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Thomas Hardy Winter Words Poetry and Personal Writings POETRY Read by Bruce Alexander and Janet Maw NA237312D 1 The Oxen * 1:58 2 So begins The Life of Thomas Hardy r 1:18 3 A Church Romance # 2:15 4 The Self-Unseeing * 2:03 5 Neutral Tones * 1:18 6 When I Set Out For Lyonnesse * 3:47 7 Poems of Childhood and Home r 0:31 8 Domicilium * 2:36 9 During Wind And Rain # 1:26 10 The House Of Hospitalities * 0:49 11 Night In The Old Home * 1:15 12 Wessex Poems r 1:41 13 A Trampwoman’s Tragedy # 5:10 14 At The Railway Station * 1:23 15 One Ralph Blossom Soliloquizes * # 1:22 16 The Ruined Maid # 1:47 17 The Lost Pyx * 3:42 18 Great Things * 1:14 19 Weathers * 0:50 20 Snow In The Suburbs * 1:20 2 21 The Fallow Deer At The Lonely House # 0:59 22 Poems Past And Present r 1:58 23 In Tenebris I (From Psalm 102) * 1:10 24 In Tenebris II (From Psalm 142) * 1:55 25 Wessex Heights * 2:49 26 At Day-Close In November * 0:36 27 Shut Out That Moon # 1:14 28 The Five Students * 1:58 29 A Commonplace Day * 2:11 30 I Look Into My Glass * 0:40 31 Nobody Comes * 0:51 32 Exeunt Omnes * 1:03 33 Satires Of Circumstance r 0:52 34 The Workbox * 1:32 35 ‘Ah, Are You Digging On My Grave?’ # 1:56 36 In Church * 0:47 37 In The Cemetery * 0:42 38 At Tea # 0:44 39 At A Watering Place * 0:46 40 The Curate’s Kindness * 1:52 3 41 The Rash Bride * 5:45 42 Poems of Love And Loss r 2:15 43 A Countenance * 0:58 44 The Contretemps * 3:00 45 Plena Timoris * 1:14 46 Molly Gone * 1:37 47 A Broken Appointment * 0:54 48 The Division * 0:35 49 The Photograph * 1:54 50 Thoughts Of Phena -
Poems by Thomas Hardy Questions by Dr
Poems by Thomas Hardy Questions by Dr. Boos “Channel Firing” 1. Why does Hardy set this poem in a churchyard? What is the point of using such expressions as “the glebe cow” and “Christes sake”? 2. From whose point of view is the poem told? What is the effect of making “God” a character in the poem? 3. What is the effect of the stanza form and rhythm? 4. What do you make of God’s use of colloquial expression? 5. What dead human being receives the last word, and why is he chosen? 6. Are there droll or humorous aspects to the poem? Even if so, is the poem ultimately lighthearted? 7. What is the meaning of the poem? What is added by the final allusions to “Stourton Tower, / And Camelot, and starlit Stonehenge”? “The Oxen” 1. To what legend does the poem refer? Why do you think Hardy chose the legend of the kneeling oxen to represent Chrismas rather than, say, legends of angels or Santa Claus? 2. What are features of the poem’s stanza form, rhythms, and rhymes? Are they appropriate for the topic? Is the poem too short? 3. How is dialogue and direct address used in the poem? What effect do these have? 4. What characterizes Hardy’s word choice? Would his audience have used words such as “barton” and “coomb”? 5. What does Hardy think of the truth of this legend? Why does he say that “I feel” I would go with a messenger reporting this event? 6. What are some implications of the finallLine? Are there beliefs beyond the legend of kneeling oxen in which the poet can have no faith? Or is the final line indeterminate? 7. -
Of Desperate Remedies
Colby Quarterly Volume 15 Issue 3 September Article 6 September 1979 Tess of the d'Urbervilles and the "New Edition" of Desperate Remedies Lawrence Jones Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 15, no.3, September 1979, p.194-200 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Jones: Tess of the d'Urbervilles and the "New Edition" of Desperate Reme Tess of the d'Urbervilles and the "New Edition" of Desperate Remedies by LAWRENCE JONES N THE autumn of 1884, Thomas Hardy was approached by the re I cently established publishing firm of Ward and Downey concerning the republication of his first novel, Desperate Remedies. Although it had been published in America by Henry Holt in his Leisure Hour series in 1874, the novel had not appeared in England since the first, anony mous publication by Tinsley Brothers in 1871. That first edition, in three volumes, had consisted of a printing of 500 (only 280 of which had been sold at list price). 1 Since that time Hardy had published eight more novels and had established himself to the extent that Charles Kegan Paul could refer to him in the British Quarterly Review in 1881 as the true "successor of George Eliot," 2 and Havelock Ellis could open a survey article in the Westminster Review in 1883 with the remark that "The high position which the author of Far from the Madding Crowd holds among contemporary English novelists is now generally recognized." 3 As his reputation grew, his earlier novels were republished in England in one-volume editions: Far from the Madding Crowd, A Pair of Blue Eyes, and The Hand ofEthelberta in 1877, Under the Greenwood Tree in 1878, The Return of the Native in 1880, A Laodicean in 1882, and Two on a Tower in 1883. -
Thomas Hardy Poems
1 Thomas Hardy Poems Thomas Hardy (1840 1928) was an English novelist and poet. After a successful writing career that included such novels as Far from the Madding Crowd (1874), The Return of the Native (1878), The Mayor of Casterbridge (1886), and Tess of the D’Urbervilles (1891), his last novel, Jude the Obscure (1895) was roundly condemned by the church as immoral. After that, Hardy concentrated on writing poetry. In 1898 he published Wessex Poems; he continued to publish poetry throughout the rest of his life. “The Man He Killed” (1909) Had he and I but met By some old ancient inn, We should have set us down to wet Right many a nipperkin! But ranged as infantry, 5 And staring face to face, I shot at him as he at me, And killed him in his place. I shot him dead because— Because he was my foe, 10 Just so: my foe of course he was; That's clear enough; although He thought he'd 'list, perhaps, Off-hand like—just as I— Was out of work—had sold his traps— 15 No other reason why. Yes; quaint and curious war is! You shoot a fellow down You'd treat, if met where any bar is, Or help to half a crown. 20 Neutral Tones (1898) We stood by a pond that winter day, And the sun was white, as though chidden of God, And a few leaves lay on the starving sod; —They had fallen from an ash, and were gray. Your eyes on me were as eyes that rove 5 2 Over tedious riddles solved years ago; And some words played between us to and fro On which lost the more by our love. -
A Commentary on the Poems of THOMAS HARDY
A Commentary on the Poems of THOMAS HARDY By the same author THE MAYOR OF CASTERBRIDGE (Macmillan Critical Commentaries) A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's Letters to Florence Henniker, 1893-1922 (edited, with Evelyn Hardy) A JANE AUSTEN COMPANION A BRONTE COMPANION THOMAS HARDY AND THE MODERN WORLD (edited,for the Thomas Hardy Society) A Commentary on the Poems of THOMAS HARDY F. B. Pinion ISBN 978-1-349-02511-4 ISBN 978-1-349-02509-1 (eBook) DOI 10.1007/978-1-349-02509-1 © F. B. Pinion 1976 Softcover reprint of the hardcover 15t edition 1976 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1976 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras SBN 333 17918 8 This book is sold subject to the standard conditions of the Net Book Agreement Quid quod idem in poesi quoque eo evaslt ut hoc solo scribendi genere ..• immortalem famam assequi possit? From A. D. Godley's public oration at Oxford in I920 when the degree of Doctor of Letters was conferred on Thomas Hardy: 'Why now, is not the excellence of his poems such that, by this type of writing alone, he can achieve immortal fame ...? (The Life of Thomas Hardy, 397-8) 'The Temporary the AU' (Hardy's design for the sundial at Max Gate) Contents List of Drawings and Maps IX List of Plates X Preface xi Reference Abbreviations xiv Chronology xvi COMMENTS AND NOTES I Wessex Poems (1898) 3 2 Poems of the Past and the Present (1901) 29 War Poems 30 Poems of Pilgrimage 34 Miscellaneous Poems 38 Imitations, etc. -
The Decay of Romanticism in the Poetry of Thomas Hardy
tI| THE DECAY OF ROMANTICISM IN THE POETRY OF THOMAS HARDY THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS, By Carolynn L. Wartes, B. S. Denton, Texas December 1978 Wartes, Carolynn, The Deea _of Romanticism in the Poe of Thomas Har4d. Master of Arts (English), December 1978, 121 pp., bibliography, 29 titles. The purpose of this study is to demonstrate that the concept of a godless universe governed by a consciousless and conscienceless Immanent Will in Hardy's poetry is an ineluctable outcome, given the expanded scientific knowledge of the nineteenth century, of the pantheistic views of the English Romantic poets. The purpose is accomplished by tracing characteristically Romantic attitudes through the representative poetry of the early Victorian period and in Hardy's poetry. The first chapter is a brief introduction. Chapter II surveys major Romantic themes, illustrating them in Words- worth's poetry. Chapter III treats the decline of the Romantic vision in the poetry of Tennyson and Arnold. Hardy's views and the Victorian poets' influence are the subject of Chapter IV. Chapter V demonstrates Wordsworth's influence on Hardy in several areas. TABLE OF CONTENTS Chapter Page I. INTRODUCTIONC..1.......... II. ROMANTICISM AND WORDSWORTH . 6 III. THE VICTORIANS: TENNYSON AND ARNOLD . 26 IV. HARDY . -o-*- -. .*** *56 V. CONCLUSION: WORDSWORTH AND HARDY . 100 BIBLIOGRAPHY . .. .118 iii CHAPTER I INTRODUCTION Although Thomas Hardy is generally recognized as a late Victorian novelist and poet, scholars have noted that much of his poetry is more modern than Victorian. -
Proquest Dissertations
000742 UNIVERSITY D'OTTAWA ~ ECOLE DES GRADUES UNIVERSITY OP OTTAWA GRADUATE SCHOOL Dissertation THOMAS HARDY—VICTORIAN AND MODERN IRONIST by John Joseph Pirth Brantford. Ontario Submitted in partial fulfilment of the requirements for the degree of ^mx>7^ Doctor of Philosophy «L .^©rsita d? *« BIBtlOTM^QUES **~ ^ I960 / // r*'ly ot UNIVERSITY OF OTTAWA ~ SCHOOL OF GRADUATE STUDIES UMI Number: DC53768 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53768 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 UN1VERSITE ^OTTAWA ~ ECOLE DES GRADUES ACKNOWLEDGMENT This thesis was prepared under the guidance of Dr. Emmett 0'Grady, Head of the Department of English.Literature, and Dr. Mariana Ryan of the English De partment. Gratitude is here expressed for their interest, co-operation and patience. UNIVERSITY OF OTTAWA ~ SCHOOL OF GRADUATE STUDIES UNIVERSITE D'OTTAWA ~ ECOLE DES GRADUES THOMAS -
Neutral Tones
Get hundreds more LitCharts at www.litcharts.com Neutral Tones day—the other person's face, the sun, the pond, the trees, and POEM TEXT the fallen leaves. 1 We stood by a pond that winter day, THEMES 2 And the sun was white, as though chidden of God, 3 And a few leaves lay on the starving sod; 4 – They had fallen from an ash, and were gray. LOVE AND LOSS “Neutral Tones” is a melancholic poem that looks at 5 Your eyes on me were as eyes that rove the dying moments of a relationship between the 6 Over tedious riddles of years ago; speaker and his (or her) lover. Defeated in tone, the poem 7 And some words played between us to and fro shows the way in which love contains the possibility of loss. It also demonstrates how this loss can completely alter a person’s 8 On which lost the more by our love. perception of the world and the person they once loved. Through the example of the speaker and the speaker's lover, 9 The smile on your mouth was the deadest thing the poem shows how embracing love always involves risking 10 Alive enough to have strength to die; painful loss and estrangement, and it even suggests that all love 11 And a grin of bitterness swept thereby might inherently deceptive. 12 Like an ominous bird a-wing…. The speaker captures a very specific moment in the poem: the death of the love between two people. Though the reader 13 Since then, keen lessons that love deceives, doesn’t know anything about the history of the relationship 14 And wrings with wrong, have shaped to me (including the gender of the speaker or the lover), the speaker 15 Your face, and the God curst sun, and a tree, creates a vivid, detailed depiction of exactly what the couple’s 16 And a pond edged with grayish leaves. -
A Laodicean Unabridged
Thomas Hardy COMPLETE CLASSICS A LAODICEAN UNABRIDGED Read by Anna Bentinck Subtitled ‘A Story of To-day’, A Laodicean occupies a unique place in the Thomas Hardy canon. Departing from pre-industrial Wessex, Hardy brings his themes of social constraint, fate, chance and miscommunication to the very modern world of the 1880s – complete with falsified telegraphs, fake photographs, and perilous train tracks. The story follows the life of Paula Power, heiress of her late father’s railroad fortune and the new owner of the medieval Castle Stancy. With the castle in need of restoration, Paula employs architect George Somerset, who soon falls in love with her. However, Paula’s dreams of nobility draw her to another suitor, Captain de Stancy, who is aided by his villainous son, William Dare… Anna Bentinck trained at Arts Educational Schools, London (ArtsEd) and has worked extensively for BBC radio. Her animation voices include the series 64 Zoo Lane (CBeebies). Film credits include the Hammer Horror Total running time: 17:06:20 To the Devil… A Daughter. Her many audiobooks range from Shirley by View our catalogue online at n-ab.com/cat Charlotte Brontë, Kennedy’s Brain by Henning Mankell, Beyond Black by Hilary Mantel, Wide Sargasso Sea by Jean Rhys and One Day by David Nicholls to The Bible. For Naxos AudioBooks, she has read Five Children and It, The Phoenix and the Carpet and The Amulet by E. Nesbit and Tess of the d’Urbervilles and Desperate Remedies by Thomas Hardy. 1 A Laodicean 9:15 24 Chapter 11 9:28 2 It is an old story.. -
THOMAS HARDY the V Ariorun1 Edition OF
THE VARIORUM EDITION OF THE COMPLETE POEMS OF THOMAS HARDY THE V ariorun1 Edition OF THE Complete Poems OF THOMAS HARDY EDITED BY James Gibson M THE VARIORUM EDITION OF THE COMPLETE POEMS OF THOMAS HARDY Poems 1-919, 925--6, 929-34 and 943, Thomas Hardy's prefaces and notes © Macmillan London Ltd Poems 920-4, 927-8, 935-42 and 944-7 © Trustees of the Hardy Estate Editorial arrangement © Macmillan London Ltd 1976, 1979 Introduction and editorial matter ©James Gibson 1979 Typography © Macmillan London Ltd 1976, 1979 Softcover reprint of the hardcover 1st edition 1979 978-0-333-23773-1 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission. ISBN 978-1-349-03806-0 ISBN 978-1-349-03804-6 (eBook) DOI 10.1007/978-1-349-03804-6 The Variorum Edition first published in 1979 by MACMILLAN LONDON LIMITED 4 Little Essex Street London WC2R 3LF and Basingstoke Associated companies in Delhi, Dublin, Hong Kong, johannesburg, Lagos, Melbourne, New York, Singapore and Tokyo Typeset by WESTERN PRINTING SERVICES L TO, BRISTOL Contents LIST OF MANUSCRIPT My Cicely 51 ILLUSTRATIONS page xvii Her Immortality 55 INTRODUCTION XIX The Ivy-Wife 57 ACKNOWLEDGEMENTS XXXlll A Meeting with Despair 57 NOTES FOR USERS OF THE Unknowing 58 VARIORUM XXXV Friends Beyond 59 To Outer Nature 61 Domicilium 3 Thoughts of Phena 62 Middle-Age Enthusiasms 63 Wessex Poems and Other Verses In a Wood 64 Preface 6 To a Lady 65 The Temporary the All 7 To a Motherless Child 65 Amabel 8 Nature's Questioning 66 Hap 9 The Impercipient 67 In Vision I Roamed 9 At an Inn 68 At a Bridal 10 The Slow Nature 69 Postponement 11 In a Eweleaze near Weatherbury 70 A Confession to a Friend in Trouble 11 The Bride-Night Fire 71 Neutral Tones 12 Heiress and Architect 75 She at His Funeral 12 The Two Men 77 Her Initials 13 Lines 79 Her Dilemma 13 I Look Into My Glass 81 Revulsion 14 She, to Him I 14 Poems of the Past and the Present She, to Him II 15 Preface 84 She, to Him III 15 V.R. -
Thomas Hardy S Epic-Drama: a STUDY of the DYNASTS
Thomas Hardy s Epic-Drama: A STUDY OF THE DYNASTS by Harold Orel UNIVERSITY OF KANSAS PUBLICATIONS HUMANISTIC STUDIES, NO. 36 LAWRENCE, KANSAS UNIVERSITY OF KANSAS ^PUBLICATIONS HUMANISTIC STUDIES^ NO. 36 THOMAS HARDY'S EPIC-DRAMA: A STUDY OF THE DYNASTS THOMAS HARDY'S EPIC-DRAMA: A STUDY OF THE DYNASTS by Harold Orel UNIVERSITY OF KANSAS PUBLICATIONS LAWRENCE, 1963 © COPYRIGHT 1963 BY THE UNIVERSITY OF KANSAS PRESS L. C. C. C Number 63-63211 PRINTED IN THE U.S.A. BY THE UNIVERSITY OF KANSAS PRESS LAWRENCE, KANSAS TO M. D. W. Preface THIS BOOK was written because of my admiration for Thomas Hardy's The Dynasts, and because of my feeling that the last word has not yet been said about it. What I want to do is reemphasize the meaning behind Hardy's descriptive epithet, "epic-drama," To that end, I have retraced Hardy's career up to the moment he renounced the writing of novels and became a full-time poet. Poetry, for Hardy, was always the highest form of art; it was the kind of literature he wanted most to create. For years he had been contemplating a large work, a poem on the epic scale, which he needed time to write. It may be no exaggeration to say that his entire life led up to The Dynasts, and that for him it represented the supreme artistic work of his career. Since The Dynasts has often been considered primarily in terms of its philosophy, although Hardy declared vehemently on several occasions that his poem should be judged on artistic grounds, it has seemed worthwhile to reexamine the views that Hardy held on the nature of the universe and whatever gods exist. -
Sheet 3 Objective Questions with Answers
Sheet 3 Objective Questions with Answers Q. What is Hardy’s life span? ---- 1840-1928 Q. Whose works do best portray topographical features? ---- Hardy’s Q. The term, topography, in literature means? ---- Local, regional colour Q. Hardy’s first noted novel: ---- Far form the Madding Crowd Q. Far from the Madding Crowd appeared in: ---- Cornhill Magazine Q. Who was generally suspected of having written Far from the Madding Crowd when it appeared in the magazine? ---- George Eliot Q. Which are the two idyllic love stories by Hardy? ---- Under the Greenwood Tree ---- A Pair of Blue Eyes Q. Which novel does best represent Hardy’s gloomy philosophy? ---- Tess of the D’Urbervilles (1891) Q. In 1910, Hardy was awarded: ---- The Order of Merit Q. What was Hardy’s profession before entering into writing of novels? ---- Architecture Q. What is the central theme of Hardy’s Far from the Madding Crowd? ---- The contrast between innocence and sophistication Q. In which novel is Bathsheba Everdene is a character? ---- Far from the madding Crowd Q. What is the thesis line of the Tess? ---- “‘Justice’ was done, and the President of the Immortals had ended his sport with Tess” Q. What is the theme of Hardy’s The Mayor of Casterbridge? ---- Man is not the master of his destiny Q. The city of Casterbridge stands for: ---- Dorchester, the place where Hardy was born Q. What is the sub-title of Tess of the D’Urbervilles? ---- A Pure Woman Q. Angel Clare is a character in: ---- Tess of the D’Urbervilles Q. Which novel by Hardy is known as “the tragedy of unfulfilled aims”? ---- Jude the Obscure Q.