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ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
IN the UNITED STATES DISTRICT COURT for the DISTRICT of DELAWARE THOMAS J. CAPANO : CIVIL ACTION : V
IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF DELAWARE THOMAS J. CAPANO : CIVIL ACTION : v. : : THOMAS L. CARROLL, et al. : NO. 06-58 MEMORANDUM Bartle, C.J. April 15, 2008 Before the court is the petition of Thomas J. Capano for habeas corpus relief under 28 U.S.C. § 2254. He alleges that he is in state custody in violation of the Constitution of the United States. Capano, a prominent Delaware lawyer, was convicted in the Superior Court in and for New Castle County of murder in the first degree of Anne Marie Fahey, the scheduling secretary of the State's then-Governor, Thomas R. Carper. Judge William Swain Lee sentenced Capano to death upon recommendation of the jury. State v. Capano, Cr.A. No. 97-11-0720, 1999 Del. Super. LEXIS 541 (Del. Super. Ct. Mar. 16, 1999). The Supreme Court of Delaware affirmed on direct appeal, and the United States Supreme Court denied Capano's petition for a writ of certiorari. Capano v. State, 781 A.2d 556 (Del. 2001), cert. denied, Capano v. Delaware, 536 U.S. 958 (2002). In a subsequent post-conviction proceeding, the state Supreme Court overturned his death sentence and remanded for a new penalty trial. Capano v. State, 889 A.2d 968 (Del. 2006). When the State elected not to proceed with that second trial, Capano was resentenced to life in prison without the possibility of parole. I. Anne Marie Fahey, age 30, was last seen in public on Thursday evening, June 27, 1996, while dining at a Philadelphia restaurant with Capano, age 46, who was then separated from his wife Kay. -
The Maroon Tiger MOREHOUSE COLLEGE ATLANTA, GEORGIA
The Organ ofStudent Expression Serving Morehouse College Since 1898 The Maroon Tiger MOREHOUSE COLLEGE ATLANTA, GEORGIA m THIS EDITION New Student Orientation Recap emony. Students were left with Morehouse College Welcomes the Class of2006 the charge to take on all that had been placed before them. Nick Sneed tions depicting Morehouse Campus News of and contributors to society. Although tears were shed by Contributing Writer College history, including As the week went on, parents and students alike, Campus Safety noted alumni, past presidents "We don't need no students and parents received there was not a need for them and institutional goals. The hours to rock information about the various in essence. the house!" During T h "The Expecta Morehouse tions of a College Morehouse 4rts & Entertainment of 2006 Man" session, alumnus Dr. Trick Daddy and Trina Re- rived on cam ’ Calvin Mackey views pus Tuesday, August 20, told the story of some 800 stu how he and his dents strong, mother parted as the N ways his first f year at Page 7 Student Ori- entation Morehouse. As Features (NSO) staff she departed he shed a tear. She lead about Soul Vegetarian we 1 c o m e d saw him in her —more than a restaurant them to "The House." rearview mirror Page 8 The and turned the weeklong fes- car around. She went back to tivities offi where he was cially began standing and that evening asked why he in front of was crying. He Pius Kilgore Hall. told her that he The entire Senate Hopeful Ron Kirk was sad to see class formed a her go. -
Scripting and Consuming Black Bodies in Hip Hop Music and Pimp Movies
SCRIPTING AND CONSUMING BLACK BODIES IN HIP HOP MUSIC AND PIMP MOVIES Ronald L Jackson II and Sakile K. Camara ... Much of the assault on the soulfulness of African American people has come from a White patriarchal, capitalist-dominated music industry, which essentially uses, with their consent and collusion, Black bodies and voices to be messengers of doom and death. Gangsta rap lets us know Black life is worth nothing, that love does not exist among us, that no education for critical consciousness can save us if we are marked for death, that women's bodies are objects, to be used and discard ed. The tragedy is not that this music exists, that it makes a lot of money, but that there is no countercultural message that is equally powerful, that can capture the hearts and imaginations of young Black folks who want to live, and live soulfully) Feminist film critics maintain that the dominant look in cinema is, historically, a gendered gaze. More precisely, this viewpoint argues that the dominant visual and narrative conventions of filmmaking generally fix "women as image" and "men as bearer of the image." I would like to suggest that Hollywood cinema also frames a highly particularized racial gaze-that is, a representational system that posi tions Blacks as image and Whites as bearer of the image.2 Black bodies have become commodities in the mass media marketplace, particu larly within Hip Hop music and Black film. Within the epigraph above, both hooks and Watkins explain the debilitating effects that accompany pathologized fixations on race and gender in Black popular culture. -
Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R. -
March2020dsbabarjournal.Pdf
MARCH 2020 VOLUME 43 • NUMBER 8 SPOTLIGHT on SMALL FIRMS and SOLO PRACTITIONERS The Delaware State Bar Association Presents the 2nd Annual BAKING CONTEST Sunday, March 22, 2020 | 1:00 p.m. to 3:00 p.m. Enter in one or more category: Pies and Tarts / Cakes and Cupcakes / Cookies and Bars / Breads and Savory / Gluten Free PRIZES WILL BE AWARDED IN EACH CATEGORY: JUNIOR DIVISION (17 AND UNDER) AND ADULT DIVISION CALLING ALL BAKERS! BE A BAKER OR BE A TASTER! For all contest rules and to register to compete or attend, visit www.dsba.org. The Delaware State Bar Association Presents the 2nd Annual DSBA BAR JOURNAL MARCH 2020 | VOLUME 43 • NUMBER 8 PRESIDENT William Patrick Brady EXECUTIVE DIRECTOR BAKING CONTEST Mark S. Vavala EDITORIAL BOARD Sunday, March 22, 2020 | 1:00 p.m. to 3:00 p.m. Laina M. Herbert Jason C. Powell Benjamin A. Schwartz Seth L. Thompson Enter in one or more category: EXECUTIVE COMMITTEE LIAISON Pies and Tarts / Cakes and Cupcakes / Cookies and Bars / Breads and Savory / Gluten Free Kathleen M. Miller EDITORIAL ADVISORY COMMITTEE Valerie A. Caras FEATURES PRIZES WILL BE AWARDED IN EACH CATEGORY: JUNIOR DIVISION (17 AND UNDER) AND ADULT DIVISION Denise Del Giorno Nordheimer Katherine M. Devanney Adria B. Martinelli 2 Announcing the 2nd Annual DSBA Baking Contest Jennifer L. Smuts Victoria R. Sweeney Holly O. Vaughn Wagner SPOTLIGHT ON SMALL FIRMS AND SOLO PRACTITIONERS PUBLICATIONS EDITOR CALLING ALL BAKERS! Rebecca Baird 22 How to Get Fortune 100 Benefits for Your Firm While Still PUBLICATION ASSISTANT Working in Your Pajamas Susan Simmons BY DENISE DEL GIORNO NORDHEIMER, ESQUIRE The Bar Journal is published and distributed by the Delaware State Bar Association 24 Legal Podcasts: Sharpening Your Knowledge and Skills 405 North King Street, Suite 100 Wilmington, DE 19801 Outside the Office P: 302-658-5279 BY ROBERT M. -
County Council Minutes
SUSSEX COUNTY COUNCIL-GEORGETOWN, DELAWARE-APRIL 15, 1975 Call to The regular meeting of the Sussex County Council was held on Order Tuesday, April 15, 1975 at 10:00 A. M. with the following members present: Ralph E. Benson President John T. Cannon, Sr. Vice President Charles W. Cole Member Oliver E. Hill Member W. Howard Workman Member The meeting was opened with the repeating of the Lord's Prayer and the Pledge of Allegiance to the Flag. M 192 75 A Motion was made by Mr. Cannon, seconded by Mr. Hill, to Minutes approve the minutes of the previous meeting as presented. Approved Motion Adopted by Voice Vote. Corre The following correspondence was read by Mr. Betts, County spondence Solicitor: Sherman W. Tribbitt, Governor of the State of Delaware. Re: Statement by Governor Sherman W. Tribbitt in observance of Soil Conservation Service Appreciation Week. Town Council of Ocean View. Re: Recommending that future construction in the coastal areas be a maximum height of thirty-five feet with a density of fifteen dwellings per acre. Delaware Council on Crime and Justice, Inc. Re: Their annual meeting to be held on May 5, 1975 at 12:00 Noon in the Gold Ballroom of the Hotel du Pont. Bureau of Aging. Re: Monthly report for the month of March in the Sussex County Office. National Association of Realtors. Re: Offering their assistance regarding the appraisal of real property in the County. Community Legal Aid Society, Inc. Re: Expressing their appreciation to the Council for the move of the Community Legal Aid Society, Inc. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Superior Court Appellant, of the State of Delaware in and for New Castle County V
IN THE SUPREME COURT OF THE STATE OF DELAWARE THOMAS J. CAPANO, No. 110/149, 1999 Defendant Below, Court Below: Superior Court Appellant, of the State of Delaware in and for New Castle County v. Cr. A. No. IN97-11-0720 STATE OF DELAWARE, Cr. ID No. 9711006198 Plaintiff Below, Appellee. Submitted: March 3, 2000 Decided: March 17, 2000 Before VEASEY, Chief Justice, WALSH, HOLLAND and HARTNETT, Justices, and CHANDLER, Chancellor,1 constituting the Court en Banc. Upon Motion for Limited Remand of Proceedings to Enlarge the Record on Appeal. DECISION ON MOTION DEFERRED PENDING BRIEFING. 1 Designated pursuant to Art. IV, § 12, of the Delaware Constitution and Supreme Court Rules 2 and 4. Joseph M. Bernstein, Esquire, Wilmington, Delaware, Attorney for Appellant. Ferris W. Wharton, Esquire, State Prosecutor, and Loren C. Meyers, Esquire, Chief of Appeals Division, Department of Justice, Wilmington, Delaware, Attorneys for Appellee. VEASEY, Chief Justice, for the majority: Before this Court is a procedural motion in an appeal pending in a death penalty case. The motion by the defendant-appellant, Thomas J. Capano, is for a limited remand of proceedings to enlarge the record on appeal. The basis of the motion is the contention that an immediate evidentiary hearing is needed for this Court to determine whether the conduct of the trial and subsequent death sentence “may have been consciously or unconsciously influenced by a motive or desire by [Judge William Swain Lee, the trial and sentencing judge] to enhance his image for political purposes through trial publicity.” Although the Court declines an immediate remand, the Court’s final decision on the merits of the issues raised by the motion is deferred pending full briefing in accordance with this Opinion. -
An Exploration of African Folktales Among the Gullah Community of the South Carolina Sea Islands : History, Culture, and Identity
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2012 An exploration of African folktales among the Gullah community of the South Carolina Sea Islands : history, culture, and identity. Tytianna Nikia Maria Wells Smith 1987- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Smith, Tytianna Nikia Maria Wells 1987-, "An exploration of African folktales among the Gullah community of the South Carolina Sea Islands : history, culture, and identity." (2012). Electronic Theses and Dissertations. Paper 1352. https://doi.org/10.18297/etd/1352 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. AN EXPLORATION OF AFRICAN FOLKTALES AMONG THE GULLAH COMMUNITY OF THE SOUTH CAROLINA SEA ISLANDS: HISTORY, CULTURE, AND IDENTITY By Tytianna Nikia Maria Wells Smith B.A., English, 2009 B.A., Pan-African Studies, 2009 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville In Partial Fulfillment of the Requirements For the Degree of Master of Arts Department of Pan-African Studies University of Louisville Louisville, Kentucky August 2012 Copyright 2012 by Tytianna Nikia Maria Wells Smith All rights reserved AN EXPLORATION OF AFRICAN FOLKTALES AMONG THE GULLAH COMMUNITY OF THE SOUTH CAROLINA SEA ISLANDS: HISTORY, CULTURE, AND IDENTITY By Tytianna Nikia Maria Wells Smith B.A., English, 2009 B.A., Pan-African Studies, 2009 A Thesis Approved on August 7, 2012 by the following Thesis Committee: Yvonne V.