Daily Nexus HOT in EVERYWAY COACHELLA ROCKED, RAPPED + RULED
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f t : m m m mos def comes alive . ^ i _____ i _ ■ coachellaphotOS+WOrdSp. from the sun king to the royal twilight” I rocket from the crypt I “driven” I theater reviews galore I calendar I music reviews 2A Thursday, May 3,2001 Daily Nexus HOT IN EVERYWAY COACHELLA ROCKED, RAPPED + RULED
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1_ Umbrella girt 2_ Sitar girl 3_Dave Navarro of Jane’s Addiction 4_Phesto of Souls of Mischief 5_ Dave Navarro 6_ Crowd 7_Guy 8_ Hair 9_ Crowd 10_Tajai of Souls of Mischief 11_ Ride it 12_ Busdriver, Aceyalone + Abstract Rude 13_ Security’s phat!
12. Heat in the high 90s, 47 bands and lots and lots of skin greet Opening with ‘ Upon the Beach,” their energy continued unabated Still, it was the electrónica acts that stole the show. Spinning in ed the 30 thousand-plus revelers at last Saturday’s Coachella fes through the epic performance of “Three Days.” The freestyling of MC massive tents where the sound ricocheted around at ear-bleeding tival. A massive mishmash of hip hop, electrónica and rock, the per Supernatural was amazing to witness as he incorporated three decibels, the crowd for Kruder & Dorfmeister and The Chemical formers braved the elements and their own dehydration to give the words from the audience (psilocybin, astrophysicist, empirical) into Brothers often approached ballistic. Coachella-goers were a passionate crowd an unforgettable day. At times it was overwhelm a blazingly entertaining rhyme-fest.The crowd reached a frightening remarkably buoyant and happy lot, relentlessly shaking their bodies ing: What is one to do when The Chemical Brothers, The Orb and level of energy during Weezer’s much anticipated set as Rivers to the thumping beats spinning off the decks, letting their chemi Gang Starr are all playing simultaneously in different tents? Cuomo and company interspersed some songs off their forthcom cally fueled energy release itself amid the dizzying heat. Let's hope Living up to expectations, Jane’s Addiction was fantastic. ing release with popular numbers off of their popular debut this becomes a new Southern California tradition. [Andy Sywak] LET'S PARTY!
ROCK N'B#IVW THURSDAY NIGHTS 9:30 pm-Midnight e c T P A R T * c ^ v o u g r e a t s p e c i a u A N *0 WL lH MUSIC PR|ZES JOIN KTYD’S BRAD LILLEY . AS HE ROCKS THE LANES
GLOW BOWLING Cool Music Hits! Black Lights and Fog! Disco Lighting! Tues & Wed — 9 pm-Midnight . Sunday — 8 pm-Midnight B
OPEN 24 HOURS Minutes from UCSB • ORCH/D5925 Calle BOWL Real, Goleta Hwy. IOI at Fairview • 967-0128 Daily Nexus Thursday, May 3,2001 3A
art I review
VIVE VERSAILLES! FROM THE SUN KING TO THE ROYAL TWILIGHT LOOKS BACK AT THE ANCIEN REGIME boomer sooner_m. garren tinney
Strolling into “From the Sun King to the Royal art at the time. As you walk in, you may first notice two upper-mid Twilight,” the new exhibit at the Santa Barbara Museum The breadth of topics is interesting in that you can dle-class patrons of the arts who commissioned their of Art, is like walking through a corridor of thought and imagine the concerns of an 18th-century Frenchman. own portraits. You meet them, notice their attire, see perception. It bends reality upon itself to reveal a time of Royalty and poverty, religion and politics and history and their world, their personalities and then turn around. On revolution, both in art and history, that spurned the the next wall is a picture called iThe Provost and understanding of life and justice that defines our con Aldermen of the City of Paris Deliberating on the temporary minds. Or something like that. It’s more like kk Commemoration of the Dinner Given for King Louis having a silent conversation with artists of 18th-century XIV at the City Hall After His Recovery in 1687,” which ROYALTY AND France discovering the world as they might have per ’M M depicts, not surprisingly, exactly that. The rich clothes ceived it through their art. HISTORY and plush décor surround these royal gentlemen as they The subject matter is diverse, ranging from exotic pose in easy contemplation. The Revolution never hunting trips in faraway lands to the portraiture of aris seemed so necessary until I saw these men kindly juxta tocrats postured solemnly in all their pomp and leisure. posed with some of their inferiors in nearby paintings. The energetic brushstrokes of Boucher present “The Art is a representation of the mind, and mindsets are Rape of Europa,” — subjects from Greek mythology formed within historical contexts. This exhibit allows were prevalent in the period. The floating countenances you to journey back into the world of thoughts that of six aristocratic toddlers swirl on a canvas loosely orna defined the time — and in their time you see the unreal mented with flowers and a bold palette of deep colors in ized intimations of our own. a work by Lepicie, demonstrating the emerging genre of literature are all captured in the aesthetic contributions of children’s portraiture. A visceral depiction of St. Peter the century. The carefully selected works create a sort of “From the Sun King to the Royal Twilight, ” is on display brutally crucified upside-down, by Pierre Subleyras, artistic gestalt that encapsulates the concerns, feelings until June 17 at the Santa Barbara Museum o f Art, 1130 identifies the Christian religiosity still influential in the and struggles that were a part of the time. State St. /Open Positions V on a A.S.P.B.VJ Put on movies! ’Tsi Work for concerts! [JB Coordinate guest lectures! Ilf Qirectetf by Steven Soderlmuh Be a part or roductive fel Screecplaj/ by Stephen Sabhsn student group
$3 stu. $5 gen. Tuesday, May8 7:30 & 10:00pm Stop by the A.S.P.B. office H i? UCen room 1519 by May 4 LIVE % SHOW!! n with a It’s coming! June 2 2001 ! ¿pecial GtfÄ
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H otline: 893-2833 Events www.as.ucsb.edu/aspb 4A Thursday, May 3,2001 Daily Nexus
DEAR ABBY’S FAVORITE PUNK BAND ROCKET FROM THE CRYPT ARE AS RUDE AS THEIR MUSIC IS LOUD striking out_rebecca pellman
Rocket From the Crypt has been touted as “the band Yeah. Absolutely. really see it. that will save rock ‘n’ roll.” Almost a decade ago, San Since you said you are concerned with a label that actual Well OK then. Is it true that you were in a Kevin Smith Diego gave birth to the band that has attracted a large ly cares about the music, how has that affected the sound o f movie, or were going to be? cultish fan base but has managed to slip past mainstream the newest album, 'Group Sounds,"as opposed to the ones I think we are going to be. attention. The sound is the epitome of what rock ‘n’ roll with Interscope? Can you elaborate on that or is it strictly confidential? should be — loud, hard and a hell of a lot of fun. The I don’t know. I really don’t see a big change, you know. It’s strictly confidential. I don’t even know how you’d lyrics are like riddles with only one absolute interpreta We just changed ourselves, you know. The longer you hear about that. How did you hear about that? tion: RFTC is definitely here to rock. play, the better you get. I don’t think the sound has real Rumors. Here before you is the uncut version of Art ¡week’s ly changed, I think it has a lot of all the records that we’ve Well it is strictly confidential. interview with bassist Petey X. As you can tell, he was We willforget it then. I know you guys have worked with really excited about this opportunity and had a lot to say and been in a lot of other bands. Does that have an influence about his band. on Rocket From the Crypt? The other bands are the anti-influences of Rocket. Artsweek: When most bands m ove from an indie label to Those are things we want to do that are not Rocket From a major label, they are called sellouts. You guys just moved the Crypt. When you have something you want to lay from a major to an indie: How does it feel to be reverse sell down that you don’t think will fit with Rocket From the outs? Crypt, you do it elsewhere. I think this influences that Petey X: Uh, it feels great. rather than the other way around. Yeah? Anything special we should expect to see at the show? Yeah. It’s the best thing we’ve ever done. done in the past kinda tied into it. It’s just gonna be a really great, kick-ass, rock ‘n’ roll What was behind the m ove to Vagrant Records? Does the name ‘Group Sounds"have anything to do with show. Having someone put out our record who actually cares the Beach Boys’ *Pet Sounds"? Anything else you’d like to add? about the music as opposed to someone who only cares Definitely not. No. Um, no. That’s it. about making money. All right, speaking o f names, the title o f the new movie And that’s how youfelt on Interscope Records? ‘Mummy Returns" sounds pretty similar to Rocket From the Rocket From the Crypt plays with International Noise For the last couple years, yeah. Crypt. Do you think they are biting your style? Conspiracy and The Explosion tonight at the El Rey Theatre, That’s great you guys are satisfied now. No, I definitely wouldn’t think that because I don’t 5515 Wilshire Blvd, 8p.m. $13.50. All ages. ROCKY DOES NASCAR DRIVEN SPOTLIGHTS THE DESCENT OF STY STALLONE’S CAREER not amused_andy sywak dialogue spouts out of the actor’s mouth so that Bly is chasing Brandenburg’s Instead of trying to come up with some cold and lifeless that nothing meaningful estranged wife Sophia (Estella Warren). witty lead to the story, let me just cut to the or believable is ever allowed to develop. When Bly loses his focus, a maverick rac chase: “Driven” sucks. The film races Sensationally overdone direction by Renny ing promoter (Burt Reynolds in “Boogie around in familiar circles toward a goal Harlin, virtually everything about this Nights” form) brings in old burnt-out dri that doesn’t seem clear. Meant to be an movie reeks of mediocrity. ver Joe Tanto (Stallone) to help out the insatiably exciting, fast-paced adrenaline The film opens in what is the relative rookie and compete with Brandenburg for cruise — sort of a “Top Gun” of the racing strength of the film, the racing scenes. the World Championship. world — even the great special effects of Doe-faced, talented rookie driver Jimmy Whatever excitement the racing scenes the crash scenes cannot save this film from Bly (a very flat Kip Pardue) is trying to generate quickly dissipates as Harlin tries the dustbin of insignificance. overtake the Dale Earnhardt of the racing to develop uncreative and dry personal sto Prospective screenwriters who are inter world, Beau Brandenburg (German sex- ries. Perhaps a movie to be appreciated by ested in how not to write a script should symbol Til Schweiger). Bly loses the race the devout NASCAR fan, “Driven’s” script consult this unimaginative dirge penned by but wins others, and a rivalry develops is too poor to breathe any life into its Sylvester Stallone. The predictable, cliched between the men complicated by the fact intentions.
thing.qtnrio » calendar today I thursday tomorrow I friday weekend I Saturday
Every Thursday around 6:30 or so, Artsweek takes a break All right, darlings, while it’s perfectly acceptable to spend Ah, Cinco de Mayo. If the only “culturar experience you’ve from relaxing in their spacious, clean office (recently your typical Friday nights getting wasted and freaking some gotten recently has been looking at racist ads from well- redecorated in accordance with the principles of feng girl to “Around the World (La La La La La),” eveiy once and known bars downtown in certain student newspapers, by shui), and ponders why there isn’t a stampede in the direc a while it's a good idea to step outside the mold. all means change your ways. Start by going to one of the tion of Campbell Hall. It's time to create pandemonium, Thankfully, DJ Manabu and Inti bring their records to cultural events taking place on campus this Saturday.The kids, so run over to catch “Alexander Nevsky,” a Medieval Elsie’s eveiy Friday to bless your creatively-deprived souls Vietnamese Student Association presents their annual cul war epic that even has English subtitles. No, seriously, run! with the best in downtempo, electro, hip hop and much ture show - a variety of skits, dances, singing, fashion and 7:30 pm $5 students; $6 general. more. 117 W. De La Guerra. 21+ more. Lotte Lehmann Concert Hall, 7 p.m. $10. Daily Nexus Thursday, May 3,2001 $ Â
theater I reviews
LOVE’S LABOR LOST TO GILLJAN ON HER 37TH BIRTHDAY EXPLORES DEATH + LOSS complex_armando alvarado
How does one cope with the loss of a loved one and death along with the problems that encounter a teenage dramatic confrontation between the two. Also, the young deal with the complex family problems that occur after girl. Coincidentally, the weekend in which the play is set Jennifer Ernest gives a convincing performance of a ward? “To Gillian on her 37th Birthday,” presented by is also the weekend of Gillian’s birthday and death. David teenager trying to cope with the loss of her mother and the Seaside Theatre Company, deals primarily with this continues to hang on to the memory of his wife and is friend. complex problem. visited by her on his late night walks and talks with her. “To Gillian on her 37th Birthday” captures the emo Michael Brady’s critically acclaimed OfF-Broadway Rachel and her Aunt Ester (Leslie Story) urge David to tional tribulations of a family coping with the death of a play, later adapted for the big screen, revolves around a accept the death of Gillian and to move on with his life, family member. The small unknown theatre should not family gathering in a beach house off the coast of New but to no avail. During this weekend Ester and her hus deter anyone from making the drive to Carpinteria to see England. The play develops around the central character band Paul (Martin Bell) bring along a former student of this great production. David (Bryan Kimmel) who has shut himself off from his David’s, Kevin (Debbie Leppert) to attempt to help him family and fallen in to a state of depression since the acci out of his depressive state, unaware of the importance of “To Gillian on her 37th Birthday” rum through May 20. dental death of his wife Gillian (Jean Hall). The young the anniversary of Gillian’s death. Performances are Friday and Saturday at 8p.m. and Sunday and enthusiastic Rachel (Jennifer Ernest) takes the Both Kimmel and Story perform wonderfully and are at 2 p.m. at the Theatre Molly Barbey, 5315 Foothill Rd., enduring role of David’s daughter who is spending time the key performers in the play. Ester, who is a therapist, Carpinteria. $7 - $10, general. For tickets and information, with her father and attempting to deal with her mother’s tries to help David, but this turns into an emotional and call 684-6380. THREE FLOWERS OF FUN TAKING STEPS GOES UP AND UP AND UP eruditejulie kraim In the spirit of Oscar Wilde’s farcical the way that people negatively interact in the characters going up and down the portrayals of human nature in plays such with each other in a positive light. About stairs rather frequently, with the effect of as “The Importance of Being Earnest,” half of the play takes place with three men having many characters on the stage at the the Santa Barbara City College Theater all wearing identical pajamas. One of the same time unaware of each other’s pres group’s newest production, “Taking characters is a raging alcoholic who drinks ence. The comedy of the situations that Steps,” attempts a low brow imitation of buckets of scotch and never seems to be arise is based primarily on the fact that his thematic style. Like “The Importance phased by it until the moment that he everybody has their own agenda, and the of Being Earnest,” “Taking Steps” is a learns that his wife has left him. Then audience can see each character’s plans commentary on the commonness of peo there are the two characters who have being hatched simultaneously. ple misunderstanding each other, showing these bizarre speech patterns and who are Irony and comedy join together as cer the ridiculous nature of ourselves to our next to impossible to understand. tain characters spend the evening in the selves. Observing over 60 audience mem The only characters that can relate to same house without ever meeting each bers rolling in the aisles, the play proves to each other and treat each other kindly are other, and ultimately the most unassum be unpredictable and witty in its execu those with strange speech patterns, played ing character is the one that becomes the tion. by Edward Lee and Melissa Webb. They most depended upon. “Taking Steps” is The premise of “Taking Steps” is a are also the most endearing characters decidedly not self-conscious in its essence, group of six characters that realize their that induce the audience’s sympathy. nor is it very thought provoking, but is interconnectedness as the truth is slowly Roland, played by Jon Koons, is the char nevertheless enjoyable to see. revealed. They consistently misunderstand acter whose wife attempts to leave him. each other due to their habitual self-cen- Mark (Everett Moore) and Tristram teredness, which is the main attribute that (Edward Lee) contribute to the physical “Taking Steps* runs through May 12, they all share. comedy that arises out of Roland’s alco Tuesday through Sunday, 8 p.m. and “Taking Steps” portrays different types holism. Sunday, 2p.m. at Studio Theatre at SBCCs I’m not going up those stairs» Kati Soleil in of clashing personalities. Intended to take Alan Aykbum’s set utilizes three floors West Campus. tl4 - $16 general. For tickets Santa Barbara City College's “Taking Steps' place in modem times, the play exposes of a Victorian style house. This set results and information, call 965-5935.
thingstorio » calendar ------► weekend I Sunday next week I tuesday next week I W ednesday
While we’re reluctant to admit it, one of your very cool Although you might not be old enough to legally experi It is time, dark ones, to crawl out from your caves of hid Artsweek editors has actually been to Cape Breton, Nova ence the debauchery amiss during Calypso's Reggae ing. Don’t wony, by the time the show starts, the sun will Scotia, home of Celtic fiddler Natalie MacMaster. There, Tuesday, there’s plenty of other things going on in the area have gone down, so put on your eyeliner with care and Celtic fiddlin' is actually really cool; some of their best fid that are just as fan. Experience your debaucheiy vicariously come - candleabras, fishnets, boots, dog collars, red dlers even get remixed by their, uh, top deejays. Natalie this Tuesday by getting over to I.V. Theater in time to catch roses, skulls, black nailpolish, bad poetry and all - to MacMaster might keep it “traditional,” but that doesn’t “Traffic,’’ the award-winning film that deals honestly with Madhouse for a ghoulish, ghastly experience. There, Carried mean she can’t get down and dirty. Ironically, she's even the drug war. It screens twice (at 7 p.m. and 10 p.m.) and By Six wilj carry you away into a gothic experience that been called “electrifying.” Campbell Hall, 7 p.m. is only a meager $3 for students. $5 general. resembles the afterlife. Morbid indeed. 434 State St. 21+ 6A Thursday, May 3,2001 Daily Nexus SOUND- SOUNDSTYLE* myself quite enjoying it. swing and dynamism that buoys it friendly conventions of rock music to pro I need a shower. (DJ Fatkid has needed a through thick and thin. But take this rec claim itself. It’s not bad; it’s just a record. shower for a while, actually] ommendation with a grain of salt: If ICollin Mitchell] you’re not in with postmodernism, you’re doomed to be forgotten. [Di Fatkid]
Bats and Mice | s /t | Levitt
I feel dirty, sullied, debased, degraded and all around icky. But let me start at the beginning. Burning Airlines | Id e n tik it | De Soto A l Natural | Second Nature | Thrill Jockey I hate emo. I find emo bands to be pre tentious, phony and narcissistically self- Postmodernism is hardly unknown to Diffuser | Injury Loves Melody j Hollywood I don’t know who Capital D and Tone involved. However, I love chaotic hard independent rock. Nearly every crap con B. Nimble think they are. Waiting four core (aka screamo) and one of my favorite ceptual Polyvinyl band can quote Plowed and cultivated by hit producer years to follow up your first album is usu representatives of that genre is the sadly Baudrillard or Foucault. Rare, however, is Don Gilmore, Injury Loves Melody is set ally artistic suicide in the hip hop world; demised Sleepytime Trio. When I found a concrete example of a deliberate post to infuse itself into the unfriendly waters waiting four years as an independent is out that three-fourths of Sleepytime had modern musical aesthetic. Burning of modern-rock radio. Although unlike its even worse. But the duo known as All regrouped as Bats and Mice, I ran around Airlines shows conceptual savvy on a bass-pounding and socially inept contem Natural has stayed true to its Chicago in circles whooping and cheering and more structural level, composing post poraries, Diffuser will not have any prob roots by doing local shows and putting on generally getting on everyone’s nerves. hardcore with a referential edge. lem finding itself a willing and under other regional talent, and now the group Bats and Mice, it turns out, play emo. Singer/guitarist/songwriter J. Robbins standing audience. comes back to the forefront armed with a Fuck! (refugee from seminal D.C. group The album is indifferent and unthreat strong territorial fanbase. But that’s not the worst of it. In spite Jawbox) has one of the finest natural voic ening. The infectious melodies are pleas Thankfully, All Natural hasn’t lost any of all my prejudices, I like Bats and Mice. es in indie rock, which he employs in a ant but too persistent. They work, but of the Fresh Air that made it so dope four The three songs on this EP combine a myriad of ways: cracking anger, Andrew grow tiresome. All in all, the songs and years ago. Capital D is still incredible with sparse melodic air with some unbelievably Lloyd Webber-esque melodiousness and the record seem pretty textbook. “Wide his wordplay, constructing well-thought killer hooks, and I ended up singing them Tony Bennett-like jazzy crooning. The Eyes” exemplifies Diffuser’s formula for a rhymes that stay balanced on the thin line over and over in front of the same people music itself borrows liberally from punk, rock song: a great lead and a relentless between jaded and preachy. There are sev who were already annoyed with me for mod, jazz, prog, dub and blues, all filtered chorus extended at the end for the big fin eral guests sprinkled throughout the the spazz-out recounted above. Thus, I through an obligatory dose of Fugazi. ish. Unfortunately, this formula works all album’s 19 songs, and all of them manage now find myself alone. But that’s fine, Lyrically, too, many of the songs read like too well for the band, and it is incapable to hold their own with master of cere because the interweaving vocals on this passages from City o f Quartz. of designing anything with a different monies Capital D.The best teaming is on EP evoke a therapeutic melancholy better Though songs like “Earthbound,” with concept, structure or catch. Although this “Uncle Sam,” where D and Slug from than any band since Three Mile Pilot. I its creaky acoustic guitar, or “A Song with record will diversify the hum of rock Atmosphere address some of America’s could cover my ass and say this album is No Words” come off as stilted and cold, radio, it isn’t an eclectic album. It’s ear most formative icons. “dark pop,” but no, it’s emo, and I find much of this album has a certain kick, candy and simply uses the consumer- While Capital D claims to be “old MOST UCSB students have 0-4 drinks when they party*
pho to b y B ridget Saltzm an 1 drink=12 oz. beer or 4-5 oz. wine or loz. liquor Over 3,000 UCSB Students DON'T DRINK AT ALL!
Based on survey data collected by Student Health in 1999 from UCSB nappy B irthday students in a randomly selected mailing.
For m ore inform ation, call 893-2630. Dally Nexus Thursday, May 3,2001 7A SOUND- SOUNDSTYLE* monies Capital D. The best teaming is on success (“La la la la la”). Daft Punk takes upon your straight-edge nose. You read music, but there’s no doubt that Ms. “Uncle Sam,” where D and Slug from its various formulas of success — glittery that correcdy. Knowles is a force to be reckoned with. Atmosphere address some of America’s ’80s rock guitars, solid beats, hearty After convincing a generation of While the rest of us 20-year-olds bike most formative icons. basslines, sci-fi film sound effects, etc. — seven-year-old girls to demand their around campus in the sun, Ms. Knowles While Capital D claims to be “old and rearranges the parts. For better, boyfriends pay off their own exorbitant has written and produced every song on school like performing calculus with an aba there’s the funk-infused “Harder, Better, long-distance charges (“Bills, Bills, Bills”) this album — a claim Diana Ross could cus” don’t be fooled: All Natural is way Faster, Stronger,” “High Life” and and express feelings of love (“Say M y never make back in her days of Motown ahead of the game. This fact is never more “Something About Us.” For worse, there’s Name”), Destiny’s Child then convinced glory. Destiny’s Child might seem like evident than on “Godspeed,” where D “Digital Love,” “Superheroes” and females between the ages of 4 and 74 to just another product of the Hollywood humbly admits, “I don't claim to have all the “ Veridis Quo,” all of which come across as ditch the aforementioned boyfriends for a machine, but I’m certain they’re more answers/ I don’t even know all the ques derivative theme music to bad ’80s TV much-needed girls’-night-out rendezvous than just survivors. [Jenne Raub] tions.” Humbleness in hip hop? I take shows. Other tracks such as “Short at the local club (“Jumpin’, Jumpin’”). Not back what I said earlier: All Natural is Circuit” and “Cresendolls” sound interest to be outdone by music alone, Destiny’s light years ahead of the game. [Trey Clark] ing on the first listen but quickly become Child then entered the media circus with k c s b 9 1 .9 tired after a fourth or fifth listen. a bunch of hoopla for firing two of its four top tm hip hop singles Although it’s commendable that Daft members. After the grand shuffle, the Punk seeks new horizons, Discovery public was left with Beyonce Knowles, shows that sometimes the new terrain it Michelle Williams and Kelly Rowland — 1. Zionl, “ Le Le Le” (Nu Gruv) discovers is worse than where it began. three lean, mean vocal machines with odd 2. Greyboy, “Bath Music” (Ubiquity) For fans of new sounds in house (or at matching outfits and a strange in-family 3. Saul Williams, “Purple Pigeons" least those who just need to own “One management team. (Ozone) More Time” on CD), Discovery is worth Enter a litde film called “Charlie’s 4. M.F. Doom, “ I Hear Voices” the purchase. [Jenne Raub doesn’t need the Angels,” get honey-voiced Beyonce to pen (Subverse) Weatherhuman to know which way the wind blows] a ditty encouraging women of all ages and 5. LA. Symphony, “Move On” (White occupations to feel good about taking care Label) of themselves and watch the song be their 6. Object Beings, “Attack of the Post- first to hit the #1 spot on Billboard. Any Modern Pat Boones” (Weapon- problems caused by the rearrangement Shaped) were, to be succinct, solved. 7. Cannibal Ox, “B-Boy’s Alpha” (Def Daft Punk | Discovery | Virgin On Tuesday Survivor hit stores, Jux) already with two Top 10 hits to its not- 8. Mr. Lif, "Fulcrum” (Def Jux) While you’ve been out about town yet-released status. The album is more of 9. Anti-Pop Consortium, “Autograph" knocking back Red Bulls and vodka at an the same ready-for-Revlon, glossy pop (Ozone) alarming rate, wrapping your arms around feminism, but Destiny’s Child is, shall we 10. Bullet-Proof, Space Travelers “eD ladies in tube tops and snorting precious say, getting in touch with its sultry side, as - Die-def ’ (Stray) concoctions of lidocaine and laundry spngs like “Bootylicious” illustrate. Songs detergent, Daft Punk was down in the touch on familiar ground, but Ms. - As reported by Matt Kawamura basement mixing up a new kind of medi Knowles has a definite knack for writing cine. Let’s call it “The New Disco.” pop music. And even if you hate the go- Call the KCSB Request Une at 893- Four years ago, Daft Punk branded its Destiny’s Child | Survivor | Sony get-‘em-girl pop anthems, isn’t music sup 2424, yo! You won’t be sorry! pop-meets-punk-on-their-dance-floor posed to bring everyone together, from vibe with an ’80s logo, sent it “Around the Destiny’s Child is the most important the beer-loving sorority girl to the obese V J World,” and have since watched several girl group since The Supremes. diva in lower management? We want to hear from you, so email us: dozen cheap imitators relish only one-hit Push your thick-rimmed glasses back You might hate everything about pop artsweek@dailynexus. com
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