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European Elections Why Vote? English
Europea2n E0lecti1ons9 THE EUROPEAN PARLIAMENT THE EUROPEAN ELECTIONS WHY VOTE? ENGLISH United Kingdom Results of the 23 May 2019 European elections Show 10 entries Search: Trend European Number of Percentage of Number of Political parties compared with affiliation votes votes seats 2014 Brexit Party EFDD 30.74% 29 ↑ Liberal Democrat Party Renew Europe 19.75% 16 ↑ Labour Party S&D 13.72% 10 ↓ Green Party Greens/EFA 11.76% 7 ↑ Conservative Party ECR 8.84% 4 ↓ Scottish National Party Greens/EFA 3.50% 3 ↑ Plaid Cymru, Party of Greens/EFA 0.97% 1 ↑ Wales Sinn Fein GUE/NGL 0.62% 1 = Democratic Unionist 0.59% 1 = Party Alliance Party 0.5% 1 ↑ Showing 1 to 10 of 10 entries Previous Next List of MEPs Rory Palmer Labour Party S&D Claude Ajit Moraes Labour Party S&D Sebastian Thomas Dance Labour Party S&D Jude Kirton-Darling Labour Party S&D Theresa Mary Griffin Labour Party S&D Julie Carolyn Ward Labour Party S&D John Howarth Labour Party S&D Jacqueline Margarete Jones Labour Party S&D Neena Gill Labour Party S&D Richard Graham Corbett Labour Party S&D Barbara Ann Gibson Liberal Democrats Renew Europe Lucy Kathleen Nethsingha Liberal Democrats Renew Europe William Francis Newton Dunn Liberal Democrats Renew Europe Irina Von Wiese Liberal Democrats Renew Europe Dinesh Dhamija Liberal Democrats Renew Europe Luisa Manon Porritt Liberal Democrats Renew Europe Chris Davies Liberal Democrats Renew Europe Jane Elisabeth Brophy Liberal Democrats Renew Europe Sheila Ewan Ritchie Liberal Democrats Renew Europe Catherine Zena Bearder Liberal Democrats -
BRIEFING PAPER a Boost for British Businesses: Policies for a New Government
the entreprenurs network | tenentrepreneurs.org June 2017 BrIeFING pAPER A Boost For BrItIsh BusInesses: polIcIes For A new government Britain’s exit from the European Union will understandably be the focus of the new Government – after all, the deal that’s struck will be critical for Britain’s businesses. But to capitalise on new trade opportunities, and gear our economy to support future generations without further increasing the public sector deficit, we must have an immediate plan to boost British businesses. In partnership with A Boost F or BrItIsh BusInesses: polIcIes F or A new government 1 A culture of entrepreneurship needs hard policies behind it. If we can deliver growth for Small and Medium-Sized Enterprises (SMEs) – who “these proposals are make up 99 per cent of private sector businesses, employ 15m people across all about supporting the UK and have a collective turnover in the region of £1.8tn – we can safeguard the future success of our economy. business owners who want to grow their We have spoken to entrepreneurs in our network of over 10,000 businesses.” entrepreneurs, as well as experts in other organisations who work directly with many thousand more business owners to come up with some immediate wins for the next Government. These proposals are all about supporting business owners who want to grow their businesses. We must take down the barriers and free up entrepreneurs to fulfil their ambitions by making the UK the best place to start and grow a business. AwArEnEss of BUsinEss sUpport Over the past decade, successive Governments have done a great deal to bolster the UK’s start-up environment. -
Doha Metro Network to Be Operational from Tuesday
BUSINESS | 15 SPORT | 18 New world order Sri Lanka name offers Turkish Mickey Arthur as economy great their new head opportunities coach Friday 6 December 2019 | 9 Rabia II 1441 www.thepeninsula.qa Volume 24 | Number 8097 | 2 Riyals Amir to honour All Doha Metro winners of International network to be Anti-Corruption Excellence Award QNA operational DOHA Amir H H Sheikh Tamim bin from Tuesday Hamad Al Thani will honour winners of the International Anti-Corruption Excellence SACHIN KUMAR its preview service for Hamad Award in its fourth edition THE PENINSULA International Airport station and during a ceremony which will for Katara, Qatar University and take place on Monday in the Ministry of Transport and Lusail on the Red line. capital of Rwanda, Kigali, in Communications announced “The test operation of the cooperation with the United yesterday that test operation of Doha Metro Green Line will start Nations, and in the presence of the Doha Metro Green Line will this Tuesday, December 10, the President of Rwanda, start from this Tuesday. On the which means test operations for H E Paul Kagame. same day, Doha Metro will start all Doha Metro lines will have H H the Amir and H E the President of Rwanda will honour the winners of the four Doha Metro will start its preview service for Fans on their way to Al Janoub Stadium for the semi-final match between Qatar and Saudi Arabia, awards which are The Award in Al Wakra Metro Station yesterday. PIC: ABDUL BASIT THE PENINSULA Hamad International Airport station and for for Academic Research and Education, The Award for Youth Katara, Qatar University and Lusail on the Red line. -
Lyrics and Music
Soundtrack for a New Jerusalem Lyrics and Music By Lily Meadow Foster and Toliver Myers EDITED by Peter Daniel The 70th Anniversary of the National Health Service 1 Jerusalem 1916 England does not have a national anthem, however unofficially the beautiful Jerusalem hymn is seen as such by many English people. Jerusalem was originally written as a preface poem by William Blake to his work on Milton written in 1804, the lyrics were added to music written by Hubert Parry in 1916 during the gloom of WWI when an uplifting new English hymn was well received and needed. Blake was in- spired by the mythical story Jesus, accompanied by Joseph of Arimathea, once came to England. This developed its major theme that of creating a heaven on earth in En- galnd, a fairer more equal country that would abolish the exploitation of working people that was seen in the ‘dark Satin mills’ of the Industrial revolution. The song was gifted by Hubert Parry to the Suffragette movement who were inspired by this vi- sion of equality. 2 Jerusalem William Blake lyrics Hubert Parry Music 1916 And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among those dark Satanic Mills? Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight Nor shall my sword sleep in my hand Till we have built Jerusalem In England's green and pleasant Land Hubert Parry 1916 Words by William Blake 1804 3 Jerusalem 1916 4 Jerusalem 1916 5 Jerusalem 1916 William Blake imagined a time when Britain would be a fairer more equal society. -
The Future: the Fall and Rise of the British Film Industry in the 1980S
THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
8330 Jewish History Book
Cultural Exploring the vanishing Walks 1&2 Jewish East End night ‘hang out’. ‘The Waste’, as it was called, along Introduction Whitechapel, was another place of adventure and I worked there for a while for a man who called himself the ‘Pen By Steven Berkoff, King’. I worked for him occasional Saturdays and I believe still resident in the East End it was here that I first got my taste for acting. Eventually The East End, as I knew it from our family was re-housed to a council flat in Manor House, the brief time I spent there after N4. But for years I would take the No. 653 bus back to the the war, was a place of constant East End. I somehow found it hard to get away. activity. In the summer, my street mates and I would go swimming © Steven Berkoff 2003 by Tower Bridge; tons of sand had been placed on the shore Walk 1 and it became the Cockney’s Riviera. After a vigorous swim, it would be a treat to go to the Lyon’s teashop in Aldgate and avail ourselves of the Aldgate to Whitechapel Library goodies to be had there, tomato soup with mashed potatoes being the favourite. Artists, Cigarmakers and Markets Naturally Sunday morning in the ‘Lane’ was a must and a Starting point St. Botolph’s, Aldgate place to haggle with stamp collectors, since I was an avid Finishing point Whitechapel Library philatelist in those days. Weeknights were spent at the Oxford and St. George’s Boys Club in Berner Street, where I Estimate time 2.25 hours acquired high skills in ‘ping pong’, the working man’s tennis. -
East Midlands
British MEP Candidates for 2019 03/05/19 East Midlands 1. Annunziata Rees-Mogg Brexit Party 1. Alan Graves UKIP 2. Jonathan Deryck Bullock Brexit Party 2. Marietta King UKIP 3. Matthew Richard Patten Brexit Party 3. Anil Bhatti UKIP 4. Tracy Selina Knowles Brexit Party 4. Fran Loi UKIP 5. Anna Louisa Bailey Brexit Party 5. John Evans UKIP 1. Kate Godfrey Change UK 1. Bill Newton Dunn Lib Dems 2. Joan Laplana Change UK 2. Michael Mullaney Lib Dems 3. Narinder Sharma Change UK 3. Lucy Care Lib Dems 4. Pankajhumar Gulab Change UK 4. Suzanna Austin Lib Dems 5. Emma-Jane Marley Change UK 5. Caroline Kenyon Lib Dems 1. Emma McClarkin Conservatives 1. Rory Palmer Labour 2. Rupert Matthews Conservatives 2. Leonie Mathers Labour 3. Anthony Harper Conservatives 3. Tony Tinley Labour 4. Brendan Clarke-Smith Conservatives 4. Nicolle Ndiweni Labour 5. Thomas Randall Conservatives 5. Gary Godden Labour 1. Nick Byatt Independent Network 1. Simon Louis Rood Independent 2. Marianne Jane Overton Independent Network 3. Daniel Anthony Simpson Independent Network 4. Pearl Winifred Clarke Independent Network 5. Nikki Dillon Independent Network British MEP Candidates for 2019 03/05/19 East of England 1. Richard Tice Brexit Party 1. Robin Tilbrook English Democrats 2. Michael Heaver Brexit Party 2. Charles Vickers English Democrats 3. June Mummery Brexit Party 3. Bridget Vickers English Democrats 4. Paul Hearn Brexit Party 4. Paul Wiffen English Democrats 5. Priscilla Huby Brexit Party 6. Sean Lever Brexit Party 1.Attila Csordas Independent 7. Edmund Forham Brexit Party 1. Emma Taylor Change UK 1. -
Bp1 / Llv Impacts + Beyond
BP1 / LLV IMPACTS + BEYOND Games Monitor [ Briefing paper on London 2012 Olympic Games ] Games Monitor, December 2015 (fifth edition) – replacing previous background papers and extensively revised Other papers in the series: BP 2 / Finance, profit + infrastructure BP 3 / Apparatus (state + media) http://www.gamesmonitor.org.uk/contact_media_centre Games Monitor was founded in 2005 to raise awareness on issues around the London 2012 development process. We can be contacted at [email protected]. Questions on the background papers specifically should be addressed to Carolyn Smith [email protected]. CONTENTS 1. Loss of habitat and Common Land 7 1.1 Wildlife casualties and habitat destruction 7 1.2 Loss of Common Land, historic landscape and open space 8 Lammas Lands Exchange land (Hackney Marshes) Greenwich Park Wanstead Flats Leyton Marsh Drapers Field 2. Clearance of settlements, firms and local sport 13 2.1 Population displacements 13 Homelessness Gypsies and Travellers Clays Lane estate Students living on the Park Village estate Carpenters Estate, Stratford Manor Garden allotments River Lea bargees 2.2 International context of residential displacement 19 Erasure of Roma settlements, Athens 2004 Forced removal, Beijing 2008 Gentrification and resistance, Vancouver 2010 Clashes and inadequate infrastructure, Sochi 2014 Repression in the favelas, Rio 2016 2.3 Local economy: displacement of small businesses 23 2.4 Sporting losses and targets 25 Grassroots sport Cycling Football (soccer) Swimming Cuts to sports finance Sports participation 3. Contamination fears and impact of construction 27 3.1 Radioactive contamination and hazardous waste 27 3.2 Air pollution associated with construction 28 3.3 Impacts of construction on local residents 29 3.4 Sewage contamination 29 4. -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole. -
Royal Jews: Jewish Life in Berkshire from the Readmission Till Today
10.14324/111.444.jhs.2016v47.014 Royal Jews: Jewish Life in Berkshire from the Readmission till Today jonathan romain In a previous article for Transactions,1 I covered the remarkable history of the medieval river Jews – those who arrived after the Norman Conquest, settled in London and then gradually moved out along the River Thames to places where Jews today go for Sunday picnics (to Windsor, Marlow, Henley), which were certainly not high-density Jewish areas in the Middle Ages, but where there was a Jewish presence. That came to an end following the expulsion of the Jews in 1290 and lasted until their readmission by Cromwell in 1656. In reality there were a few exceptions by those who made brief appearances in the area under examination, Berkshire (but occasionally straying across its borders to South Buckinghamshire and parts of Oxfordshire). One such individual was found in 1450 living near Eton College, which had been established ten years earlier by Henry VI. Once discovered, the only way he could remain in the country was to be baptized. This occurred under the auspices of the king and so he took the name Henry of Eton, presumably a way of reflecting both his loyalty to the monarch and his place of residence at the time. He went to live in the Domus Conversorum in London, but left after three years, after which his whereabouts are unknown.2 A much longer resident was a Jew who converted and took the name Henry of Windsor, who stayed there from 1488 until his death in 1509.3 Everything changed after Cromwell: Jews emerged in London and later migrated to the Home Counties, the area west of London covering Berkshire, Buckinghamshire, and Oxfordshire. -
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience.