Index

Adams, Frederick Baldwin 12 Bellini, Giovanni 211, 218, 221, 252 Ainsworth, William Harrison 351–2 Benjamin, Walter 162, 164 Allhusen, Dorothy 13 Bennett, Jane 37–9, 42, 45, 50 Alma-Tadema, Laurence 218 Benson, Arthur Christopher 350 Antell, John 16, 171 Bergson, Henri 385–6 Archer, William 12, 461 Creative Evolution 81, 379, 385 Arnold, Matthew 90, 350, 361 Blackwood, William 370 Culture and Anarchy 62, 348 Blackwood’s Edinburgh Magazine 367, 370 Asquith, (Lady) Cynthia 13 Bloom, Harold 465 Athenaeum 150 Blomfi eld, Arthur 87, 148, 212, 349 Austen, Jane Blunden, Edmund 13 Northanger Abbey 153 Bockhampton 15, 211–12 Pride and Prejudice 277 Hardy cottage 14–15, 212 Boldini, Giovanni 219 Bakhtin, Mikhail 103–5, 110, 175, 454–5 Bolton Weekly Journal 368 and dialects 111–12 Bonheur, Rosa 214 utterance 105–6, 115 Bonington, Richard Parkes 210, 218 Balliol Players 96 Boswell, James 17 Balzac, Honoré de 332 Braddon, Mary Elizabeth 330 Barham, Richard Bristol Times and Mirror 367 The Ingoldsby LegendsCOPYRIGHTED 456 Bromwich, MATERIAL T. J. Barker, Robert An Introduction to the Theory of Infi nite invention of the panorama 423 Series 380 Barnes, William 89, 110, 219, 299, 319, Browning, Robert 3, 462 347, 456 Buell, Lawrence 140–2 Barrie, (Sir) James 8 Burns, Robert 434, 444 Bastien-Lepage, Jules 215, 220 Bastow, Henry 72 Campbell, George Bate, Jonathan 140–2 Philosophy of Rhetoric 338, 342n4 Beckford, William 358 Campbell, R. J. 78 480 Index

Cantor, George 379, 386–7 Dorset County Museum 10–12, 87, 99, Carlyle, Thomas 26, 92, 156 223 Sartor Resartus 459 Dou, Gerard 245 Chambers, Jessie 466 Douglas, (Sir) George 212 Channing, Mary 477 Dressler, Marie Clifford, W. K. 22 Tess of the Vaudevilles 329, 335 Clodd, Edward 11, 23, 27, 59, 76, 338, Dryden, John 15 349, 404 du Maurier, George 218 Cobbe, Frances Power 63 Trilby 285 Cobbett, William 347 Cockerell, (Sir) Sydney 8, 9, 11, 98, 462 ecocriticism 140–2 Coleridge, Samuel Taylor 139 Edel, Leon 17 Collins, Wilkie 330 Edward, Prince of Wales (later Edward Comte, Auguste 22–7, 34, 44, 74, 90–1 VIII) 13 A General View of Positivism 22 “Egerton, George” (Mary Chavelita Social Dynamics 22, 74 Clairmonte) 91 System of Positive Philosophy 74, 90 Keynotes 349 Connolly, William 52n6 Eiseley, Loren 51n2 Conrad, Joseph 433–4 Eisenstein, Sergei 429 Cornhill Magazine 54, 251, 255 Eliot, George 22, 25, 29, 45, 47, 74, 86, Cox, James Stevens 13 103, 361 Crickmay, George R. 87, 283 Adam Bede 245 Crivelli, Carlo 211, 221 Middlemarch 337 Crossick, Geoffrey 167 Eliot, T. S. 91, 221, 451 Culler, A. Dwight 36–7 on Hardy 211, 454 “The Love Song of J. Alfred Darwin, Annie 47 Prufrock” 91, 159–60 Darwin, Charles 30, 34, 36–52, 55–63, The Waste Land 462–3 68 Ellis, Henry Havelock 59–60, 339 The Descent of Man 28, 46, 57–63, 68 The New Spirit 59, 91 The Expression of the Emotions in Man and Emerson, Ralph Waldo 322 Animals 34n English Illustrated Magazine 367–8, 375 On the Origin of Species 25, 42, 46, 51n4, Essays and Reviews 73 55, 243 Darwin, William Erasmus 63 Fawcett, Millicent Garrett 16 Daubigny, Charles 214 Felkin, Elliott 13 de la Mare, Walter 13, 457 Forster, E. M. Dedekind, Richard 386 A Passage to India 153, 434 “Dedekind cut” 385 Fortnightly Review 368 Delacroix, Eugène 214 Fourier, Charles 21 Deleuze, Gilles 25 Frazer, (Sir) James Derrida, Jacques 102, 104, 111, 171–2, Totemism 315 408, 438, 445 Freud, Sigmund 30, 389 Dickens, Charles 149, 367 Psychopathology of Everyday Life 32 Disraeli, Benjamin 361 the uncanny 170–1, 229, 231–2, Dorset County Chronicle 94–5 235–6, 307–8 Index 481

Frith, W. P. 214–15, 218 diaries 12 Frost, Robert 461 Early Life of Thomas Hardy 7–8, 11 Later Years of Thomas Hardy 7–8 Galton, Francis 57, 62 Hardy, Henry (brother) 14 generic hybridity 102–15, 296 Hardy, Jemima (mother, née Hand) 10, Genette, Gérard 103 92, 147, 173–4, 238 Gérôme, Jean Léon 213, 220 Hardy, Katharine (“Kate,” sister) 10 Gibbon, Edward 350 diary 13 Giotto 214, 217 Hardy, Mary (grandmother, née Head) 92, Girard, René 447 287 Gissing, George 86 Hardy, Mary (sister) 11–12, 73, 82, 146, Gladstone, William Ewart 63 155, 213 Godwin, Mary 147 Hardy, Thomas (father) 10, 155, 223 Gosse, Edmund 17, 210 Hardy, Thomas (grandfather) 287 on Hardy’s women characters 126 HARDY, THOMAS Gothic architecture 88, 286, 294, 353, and altruism 68 356 and animals 41, 48, 57, 64–6, 69 Gothic fi ction 247, 301 architecture 87–8, 282–3 Gould, Stephen Jay 51n3 biography 7–18, 403–5 Grand, Sarah 91 and the Church 2, 23–4, 40–1, 71–84, Graphic 338, 365, 367, 370–3 345–62 Graves, Robert 333 and class 16, 162–76 The White Goddess 207–8 and dialect 110–15, 166 Gray, Thomas 92 drawings and paintings 211–13 “Elegy Written in a Country Churchyard” and “enchantment” 36–50 246 European travels 216–18 Greene, Graham and gender 117–28, 174 The End of the Affair 357 and haunting 172–3, 300–12 Greenwood, Frederick 330 interviews with 12–13 Greuze, Jean Baptiste 214 and local history 92–5, 97, 172, 287 Griffi th, D. W. 429 and London 14, 146–61, 224 Grove, Agnes (Lady) 9, 22, 224 and music 223–38; dance 223–4, Guay, Gabriel 220 227–9; folk song 224; hymns 224–5; responsiveness to 226 Haldane, R. B. notebooks 9–10, 86–100, 401–3; The Pathway to Reality 379, 386 “Architectural” 9, 87–8; “Facts” Hardy, Emma Lavinia (née Gifford, 9, 93–5; “Literary Notes” 9, 21–6, fi rst wife) 10–12, 14, 17, 75, 90, 90–2; “Memoranda” 9, 95–7; 93, 149–50, 153, 156, 206, 283, 351, “Poetical Matter” 9, 75, 96–8; 382, 390, 398–9, 404 “Schools of Painting” 9, 88–9, 214; diaries 11–12, 216–18 “Studies, Specimens, &c.” 9, 89, 99; “The Maid on the Shore” (story) 15 “Trumpet-Major” 9, 92–3 and painting 212, 219 and painting 210–21 Some Recollections 11, 174–5 and pastoral 144, 241–53 Hardy, Florence Emily (née Dugdale, second and philosophy 21–35; wife) 7–12, 17, 96, 224, 404, 462 Positivism 22–6, 44, 74, 90–1 482 Index

HARDY, THOMAS (cont’d) “The Science of Fiction” 126, 269, 282, and romantic love 194–209 284 and the rural 133–45 novels and Stinsford 72, 75, 82, 88, 356–7 Desperate Remedies 160, 178, 269–72, Wessex 2, 14, 141, 144, 146, 345–62 D. H. Lawrence on 467, ingenuity in works, see autobiography; collected 271–2, love in 195–6, music in editions; drama; miscellaneous prose; 231–3, plotting in 273–4, 276–7 novels; poetry; stories Far From the Madding Crowd 2, 22–3, autobiography 25, 28, 31, 39, 48–49, 64, 102, 202, The Life and Work 8–10, 14–15, 21–2, 246–53, 333, 346, D. H. Lawrence on 71–2, 95–6, 117–19; “The Hard Case 468, dress in 178–93, gender in of the Would-be-Religious” 80–1 120–2, 127, 190, generic instability collected editions of 247, 251, illustrations for 219, Mellstock Edition 453 manuscript 54, music in 225, Wessex Edition 267–8, 367–8, 371, pictorial techniques in 247–51 452–3 The Hand of Ethelberta 54, 56–7, drama 65–6, 102, 119, 215, 270–1, 475, The Dynasts 3, 22, 144n1, 152–4, D. H. Lawrence on 468, gender in 158–9, 413–30, 453, 455–6, 474, 124, ingenuity in 272, London in cinematic techniques in 413–16, 151, music in 232–3, plotting in 429–30, as diorama 418–20, magic 274–8 lantern effects in 427, music in Jude the Obscure 3, 15, 16, 23–4, 27, 230, optical entertainments 418–21, 30–3, 36, 42–5, 56, 59, 61, 63, 66–7, and panorama 423–7, as peepshow 69, 88, 292–3, 333, 346–62, 474–6, 421–2, phantasmagoria 421, the Church in 346–62, class in as tableau vivant 422 162–3, 166, as conversion novel The Famous Tragedy of the Queen of 347–8, D. H. Lawrence on 468–70, Cornwall 453 gender in 117–18, Gothic elements “Tess of the d’Urbervilles” (play) 151 in 356–8, music in 225 miscellaneous prose A Laodicean 88, 93, 197–8, 270, 348, Apology to Late Lyrics and Earlier 76–7, 354–5, ingenuity in 272–3, 278–9, 358, 360, 462 music in 231, plotting in 276 “Candour in English Fiction” 127–8, The Mayor of Casterbridge 3, 30–3, 39, 269, 367 43, 66, 95, 117, 167–8, 198, 220, “The Dorsetshire Labourer” 141, 299–312, 314, 433–49, 477, cinematic 169–70, 436 techniques in 435, class in 166, General Preface to the Wessex D. H. Lawrence on 468, doubling in Edition 21, 94, 267–9, 282 302–4, 307, gesture speech in Introductory Note to Winter Words 21 435–7, Gothic traces in 304–7, “Memories of Church Restoration” 283, hands in 434–49, haunting in 294–5 300–12, music in 229, the uncanny “On the Application of Coloured Bricks in 307–9 and Terra Cotta to Modern A Pair of Blue Eyes 15, 26, 34n, 36, 43, Architecture” 216 61, 134–5, 160, 198, 212, 233, “The Profi table Reading of Fiction” 21, 282–7, 331, D. H. Lawrence on 269–70, 274, 282 467–8, gender relations in 119, 124, Index 483

285, London in 152, music in in 27, 315–26, serial version 226–7, representation of women in 366–7, Winterborne and nature 134–6 323–6 The Poor Man and the Lady poetry 378–94, 395–411, 450–63 (unpublished) 15, 73, 103, 149, 160, individual poems: “According to the 175, class and gender in 121–2 Mighty Working” 400; “After a The Return of the Native 15, 26–7, 30, Journey” 283; “After Reading Psalms 32–3, 39, 43, 63, 66–8, 90–1, 136, XXXIX, XL, etc.” 383; “After the 199, 220, 233, 254–65, 333, 476, Last Breath” 459; “Afterwards” class in 172, D. H. Lawrence on 154, 434; “Apostrophe to an Old Psalm 468, English history in 352, Tune” 145n7, 388; “At Castle fetichism in 26, gender roles in Boterel” 391; “At Waking” 203; 123–4, 127, music in 225, 230–1, “Barthélémon at Vauxhall” 94, 225, narrative indeterminacy in 263–5, 402; “Beeny Cliff” 283, 390–1, reading the body in 125–6 457–8; “The Blinded Bird” 392; Tess of the d’Urbervilles 15, 22, 24, 26, “A Bird-scene at a Rural Dwelling” 29–34, 39, 43, 45, 50, 58, 60, 102, 15; “The Boy’s Dream” 393; “The 104, 134–5, 141, 168, 200, 221, 233, Caged Goldfi nch” 392; “Childhood 328–42, 355, 475–6, class in 164–6, Among the Ferns” 15; “The Chosen” 335–7, D. H. Lawrence on 468–9, 389–90; “Coming Up Oxford Street: English history in 353–4, Evening” 159–60; “The Convergence melodramatic in 107–10, 332–7, of the Twain” 460; “The Dance at the 341, and modernism 338, music in Phoenix” 227; “The Darkling 225, 228, 236–7, primitivism in Thrush” 42, 391–2, 456, 458–60; 338–40, representation of women in “Domicilium” 15; “The Duel” 94; 134–6, 217, serial 466, stage “During Wind and Rain” 383, 456; adaptations 151, 335, Tillotson’s balk “The End of the Episode” 204; at 369, writing and sexuality in “Family Portraits” 381; “The Fiddler” 124–5 223, 228, 234–5; “The Figure in the The Trumpet-Major 55, 93, 236, 284, Scene” 212; “The Five Students” 287–90, music in 225, Napoleonic 382–3; “Former Beauties” 202; history in 287–9 “Friends Beyond” 15; “The Garden Two on a Tower 39, 44, 284, 296, sexual Seat” 459, 463; “Geographical desire in 290–3 Knowledge” 136–8; “The Ghost of Under the Greenwood Tree 2, 15–16, 48, the Past” 171, 300, 382; “Great 60–1, 102, 104, 127, 160, 163–4, Things” 2, 208; “Hap” 74–5; “He 241–6, 333, 346, dialect in 112–15, Abjures Love” 204–5; “He Follows music in 223, 228, 231, pictorial Himself” 173, 448; “Heredity” 33; techniques in 245–6 “His Country” 139, 144n4; “A The Well-Beloved 33, 119, 151–3, Hurried Meeting” 209; “I Look Into 197, 200, 207–8, 284, 293–7, 389, My Glass” 203; “The Impercipient” 474–5 82; “In a Museum” 145n7, 226; The Woodlanders 27–30, 36, 39, 42–3, “In Front of the Landscape” 381–2; 63, 92, 140–2, 203–4, 313–27, 350, “In the Cemetery” 158; “In the Night 355, bride capture in 317–19, She Came” 203; “In Time of imagination in 321–2, primitivism ‘The Breaking of Nations’” 288; 484 Index

HARDY, THOMAS (cont’d) 378, 382, 451, 453; Poems of the Past “It Never Looks Like Summer” and the Present 134, 382, 392; Satires 456; “Lalage’s Coming” 2; “Lines to of Circumstance 381–2, 453; Time’s a Movement in Mozart’s E-Flat Laughingstocks 137–8, 453; Wessex Symphony” 201; “The Little Old Poems 213, 451–3, illustrations for Table” 173; “The Lost Pyx” 350; 213; Winter Words 21, 393, 453 “The Maid of Keinton Mandeville” stories 364–77 227, 401; “The Man He Killed” individual stories: “Anna, Lady Baxby” 138–9; “The Master and the Leaves” 373, 375; “Barbara of the House of 456; “The Musical Box” 385; Grebe” 206, 373–4; “A Changed “Mute Opinion” 387; “Nature’s Man” 377; “The Distracted Preacher” Questioning” 21; “Neutral Tones” 365–6, periodical (New Quarterly 31; “A Night of Questionings” 383; Magazine) version 366; “The Duchess “On an Invitation to the United States” of Hamptonshire” 367; “Fellow- 386; “One We Knew” 92, 459; “The Townsmen” 366; “A Few Crusted Oxen” 82, 353, 456; “Panthera” Characters” 228, 368; “The First 94, 402; “The Pedigree” 381, 384, Countess of Wessex” 146, 367, 386–7; “The Phantom Horsewoman” 371–2, periodical (Harper’s New Monthly) 206, 391; “A Procession of Dead version 371–2; “The Fiddler Days” 173, 390; “Proud Songsters” of the Reels” 196–7, 233–6, 368; 392; “The Revisitation” 202–3; “The History of the Hardcombes” 228; “Revulsion” 205; “The Ruined “The Honourable Laura” 367–8; Maid” 2; “The Second Night” 390; “An Imaginative Woman” 199, 207, “The Selfsame Song” 392; “The Self- 366–8, 370–1; “An Indiscretion in the Unseeing” 168, 227; “The Shadow on Life of an Heiress” 145n6, 174, 225; the Stone” 459; “Shelley’s “The Lady Icenway” 373–5; “Lady Skylark” 391; “Sine Prole” 383–4; Mottisfont” 373–4; “The Lady “The Something that Saved Him” Penelope” 367; “The Marchioness 379; “Spectres that Grieve” 382; of Stonehenge” 373–4; “The “Starlings on the Roof” 392; Melancholy Hussar of the German “A Sunday Morning Tragedy” 399; Legion” 93, 176n, 368–9; “On the “Tess’s Lament” 3, 459; “Thoughts at Western Circuit” 198, 366, 375–6; Midnight” 98; “To a Lady Playing “The Son’s Veto” 164, 366; “Squire and Singing in the Morning” 234; Petrick’s Lady” 373, 375; “To Please “To Shakespeare” 145n7; “The Two His Wife” 164; “A Tradition of Houses” 388–9; “Under the Eighteen Hundred and Four” 368; Waterfall” 212; “An Upbraiding” “A Tragedy of Two Ambitions” 459; “The Voice” 237, 456; 175–6; “The Withered Arm” 366, “The Walk” 454; “A Wasted Illness” 370 382; “We Are Getting to the End” volumes: A Changed Man and Other 393; “Wessex Heights” 381–2; Tales 364, 368, 377; A Group of “Winter in Durnover Field” 42 Noble Dames 360, 364–5, 371, volumes: Human Shows, Far Phantasies, 474, periodical (Graphic) version Songs and Trifl es 378, 453; Late Lyrics 365, 367, 372–5; Life’s Little and Earlier 453, 462; Moments of Ironies 228, 364, 367, 375; Vision 134, 139, 144n4, 154, 333, Wessex Tales 364, 368 Index 485

Harper’s Bazaar 369 The Trespasser 466 Harper’s New Monthly Magazine 213, 368, The White Peacock 466 371 Women in Love 467, 469–72 Harper’s Weekly 367, 369, 374–5 Lawrence, T. E. (“of Arabia”) 13 Harrison, Frederic 22, 44–5 Lea, Hermann 144 The Positive Evolution of Religion 78–9 Lee, Vernon Hartmann, Eduard von 22, 58 Miss Brown 284 Heidegger, Martin 142 Leighton, Frederick 214, 218 Henley, W. E. 451 Lewes, George Henry 26 Henniker, Florence 9, 11, 399 Lingard, John 351 Hepworth, Cecil 429 Locker, Arthur 367, 372 Hicks, John 72, 87 Locker, William 367, 373–4 Hobbema, Meindert 219, 245 Long, John Hodgson, Ralph 451 Voyages and Travels of an Indian Interpreter Hoffman, Harold 13 and Trader 315 Holder, Helen 382 Longman’s Magazine 367, 370 Hopkins, Arthur 213 Lukács, Georg 163, 429 Hopkins, Gerard Manley 442, 451 Lumière, Auguste 329, 342n1, 429 Housman, A. E. 143 Lumière, Louis 329, 342n1 Hugo, Victor 92, 307 Humanitarian League 48, 68 McKay, Roy 79 Husserl, Edmund 438 McLennan, John Ferguson Huxley, Thomas H. 22–3, 41, 76 Primitive Marriage 315, 317–18 Man’s Place in Nature 55–6 “The Worship of Animals and Plants” 315 Ibsen, Henrik 91 Macmillan, Alexander 103 Illustrated London News 368, 372 Macmillan’s Magazine 127, 366–7, 369 Ingres, Jean Auguste 214 MacNeice, Louis 457 McTaggart, John 22 James, Henry 9, 17, 25, 103, 120, 332, Mallarmé, Stéphane 433–4, 461 433 Marshall, Charles “The Real Thing” 285 panorama 424 Jameson, Fredric 104–5 Martin, Julia Augusta 174 Johnson, Samuel 17, 92, 193n4 Marx, Karl 162, 167–8, 171 Jones, Henry Arthur 330 Maudsley, Henry 59 Joyce, James Max Gate 11–14 Ulysses 434 library 10 Meissonier, Jean Louis Ernest 214 Kant, Immanuel 30, 63 Méliès, Georges 429 Kingston Maurward 10, 174, 211 melodrama 106–10, 330–7 Meredith, George 120 Larkin, Philip 1 Merleau-Ponty, Maurice 438 Lawrence, D. H. 465–72, 477 metafi ction 281–97 The Rainbow 466–7, 469–72 Methuen, A. Sons and Lovers 466, 468–9 An Anthology of Modern Verse 451, Study of Thomas Hardy 319, 466–72 463n 486 Index

Mill, John Stuart 22–30, 34, 60–5, 68, Palgrave, Francis Turner 243 The Golden Treasury 351 On Liberty 27–30, 55 Pall Mall Gazette 370–1 “On Nature” 28 Pall Mall Magazine 12, 368 The Subjection of Women 27, 120 Palmerston, Lord 149, 155 System of Logic 29 panoramas 423–4 Milton, John Parsons, Alfred 219 “Lycidas” 459 Pater, Walter 91, 216, 348 Mivart, St. George Jackson 78 Paterson, Helen 213, 219 Moore, George 120 Phelps, Samuel 149 Morgan, J. H. 79 Piombo, Sebastiano del 214 Morley, John 22, 76, 79, 84n3, 90 Plato Moroni, Giovanni Battista 214 Dialogues 22 Morris, Mowbray 121, 127, 366–7 Pole, Cassie 9 Morris, William 158, 282–3, 285–6 Pouncy, Harry 428 Moule, Henry 72 Pound, Ezra 451–3, 456, 461–2 Moule, Henry Joseph 211, 219, 315 Powys, John Cowper 465, 472–77 Moule, Horace 22, 213, 350, 382 on Hardy 472–3 Murry, John Middleton 13, 83–4, works: Autobiography 472; Ducdame 400 474; A Glastonbury Romance 473, 476; Maiden Castle 473, 477; The Nancy, Jean-Luc 436, 442 Pleasures of Literature 473; Rodmoor Nelson, Horatio 287–9 474; Visions and Revisions 473; New Quarterly Magazine 367 Weymouth Sands (Jobber Skald) 473, Newman, John Henry 346, 350 475; Wolf Solent 473–4; Apologia Pro Vita Sua 22, 74, 350, Wood and Stone 473 360 Powys, Llewellyn 472 Nicholls, Eliza Bright 9 Powys, T. F. 472 Nicholson, Norman 142–4 Prévost, Pierre Five Rivers 142–3; “The panorama 423 Blackberry” 143–4; “The Bow Pugin, A. W. N. in the Cloud” 143; “The Contrasts 353, 356–7 Evacuees” 143; “Rockferns” Purdy, Richard Little 12, 99 143–5 Selected Poems 1940–1982 142–3; Rabelais Club 120, 218 “Cleator Moor” 143; “To the River Reed, Henry 13 Duddon” 143 Reynolds, (Sir) Joshua 214, 221 Rickman, Thomas 89 Oliphant, Margaret 108 Roberts, Michael Oppen, George 378 Faber Book of Modern Verse O’Rourke, May 11 451 Outlook 137 Robertson, Étienne Gaspard Owen, Rebekah 11 phantasmagoria 421 Romanes, George 58, 64 Paley, William 41 Animal Intelligence 58 Natural Theology 46 Rousseau, Théodore 214 Index 487

Royce, Josiah 386–8 Stevenson, Robert Louis 10, 91 The World and the Individual 386 Strauss, Johann 224 Ruskin, John 26, 216–18, 243, 286, 356–7 Swift, Graham Russell, Bertrand 385–6 Waterland 140 Swift, Jonathan St. Juliot 14, 75, 88, 283, 356 A Tale of a Tub 205 Saleeby, Caleb 81, 385–6 Swinburne, Algernon Charles 89, 92, Sarum Missal 383 348 Sassoon, Siegfried 13 Symonds, John Addington 59, 216 Savile Club 149 Schalcken, Godfried 219, 245 Taylor, Charles 37, 45, 52n6 Schopenhauer, Arthur 30, 34, 58 Taylor, Harriet 27 “On Suicide” 33 Tennyson, Alfred 10, 120, 462 Studies in Pessimism 91 “Locksley Hall Sixty Years After” 325 The World as Will and Idea 30–4 Tennyson, Hallam 10, 15 Scribner’s Magazine 368 Thackeray, Anne 120 sensation fi ction 106, 330, 342 Theocritus 15 Shakespeare, William 92 Thomas, Edward 451 Antony and Cleopatra 457 Thomas, William Luson 373 As You Like It 242–3 Thornycroft, Hamo 219 Macbeth 456 Tillotson & Son 368–9 Measure for Measure 459 Tinsley, William 160 Shelley, Percy Bysshe 147–8, 308 Tolstoy, Leo 110, 469 “Ode to the West Wind” 459 Tomson, Arthur 219 Shirley, Arthur 72 Tomson, Rosamund (“Graham R.”) 9 Shorthouse, Joseph Henry 361 Trollope, Anthony 107 Skeen, Jan 245 Troyon, Constant 214 Smith, G. A. Turner, J. M. W. 211, 214–15, 220 As Seen Through a Telescope (fi lm) 429 Tylor, Edward Burnett 383 Gramma’s Looking Glass (fi lm) 429 Primitive Culture 313, 315–16 Society for Photographing Relics of Old Tyndale, Walter 219 London 158 Society for the Protection of Ancient Universal Review 368 Buildings 158, 282, 285 Sparks, James 10 Valency valley 212 Sparks, Martha 213 Van Beers, Jan 216–17 Sparks, Tryphena 9 Verdi, Giuseppe 224 Spectator 74 Virgil 271, 457 Spencer, Herbert 62, 338, 379–80, 382 Wagner, Richard 434 First Principles 380 Wakefi eld, Bishop of 82 Spinoza, Benedict de 22 Ward, Mary Augusta Stendhal 307 Robert Elsmere 84n3, 361 Stephen, Leslie 22, 75, 79, 83, 246, Ward, (Mrs.) Wilfrid 255 One Poor Scruple 357 Stevens, Wallace 433–4, 461 Watts, George Frederick 214 488 Index

Waugh, Evelyn Woolf, Leonard 13 Brideshead Revisited 357 Woolf, Virginia 10, 13 Weber, Max 26, 38, 44, 46, 175–6, 334 on Hardy’s writing 333 Weismann, August 58 Woolner, Thomas 214, 218–19 Wiertz, Antoine 216–17 Wordsworth, William 2, 321 Wilde, Oscar 342n2, 348 “The Decay of Lying” 285 Yeats, William Butler 451, 461–2 The Picture of Dorian Gray 285 Oxford Book of Modern Verse 451 Williams, William Carlos 456, 461 Willis, Irene Cooper 12, 99 Zeno’s paradox 381, 385 Winslow, Donald 13 Zola, Émile Wittgenstein, Ludwig 438 Abbé Mouret’s Transgressions 92