Applause Magazine's Exclusive Theatre Club and Show and Event Offers

Total Page:16

File Type:pdf, Size:1020Kb

Applause Magazine's Exclusive Theatre Club and Show and Event Offers July £2.50 Preview J J astronomic aUt:1ts , "- '~ . - J .. ~ , .1, GREASE ~ fI • • . ­ ~l..t1D 1j'} 1;11:; JJj!Jl .: Dominion Theatre, London !!I . JULY AUGUST SEPTE11BER 1898 , LARRY ADLER, .1 1 TOP PRICE SEAT rREE CHRIST.PHER BIGtMN" "~ with ~ver~ ticket paid for in --' liNED SHERRIN . , .Ii' , '" STALLS/DRESS CIRCLE at £27.50 '~ .. ,-' ~ -. , .,. Phone 0171-312 1991 . " This ticket cannot be redeemed ,,/ SPECIAL' at the th&atre direct and is HAVE DRINKS WITH THE CASTS OF onl~ valid at Applause 'BY JEEVES ' & 'MARTIN GUERRE' ---- EXTRA PERFORMANCES NOW ON SALE DUE TO UNPRECEDENTED DEMAND contents iause 7 DIARY Current events in film, dance, music and art 13 PROFILE Charles Rayner talks to Margarita Pracatan about her meteoric rise to stardom 19 REVIEWS Recent openings in and around London 22 NED SHERRIN Excerpts from his book Theatrical Anecdotes 23 ARTS & MUSIC Applause magazine's exclusive theatre club and show and event offers 32 BROADWAY LIGHTS MargariUl PmCQWH The word from Stateside with Rene De Woerk 33 WEST END NIGHTS Hat gossip from London 34 INTERVIEW Kevin Whately in conversation with Rayner Baurtan KeVlll WI/lately 40 ENGLISH NATIONAL BALLET A look at the acclaimed production of Alice in Wonderland 42 THE LARRY ADLER COLUMN Credit where 'credits' are due 43 A BRUSH WITH ART Picture choice by Christopher Lloyd, Surveyor of the Queen' s Pictures 44 BIGGINS ON SPEC Wit and grit 45 ART REVIEW Degas: artist as collector 46 THE DOWAGER OF elLINGTON ST Degas' Ashley Herman takes a look at Ballet Dancers the refurbishment of the Lyceum Theatre in Covent Garden 49 OUT & ABOUT News from out of town 50 MY FAVOURITE RESTAURANT Googie Withers and Hannah Gordon reveal their favourile haunts IU[Y 1996 APPlAUS E 3 CAMBRIDGE THEATRE SEVEN DIALS, LONDON weI FROM THE ED ITO R Welcome to Preview 1 of Applause. Essentially a applause magazine of the theatre and performing arts, compiled and supported by those within the profession, both on THE APPLAUSE BUILDING the stage and behind the scenes. Through top quality 68 LONG ACRE· LONDON WC2 9JQ interviews and features we will be bringing our readers a PUBLISHED BY APPLAU SE LTD unique insight into the arts. We make no apology for keeping our listings to a minimum as we prefer to source EDITORIAL premium availability and prices for our readership and make accessible top price seats TELEPHONE 0 1713128051 for what is universally known as 'the best theatre in the World'. FAX 0 171 312 8090 Our cover features Margarita Pracatan, who, as Charles Rayner discovered, is as ADVERTI SING extraordinary off stage as she is on. Ned Sherrin, Christopher Biggins and Larry Adler all TELEPHO N E 0 17 1 3 12 8079 eagerly accepted our invitation to be regular contributors and provide an amusing blend of anecdotes, gritty opinions and fascinating insights into 'the business'. They will be EDITOR RAYNER BOURTON joined by other well known writers and celebrity contributors in future issues. This month SUB EDITOR GEORGE CHANDLER Hannah Gordon and Googie Withers converse on their favourite gastronomic haunts and EDITORIAL ASSIST. DAVID DONEGAN in an exclusive interview with Kevin Whately he reveals why becoming a chartered DESIGNED BY TERRY SESSIONS accountant wasn't for him. The Queen's Surveyor of Pictures, Christopher Lloyd, writes on his picture choice from The National Gallery and we also have features on the Degas THEATRE BOOKINGS exhibition at the Royal Academy, English National Ballet's production of Alice in LONDON 01713121991 Wonderland and the refurbishment of the Lyceum theatre in the Strand. We review some EVENTS BOOKINGS of the latest productions to open in London while Heather Love and Rene de Woerk keep ST ALBANS 0 1727 841 I 15 us up to date on what's happening at home and on Broadway. The centre pages are devoted to applause magazine's exclusive and unbeatable READERS' LETTERS SHOULD BE money saving offers on top West End shows, events and travel. Together with our cover ADDRESSED TO THE EDITOR show offer for Grease, every reader can save over £100 on theatre tickets in this issue co NT RIB U TOR S alone. No other magazine or theatre club is able to bring you such incredible value for HE A THER LOVE money at such minimal cost. RENE DE WOERK In an industry where 'entertainment' is the key word, Applause is a magazine that CHARLES RAYNER provides exactly that. So, sit back and enjoy your Applause. ANDREW BURDEN DAVID DONEGAN RAYNER BOURTON JULIA GIBBONS RICHIE KESTER DEREK MICHAEL CONTRIBUTORS CHRISTOPHER CAMBELL NED SHERRIN LARRY ADLER rhrough hi s column Biggins on Spec. Christopher KATIA GAMBERONI Aged 82, Larry Adler has rhe unique disrincrion of has worked extensive ly in rhe rheau e from LARRY ADLER being listed in The Guinness Book of Records as Shakespeare to farc e, occaSIOnally doing borh ar C HRIST O PHER LLO YD rhe oldesr anisr ro rop rhe CD charrs for his rh e same time. Wirness his performance in The DEREK TAV ERNER record ing The Glory of Gershwil1. His Comedy of Errors at rhe Regent's Park Open Air C HRI STOPHER BIGGINS autObiography and hiS book Jokes and How to Tell Theatre. Known to millions of relevis,on viewers rhrough C dla Black's sho\V Sur/n'ise Sur/mse, we ASHLEY HERMAN Them have borh proved popular. Never afraiJ [0 eagerly awair Chris's specularive reporrs each HANNAH GORDON speak his mind, ir's almosr imposs ible [Q S[OP Larry month. GOOGIE WITHERS lerring his opinions be known. AI\Vays in demand [Q perform eirher as a so loisr or alongs ide such illustrious names as EltOn John, Sring and Cher, of NED SHE R R I N whom he sa id "Working \Virh Cher makes me wish "Thar was rhe week that was, ir's over ler ir go". I was 79 again". We are happy [Q provide rhe Applause welcomes urLSoUCiled manuscrifltS and The lyrics sung by Millice nt Marrin on TW3 each photOgraphs bu t can nor be held responsiblR for any plarfonn for this Grandee of rhe music indusrry. SarurJay nighr in the heady days of rhe sixries. loss aT da mage. Thirry years on and Ned Sherrin, wrirer, rheaue AU mformation co"wined in Applause magavne CHRISTOPHER BIGGINS director, broadcaster and satirlSr has never ler go is to the be" of our knowledge and beftef correct a' Well known in the business for his wir anJ wicked his inJividual, intrinsic, instinct [0 srrerch rhe the time of going (Q press. The views expre.I.led in ,hiS magazine are not necessariLy rhose of the edilor or se nse of humour, ChristOpher Biggins will no\V be bounJaries of his ec lecricism. With Ned we know pubLisher. relaying rhar particular 'an form' [Q our readers we will never find ourse lves ar a 'loose end'. J.,;l Y 1996 APPLAUSE 5 FIL long. The arrival of her younger sister and early 1970s and is now part of (Gwyneth Paltrow), overbearing American popular culture. Taking this as stepmother (Kathleen Turner)and its inspiration, Tom Cruise and Paula eccentric best friend and neighbour Wagner's Cruise/Wagner Productions (Whoopi Goldberg) bring the support to h ave chosen Mission Impossible as its debut help her through the first two weeks as a feature film. Apart from believing the widow. With Jon Bon Jovi in his acting debut, Shadia Simmons, Erica Luttrell, Mathew Koller, Scott Wickware and Kelli Fox. Opens in UK on 28 June. DEAD MAN CENTENARY OF CINEMA Written and directed by Jim Jarmusch, this is the story of a young man's journey, both The City of London physically and spiritually, into unfamiliar Festival celebrates this terrain. William Blake (Johnny D epp) year's Centenary of C inema travels to the extreme frontiers of America at the Barbican with si lent during the second half of the 19th century. films presented complete movie will stand on its own , the producers Lost and badly wounded, he encounters an with orchestral accompaniments: 7 July - are looking to the cult following and those odd, outcast native American called Shooring Stars (1927), Anthony Asquith's familiar with the concept and music. Also Nobody (Gary Farmer). 'Nobody' believes first film . The series closes on JJ July, with starring are Jon Voight, Emmanuelle Beart, that Blake is actually the dead English poet Cecil B De Mille's depiction of the life of Henry Czerny, Jean Reno, Ving Rhames, of the same name. The plot leads Blake Christ, King of Kings (1927), presented for Kirstin Scott Thomas and Vanessa through comical and violent situations and the first time with a new score. The season Redgrave. a dramatic transformation. Jarmusc h has is complemented by a special exhibition chosen to shoot Dead Man in black and celebrating the Centenary of Cinema in the white, recalling the atmosphere of Barbican Cinema 1 foyer, courtesy of the American films from the 40s and 50s and British Film Institute. avoiding the dusty colour palette of the western genre. The cast also includes Lance MISSION IMPOSSIBLE Henriksen, Michael Wincott, Gabriel Tom Cruise stars in the adventure thriller Byrne, John Hurt, Alfred Molina and a Mission Impo ssible, a Paramount Pictures guest appearance by Robert Mitchum. presentation directed by Brian De Palmer. Above lefr, Johnny Depp in Dead Man; "hove right, King of Kings; below, scenes Opens 5 July. Originally a TV series created by Bruce from lvloonligh{ and \la/ennno. Geller, Mission MOONLIGHT AND VALENTINO Impossible ran on CBS Based on a semi-autobiographical script by Television in the late Ellen Simon, daughter of playwright Neil 1960s Simon, and originally written as a play, this premiered in 1989 at a Duke University playwright programme in America.
Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Les Miserables
    April 2015 | No. 38 AbingdonNews LES MISERABLES .... The whole cast was incredible; and the crew, “ from lighting to stage direction. You would never have known it was a school production. ” Many congratulations to everyone, what talent. “ (tweeted by Christopher Biggins) ” Wow, wow and wow again! “ I can’t do it justice with words. Staggeringly” brilliant. “ ” www.abingdon.org.uk Abingdon News Art adorns Science A stunning artwork standing 10m tall and spanning the three floors of the new Science Centre, due to open in the autumn, has been commissioned from sculptor Matthew Lane Sanderson. The sculpture, made possible by a donation from Old Abingdonian, Martin Iredale and family, will rise through the stairwell depicting Biology then Physics and finally Chemistry on each of the corresponding floors. As you climb the stairs the sculpture will reveal a fresh perspective at every level. Talking about his creation Matthew says, “Standing as tall as a house and over a ton in weight, this sculpture could be considered Big! Whilst its purpose and obvious presence will be clear, it will hold some secrets also. Semi-transparent and with no solid volumes, there are some conceptual ‘keys to life’ within the structure and discernable for those who are prepared to find them. By identifying these keys, and linking them to each other, I hope all who visit the Science Centre may enjoy both the visual and cerebral challenge presented for years to come. It is my aim, not merely to decorate a building, but to Felicity Lusk inspire many generations of pupils to take up the challenges of science at Abingdon.” to retire Felicity Lusk has announced that she will retire as Head of the Abingdon Foundation at the end of August 2016.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • The Speakers and Chairs 2016
    WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy
    [Show full text]
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
    [Show full text]
  • Ÿþm I C R O S O F T W O R
    Save Kids’ TV Campaign British children’s television - on the BBC, Channel 4, ITV and Five - has been widely acknowledged as amongst the most creative and innovative in the world. But changes in children’s viewing patterns, and the ban on certain types of advertising to children, are putting huge strains on commercial broadcasters. Channel 4 no longer makes children’s programmes and ITV (until recently the UK’s second largest kids’ TV commissioner) has ceased all new children’s production. They are deserting the children’s audience because it doesn’t provide enough revenue. Channel FIVE have cut back their children’s programming too. The international channels - Disney, Nickelodeon and Cartoon Network - produce some programming here, but not enough to fill the gap, and much of that has to be international in its focus so that it can be used on their channels in other territories. The recent Ofcom report on the health of children’s broadcasting in the UK has revealed that despite the appearance of enormous choice in children’s viewing, the many channels available offer only a tiny number of programmes produced in the UK with British kids’ interests at their core. The figures are shocking – only 1% of what’s available to our kids is new programming made in the UK. To help us save the variety and quality of children’s television in the UK sign the e-petition on the 10 Downing Street website or on http://www.SaveKidsTV.org.uk ends Save Kids' TV - Name These Characters and Personalities 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Help save the quality in UK children's television Go to www.savekidstv.org.uk Save Kids TV - Answers 1 Parsley The Lion The Herbs/The Adventures of Parsley 2 Custard Roobarb and Custard 3 Timothy Claypole Rentaghost 4 Chorlton Chorlton and the Wheelies 5 Aunt Sally Worzel Gummidge 6 Errol The Hamster Roland's Rat Race, Roland Rat on TV-AM etc 7 Roland Browning Grange Hill 8 Floella Benjamin TV Presenter 9 Wizbit Wizbit 10 Zelda Terrahawks 11 Johnny Ball Presenter 12 Nobby The Sheep Ghost Train, It's Wicked, Gimme 5 etc.
    [Show full text]
  • A Career Overview 2019
    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
    [Show full text]
  • Anarchism in Australia
    The Anarchist Library (Mirror) Anti-Copyright Anarchism in Australia Bob James Bob James Anarchism in Australia 2009 James, Bob. “Anarchism, Australia.” In The International Encyclopedia of Revolution and Protest: 1500 to the Present, edited by Immanuel Ness, 105–108. Vol. 1. Malden, MA: Wiley-Blackwell, 2009. Gale eBooks (accessed June 22, 2021). usa.anarchistlibraries.net 2009 James, B. (Ed.) (1983) What is Communism? And Other Essays by JA Andrews. Prahran, Victoria: Libertarian Resources/ Backyard Press. James, B. (Ed.) (1986) Anarchism in Australia – An Anthology. Prepared for the Australian Anarchist Centennial Celebra- tion, Melbourne, May 1–4, in a limited edition. Melbourne: Bob James. James, B. (1986) Anarchism and State Violence in Sydney and Melbourne, 1886–1896. Melbourne: Bob James. Lane, E. (Jack Cade) (1939) Dawn to Dusk. N. P. William Brooks. Lane, W. (J. Miller) (1891/1980) Working Mans’Paradise. Syd- ney: Sydney University Press. 11 Legal Service and the Free Store movement; Digger, Living Day- lights, and Nation Review were important magazines to emerge from the ferment. With the major events of the 1960s and 1970s so heavily in- fluenced by overseas anarchists, local libertarians, in addition Contents to those mentioned, were able to generate sufficient strength “down under” to again attempt broad-scale, formal organiza- tion. In particular, Andrew Giles-Peters, an academic at La References And Suggested Readings . 10 Trobe University (Melbourne) fought to have local anarchists come to serious grips with Bakunin and Marxist politics within a Federation of Australian Anarchists format which produced a series of documents. Annual conferences that he, Brian Laver, Drew Hutton, and others organized in the early 1970s were sometimes disrupted by Spontaneists, including Peter McGre- gor, who went on to become a one-man team stirring many national and international issues.
    [Show full text]
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
    [Show full text]
  • MERRIE ENGLAND Music by Edward German
    Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets.
    [Show full text]
  • The Meaning of Katrina Amy Jenkins on This Life Now Judi Dench
    Poor Prince Charles, he’s such a 12.09.05 Section:GDN TW PaGe:1 Edition Date:050912 Edition:01 Zone: Sent at 11/9/2005 17:09 troubled man. This time it’s the Back page modern world. It’s all so frenetic. Sam Wollaston on TV. Page 32 John Crace’s digested read Quick Crossword no 11,030 Title Stories We Could Tell triumphal night of Terry’s life, but 1 2 3 4 5 6 7 Author Tony Parsons instead he was being humiliated as Dag and Misty made up to each other. 8 Publisher HarperCollins “I’m going off to the hotel with 9 10 Price £17.99 Dag,” squeaked Misty. “How can you do this to me?” Terry It was 1977 and Terry squealed. couldn’t stop pinching “I am a woman in my own right,” 11 12 himself. His dad used to she squeaked again. do seven jobs at once to Ray tramped through the London keep the family out of night in a daze of existential 13 14 15 council housing, and here navel-gazing. What did it mean that he was working on The Elvis had died that night? What was 16 17 Paper. He knew he had only been wrong with peace and love? He wound brought in because he was part of the up at The Speakeasy where he met 18 19 20 21 new music scene, but he didn’t care; the wife of a well-known band’s tour his piece on Dag Wood, who uncannily manager. “Come back to my place,” resembled Iggy Pop, was on the cover she said, “and I’ll help you find John 22 23 and Misty was by his side.
    [Show full text]
  • Tom Stoppard
    Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60).
    [Show full text]