. iVOD – Transactional VOD delivered through an internet service, such as iTunes, Amazon Prime, Google Play or FandangoNow. cVOD – Transactional VOD delivered through a cable or satellite TV service. PVOD – Premium VOD. Refers to a premium priced rental transaction in an early home entertainment window prior to, concurrent with, or very soon after theatrical release. • SVOD* – Subscription Video-on-Demand. Consumers pay a monthly fee to access content including movies and TV shows on demand through SVOD services, such as Netflix, Hulu, CBS All Access and Disney+. • AVOD* – Ad-supported Video-on-Demand. Consumers have access to movies, TV shows and more on demand at no cost through these services, which include consumer advertising. PlutoTV and Tubi are examples of AVOD services. *Some services offer hybrid models in which content is available for free or at a low price with ads, but consumers also may opt out of seeing ads by paying more for their subscription. -
Video Trends Report Q2 2019
1 VIDEO TRENDS REPORT Q2 2019 © 2019 TiVo Corporation. Introduction 2 Survey Methodology Q2 2019 Survey Size INTRODUCTION 5,340 Geographic Regions U.S., Canada TiVo seeks real consumer opinions to uncover key trends relevant to TV providers, digital publishers, advertisers and consumer electronics manufacturers for our survey, which is administered quarterly and examined biannually in this Age of Respondents published report. We share genuine, unbiased perspectives and feedback from viewers to give video service providers 18+ and industry stakeholders insights for improving and enhancing the overall TV-viewing experience for consumers. TiVo has conducted a quarterly consumer survey since 2012, enabling us to monitor, track and identify key trends in viewing This survey was conducted in Q2 2019 by a leading habits, in addition to compiling opinions about video providers, emerging technologies, connected devices, OTT apps and third-party survey service; TiVo analyzed the results. content discovery features, including personalized recommendations and search. TiVo conducts this survey on a quarterly basis and publishes a biannual report evaluating and analyzing TiVo (NASDAQ: TIVO) brings entertainment together, making it easy to find, watch and enjoy. We serve up the best key trends across the TV industry. movies, shows and videos from across live TV, on-demand, streaming services and countless apps, helping people to watch on their terms. For studios, networks and advertisers, TiVo delivers a passionate group of watchers to increase viewership and engagement across all screens. Go to tivo.com and enjoy watching. For more information about TiVo’s solutions for the media and entertainment industry, visit business.tivo.com or follow us on Twitter @tivoforbusiness. -
JMAD Media Ownership Report
JMAD New Zealand Media Ownership Report 2014 Published: 2014 December 5 Author: Merja Myllylahti This New Zealand Ownership Report 2014 is the fourth published by AUT’s Centre for Journalism, Media and Democracy (JMAD). The report finds that the New Zealand media market has failed to produce new, innovative media outlets, and that all the efforts to establish non-profit outlets have proved unsustainable. The report confirms the general findings of previous reports that New Zealand media space has remained highly commercial. It also confirms the financialisation of media ownership in the form of banks and fund managers. The report also observes that in 2014 convergence between New Zealand mass media and the communications sector generally was in full swing. Companies, such as Spark (former Telecom NZ), started to compete head-to-head with the traditional broadcasters on the online on-demand video and television markets. The American online video subscription service Netflix is entering the NZ market in March 2015. Additionally, the report notes evidence of uncomfortable alliances between citizen media, politicians, PR companies and legacy media. As Nicky Hager’s Dirty Politics book revealed, the National Party and PR practitioners used the Whale Oil blog to drive their own agendas. Also, events related to Maori TV, TVNZ and Scoop raise questions about political interference in media affairs. It is now evident that the boundaries between mainstream media, bloggers, public relations practitioners and politicians are blurring. Key events and trends concerning New Zealand media Financialisation of mass media ownership confirmed Substantial changes in Fairfax, APN and MediaWorks ownership Competition heats up in online television and video markets Turbulence at Maori TV Blurred lines among politicians, bloggers, journalists and PR practitioners The JMAD New Zealand media ownership reports are available here: http://www.aut.ac.nz/study- at-aut/study-areas/communications/media-networks/journalism,-media-and-democracy-research- centre/journalists-and-projects 1 1. -
HD Digital Box GFSAT200HD/A Instruction Manual Welcome to Your
HD Digital Box GFSAT200HD/A Instruction Manual Welcome to your new freesat+ HD digital TV recorder Now you can pause, rewind and record both HD and SD television, and so much more Goodmans GFSAT200HD-A_IB_Rev2_120710.indd 1 12/07/2010 14:11:18 Welcome Thank you for choosing this Goodmans freesat HD Digital Box. Not only can it receive over 140 subscription free channels, but if you have a broadband service with a minimum speed of 1Mb you can access IP TV services, which you can watch back at a time to suit you. It’s really simple to use; it’s all done using the clear, easy to understand on screen menus which are operated from the remote control. It even has a reminder function so that you won’t miss your favourite programmes. For a one off payment, you can buy a digital A digital box lets you access digital channels box, satellite dish and installation giving you that are broadcast in the UK. It uses a digital over 140 channels covering the best of TV signal, received through your satellite dish and more. and lets you watch it through your existing television. This product is capable of receiving and This product has a HDMI connector so that decoding Dolby Digital Plus. you can watch high definition TV via a HDMI lead when connected to a HD Ready TV. Manufactured under license from Dolby HDMI, the HDMI logo and High-Definition Laboratories. Dolby and the double-D symbol Multimedia Interface are trademarks or are trademarks of Dolby Laboratories. -
HTTP Cookie - Wikipedia, the Free Encyclopedia 14/05/2014
HTTP cookie - Wikipedia, the free encyclopedia 14/05/2014 Create account Log in Article Talk Read Edit View history Search HTTP cookie From Wikipedia, the free encyclopedia Navigation A cookie, also known as an HTTP cookie, web cookie, or browser HTTP Main page cookie, is a small piece of data sent from a website and stored in a Persistence · Compression · HTTPS · Contents user's web browser while the user is browsing that website. Every time Request methods Featured content the user loads the website, the browser sends the cookie back to the OPTIONS · GET · HEAD · POST · PUT · Current events server to notify the website of the user's previous activity.[1] Cookies DELETE · TRACE · CONNECT · PATCH · Random article Donate to Wikipedia were designed to be a reliable mechanism for websites to remember Header fields Wikimedia Shop stateful information (such as items in a shopping cart) or to record the Cookie · ETag · Location · HTTP referer · DNT user's browsing activity (including clicking particular buttons, logging in, · X-Forwarded-For · Interaction or recording which pages were visited by the user as far back as months Status codes or years ago). 301 Moved Permanently · 302 Found · Help 303 See Other · 403 Forbidden · About Wikipedia Although cookies cannot carry viruses, and cannot install malware on 404 Not Found · [2] Community portal the host computer, tracking cookies and especially third-party v · t · e · Recent changes tracking cookies are commonly used as ways to compile long-term Contact page records of individuals' browsing histories—a potential privacy concern that prompted European[3] and U.S. -
Annex 2: Providers Required to Respond (Red Indicates Those Who Did Not Respond Within the Required Timeframe)
Video on demand access services report 2016 Annex 2: Providers required to respond (red indicates those who did not respond within the required timeframe) Provider Service(s) AETN UK A&E Networks UK Channel 4 Television Corp All4 Amazon Instant Video Amazon Instant Video AMC Networks Programme AMC Channel Services Ltd AMC Networks International AMC/MGM/Extreme Sports Channels Broadcasting Ltd AXN Northern Europe Ltd ANIMAX (Germany) Arsenal Broadband Ltd Arsenal Player Tinizine Ltd Azoomee Barcroft TV (Barcroft Media) Barcroft TV Bay TV Liverpool Ltd Bay TV Liverpool BBC Worldwide Ltd BBC Worldwide British Film Institute BFI Player Blinkbox Entertainment Ltd BlinkBox British Sign Language Broadcasting BSL Zone Player Trust BT PLC BT TV (BT Vision, BT Sport) Cambridge TV Productions Ltd Cambridge TV Turner Broadcasting System Cartoon Network, Boomerang, Cartoonito, CNN, Europe Ltd Adult Swim, TNT, Boing, TCM Cinema CBS AMC Networks EMEA CBS Reality, CBS Drama, CBS Action, Channels Partnership CBS Europe CBS AMC Networks UK CBS Reality, CBS Drama, CBS Action, Channels Partnership Horror Channel Estuary TV CIC Ltd Channel 7 Chelsea Football Club Chelsea TV Online LocalBuzz Media Networks chizwickbuzz.net Chrominance Television Chrominance Television Cirkus Ltd Cirkus Classical TV Ltd Classical TV Paramount UK Partnership Comedy Central Community Channel Community Channel Curzon Cinemas Ltd Curzon Home Cinema Channel 5 Broadcasting Ltd Demand5 Digitaltheatre.com Ltd www.digitaltheatre.com Discovery Corporate Services Discovery Services Play -
Direct Tv Bbc One
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Mining TV Twitter Networks for Adaptive Content Navigation and Community Awareness
Mining TV Twitter Networks for Adaptive Content Navigation and Community Awareness Hugo Hromic, Andrea Barraza-Urbina, Conor Hayes, and Neal Cantle Abstract In this work, we explore the potential of mining social media streams for extracting collective knowledge related to television (TV) programming. We pro- pose to provide near real-time online community awareness around a set of current TV shows being broadcasted, as well as an adaptive content navigation experience purely based on automatically updated social relatedness, to enhance the online tele- vision services and support the characteristics of modern television viewers. As an example, we take the case study put forth by Raidió Teilifís Éireann (RTÉ), the na- tional public television and radio provider of Ireland. RTÉ also streams its content online and has a strong presence in the Twitter micro-blogging service. To support end-users in exploring the RTÉ catalog and understand what is happening in Twitter related to its programming, we developed the RTÉ XPLORER prototype. By using Adaptive Content Navigation and Community Awareness services, we aim for users to find interesting content faster and participate in an enhanced/richer social expe- rience around their favorite shows. The main contributions of this paper include an analysis of captured Twitter data, an in-detail description of the RTÉ XPLORER and the presentation of a functional prototype that showcases our system within the existing RTÉ streaming service. 1 Introduction The way we consume television (TV) today has changed. Our TV viewing experi- ence has shifted more towards the use of social media platforms. In this work, we Hugo Hromic · Andrea Barraza-Urbina · Conor Hayes Insight Centre for Data Analytics, National University of Ireland Galway, Ireland, e-mail: {firstname.lastname}@insight-centre.org Neal Cantle Raidió Teilifís Éireann (RTÉ) Donnybrook Dublin, Ireland, e-mail: [email protected] Hromic H., Barraza-Urbina A., Hayes C., Cantle N. -
Kantar Media Would Like to Group People Into Groups of Urban and Rural Dwellers
Job Number 451210007 Name of survey Ofcom BBC iPlayer Project Questionnaire Version Final No. Author Charlie Gordon, Ayanda Dlamini Telephone 02071605633 Methodology Online Questionnaire CAWI Duration 20 minutes Sample Size 4,000 Internet Users Sample Description 16+ England, Scotland, Wales, NI adults Sex, approx: Quotas Male – 50% Female – 50% Age, approx.: 16-24 – 14% 25-34 – 17% 35-44 – 16% 45-54 – 18% 55-64 – 15% 65+ – 20% Households with children aged under 16 – 28% Social Grade, approx.: ABC1 – 56% C2DE – 44% Urban and Rural Split Urban – 83% Rural – 17% Ethnicity White – 86% BAME –14% Platform Provider: Sky – 35% Virgin – 13% Freeview only – 42% Any Freeview – 64% Several targets? Gender, age, age & gender, SEG, rural/urban Fieldwork dates March 2019 GDPR1. This survey asks about sensitive topics such as ethnicity, whether you have children, or political opinion. By selecting the Yes button you are consenting for these questions to be asked. Please proceed if you are happy to participate Yes No - SCREEN OUT SHOW TO ALL First, we’d like to ask a couple of questions about yourself to ensure we interview a good cross- section of the population. ASK ALL SINGLE CHOICE DemQ1. Please select your gender. 1. Male 2. Female 3. Other (please specify) 4. Prefer not to say IF CODE 1,3 CODE AS MALE FOR QUOTAS IF CODE 2,4 CODE AS FEMALE FOR QUOTAS ASK ALL SINGLE CHOICE RANGE FROM 1 TO 100 SCREENOUT IF BELOW 16 DemQ2. Please type in your age dAge - FOR QUOTAS 1. 16-24 2. 25-34 3. 35-44 4. -
Hot Property Bbc Iplayer
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Your Youview User Guide
A brighter home for everyone Your YouView user guide 7 of the most popular Sky entertainment channels 7 day catch-up The best players on your TV Sky Sports and Sky Movies with a one month commitment Rent the latest blockbusters Dip in and out of What’s inside? Sky Sports and Sky Movies Main features 5-7 one month at a time YouView Guide 8-13 Browse and search programmes in the YouView Guide 8 Record 10 Extra channels 13 On Demand 14-19 Catch up on your TV 14 The TalkTalk Player 16 Renting films and adding Boosts 18 Your TalkTalk PIN 19 More information 21-27 Parental controls 21 5 channels for £30 a month 11 channels for £15 a month Now included with our Settings 22 Channels 501-505 Channels 530 -540 Sky Movies Boost FAQ’s 24 Troubleshooting 25 To add instantly go to the channel and press OK talktalk.co.uk/tvboost Quick connection 27 *You’ll need to have a minimum broadband speed of 5Mb to add TV Boosts. All information and prices in this guide are correct at time of going to print and subject to change. Get the most from your YouView box Enjoy all this: Main Features Access all your favourite Freeview channels Use your TalkTalk PIN to watch more -WTVTfV[#gcYeb`f[X You’ll need a working TV aerial to get your Freeview Sign up to our great value Boosts for a month at a YouView Guide channels. Your YouView box will automatically tune time – perfect for the school holidays or the sports -bYf[X`b fcbcg_Te^ in to the standard channels including some in HD.