DOCSLIB.ORG

1 33Rd BATTALION MACHINE GUN CORPS and of the 19TH, 98TH, 100TH, and 248TH M.G

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 33Rd BATTALION MACHINE GUN CORPS and of the 19TH, 98TH, 100TH, and 248TH M.G 1 33rd BATTALION MACHINE GUN CORPS AND OF THE 19TH, 98TH, 100TH, AND 248TH M.G. COMPANIES, HISTORY AND MEMOIR OF THE: Written and Illustrated by Members of the Battalion. (Lieut.‑Colonel G.S. Hutchinson, D.S.O., M.C., Commander). London: Waterlow Brothers & Layton, 1919. Large 4to. Clothbound with printed paper titling label to front cover. (xiv, 118pp.). With additional dec. title‑page, coloured frontisp., tipped‑in printed letter from Buckingham Palace, plates some of which are coloured, and maps mostly folding. Edition limited to 1600 numbered copies printed for private circulation only. Some foxing to text, otherwise fine and complete. $400 2 ABRAHAM, L. A Dictionary of Alchemical Imagery. Cambridge University Press, (1998). Roy. 8vo. Orig. cloth. Dustjacket. (xxii, 250pp.). With illusts. 1st edition. Review copy. Fine. $135 3 ACHAD, Frater. (George Graham Price). Q.B.L. or, The Bride’s Reception. Being a short Cabalistic Treatise on the nature and use of the Tree of Life. With a brief introduction and a lengthy appendix. New York: Samuel Weiser, (1972). 8vo. Orig. cloth. Dustjacket. (xiv,106,II,44pp.). With 4 full‑page col. plates, and 19 b/w text‑illusts. $75 4 ACHAD, Frater. The Anatomy of The Body of God. Being the Supreme Revelation of Cosmic Consciousness. With Designs showing the Formation, Multiplication, and Projection of The Stone of the Wise, by Will Ransom. New York: Samuel Weiser, 1969. 8vo. Orig. cloth. Dustjacket. (xvi,112pp.). With col. frontisp., and num. text‑figs. Lim. ed. Fine. $75 5 AGRIPPA, H.C. His Fourth Book of Occult Philosophy: Of Geomancy. Magical Elements of Peter de Albano. Astronomical Geomancy. The Nature of Spirits. Arbatel of Magick. Transl. into English by Robert Turner. London: Askin Publishers, (1978). 8vo. Orig. qtr. calf. (xvi,16,218pp.). With portr., and text‑figs. Edition lim. to 500 numbered copies. Fine. Note: Facsimile reprint of the 1655 London first edition. $90 6 ALLENBY, (E.H.H) (By W.T. Massey). Allenby’s Final Triumph. London: Constable and Co., 1920. 8vo. Orig. cloth (slightly flecked). (xii, 348 pp.). With frontisp., 29 full‑page plates, and 3 maps. 1st ed. Uncut. NOTE: It was Allenby that led the Australian Mounted Division to victory in Palestine, 1917‑18, during W.W.I. Massey was the official correspondent of the London Newspapers with the Egyptian Expeditionary Force. $150 7 ALLENBY, E.H.H. (By General Sir Archibald Wavell) ... Allenby: A Study in Greatness. The Biography of Field‑Marshal Viscount Allenby of Megiddo and Felixstowe G.C.B. G.C.M.G. London: George G. Harrap & Co., (1940). 8vo. Orig. cloth (spine and extremities faded). (312pp.). With portr., 13 full‑page plates, and 15 maps and plans one of which is fold. 1st ed. NOTE: Edmund Henry Hynman Allenby (1861‑1936) was a British soldier who led British troops, including the Australian Light Horse, to victory in Palestine, 1917‑1918, during the First World War. $125 8 ANDERSON, Ethel. The Song of Hagar to the Patriarch Abraham. (Sydney): Edwards & Shaw, 1957. Sm. 4to. Orig. boards. In slightly torn dustjacket. (18pp). With title‑vign. and text‑illusts. Title‑page printedin red/black ink. 1st ed. $45 1 9 ANDREWS, Gordon. Seeing: A photographic voyage of discovery and delight. Introduction by David Moore. Sydney: Craftsman House, (1987). Sq. small 4to. Orig. cloth. Gilt. In matching slipcase. (106pp.). With full‑page photographic images in both colour and b/w. Limited ed. of 75 numbered copies signed by the photographer, together with an orig. coloured photograph in a folder, loosely inserted. Fine. $150 10 ANTHONY, G. The Sadler’s Wells Ballet. Camera Studies by Gordon Anthony. With an Introduction by E. Leigh. London: Geoffrey Bles, (1948). Sm. 4to. Orig. cloth. (xvi pp. text). With 47 full‑page photographic plates. Fine. $55 11 APOCRYPHA, THE. Reprinted according to the Authorised Version 1611. London: The Nonesuch Press, 1924. Tall 4to. Orig. boards. Gilt (slightly rubbed). (iv, 242pp.). With illust. title‑page, and head & tail‑piece illusts. Ed. lim. to 1250 numbered copies, printed on Japon vellum. Uncut and partly unopened. $250 12 APULEIUS, Lucius. The Golden Ass. Transl. by Jack Lindsay. Illustrated by Percival Goodman. New York: The Limited Editions Club, 1932. Roy. 8vo. Orig. full natural ass’s hide, gilt spine. T.e.g. other edges uncut. (xvi, 394pp.). With illust. title‑page, 100 b/w line drawings by Percival Goodman, and 14 initial letters printed in red. Dec. endpapers. Lim. ed. No. 910/1500 copies, signed by Percival Goodman. Uncut. In orig. slightly rubbed slipcase. Fine. $400 13 AQUINO, Michael A. Church of Satan. San Francisco: Temple of Set, 1983. Thick Sm. 4to. Orig. black cloth with silver title to front cover & spine. (viii,580pp.). With 2 portrs., and 35 col. photographic illusts. Author’s inscribed and signed present. copy. Fine. $150 14 ARETINO, Pietro. Les Sonnets Luxurieux, de L’Aretin. (I Sonetti Lussuriosi di Pietro Aretino). Texte Italien avec traduction Francaise en Regard Precedes de la Notice et des Commentaires de Isidore Liseux. Et publies pour la Premiere fois avec la suite complete des Dessins de Jules Romain... Paris: (Charles Hirsch), 1904. Oblong Sm. 4to. Orig. half blue crushed morocco, over marbled boards. Gilt spine, with 5 raised bands. T.e.g other edges uncut. Decorative endpapers. (xii, 156pp.). With engraved frontisp., 16 full‑page sepia‑toned litho, plus a duplicate set of 16 photo‑gravure plates (total 32 plates). Lim. ed. of 500 copies, this being No. 321 on Arches. Parallel text in Italian and French. Complete. $3,500 15 ATWOOD, M.A. Hermetic Philosophy and Alchemy. A suggestive inquiry into “The Hermetic Mystery” with a dissertation on the more celebrated of the alchemical philosophers. ...Introd. by W.L. Wilmhurst. New York: The Julian Press, 1960. 8vo. Orig. cloth. (iv, 64, v‑xxv, 598 pp.). Fine. $60 16 AUSTRALIAN WOMEN’S WEEKLY, THE: Memories and great moments from Australia’s most loved magazine. (75 years of the Australian Women’s Weekly). Edited by Katie Ekberg. (Sydney: Park Street Press/ACP Magazines, 2008). Folio. Orig. cloth (a little shelf‑soiled). Dustjacket. (304pp.). Profusely illustrated in colour and b/w. Text printed in double‑column. $55 17 BARING GOULD, S. Curiosities of Olden Times. London: J. T. Hayes, (1869). Sm. 8vo. Orig. cloth (slightly shelf soiled). (iv,306,2pp.). 1st ed. $50 2 18 BARING‑GOULD, S. Strange Survivals. Some chapters in the History of Man. London: Methuen, 1892. 8vo. Orig. cloth. Gilt. (vi, 288pp.). With frontisp., and num. text‑illusts. 1st ed. Uncut. $100 19 BARKER, T. Signals: A History of the Royal Australian Corps of Signals 1788‑1947. Canberra 1987. 8vo. Orig. cloth. Dustjacket. (xiv,362pp.). With numerous plates and maps incl. endpaper maps. Presentation copy. Fine. $100 20 BARTLETT, A. and C.E.W. BEAN. Australians in Action: The Story of Gallipoli. Sydney: Department of Public Instruction, NSW, 1915. 8vo. Orig. illust. wrappers (slightly soiled, creased and damp marked). (32pp.). With portrait, 3 maps of which 1 double‑page, and 3 plates. Scarce. NOTE: Reprinted from cabled reports of the landing of the Australian Troops at the Dardanelles, written by Mr. Ashmead Bartlett, War Correspondent, and Captain C. E. Bean, the Commonwealth Official Correspondent. $200 21 BATES, Daisy. Tales told to Kabbarli. Aboriginal Legends collected. Retold by B.K. Wilson. (Sydney 1972). Sm.4to. Orig. cloth. Dustjacket (vi,102pp.). Illust. by H. Thomas. $45 22 BAWDEN, E. (By Douglas Percy Bliss). Edward Bawden. (Godalming, Surrey): The Pendomer Press, n.d. (circa 1980?). 4to. Orig. cloth. Spine gilt. In price‑clipped dustjacket (slightly rubbed). (200pp.). With half‑title‑vignette, illust. title‑page, num. full‑page col. and b/w plates, and text‑illusts. Small address label on front endpaper, otherwise fine. Assoc. ephemera loosely inserted. $100 23 BEAN, C.E.W. The Story of Anzac: 2 vols complete. (Vol. I: From the Outbreak of War to the End of the First Phase of the Gallipoli Campaign, May 4 1915; Vol. II: From 4 May 1915 to the Evacuation of the Gallipoli Peninsula). Sydney: Angus and Robertson, 1921‑1924. Thick 8vo. Orig. cloth. With numreous plates, and maps of which some are coloured. Both vols are First Editions. (Official History of Australia in the War, 1914‑1918, Vols I‑II). NOTE: Covers the official account of the landing at Gallipoli on 25th April 1915, and the charge at the Nek by the Eighth and Tenth Regiments, Australian Light Horse on 7th August 1915, on which the climax of the film ‘Gallipoli’ is based. Charles Edwin Woodrow Bean (1879‑1968) was Australia’s Official Correspondent and subsequently its official Historian. He more than any other shaped the Anzac Legend. $650 24 BENOIS, Alexandre. Reminiscences of the Russian Ballet. Transl. by Mary Britnieva. London: Putnam, (1941). Royal 8vo. Orig. cloth. (xiv,414pp.). With frontisp., 30 full‑page illusts., and illust. endpapers. 1st ed. $75 25 BERNATZIK, H.A. Sudsee. Leipzig (1934). 8vo. Or.illust.cl. (128pp.). With frontisp., and num. photo‑gravure illusts. 1st ed. $100 26 BEST, E. Spiritual and Mental Concepts of the Maori. Wellington, A.R. Shearer, 1954. 8vo. Orig. illust. wrapper. (58pp.). With title‑vign. (Dominion Museum Monograph No.2). $40 27 BLAKELEY, F. Lasseter’s Dream of Millions. New Light on the Lost Gold Reef. Ed. by F. Wheelhouse and M. Mansfield. (Sydney 1984). 8vo. Orig. cloth. Dustjacket. (viii, 192pp.). With endpaper maps. NOTE: Fred Blakeley (1882‑1962) was the leader of an expedition which in 1930 tried to find Lasseter’s lost reef in Central Australia. $45 3 28 BLIGH, William. A Narrative of the Mutiny on Board His Majesty’s Ship Bounty; and the suibsequent voyage of part of the crew, in the ship’s boat, from Tofoa, one of the Friendly Islands, to Timor, a Dutch Settlement in the East Indies.
Load more

Recommended publications
  • Charles Elkin Mathews Collection MS
    University Museums and Special Collections Service Charles Elkin Mathews Collection MS 392 The bulk of the collection consists of around 500 letters. Most were written to Mathews and concern some aspect of his work. Some were collected by Mathews and relate to literary and antiquarian matters 1811-c.1870. There are 48 letters from John Lane. Other major correspondents include Ernest Radford, Jack Butler Yeats and Richard Le Gallienne. There are also letters from William Butler Yeats, John Trivett Nettleship, Robert Bridges, Charles Henry Daniel, Roden Noel, William Watson and John Davidson, along with three letters from Ezra Pound and one from James Joyce. There is a variety of personal material, including draft reminiscences of Mathews' life and career. The rest of the collection relates to works published and consists of proofs, cuttings, publicity material, photographs of authors, prints of illustrative material including several by Jack Butler Yeats, and associated printed material. The collection of Elkin Mathews' papers is supported by around 400 books which were published under the Elkin Mathews imprint. The Collection covers the year’s c.1800 - 1938. The physical extent of the collection is 3 boxes containing c.650 items. Introduction Charles Elkin Mathews was born in Gravesend in 1851. As a young man, he served his apprenticeship in the book trade working for Charles John Stewart in London, managing Peach's library in Bath, and then returning to London to work for the firm of Messrs Sotheran in Piccadilly. In 1884 he opened an antiquarian and general bookshop at 16 Cathedral Close, Exeter, where he also began his publishing career, joining with other local booksellers in his first venture.
    [Show full text]
  • GEORGE EGERTON [Mary Chavelita Dunne Bright] (1859-1945)
    GEORGE EGERTON [Mary Chavelita Dunne Bright] (1859-1945) Mary Chavelita Dunne Bright, who took on the pen name George Egerton, was born in Australia in 1859. During her childhood she lived in New Zealand, Chile, Wales, Ireland, and Germany. After the death of her mother in 1875, she helped raise her younger siblings, living in Dublin, London, and New York. She moved to Norway with one of her father's friends, Henry Higginson, but returned to England and married Egerton Tertius Clairmonte, whose first name she adopted as part of her E.A. Walton. Bodley Heads No. 3: pseudonym. She took on "George" as a George Egerton. Drawing, 1895 The Yellow Book 5 (April 1895): 9. tribute to her mother, whose maiden name was "Isabel George" (Stetz, "Keynotes" 91). After divorcing Clairmonte, she married Reginald Golding Bright, a drama critic and theatre agent, in 1901. Egerton burst onto the London literary scene in 1893 with her first book, Keynotes, published by Elkin Mathews and John Lane at the Bodley Head in a 1 distinctive design by Aubrey Beardsley. In fact, because the short story collection's themes of sexual freedom, creativity, and independence were so emblematic of the 1890s New Woman, "Keynotes" also became the title of a book series Lane created later, once he was running the Bodley Head on his own. The series included 19 volumes of short stories and 14 novels – among them Grant Allen's The Woman Who Did (1895), Ella D'Arcy's Monochromes (1895), and Victoria Crosse's The Woman Who Didn't (1895).
    [Show full text]
  • Section Xiii
    SECTION XIII LIFE: JULY-DECEMBER 1895 For the first three weeks of July, Sharp stayed busy in London, writing and negotiating with Herbert Stone about American editions of The Gypsy Christ and Other Tales (by W.S.) and Pharais and The Sin-Eater (F.M.) which appeared in the fall. The second Fiona Macleod book, The Mountain Lovers, was published in London on July 9th by John Lane. On the 5th, the Sharps spent a night with the Grant Allens in Surrey, and on the 13th he went down to Burford Bridge for a dinner meeting of the Omar Khayyam Club, an organization of literary figures dedicated to the pleasures of good wine and food. Many important writers attended (Memoir, 246), chief among them George Meredith who was the guest of honor. He was lured to the dinner by his friend Edward Clodd, the club’s president, and arrived only for the dessert course. Clodd welcomed him “in a charming and eloquent speech not devoid of pathos,” and Meredith, overcoming his famed reticence about speaking in public, responded graciously and wittily. In the fall of 1895, Clodd recommended Sharp for membership in the Omar Khayyam Club, and he was pleased to accept. The Sharps planned to spend August in Edinburgh to participate in Patrick Geddes’ Summer School and then go on to the Kyles of Bute in the West for September. On the 13th of July, Sharp told Murray Gilchrist he would like to pay him a visit on his way to Scotland in about ten days. When Geddes learned Sharp was coming north in advance of his wife, he proposed a day or two hiking trip.
    [Show full text]
  • Abbreviations in the Notes
    Abbreviations in the Notes ALS Autograph letter signed. Blathwayt Raymond Blathwayt, “Mr Grant Allen at Home,” Interviews. With Portraits, and a Preface by Grant Allen. A.W. Hall, 1893, 68–75. Bodleian Papers held in the Bodleian Library, University of Oxford. Clodd Edward Clodd, Grant Allen: A Memoir ...With a Bibliography. Grant Richards, 1900. CW Letterbooks, 1883– (Outgoing Correspondence). Chatto & Windus Archives, University of Reading Library, UK. GA Grant Allen. GRA Grant Richards Archives, 1897–1948. Archives of British Publishers on Microfilm. Cambridge: Chadwyck-Healey, 1979. (71 reels.) Leeds Papers held in the Brotherton Collection, Brotherton Library, University of Leeds, United Kingdom. NGS George Gissing, New Grub Street, ed. Bernard Bergonzi. Harmondsworth: Penguin, 1968. PAP Grant Allen, “Physiological Aesthetics and Philistia,” My First Book. With an Introduction by Jerome K. Jerome. Chatto & Windus, 1894. PSU Grant Allen Literary Manuscripts and Correspondence 1872–1937. Rare Books and Manuscripts, the Pennsylvania State University Special Collections Library. TLS Typescript letter signed. WAC Letters from GA to John Lane. The William Andrews Clark Memorial Library, UCLA. Watt Letterbooks, 1884–1891 of A.P. Watt & Co Ltd. The Berg Collection, New York Public Library. Notes Introduction 1. Richard D. Altick, “The Sociology of Authorship: The Social Origins, Education, and Occupations of 1,100 British Writers, 1800–1935,” Bulletin of the New York Public Library, 66 (June 1962), 403. 2. NGS, 38–39. 3. Frederic Harrison, Grant Allen, 1848–1899; An Address Delivered at Woking on October 27, 1899, privately printed [the Chiswick Press], 1899, 8. 4. A selection by GA is in Alberto Manguel, ed., By the Light of the Glow-worm Lamp.
    [Show full text]
  • The Counter-Cultural Experiments of George Egerton and Elizabeth Bowen
    Tina O’Toole Unregenerate Spirits: The Counter-Cultural Experiments of George Egerton and Elizabeth Bowen Monique Wittig, addressing ideological activism and social change at the end of the twentieth century, proposes the Trojan Horse as a model for counter-cultural movements and avant-garde writers: ‘at the time it is produced, any work with a new form operates as a war machine, because its design and its goal is to pulverise the old forms and formal conventions. It is always produced in hostile territory’ (‘The Trojan Horse’, 1992b: 75). The experimental work of Irish writers George Egerton (1860–1945) and Elizabeth Bowen (1899–1973) presents a similar ideological challenge to the gender and sexual binaries of the late nineteenth and twentieth cen- turies. Bowen’s life and work is relatively well-known within the canon of both British and Irish literary scholarship but Egerton, on the other hand, is much less well-known and has only recently begun to emerge within the canon of contemporary literary criticism (e.g. Ardis 1990; Showalter 1992; Pykett 1995; Ledger 1997). Focusing on her early fiction, I will consider the ways in which Egerton deployed protagonists who are clearly marked out as exiles, outsiders to the hegemonic order, partly as a means to destabilise that order. I will then move on to the work of Elizabeth Bowen and will contend that in her work, particularly in her 1968 novel, Eva Trout, Bowen extends the blueprint forged by writers such as Egerton. I will argue that Bowen further develops the interrogation of gender and sexual identities developed by the ‘New Woman’ writers and that in her last novel in particu- lar, there is evidence of a gendered social world in a constant state of f lux, rather than some kind of static account of immutable patriarchal oppres- sion.
    [Show full text]
  • Allen Lane and the His Foundation
    ALLEN LANE AND THE HIS FOUNDATION In 1989 the trustees of the Allen Lane Foundation decided to set up an annual lecture in memory of my father. Our original idea was to celebrate his life and the work of his foundation. This year is the 40th anniversary of the founding of the Foundation. In fact the trust deed was signed on March 14th 1966 – just two weeks from today! When I was asked to give this annual lecture in memory of my father I felt both pleased and honoured to be asked. But when I looked at the list of eminent past speakers I felt daunted. As I began to read the biographies and the early minutes of the Foundation, I found it more and more difficult to find a way to join the man, who was also my father, and the Foundation he founded, in a seamless way. He was not a natural philanthropist in the accepted sense of the word, he just turned out that way. So I decided to tell it like a story, which I hope you will enjoy. Allen Lane Williams Lane was born on September 21st 1902, in Bristol, the eldest son of a Welsh town planner. His mother was a Devonian woman of farming stock who was the lynch pin of the family – much loved by Allen who wrote to her frequently even in later life. It was a happy, close-knit family. He spent many holidays with his farming cousins in Devon and developed a great love of the countryside. His school days impressed him less and he left school at 14 with no academic qualifications whatsoever.
    [Show full text]
  • Feminist Writing 1880-1900
    Coventry University DOCTOR OF PHILOSOPHY The new woman and the new science feminist writing 1880-1900 Randolph, Lyssa Award date: 2001 Awarding institution: Coventry University University College Worcester Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of this thesis for personal non-commercial research or study • This thesis cannot be reproduced or quoted extensively from without first obtaining permission from the copyright holder(s) • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 LANICIDTIT IILIIRITYll 1 1 II 3 8001 00333 6165 THE NEW WOMAN AND THE NEW SCIENCE: FEMINIST WRITING 1880-1900 LYSSA RANDOLPH A thesis submitted in partial fulfilment of the University's requirements for the Degree of Doctor of Philosophy OCTOBER 2001 Coventry University in collaboration with University College Worcester i Abstract In this thesis I contend that evolutionary scientific discourses were integral to the work of "New Woman" writers of late Victorian literary culture in Britain. In the cultural debates that raged over the new gender politics and their relationship to social and moral values at the fin de siècle, the questions raised about femininity, modernity and the "woman question" were also central to the "new sciences" of sexology, eugenics, psychology and anthropology.
    [Show full text]
  • Elkin Mathews,1 Poets' Publisher
    Elkin Mathews,1 Poets' Publisher PATRICIA HUTCHINS HE NAME Elkin Mathews represents a link between two families living in Gravesend, in the county of Kent. It is Tprobable that the Mathews came originally from Wales, and there was a connection with Edwin Arnold of The Light of A.sia. Elkins are mentioned in London records of the sixteenth century, and they became shipbuilders, with a trade in the Far East; then as time changed they also dealt in coal. There had been a Lord Mayor and Town Clerk of Gravesend among them.2 Thomas George Mathews (b. 1812), who married Francis Elkin, was to become a family problem. A silhouette shows him as a young gentleman in frock coat holding gloves and a top hat, but of course does not reveal his full face, probably that of a man who was never able to cope with life. According to family tradition, he declared he 'could not bear the smell of tar' and left Gravesend with its shipyards and quays, to live at The Poplars, Codford St Mary, in Wiltshire. His son, Charles Elkin Mathews, maintained that his father was 'essentially a bookman' and he was reputed to have been solitary, rather irascible. Mrs Mathews, who was not very practical, read much Shakespeare, and later became interested in mysticism. Her family in Gravesend helped to educate the nine children. A letter from one of the boys, who died young of tuberculosis, suggests that there was a good deal of affection between them, and even gaiety at times.3 Thus if they were never at poverty level, none of them had a very well-to-do childhood and youth.
    [Show full text]
  • Links.” Reprinted in the Early Work, Check- List No
    1. PAST AND PRESENT. The magazine of the Brighton Grammar School. Vol. x, No. 2, June 1885. By Beardsley: “The Valiant,” poem written in 1885. The artist’s first pub- lished literary work. Reprinted in Stanley Weintraub, Beardsley, checklist no. 199. Wrappers. [G pp. 105–6; R & D 107] 2. PAST AND PRESENT. The magazine of the Brighton Grammar School. Vol. xii, No. 2, June 1887. By Beardsley: “The Jubilee Cricket Analysis,” series of 11 comic sketches on one sheet. The artist’s first published drawings. Grey wrappers. [G 101; R 8; R & D 109; V 9] 3. BRIGHTON SOCIETY. 9 July 1887. By Beardsley: “A Ride on an Omnibus,” poem signed “W. V. Beardsley.” An extract was reprinted in Reconsidering Aubrey Beardsley, checklist no. 214. 4. BRIGHTON SOCIETY. 14 April 1888. By Beardsley: “A Very Free (Library) Reading with Apologies to W. S. Gil- bert,” unsigned verse parody of William Schwenck Gilbert. 5. THE BRIGHTON GRAMMAR SCHOOL ANNUAL ENTER- TAINMENT, AT THE DOME ON WEDNESDAY, DEC. 19, 1888. Programme & book of words. [Brighton: Tucknott’s Steam Printing Works, 1888].1 By Beardsley: 11 illustrations (described as “Original Etchings by A. V. Beardsley, A Present Boy”) to “The Pay of the Pied Piper: A Legend of Hamelin Town.” Beardsley was in the cast of this comic opera by Fred Ed- monds (words) and C. T. West (music) performed by the school; he also starred as Mercury in the prologue written by his schoolmaster, A. W. King. Pink wrappers. [G 125–35, pp. 19–20; R 10; R & D 110; V 12] Notes: Some copies of this program were issued (bound in) as a supplement to Past and Present, Vol.
    [Show full text]
  • Undermining the Angelic Restrictions of First-Wave Feminism: What the En W Woman Did, Didn't, and Wouldn't Do" (2014)
    Wayne State University Wayne State University Dissertations 1-1-2014 Undermining The Angelic Restrictions Of First- Wave Feminism: What The ewN Woman Did, Didn't, And Wouldn't Do Jane Kristen Asher Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the English Language and Literature Commons, and the Women's Studies Commons Recommended Citation Asher, Jane Kristen, "Undermining The Angelic Restrictions Of First-Wave Feminism: What The eN w Woman Did, Didn't, And Wouldn't Do" (2014). Wayne State University Dissertations. Paper 1065. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. UNDERMINING THE ANGELIC RESTRICTIONS OF FIRST-WAVE FEMINISM: WHAT THE NEW WOMAN DID , DIDN’T , AND WOULDN’T DO by JANE K. ASHER DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2014 MAJOR: ENGLISH Approved by: ______________________________________ Advisor Date ______________________________________ ______________________________________ ______________________________________ © COPYRIGHT BY JANE K. ASHER 2014 All Rights Reserved DEDICATION I dedicate this dissertation to my dear son, Reilly Asher. Although you may not remember, you have been on this journey with me from the very start. You have shaped my path and inspired me to tread forward. I dedicate this dissertation to my husband, Nathan Foerstner. You renewed my mind and my spirit, and you never doubted my path or my potential. I dedicate this dissertation to my mother, Mary-Jo Asher.
    [Show full text]
  • John Lane Company
    John Lane Company: An Inventory of Its Records at the Harry Ransom Center Descriptive Summary Creator: John Lane Company Titles: John Lane Company Records Inclusive Dates: 1856-1933, Extent: 76 boxes, 1 galley file, 2 oversize flat files (32 linear feet) Abstract: The records of the John Lane Company, 1856-1933, are comprised mainly of incoming correspondence. Also present are manuscripts and proof copies, financial records, notes, documents, and autobiographical materials of John Lane. In addition, there are readers' reports prepared for manuscripts submitted to the firm between 1894 and 1930. The reports are a valuable source of information on the firm's publishing guidelines and on the kinds of manuscripts submitted during that period. RLIN Record #: TXRC00-A11 Access: Open for research Administrative Information Acquisition: Purchases, 1986-1998 (R10976, R12321, R14286) Processed by: Bob Taylor, 2000 Repository: Harry Ransom Center, The University of Texas at Austin John Lane Company Organizational History The future publisher of The Yellow Book and other works that typify Nineties literary decadence was born into a Devon farming family on March 14, 1854. In his mid teens John Lane migrated to London and soon found employment as a clerk in the Railway Clearing House. An ambitious and energetic autodidact, Lane had by the mid 1880s gained the knowledge, interest, and capital to consider entering the London book trade. A chance association with Elkin Mathews quickly led the pair into a partnership, culminating in the creation in 1887 of the Bodley Head, a firm initially involved in the antiquarian book trade. Within a few years the Bodley Head had begun publishing limited editions to appeal to a sophisticated market, attracting such authors and illustrators as Oscar Wilde, Richard Le Gallienne, Aubrey Beardsley, and Charles Ricketts.
    [Show full text]
  • JOHN LANE, the BODLEY HEAD by R
    _j_ JOHN LANE, THE BODLEY HEAD By R. A. O'BRIEN "A precious few, the heirs of utter godlihead Who wear the yellow flower of blameless bodlihead." · - Ow.wN SEAMAN. THE BEGINNINGS T would be difficult to imagine a more improbable success story than the one about the country lad from North Devon who came to London in the middle sixties of the last centwy, I and who, by the beginning of the Nineties appeared to be well submerged as a clerk in the Railway Clearing House only to rise to the exalted ' third slope of Parnassus'-as someone -~'!.<::t - has called it-patron-publisher to most of the gilded youth of ··.~ ..· . the fabulous Fi n de Siecle. John Lane came to Whistler's ~-- :g;'i London just when youth, inflamed by Baudeln.ire and Verlaine, :;;f.;. began to stir against Victorian smugness and bad taste. 'l'he -~· - Bodley Head became the temple of the Muses under the aegis ·::t.- of this shrewd man of business who happened also to have within .;.,, him the rare and precious quality of artistic sensitivity. ;:> The old city, as so often in her history, provided the atmos- -:~... phere and figures needed for the stimulation of latent impulses. .... John Lane lost his rusticity, gained an education and had his ~if artistic tastes stimulated and excited by such men-brother ..~ ¥ clerks then-as George Borrow and that Lestocq who became -;: ~·~· -~· an actor of considerable distinction. Lestocq had lodgings to .!. which he invited a goodly company of poets and writers, among them a red-haired fellow named Algernon Charles Swinburne; and the metropolitan brew was to simmer and distil in its genial vapours more than one artistic chef-d' oevre.
    [Show full text]