ARKANGEL Complete Album Lyrics
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Healing Through Song
Innovation In Action Healing Through Song Music Therapy After-Care for Sexual Violence Survivors Panzi Foundation USA What s really important about this project is the innovative element; music therapy’ is still not often used and to pilot this kind of work especially in Congo is “ground breaking. The project goes beyond traditional techniques to treat the participants not as patients but as artists which is really empowering for the women. It highlights their dignity and reconnects them in a way that traditional talk therapy and perhaps other forms of group therapy don t achieve. Naama Haviv, Panzi Foundation USA ’ ” In the wake of the 1994 genocide in Rwanda and the ongoing conflicts in the Democratic Republic of Congo (DRC), the extent of sexual violence is well documented. In May 2011, the american journal Public Health noted that over 1100 women and girls are raped every day in DRC. Increasingly, children under the age of five are subject to sexual violence and being brought into the local hospital in Panzi with horrific injuries. Using music therapy, this project is a crucial and innovative way to try to rehabilitate the survivors of this abuse, to reintegrate them back into society and to prevent ongoing abuse from taking place in the future. The messages delivered through this music can raise awareness that leads to the change necessary for future prevention. The programme will also serve as a beacon to bring more women to the hospital to receive treatment. After the first rape, my husband left me. He said I must be contaminated. -
Asthma: the Soap Opera
Asthma: The Soap Opera Angela: I'm sorry… my love. I can't. My father said no. Mario: Think of yourself. Think of us. Our love. Angela: I will think of you always. I love you. But our love can never be. Mario: Please don't do this to me. First, my wife died in a car crash. Then, our baby son got sick. And now, losing you. It's too much for me. Angela: I have no choice. I want to stay, but I cannot. Mario: When you leave, you are taking my heart. How can I live without you? Angela: I will love you always. Never forget me! (Angela leaves. Mario is crying. The doorbell rings.) Director: Cut! Cut! Cut! Mario: What? Director: The doorbell was ringing. You have to answer it. Mario: How can I answer the door? My life will never be the same. Director: Exactly. So the doorbell rings, and you answer it. Why are you over here crying by the baby? Mario: Because… The baby has asthma. He can't breathe! Director: Didn't you read the script? The story is about you and your lost love. Not the baby. Forget about the baby. Mario: Didn't I read the script? Didn't you read the script? The script says, the baby has asthma. How can I forget about my baby son? My little boy needs my help. He needs me. Director: It's just asthma. It's no big deal. ©2018 The New York City Mayor’s Office of Immigrant Affairs 1 Mario: What do you mean no big deal? I don't think you know enough about asthma. -
Summon up Remembrance Summon up Remembrance
SUMMON UP REMEMBRANCE SUMMON UP REMEMBRANCE bY Marzieh Gail ml GEORGE RONALD OXFORD GEORGE RONALD, Publisher 46 High Street, Kidlington, Oxford, OX5 2DN 0 MARZIEH GAIL 1987 All Rights Reserved British Library Cataloguing in Publication Data Gail, Mar&h Summon up remembrance. I. Khan, Ali-Kuli 2. Diplomats-Iran- Biography 3. Bahais-United States- Biography 1. Title 327.2’0()2’4 IX 316.y.K5 ISBN o-8539%25X-y ISBN o-R53gR-259-7 pbk Phototypcsct by Sunrise Setting, Torquay, Devon, U.K. I’IIIN rtl) IN THb u 5 A Contents IN PERSIA I Safe from the Evil Eye 2 Born with a Tooth 5 3 A Son Meets His Father 9 4 A Sense of Station I.5 5 Trials and Tantrums 20 6 Your Best, Not Your Smallest 24 7 House of Oblivion 3.5 8 Death Owns All Seasons 42 9 The Mad Mirza 49 IO Wine and Roses 55 I I With Hashish through the Keyhole 59 12 Bottle in Hand to the BahP’i Faith 62 13 Journey to the Muslim Shrines 67 14 A Bridge of Boats 75 I 5 A Prince Accepts the Faith 79 16 Khan Becomes a Dervish 8s 17 Escape from Sanandaj 90 18 The Point of No Return 97 19 In Sight of the Goal IO4 IN THE HOLY LAND 20 The Arrival 107 21 Working for the Master 109 22 Red Ink for Martyrs’ Blood 116 23 The Covenant-Breakers Attack 122 24 A Crisis of Faith I27 25 The Goal of the Living Martyrs I34 26 Prayer is not Enough I39 27 The Frightening Change I43 IN THE WEST 28 Paris and Natalie I49 29 No One at the Dock IS5 30 Visions, or Vision? 161 3 I Mirz6 and Khan Stop Smoking 167 32 When the Lights Went Out I73 33 The Trials of Mrs Cole I78 34 The Prime Minister Cometh 182 35 Khan Meets -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Here’S One in Every Crowd Erlasting Cultural Statement – Everything You Do from a Lot
Hittin’ the Note: Bill, did you feel at all a need to vindicate this period of Clapton’s music? Once you’ve It’s OK; you’re safe with me! photo by Sid Smith been labeled “God” – as Clapton was in what began as graffi ti on a London subway wall and grew into an ev- Well, I actually happen to like There’s One in Every Crowd erlasting cultural statement – everything you do from a lot. I understand why it’s overlooked – there’s no big hit that moment is viewed under a microscope. It seems, on there, and the cover was probably not the most striking. I though, that this particular chapter of Eric’s story has think most people don’t realize the business of the business taken some critical heat over the years. – There’s One In Every Crowd and E.C. Was Here were cut out in 1976 because RSO Records left Atlantic and went to Bill Levenson: I think what I came up against right from Polydor. There was a housecleaning of product, and when the start wasn’t a vindication of the music or the artist − it those records got cut out, they didn’t come into print again was the vindication of the There’s One In Every Crowd and for a decade. People think that they were cut out because E.C. Was Here albums. When people talk about this era, they weren’t good or they weren’t selling, but they were cut they invariably talk about 461 Ocean Boulevard – it was out because distribution stopped on the Atlantic side. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds. -
Ani Kolangian
APRIL 2018 ISSUE 03 HYEBRED MAGAZINE Cover photo by 103 years later . Julie Asriyan Forget-Me-Not Issue 03 Prose Music Anaïs Chagankerian . 6 Brenna Sahatjian . 13 Lizzie Vartanian Collier . 20 Ani Kalayjian . 34 Armen Bacon . .38 Mary Kouyoumdjian . 36 Poetry Art & Photography Ani Chivchyan . 3 Julie Asriyan . 10 Ronald Dzerigian . 14 Ani Iskandaryan . 18 Nora Boghossian . .16 Susan Kricorian . 28 Rita Tanya . .31 Ani Kolangian . .32 John Danho . .49 Nicole Burmeister . .52 A NOTE OF GRATITUDE Dear Faithful Reader, This issue is dedicated to our Armenian ancestors. May their stories never cease to be told or forgotten. As April is Genocide Awareness Month, the theme for this issue is fittingly 'Forget-Me-Not.' It has been 103 years since the Armenian Genocide, a time in Armenian history that still hurts and haunts. HyeBred Magazine represents the vitality and success of the Armenian people; it showcases how far we have come. Thank you to our wonderfully talented contributors. Your enthusiastic collaboration enhances each successive publication. Thank you, faithful reader, as your support is what keeps this magazine alive and well. Շնորհակալություն. The HyeBred Team Ani Chi vchyan Self Love don't let yourself get in the way of yourself the same way you can harm yourself, adding salt to those wounds and grow only in sorrow and grief only to become tired of yourself you have the power to heal and love admire celebrate your existence in this world water those roots and make something beautiful out of you H Y E B R E D I S S U E 0 3 | 3 By -
GRASS IS GROWING in the EAST for the Taiwanese Poet Yu Hsi
GRASS IS GROWING IN THE EAST for the Taiwanese poet Yu Hsi Grass, growing in the east in yellow waves, and kneeling and bowing for so long to the exalted east. I place my aching head upon its warm breast. It strokes my brow with its yellowing fingers, my tears falling thicker and thicker, covering the silksoft lichen. An inner suffering rides upon waves into the east, marking my warm body, and grasshoppers flock into the silent aeons, dispersing the light at the final moment of rest… And for some time yet to come, its face unchanging in golden waves, there will be grass, growing in the east. Bankok BEAUTY, DOZING To touch the silvern collar of the beauty, dozing, was my eternal desire, and my own silver verses lit the way like a candle. My own dear love herself had fashioned the portentous evening moon, and, moved by the moment, I offered a joyful candle, an ancient prayer, to the Buddha, while silence filled the spaces between joyful leaves. But still more desires pain the shameless vagrant… I touch the silvern neck of the beauty, dozing, but my eternal desire stays unfulfilled. I touch her lips… THE SKYBLUE OCEAN (from The Book of India) How can I forget your skyblue ocean? How can I forget the silent and beauteous Buddha? How can I forget the eyes of melancholy stones? How can I forget the unshod Tamils? How can I forget a temple with a golden roof? How can I forget the love of small children, holding out their hands? How can I forget the girls with their callouses and shining eyes? How can I forget sneaking a look at their naked breasts? -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Spring Heights Song Book
Spring Heights Song Book Camper Edition CCLI License 11068700 Edited 2020 1 TABLE OF CONTENTS Indescribably…………………………….14 Lead Me Jesus……………………………14 All in All…………………………………..4 Jesus is the Rock…………………………14 Alive……………………………………….4 Light the Fire…………………………….15 Amazing Grace……………………………4 Lord be Glorified………………………...15 Amazing Love……………………………..4 Lord I Life Your Name of High………….15 Ancient of Days…………………………...5 Lord You Have My Heart………………..15 Ask Seek Knock…………………………...5 Lovely Noise……………………………...16 As the Deer………………………………..5 Love the Lord Your God…………………16 Be Glorified………………………………..5 Mighty to Save…………………………...17 Breath……………………………………...6 Must Be Done in Love…………………...17 Brighter……………………………………6 Nothing is Impossible……………………17 Build Your Kingdom……………………...6 One Name………………………………..18 Children Go Where I Send Thee…………7 Open the Eyes of my Heart……………...18 Days of Elijah……………………………...7 Open Up the Heavens…………………...18 Deep Cries Out……………………………7 Our God…………………………………18 Everlasting God…………………………...8 Peace Like a River………………………..19 Every Move I Make……………………….8 River of Life……………………………...19 Father I Adore You………………………..8 Place in the Choir………………………..19 Forever…………………………………….8 Sanctuary………………………………...20 Give it Away……………………………….9 Seek Ye First……………………………...20 Give Me Oil in My Lamp…………………9 Shine Jesus Shine………………………...20 God So Loved……………………………..9 God of Wonders…………………………10 Step By Step……………………………...20 He Is My Rock…………………………...10 Shout to the Lord………………………..21 Here I am Lord…………………………..10 Sing Wherever I Go……………………..21 Here I am to Worship……………………11 -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
The Imitation of Christ
The Catholic Primer’s Reference Series: THE IMITATION OF CHRIST THOMAS À KEMPIS Caution regarding printing: This document is over 117 pages in length, depending upon individual printer settings. PLEASE NOTE: The original source of this document is in the public domain. The Catholic Primer Copyright Notice The contents The Imitation of Christ by Thomas A Kempis is in the public domain. However, this electronic version is copyrighted. © The Catholic Primer, 2004. All Rights Reserved. This electronic version may be distributed free of charge provided that the contents are not altered and this copyright notice is included with the distributed copy, provided that the following conditions are adhered to. This electronic document may not be offered in connection with any other document, product, promotion or other item that is sold, exchange for compensation of any type or manner, or used as a gift for contributions, including charitable contributions without the express consent of The Catholic Primer. Notwithstanding the preceding, if this product is transferred on CD-ROM, DVD, or other similar storage media, the transferor may charge for the cost of the media, reasonable shipping expenses, and may request, but not demand, an additional donation not to exceed US$15. Questions concerning this limited license should be directed to [email protected] . This document may not be distributed in print form without the prior consent of The Catholic Primer. Adobe®, Acrobat®, and Acrobat® Reader® are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. The Catholic Primer: www.catholicprimer.org THE IMITATION OF CHRIST BY THOMAS À KEMPIS TRANSLATED FROM THE LATIN INTO MODERN ENGLISH FOREWORD IN PREPARING this edition of The Imitation of Christ, the aim was to achieve a simple, readable text which would ring true to those who are already lovers of this incomparable book and would attract others to it.