April 2016 in the Spotlight… Richard Broadbent
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THE WIZARD of OZ an ILLUSTRATED COMPANION to the TIMELESS MOVIE CLASSIC by John Fricke and Jonathan Shirshekan with a Foreword by M-G-M “Munchkin” Margaret Pellegrini
THE WIZARD OF OZ AN ILLUSTRATED COMPANION TO THE TIMELESS MOVIE CLASSIC By John Fricke and Jonathan Shirshekan With a foreword by M-G-M “Munchkin” Margaret Pellegrini The Wizard of Oz: An Illustrated Companion to the Timeless Movie Classic is a vibrant celebration of the 70th anniversary of the film’s August 1939 premiere. Its U.S. publication coincides with the release of Warner Home Video’s special collector’s edition DVD of The Wizard of Oz. POP-CULTURE/ ENTERTAINMENT over the rainbow FALL 2009 How Oz Came to the Screen t least six times between April and September 1938, M-G-M Winkie Guards); the capture and chase by The Winkies; and scenes with HARDCOVER set a start date for The Wizard of Oz, and each came and went The Witch, Nikko, and another monkey. Stills of these sequences show stag- as preproduction problems grew. By October, director Norman ing and visual concepts that would not appear in the finished film: A Taurog had left the project; when filming finally started on the A • Rather than being followed and chased by The Winkies, Toto 13th, Richard Thorpe was—literally and figuratively—calling the shots. instead escaped through their ranks to leap across the castle $20.00 Rumor had it that the Oz Unit first would seek and photograph whichever drawbridge. California barnyard most resembled Kansas. Alternately, a trade paper re- • Thorpe kept Bolger, Ebsen, and Lahr in their Guard disguises well ported that all the musical numbers would be completed before other after they broke through The Tower Room door to free Dorothy. -
Antigua and Barbuda an Annotated Critical Bibliography
Antigua and Barbuda an annotated critical bibliography by Riva Berleant-Schiller and Susan Lowes, with Milton Benjamin Volume 182 of the World Bibliographical Series 1995 Clio Press ABC Clio, Ltd. (Oxford, England; Santa Barbara, California; Denver, Colorado) Abstract: Antigua and Barbuda, two islands of Leeward Island group in the eastern Caribbean, together make up a single independent state. The union is an uneasy one, for their relationship has always been ambiguous and their differences in history and economy greater than their similarities. Barbuda was forced unwillingly into the union and it is fair to say that Barbudan fears of subordination and exploitation under an Antiguan central government have been realized. Barbuda is a flat, dry limestone island. Its economy was never dominated by plantation agriculture. Instead, its inhabitants raised food and livestock for their own use and for provisioning the Antigua plantations of the island's lessees, the Codrington family. After the end of slavery, Barbudans resisted attempts to introduce commercial agriculture and stock-rearing on the island. They maintained a subsistence and small cash economy based on shifting cultivation, fishing, livestock, and charcoal-making, and carried it out under a commons system that gave equal rights to land to all Barbudans. Antigua, by contrast, was dominated by a sugar plantation economy that persisted after slave emancipation into the twentieth century. Its economy and goals are now shaped by the kind of high-impact tourism development that includes gambling casinos and luxury hotels. The Antiguan government values Barbuda primarily for its sparsely populated lands and comparatively empty beaches. This bibliography is the only comprehensive reference book available for locating information about Antigua and Barbuda. -
The-Odyssey-Greek-Translation.Pdf
05_273-611_Homer 2/Aesop 7/10/00 1:25 PM Page 273 HOMER / The Odyssey, Book One 273 THE ODYSSEY Translated by Robert Fitzgerald The ten-year war waged by the Greeks against Troy, culminating in the overthrow of the city, is now itself ten years in the past. Helen, whose flight to Troy with the Trojan prince Paris had prompted the Greek expedition to seek revenge and reclaim her, is now home in Sparta, living harmoniously once more with her husband Meneláos (Menelaus). His brother Agamémnon, commander in chief of the Greek forces, was murdered on his return from the war by his wife and her paramour. Of the Greek chieftains who have survived both the war and the perilous homeward voyage, all have returned except Odysseus, the crafty and astute ruler of Ithaka (Ithaca), an island in the Ionian Sea off western Greece. Since he is presumed dead, suitors from Ithaka and other regions have overrun his house, paying court to his attractive wife Penélopê, endangering the position of his son, Telémakhos (Telemachus), corrupting many of the servants, and literally eating up Odysseus’ estate. Penélopê has stalled for time but is finding it increasingly difficult to deny the suitors’ demands that she marry one of them; Telémakhos, who is just approaching young manhood, is becom- ing actively resentful of the indignities suffered by his household. Many persons and places in the Odyssey are best known to readers by their Latinized names, such as Telemachus. The present translator has used forms (Telémakhos) closer to the Greek spelling and pronunciation. -
Marquetry on Drawer-Model Marionette Duo-Art
Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number -
Verbotsliste Zum Members´ Favourite 2012 (MF 2012)
Verbotsliste zum Members´ Favourite 2012 (MF 2012) Interpret Titel Wettbewerb MF = Members´ Favourite (ab 01) OGAEVC = OGAE Video Contest OGAESC = OGAE Song Contest SCC = Second Chance Contest MSC = Member Song Contest (bis 00) auch nicht erlaubt: alle ESC-Final-Lieder von 1956 - 2012 auch nicht erlaubt: alle ESC-Semifinal-Lieder von 2004 - 2012 auch nicht erlaubt: alle ESC- Vorentscheidungs-Titel 2012 2 Eivissa Viva la fiesta MF 02 2Raumwohnung 2 von Millionen von Sternen MF 05 2raumwohnung Besser geht's nicht OGAEVC 07 3Js De stroom SCC 11 4 Elements Kludu labojums MF 04 4´33" Ave Maria Laudata SCC 02 7 Up Daj, spusti se SCC 99 A1 Don´t wanna lose you again SCC 10 Aalto, Saara Blessed with love SCC 11 Aardvarks Disguised by the night MSC 97 ABBA oder Abba As good as new MF 05 ABBA oder Abba Dream world MSC 95 ABBA oder Abba No hay a quien culpar MSC 99 ABBA oder Abba One of us MSC 99 ABBA oder Abba Put on your white sombrero MSC 00 ABBA oder Abba S.O.S. MSC 00 ABBA oder Abba Slipping through my fingers MF 11 Abel Ademloos MF 05 Abel Onderweg MF 02 Abel, Morten The Birmingham Ho OGAEVC 04 Abi 93 Lauf, Siggi, lauf MSC 95 Abrahamsen, Jannicke Rocket ride MF 08 Abreu, Anna Perdone-me MF 09 Academia Operación Triunfo Mi música es tu voz MF 02 Acapella Army of the Lord MSC 00 Ace of Base Black Sea MF 11 Adam Yachad na'amod SCC 91 Adams, Oleta Get here MSC 98 Adele Set fire to the rain MF 11 Adele Someone like you OGAESC 11 Adini, Dana & Salomon, Daniel Rabot hadrachim MF 08 Adler, Ines Ich war so lange nicht verliebt MF 11 Adomaitis, Linas Floating to you SCC 11 Adoro Horizont MF 11 Adrian, Benedicte & Ingrid oder Björnov Kanskje i morgen OGAESC 00 After Dark (Åh) När ni tar saken i egna händer MF 07 Agnes Release me MF 10 Aguilar, Feddy Anak MSC 98 Aharoni, Chen Or SCC 11 Aika Stay SCC 02 Aikakone Alla vaahterapuun OGAESC 96 Ainbrusk Singers Lassie OGAESC 91 Ainhoa Mi razón de vivir SCC 03 Air & Hardy, Françoise oder Francoise Jeanne MSC 99 Airport Impressions Freedom OGAESC 11 Åkerström, C.-S. -
The Mountaineers Players Present the Wizard of Oz at the Magical Kitsap Forest Theater in Bremerton
The Mountaineers Players present The Wizard of Oz at the magical Kitsap Forest Theater in Bremerton May 28-29, June 3-4, 10-11, 17-18; 2017 – 2:00 pm Contact: 206-542-7815; [email protected] FOR IMMEDIATE RELEASE BREMERTON, WA – The tradition of outdoor theater is alive and well at the Kitsap Forest Theater, and continues this spring with The Wizard of Oz. Each weekend from Memorial Day through Father’s Day the Mountaineers Players will present this beloved classic musical. Both residents of the Kitsap Peninsula and visitors from Seattle and beyond will delight in this family-friendly production at the beautiful Kitsap Forest Theater, located just west of Bremerton. A quarter-mile trail transports visitors to another time and place where stories for all ages have come to life since 1923. The presentation of our spring show coincides with the blooming of the wild rhododendrons that grow along the hillsides and down the trail to the theater. Generations of theatergoers have enjoyed the scenic drive or ferry ride to the theater, and often come early to picnic under the firs before the trail to the theater opens at 1:00 pm. Enjoy our treehouse play structure or hike to Big Tree before or after the show. With The Wizard of Oz in the spring and Tarzan in the summer, the Kitsap Forest Theater’s 2017 season brings two popular shows to life on our unique stage. These uplifting and family-friendly musicals will appeal to young and old alike – treat yourself to a “day away” in the forest and enjoy theater inspired by a magical place. -
If I Only Had a Brain” by Dave Snell
Article from: Forecasting & Futurism July 2013 – Issue 7 “If I only had a brain” By Dave Snell his often-quoted line from the 1939 movie, The Wizard of Oz, is part of a famous scene where T a Scarecrow (played by Ray Bolger) sings to Doro- thy (the young Judy Garland) about what he would do if he only had a brain. It is long past copyright protection so feel free to view it on the Internet (e.g., http://www.youtube.com/ watch?v=nauLgZISozs&noredirect=1 ). This issue is packed with brainy articles to get those neurons of yours firing away with ideas for exciting new actuarial applications of new techniques and tools that are now avail- able. We begin this set of offerings with an introduction to a neu- ral networking technique called Naïve Bayesian Networks. Jeff Heaton has written an easy-to-follow example, “Bayes- ian Networks for Predictive Modeling,” describing how to use simple conditional probability (remember our old pal Bayes, from your introductory actuarial exams?) enhanced by computer programs to infer an outcome from a collection of past events. He also included an Excel workbook as a One of those approaches is Hidden Markov Models. Brian model to enable you to substitute your own events and make Grossmiller and Doug Norris teamed up to write “Hidden your own inferences from them. After you enjoy his article, Markov Models and You,” an article about how to utilize read about his books on neural networking and his free and these less obvious (hidden?) extensions to the classic Markov open source engine, ENCOG, at his website www.Heaton- Chain models you saw in study notes. -
Sweetness Light
The Axis stops of nofftfng— Put Your Don't stop at 10%i Fajroll Savings on a Family Basis Buy More Make to per cent Just a Starting For freedom's Sqfce War Bonds Point VOL. VII.—No. 48 FORDS, N. J., FRIDAY, AUGUST 13, 1943 PRICE THREE CENTS Sweetness 5 Teaching Week-DayHoars Of Retail Liquor Stores CurtailedTerritory AND To 9A.M.-10P.M. In Edict By State Commissioner Positions of alcoholic beverages in. original un-stoekedi and out of the busi- Row Hits Says Order Is Based containers for off-,premises • con- ness or unable to renew their li- Light sumption. censes another year unless hours Still Open On Plea By Dealers; Sees Trouble A!I»ea<l of sale are substantially reduced. Aid Squads By Charles E. Gregory "There is good reason to be- Although the shortening of hours , Well, I'll make a bargain To Punish Violators lieve that if the shortage con- offers no guarantee that all re- with 'em. I'll shut up if New Rules Drafted tinues many retailers may, over a iJailers will stretch out their avail- Woodbridge, St. John's Henry Wallace will. RARITAN TOWNSHIP—Effec- period of time, find themselves (Continued on Page 2) Mayor, Trainer However For Medical Staff; tive Monday morning at 9:00 In Dispute .Over Which leads Fords Squad * * * * o'clock the new legal hours of sale Apparently To Have I admit I open this great Bus Contracts Granted for alcoholic beverages at retail in Shall Serve 2nd Ward original containers for consump- Hanseos Celebrate Field To Themselves big- mouth of mine entirely RAiRFTiAN TOWNSHIP—.About Res Love FORDS—A controversy, as to too much but I certainly tion off the licensed premises wiil Which first aid squad will an- WOO'DiBiRiIDGE — Both Repub- five teaching positions are yet to ibe 9 A. -
MCA-500 Reissue Series
MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366. -
I Dreamed I Saw Joe Hill: Woodstock, 1969/Berlin, 1989
Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History Volume 9 Issue 1 Illawarra Unity: The Sixties Article 2 2009 I Dreamed I Saw Joe Hill: Woodstock, 1969/Berlin, 1989 Anthony Ashbolt University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/unity Recommended Citation Ashbolt, Anthony, I Dreamed I Saw Joe Hill: Woodstock, 1969/Berlin, 1989, Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History, 9(1), 2009, 6-11. Available at:https://ro.uow.edu.au/unity/vol9/iss1/2 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] I Dreamed I Saw Joe Hill: Woodstock, 1969/Berlin, 1989 Abstract The fortieth anniversary celebrations of the Woodstock music festival have gone dangerously close to transforming it into another commodified spectacle. etY the spirit of the original Woodstock lives on to remind us of another way of thinking about the world. The Woodstock Music and Art Fair in August 1969 featured a galaxy of performers who had contributed significantly ot the alternative zeitgeist that spoke of peace and love in ways that may sound corny now. The peace and love of the Sixties was grounded in a strong antiwar sensibility and a sense of collective solidarity against the American war in Vietnam. When Joan Baez spoke about her husband – draft resister David Harris – introducing “The Ballad of Joe Hill”, the link between the struggles of the working class and the antiwar struggles of the day was apparent. -
Production Script
Book & Lyrics by Bert Bernardi Music by Justin Rugg PRODUCTION SCRIPT www.stagerights.com GLITZ! THE LITTLE MISS CHRISTMAS PAGEANT MUSICAL! Copyright © 2012 by Pantochino Productions All Rights Reserved All performances and public readings of GLITZ! THE LITTLE MISS CHRISTMAS PAGEANT MUSICAL are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronics, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com CAST OF CHARACTERS Cast Total: 20 – 5F, 4M, 11 Girls BUDDY PANACHE: A shy, bespectacled piano player with a secret. -
Institute for the Study of Nonviolence in Carmel Valley in 1965, 24 Year-Old Folk Singer Joan Baez Was Already a Near-Icon on the Ameri- Can Folk Music Scene
THE CARMEL VALLEY HISTORIAN A PUBLICATION OF THE CARMEL VALLEY HISTO RICAL SOCIETY Volume 29, Issue 1 MARCH 2015 Remembering Joan Baez in Carmel Valley—1965 By Elizabeth Barratt, CVHS Historian By the time she opened her controversial Institute for the Study of Nonviolence in Carmel Valley in 1965, 24 year-old folk singer Joan Baez was already a near-icon on the Ameri- can folk music scene. Her 1959 appearance at the Newport Folk Festival, an album contract with Vanguard Records, and a 1960 concert at Carnegie Hall had drawn the fans. Her cover image and story in the November 23, 1962 Time magazine established her title as Queen of Folk Music. In 1963, she joined Dr. Martin Luther King, Jr. in the March on Washing- ton, D.C. Closer to home, her September 1964 concert at the Monterey Fairgrounds drew an audience of 5,000 attendees. But her arrival in Carmel Valley was heralded, not by the adulation of loyal admirers, but with protests from locals who feared an influx of bearded, barefoot, unwashed Bohemians descending upon and disrupting the area’s rural serenity. Baez had gone into partnership with her mentor, Ira Sandperl, to create the Institute, a center where individuals could gather to study and discuss topics of nonviolence and world peace. Initial sessions had been held at her home on Miramonte Road. Anticipating an enlarged attendance, she and Sandperl applied for a use permit to conduct the school in a small, whitewashed structure that had once been the Tularcitos School, later serving as a lab for the “So Help Me Hannah” poison oak remedy, and then a shotgun shell factory.