An Angliciste View of English Civil Society1

Total Page:16

File Type:pdf, Size:1020Kb

An Angliciste View of English Civil Society1 Donald Winch An Angliciste View of English Civil Society1 Since I shall be painting rapidly with a very broad brush, let me try to express the nature of my conclusion at once, bland though it will seem without more detailed painting. If, God forbid, I were writing an application for a research grant I would couch it in a language that has once more become fashionable. I would claim that I was investigating those features of ‘civil society’ which some acute foreign observers felt had helped to stabilize, even to legitimize the social and political tensions associated with Britain’s emergence as the world’s leading industrial, imperial, and financial power. Alternatively, I could employ another language by speaking ofmentalités, where use of French is not so much fashionable as a mark of the plain fact that this approach goes back at least as far as Montesquieu’s Spirit of the Laws, elements of which can be found in the work of all those I shall be mentioning, from Guizot and Tocqueville on to Hippolyte Taine and Halévy. What was it about the English mentality or character, and the institutions that nourished it, that could account for British political stability and economic success, let alone their more unpleasant habits? Fortunately, I do not have to say much aboutmentalitéshere because Roberto Romani has just completed a book dealing with the question of national character at large.2 If my knowledge of the historiography of economic history had been better than it is, I might have chosen to focus on a younger friend of Halévy, another normalien, Paul Mantoux, whose book on The Industrial Revolution first appeared in 1906. As youwill see from my bibliography, Mantoux had also written on another of Halévy’s main interests as teacher and researcher, the history of socialism. In adopting the ‘civil society’ approach, however, Halévy suits my purpose better. First, because his links, intellectual and institutional, with an earlier generation ofanglicistesare more obvious; and secondly, because the publication of his correspondence in 1996, with an excellent introduction by Francois Furet, makes it possible 1 This discussion paper was written for a colloquium held at the Centre for History and Economics at King’s College, Cambridge in 2001. It was meant to stimulate discussion on the peculiarities of British economic development, the results of which appeared later in the collection of essays edited by Patrick O’Brien and myself as The Political Economy of British Historical Experiencec, 1688-1914, a work published as part of the centenary celebrations of the British Academy in 2002. 2 Roberto Romani, National character and public spirit in Britain and France, 1750-1914, Cambridge, 2002 1 to assemble a detailed account of what led him to write his two most important works: his first books on the growth of philosophic radicalism and, secondly, his uncompleted history of the English people, where the first volume on England in 1815will have to be my sole example. Readers of these two classic, though by no means unchallenged, works will not need to have read the correspondence to appreciate the questions that interested their author, and the substantial, if not complete, novelty of his answers at the time they were written. But we do learn there that at one time he hoped to call his history, ‘a theory of progress in the modern state’; and that in gross summary form his conclusion was going to be as follows: the evangelical revival of the eighteenth century, partly provoked by early industrial crises, explained the temperate character of political liberalism in England during the nineteenth. It had preserved England from revolution and prevented the bifurcation of party allegiances in the French manner, one centring on revolution, the other on reaction. In other words, evangelical revival had helped England to reconcile rampant economic individualism with those democratic pressures released by the French revolution. Halévy also claimed that his conclusions on methodism in particular were novel, though, ironically, he was forced to give up the idea of expanding these into a separate study when he found that two other French scholars were ahead of him on this trail. What has indeed become known as ‘the Halévy thesis’ has been much misunderstood, partly because the articles in which he first outlined it were sketchily programmatic -- the defect too of Max Weber’s equivalent exercise published at much the same time. Briefly, I think Halévy’s argument can best be understood as his equivalent to Tocqueville’s observations on the role of religion in American life. It was the capacity to sustain a multiplicity of disciplined sects or voluntary associations that gave vitality to English civil society, thereby moderating the extremes engendered by the spirit of industrial civilization and secular scientific rationalism. The victory of dissenting forms of protestantism over Anglo-Catholic and free-thinking tendencies in the eighteenth-century gave England something that was entirely missing in France. Taine had made similar observations on English protestantism in his history of English literature and in the notes he made on England 2 after visiting Manchester and Liverpool, where he was impressed by the private institutions of self-governance and philanthropy, while not being blind to the worst aspects of urban industrial living conditions. Halévy was at least half protestant himself, though his anti-clericalism made him less sympathetic than Taine was to anything connected with the established Church in England. It is no accident, as we used to say in more determinist times, that some earlieranglicisteswere full-blooded protestants: Say, Constant, Guizot, and another less well-known figure, Emil Boutmy, who was important in a more direct way to Halévy. Even Taine, an anti-clerical French catholic, acting with the advice of hisprotegé, Boutmy, had his children educated as protestants. More significantly, Boutmy, with the support of Taine and Guizot, became the founder and first director of the institution in which Halévy taught the whole of his life, theEcole Libre des Sciences Politiques. Better known as Science Po, this institution was founded in 1872 in the wake of the Paris Commune and defeat at the hands of Bismarck. It was an attempt to improve the quality of the French civil service by providing a practical training forhauts fonctionnairesthat included business administration and political economy, as well as the subjects taught by Halévy, the history of England and the history of socialism in Europe. The fact that it was libreunderlined the desire of the founders not to follow the normal French pattern in making education subject to a centralized and highly bureaucratic state – one of the persistent defects of French life that had preoccupied Constant and Tocqueville. (That, incidentally, is one of the themes of the studies of English education mentioned in the bibliography by another product of Sciences Po, Max Leclerc.) Although, in turn, Science Po became a model for Sidney and Beatrice Webb when founding the London School of Economics, possibly through their friendship with Halévy, the borrowing was originally Anglo-French rather than Franco-English. Why? Because the French founders hoped that it would foster a practical and pragmatic public service ethic of the kind that English society nurtured, so to speak,au naturel, through its private universities and schools, and through those voluntary associations which relieved the state of many functions. 3 But all this belongs to the last quarter of the century, when English institutions had been reformed, democratized, and accommodated to mature industrial society. It mayhave been his admiration for parliamentary democracy on the English pattern during this period that first drew Halévy, a philosopher, to devote the rest of his life to English history. But as historian it was essential for him to explain the earlier part of the journey, when a corrupt and far from democraticancien regimehad been transformed by methods that avoided the reversals and reversions typical of French experience. Put schematically, Halévy needed to provide a theory of the progress of a modern state to accompany his diagnosis of the crucial role played by religion in the formation of civil society. For this purpose he returned to his first work on England, the book on philosophic radicalism: it provided him with the second element in that ‘compound of Evangelicalism and Utilitarianism’ with which he brought the first volume of his history to a close. Compound is how it was expressed in the history, but it is impossible not to be aware of the dialectical frame of reference, the evidence, if I may descend to mentalités, of Halévy’s French education and argumentative tastes. In miniature, it is encapsulated in some of his attempts to describe the English character to his friends. Taking Gladstone as an example, he described him as a typical Scottish Celt, adding that it explained ‘the singular mixture of religious exaltation and imperturbable coolness that characterised the English race as a whole’. Here was the clue to the mixture of sentiment and rationality he later equated with Evangelicalism and Utilitarianism in the society at large. The messy compound is more true to life than the dialecticalidée maitresseof his book on the philosophic radicals, which centred, rather dubiously as it now seems to us, on an unresolved conflict or contradiction between a belief in a spontaneous harmony of interests, typically associated with a competitive free market economy, and a harmony that had to be engineered, in the classic Benthamite fashion, by means of a bureaucratic state run by experts. In his history of the English people he paid more attention to the nature of the political regime within which such experts worked. The emphasis there was on the paradoxes of an ‘open’ governing class operating within a ‘mixed’ constitution that deprived them of the powers of a repressive bureaucratic state.
Recommended publications
  • Anthony E. Santelli II
    Journal of Markets & Morality Volume 14, Number 2 (Fall 2011): 541–549 Copyright © 2011 Anthony E. Santelli II “Nine Libertarian Heresies”— A Surresponse Anthony E. Santelli II Finn says that my arguments fail to erect a position that is both Catholic and libertarian. I disagree and will expound on them here further, showing how jus- tice for all is possible within such an order. In addition, I will show that Finn’s belief in the redistribution of income is contrary to Catholic social thought. It is he who fails to erect a position that is both Catholic and liberal. Finn is misguided in focusing on a “one-time grand redistribution of wealth after which no further redistributions would be allowed” (a proposal I describe briefly in a footnote) as being an essential part of my position. The core of my thesis is the Christian methodology of doing political economy that I explained. This methodology says that any law, tax, right, rule, regulation, or cultural imperative that provides an incentive to act contrary to the nature of God or a disincentive to act in accord with the nature of God is, by its nature, contrary to God’s Order (capital O) and, as such, can be judged to be wrong and, hence, should be changed or abolished. God is all Good, Beauty, Truth, and One. Therefore any tax on or regulation of goodness, beauty, truth, or unity inhibits or provides a disincentive against humans acting like God and so cannot be a part of a just social order. I take the position that this is the only valid methodology by which a Christian can do political economy, that is, by which a Christian can seek to develop a just social order.
    [Show full text]
  • Hipólito Taine Y La Revolución Francesa
    La obra de Hipólito Taine representa, ante todo, un movimiento de reac- ción, en el campo de la historiografía, frente a las exageraciones subjetivistas y sentimentales del Romanticismo". El historiador no pretende ya, como un Lamartine o un Michelet, reflejar en sus escritos su propia personalidad, con sus preferencias, sus simpatías y sus ideales; antes bien se propone hacer labor científica, impersonal en la medida de lo posible, teniendo> como' norma supre- ma la reproducción fiel de la realidad según los datos aportados por una in- vestigación objetiva y documentada. Lejos de un Lamartine, que hizo la nove- la de la historia; de un Michelet, que se elevó a las regiones de la epopeya; de un Luis Blanc, arrastrado por el vendaval de la política; de un Carlyle, afi- cionado a los pequeños cuadros llenos de animación y colorido •—para mencio- nar sólo a los historiadores de la Revolución—> la historiografía positivista tra- bajará obedeciendo a los dictados de la literatura naturalista contemporánea; es decir, aspirando, ante todo, a dar una versión minuciosa, fotográfica casi, de la realidad, aún en sus aspectos más amargos y sombríos. En 1864, Taine publica su Historia de la literatura inglesa, cuya introduc- ción se cita a menudo como uno1 de los escritos fundamentales en que puede leerse la doctrina profesada por el positivismo. En este texto' y en el tratado sobre la Inteligencia, aparecido en 1870, el autor expone los supuestos sobre los que se apoya la labor científica inspirada por la escuela de Comte. Ambos li- bros preconizan la aplicación de los métodos de la ciencia experimental al es* tudio de la civilización y en ellos Taine se muestra tributario de las doctrinas deterministas, según las cuales la conducta humana está condicionada por fac- tores hereditarios y ambientales.
    [Show full text]
  • The Story of America
    THE STORY OF AMERICA OF STORY THE CURRENT BOOKS History for “We the People” THE STORY OF AMERICA: ESSAYS ON ORIGINS REVIEWED BY BROOKE ALLEN THE ERA WHEN SERIOUS HISTORIANS AS- pired to write works that also qualified By Jill Lepore Princeton Univ. Press as literature are long, long gone. During 416 pp. $27.95 the Enlightenment, David Hume and Edward Gibbon wrote prose as grand as any in our language, and brought sophis- professionalization. Historians, like so- ticated literary techniques to the craft of cial scientists, joined university facul- history writing. Their tradition was car- ties and began to write more for their ried on by the great historians of the 19th peers than for the general reader, and— century: Thomas Babington Macaulay, again like social scientists, not to men- Hippolyte Taine, Francis Parkman, Alex- tion literary scholars—to develop an is de Tocqueville, George Bancroft, Jacob opaque jargon that might almost have Burckhardt, and Thomas Carlyle all com- been designed to repulse the non-spe- posed their epics with an eye to the liter- cialist. “Popular” history was often left ary immortality they eventually achieved. to nonacademic historians, whose work Exciting, mellifluous narrative was, to was enjoyed by readers but looked at them, no insignificant part of the histori- askance by the professionals—viz. the an’s craft, and the result is that while many academy’s snide disparagement of the of their ideas are no longer groundbreak- biographer David McCullough, whose ing, we continue to read them for their work has provided pleasure and edifica- flair, their masterful syntax, and most of tion to millions.
    [Show full text]
  • The French Revolution 0- Hippolyte Taine the French Revolution
    THE FRENCH REVOLUTION 0- HIPPOLYTE TAINE THE FRENCH REVOLUTION HIPPOLYTE TAINE 0- Translated by John Durand Introduction by Mona Ozouf VOLUME I LIBERTY FUND Indianapolis This book is published by Liberty Fund, Inc., a foundation established to encourage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that serves as our logo and as the design motif for our endpapers is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash. ᭧ 2002 Liberty Fund, Inc. All rights reserved. Introduction by Mona Ozouf reprinted here by permission of the publishers from A Critical Dictionary of the French Revolution, edited by Franc¸ois Furet and Mona Ozouf, translated by Arthur Goldhammer, Cambridge, Mass.: The Belknap Press of Harvard University Press, ᭧ 1989 by the President and Fellows of Harvard College. Footnotes to the Introduction ᭧ 2002 Liberty Fund, Inc. Frontispiece from Corbis The French Revolution is a translation of La Re´volution, which is the second part of Taine’s Origines de la France contemporaine. Printed in the United States of America 02 03 04 05 06 C 54321 02 03 04 05 06 P 54321 Library of Congress Cataloging-in-Publication Data Taine, Hippolyte, 1828–1893. [Origines de la France contemporaine. English. Selections] The French Revolution / Hippolyte Taine; translated by John Durand. p. cm. “The French Revolution is a translation of La Re´volution, which is the second part of Taine’s Origines de la France contemporaine”—T.p.
    [Show full text]
  • Imagism and Te Hulme
    I BETWEEN POSITIVISM AND Several critics have been intrigued by the gap between late AND MAGISM Victorian poetry and the more »modern« poetry of the 1920s. This book attempts to get to grips with the watershed by BETWEEN analysing one school of poetry and criticism written in the first decade of the 20th century until the end of the First World War. T To many readers and critics, T.E. Hulme and the Imagists . E POSITIVISM represent little more than a footnote. But they are more HULME . than mere stepping-stones in the transition. Besides being experimenting poets, most of them are acute critics of art and literature, and they made the poetic picture the focus of their attention. They are opposed not only to the monopoly FLEMMING OLSEN T AND T.S. ELIOT: of science, which claimed to be able to decide what truth and . S reality »really« are, but also to the predictability and insipidity of . E much of the poetry of the late Tennyson and his successors. LIOT: Behind the discussions and experiments lay the great question IMAGISM AND What Is Reality? What are its characteristics? How can we describe it? Can we ever get to an understanding of it? Hulme and the Imagists deserve to be taken seriously because T.E. HULME of their untiring efforts, and because they contributed to bringing about the reorientation that took place within the poetical and critical traditions. FLEMMING OLSEN UNIVERSITY PRESS OF ISBN 978-87-7674-283-6 SOUTHERN DENMARK Between Positivism and T.S. Eliot: Imagism and T.E.
    [Show full text]
  • Louis Leslie Thesis Without Copyright Images
    ‘Writing Consciously for a Small Audience’: An Exploration of the Relationship between American Magazine Culture and Henry James’ Italian Fiction 1870-1875 ! ! ! ! ! ! ! Louis Laurence Leslie ! UCL ! ! PhD P2 ! ! I, Louis Laurence Leslie, conSirm that the work presented in this thesis is my own. Where information has been deriVed from other sources, I can conSirm that this has !been indicated in the thesis. P3 ! Thesis Abstract ! This thesis explores Henry James’ engagement in his relatiVely neglected early Siction about Italy with material from contemporary magazine culture. By bridging the gap between critics who focus on James’ relationship with Italian culture, and those who examine James’ relationship with his publishers and audience, it aims to explore how he uses interest in Italy manifested in literary magazines to deVelop his writing and build his reputation. The Sirst part of the thesis explores how James writes about Italian culture in his Sirst tales in ways with which his audience would be familiar, in order to cultiVate his readership. The Sirst three chapters deal with ‘TraVelling Companions’ (1870), ‘At Isella’ (1871), and ‘The Madonna of the Future’ (1873) respectiVely. Looking at how magazines represent contemporary debates about the Italian artists and works of art that James depicts, I study the way James draws on this context to !emphasise the relationship between culture and character in his Siction. The second half examines his Siction after 1873 in the light of James’ sense of his emerging literary reputation. Aware of his growing fame, James began to write tales incorporating material from his own serialised traVel writing, thus reinforcing his reputation as a writer about Italy.
    [Show full text]
  • “Properly Speaking Man Is Imbecile”: Nietzschean Skepticism in the Political Thought of French Conservative Hippolyte Taine
    Article . “Properly Speaking Man Is Imbecile”: Nietzschean Skepticism in the Political Thought of French Conservative Hippolyte Taine Randolph Miller University of Wisconsin-Milwaukee Abstract This paper argues that a careful examination of Hippolyte Taine’s intellectual development in the area of epistemology reveals a conceptual linkage with Nietzschean skepticism. The author shows that both Nietzsche and Taine drew from the same procession and touchstones of French history when developing their epistemologies. The result was a similar view of reason with a similar application to the political realm. Taking the Revolution as formative for both thinkers, the author shows how and why Taine’s notions of “une forme aveugle de la raison” and “hereditary prejudice” correspond to Nietzsche’s view of tradition and its necessity for healthy social and political structures. Further, with the evidence presented, the short correspondence between Taine and Nietzsche appears in a different light, one that allows the reader to take Nietzsche’s words at face value and that reveals a mutual admiration between Taine and Nietzsche. The result of this work is to clear another path connecting Nietzsche’s thought with the French right of the Third Republic. The purpose of this paper is to investigate commonalities between Nietzsche’s philosophy and the intellectual content of right-wing thought during the French Third Republic. While scholars have documented the compatibility between Nietzsche’s elitism and authoritarian ideologies of the twentieth century, this work follows a different path and focuses on epistemology. Vigorous skepticism regarding human rationality is almost synonymous with Nietzsche. But this quality of skepticism was not his sole possession.
    [Show full text]
  • Why Conservatives Should Support the Free Market
    WHY CONSERVATIVES SHOULD SUPPORT THE FREE MARKET HANNES H. GISSURARSON www.europeanreform.org @europeanreform Established by Margaret Thatcher, New Direction is Europe’s leading free market political foundation & publisher with offices in Brussels, London, Rome & Warsaw. New Direction is registered in Belgium as a not-for-profit organisation and is partly funded by the European Parliament. REGISTERED OFFICE: Rue du Trône, 4, 1000 Brussels, Belgium. EXECUTIVE DIRECTOR: Naweed Khan. www.europeanreform.org @europeanreform The European Parliament and New Direction assume no responsibility for the opinions expressed in this publication. Sole liability rests with the author. AUTHOR TABLE OF CONTENTS 1 INTRODUCTION 6 2 THE CONSERVATIVE-LIBERAL TRADITION FROM BURKE TO MENGER 9 3 HAYEK AS A CONSERVATIVE LIBERAL 16 4 THE CONSERVATIVE CRITICS: OAKESHOTT AND SCRUTON 20 5 IS THE FREE MARKET UNINSPIRING? 26 6 DOES THE FREE MARKET ERODE MORAL VALUES? 31 Hannes Holmsteinn Gissurarson 7 DOES THE FREE MARKET CREATE EXCESSIVE EXPECTATIONS? 36 8 IS DISTRIBUTION BY CHOICE MORALLY UNACCEPTABLE? 44 Born in 1953, he holds a D.Phil. in Politics from Oxford University and is Professor of Politics at the University 9 IS THE FREE MARKET SELF-DEFEATING? 50 of Iceland. The author of more than a dozen books on 10 DOES THE FREE MARKET ENCOURAGE VULGARITY? 57 political philosophy, history and current affairs, he is the research director of RNH, the Icelandic Research Centre for 11 CONCLUSIONS 62 Innovation and Economic Growth. New Direction - The Foundation for European Reform www.europeanreform.org @europeanreform Why Conservatives Should Support the Free Market Hannes H. Gissurarson 1 INTRODUCTION here are many ways of classifying political which in the nineteenth century solidified into a positions, ideologies and parties.
    [Show full text]
  • Edward Shils and the Intellectuals
    The calling of social thought Rediscovering the work of Edward Schils Edited by Christopher Adair-Toteff and Stephen Turner Manchester University Press Copyright © Manchester University Press 2019 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. Published by Manchester University Press Altrincham Street, Manchester M1 7JA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 978 1 5261 2005 2 hardback First published 2019 The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Typeset by Toppan Best-set Premedia Limited Printed in Great Britain by •• Contents List of contributors ix Introduction: discovering and rediscovering Shils 1 Stephen P. Turner 1 The philosophical anthropology of Edward Shils 32 Steven Grosby 2 The sociologist as human scientist: the meaning of Shils 47 Thomas Schneider 3 The recovery of tradition 61 Lenore T. Ealy 4 Edward Shils and Michael Polanyi: the terms of engagement 79 Phil Mullins 5 Shils, Mannheim, and ideology 106 Christopher Adair-Toteff 6 Shils and Oakeshott 123 Efraim Podosik 7 Edward Shils on pluralism and civility 140 Richard Boyd 8 Nations, nationality, and civil society in the work of Edward Shils 154 Peter Mentzel 9 Shils and the intellectuals 171 Jeff Pooley 10 Edward Shils and his Portraits 191 Bryan S.
    [Show full text]
  • 19Chronology of Works in Aesthetics and Philosophy Of
    Chronology of 19 Works in Aesthetics and Philosophy of Art Darren Hudson Hick Notes on Selection This chronology, as with this Companion as a whole, focuses on those works that contribute to the Western tradition of aesthetics, and, beginning in the twentieth century, in the analytic current of thought within that tradition (as opposed to the Continental one). As with the history of Western philosophy in general, the study of philosophical problems in art and beauty dates back to the ancient period, and is infl uenced by the major philosophical and cultural move- ments through the centuries. Much of what survives from the ancient to the post-Hellenistic period does so in fragments or references. In cases where only fragments or references exist, and where dating these is especially problematic, the author or attributed author and (where available) his dates of birth and death are listed. Where works have not survived even as fragments, these are not listed. As well, much of what sur- vives up to the medieval period is diffi cult to date, and is at times of disputable attribution. In these cases, whatever information is available is listed. Aesthetics in the period between the ancients and the medievals tends to be dominated by adherence to Platonic, Aristotelian, and other theories rooted in the ancient period, and as such tends to be generally lacking in substantive the- oretical advancements. And while still heavily infl uenced by ancient thinking, works from the medieval period tend also to be heavily infl uenced by religious thinking, and so many issues pertaining to art and aesthetics are intertwined with issues of religion as “theological aesthetics.” Movements in art theory and aes- thetics in the Renaissance, meanwhile, were largely advanced by working artists, and so tend to be couched in observational or pedagogical approaches, rather than strictly theoretical ones.
    [Show full text]
  • Page 571 H-France Review Vol. 5 (December 2005), No. 138 John
    H-France Review Volume 5 (2005) Page 571 H-France Review Vol. 5 (December 2005), No. 138 John Pemble, Shakespeare Goes to Paris: How the Bard Conquered France. London and New York: Hambledon and London, 2005. xix + 240pp. Illustrations, notes, index. $39.95 US (hb). ISBN 1-85285- 452-9. Review by Lenard R. Berlanstein, University of Virginia. The first French translation of Shakespeare’s works appeared in 1746, and the term “shakespearien” entered the French language in the 1780s. For the next two centuries, French cultural leaders would contend with Shakespeare’s genius and its import for their own cultural traditions. It turns out that Shakespeare is one more category that is good for thinking, particularly about French exceptionalism. John Pemble argues that Shakespeare was “crucial to the long and painful adjustment of French consciousness to a world in which France and the French were no longer paramount” (p. 15). This is a subject that has not been explored as completely as it should, and with some reservations, Pemble proves to be an engaging guide. Although a folio of Shakespearean plays mysteriously found its way into the Sun King’s library, the Bard’s work was basically unknown to the Parisian elite until Voltaire, Montesquieu, the Abbé Prévost, and a few others sought to educate their countrymen about the wisely-governed isle across the Channel. All French commentators immediately recognized the power of his works. Voltaire took the lead in making Shakespeare worth knowing but soon insisted that his genius was sorely lacking in good taste and finally lamented ever having drawn attention to the Bard’s “pearls… in this enormous dung heap.”[1] Did not the nineteenth-century Romantic revolt against classicism install Bardolatry? To be sure, Victor Hugo worshipped Shakespeare and summoned his spirit back from the netherworld at no less then seven séances.
    [Show full text]
  • Rewriting the Twentieth-Century French Literary Right: Translation, Ideology, and Literary History
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses March 2017 Rewriting the Twentieth-century French Literary Right: Translation, Ideology, and Literary History Marcus Khoury University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the French and Francophone Literature Commons, and the Translation Studies Commons Recommended Citation Khoury, Marcus, "Rewriting the Twentieth-century French Literary Right: Translation, Ideology, and Literary History" (2017). Masters Theses. 469. https://doi.org/10.7275/9468894 https://scholarworks.umass.edu/masters_theses_2/469 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. REWRITING THE TWENTIETH-CENTURY FRENCH LITERARY RIGHT: TRANSLATION, IDEOLOGY, AND LITERARY HISTORY A Thesis Presented by MARCUS KHOURY Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2017 Comparative Literature Translation Studies Track Department of Languages, Literatures, and Cultures © Copyright by Marcus Khoury 2017 All Rights Reserved REWRITING THE TWENTIETH-CENTURY FRENCH LITERARY RIGHT: TRANSLATION, IDEOLOGY, AND LITERARY HISTORY A Thesis
    [Show full text]