The BG News September 13, 1985
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Abortion Proposals Heard
20— M A NC HESTER H ERALD, Friday, March 2, 1990 INVITATION TO BID MISCELLANEOUS I CARS 1 HOMES CONDOMINIUMS I APARTMENTS I CONDOMINIUMS ISTORE/OFFICE I Sealed bids will be received in SERVICES FOR SALE FOR SALE FOR SALE FOR RENT I FOR RENT FOR RENT I the General Services' office, CORVETTE-1 9 8 7 . 41 Center Street, Manchester, M A N CHESTER- GSL Building Mainte TOLLAND-3 bedrooms, HEBRON-2 bedroom VERNON-1 bedroom MANCHESTER-501 Hart Loaded, fuel port In- CT until 11 ;00 a m. on the Vlctorlan style 2 bed- nance Co. Com m ercl- 1'/j baths, living room ap a rtm e n t heat and hot Condo, garage and ford Road. Parking, lected, 2-Top, low mi date shown below for the fol room end-unit al/ResIdentlal building with fireplace, formal water furnished, cellar pool. Available Imme prime location. 700 leage and more. $22K. lowing: Townhouse. This unit repairs and home Im d'ning room, family storage, parking, large diately. $550 p e r square feet. 649-0969. 742-9072, ofter 5. MARCH 0, 1990 - PUR has hardwood floors, yard. No pets, applian provements. Interior room. Great family m onth. Call 647-9254. MANCHESTER-PrlmC! FOR SALE-1978 Volor^ CHASE OF 10 PORTABLE ceramic tiled kitchen ces. $635 m o n th ly.649- and exterior painting, house. Call Ron Fourn MANCHESTER- b e d M ain Street com m ercl - Slant 6, runs good. MM HAND-HELD RADIOS ie r, 646-3057. $170's. and bath. Susan Do 2871.—_______________ al/residentlal prop light carpentry. -
Volume 17, No 1, 2016
Volume 17, No 1, 2016 Contents Page Drama without Drama: The Late Rise of Scripted TV Formats 3 Scenes0B from an Imaginary Country: Test Images and the American Color 21 Television Standard Record/Film/Book/Interactive1B TV: EVR as a Threshold Format 44 Restarting2B Static: Television’s Digital Reboot 62 Regulating3B the Desire Machine: Custer’s Revenge and 8-Bit Atari Porn Video 80 Games TVNXXX10.1177/1527476414561089Television & New MediaChalaby 561089research-article2015 Article Television & New Media 1 –18 Drama without Drama: © The Author(s) 2015 Reprints and permissions: The Late Rise of Scripted sagepub.com/journalsPermissions.nav DOI: 10.1177/1527476414561089 TV Formats tvnm.sagepub.com Jean K. Chalaby1 Abstract This article revisits the history of television (TV) formats—concepts of TV shows that are licensed for local adaptations—focusing on scripted entertainment. While the TV format revolution of the 1990s bypassed scripted formats, they have been catching up in recent years. This article analyzes both the reasons for this late rise and the factors behind the recent growth. It argues that the adaptation of scripted formats is more complex, and risks remain higher than for other genres. The underlying economics of their production and distribution also differ from nonscripted formats. The stars aligned when demand for drama increased worldwide, Hollywood studios began to mine their catalogues, new exporters and scripted genres emerged, and knowledge transfer techniques improved. Finally, this paper analyzes the significance of the rise of scripted entertainment in the global TV format trading system. Keywords global television, Hollywood, scripted entertainment, transnational television, TV formats, TV genres Introduction The history of television (TV) formats—concepts of TV shows that are licensed for local adaptations—is now well documented. -
031207 Tv Land Celebrates 30Th Anniversary of Three's
Contacts: Elaine Wilcox Vanessa Reyes-Smith TV Land TV Land 212-846-5502 310-752-8081 [email protected] [email protected] “COME AND KNOCK ON OUR DOOR…” TV Land Celebrates 30 th Anniversary of Three’s Company with a 24-Hour Marathon Beginning Saturday, March 17 New York, NY, March 12, 2007 - TV Land celebrates the comedic misadventures of the zaniest roommates on television - - Jack, Janet and Chrissy - - with a 24-hour marathon saluting the 30 th Anniversary of the Emmy-Award winning series Three’s Company beginning Saturday, March 17, at 8:00pm (all times ET/PT) . Tune in to relive some of television’s most hilarious and madcap episodes including a retrospective show hosted by Lucille Ball, the pilot episode recounting how it all started and the series finale. TV Land will also showcase episodes from the hit series’ spin-off, The Ropers and Three’s a Crowd . Fans can log on to tvland.com beginning Friday, March 9 through Friday, March 30 to register to win a Three’s Company DVD box set containing all the episodes from season eight, as well as “bloopers” and “featurettes:” “The Best of Jack, Janet, Terri, Larry and Furley”, “John Ritter: Working with the Master” and “Usted Habla Three's Company?” Three’s Company aired on ABC and remained a top-ten show through its seven-year run from 1977-1984. It follows the lives of three roommates: Janet Wood (Joyce DeWitt), a young, single woman who works as a florist; Chrissy Snow (Suzanne Somers), a bubbly, blonde typist; and Jack Tripper (John Ritter), a student studying to be a chef. -
Udr 113 56.Pdf
Today's A five star weather: All-American Winter storm newspaper watch. High in the 20s. Let it snow! Vol. 113 No. 56 Student Center, University of Delaware, Newark, Delaware 19716 Friday, December 4, 1987 Dorm Stude~ts favor changes opposed condom sales by Lori Folts said. Ten percent of the by Beth De Llsi Staff Reporter undergraduate student Staff Reporter According to a random sam- population responded. pie ~urvey conducted by the "It's obvious sexually A loosely-formed student Resident Student Association transmitted diseases and committee is coordinating op two weeks ago, 85 percent of AIDS are all here," said Scott position to President Russel C. students polled who live on Mason (ED GM). "It's about Jones' proposed conversion of campus favor the installation time the university faces facts North Central residence halls of condom dispensers in instead of ignoring the pro- into ~cademic office space, ac residence hall bathrooms. blem." cordmg to Sypherd Hall resi "Eighty-five percent is a David Butler, director of dent Regina Kerr (AS 90). significant_ figure for change,'' Housing and Residence Life The group, comprised main RSA President Mike Cradler said he believes the students1 ly of North Central residents (A~ 88) said Sunday, "and the request for condom availabili is seeking to preserve Brown: umversity's administration ty on campus is aimed more Sypherd, Harter and Sharp should be aware that students towards contraceptive needs residence halls by appealing to overwhelmingly want condom rather than AIDS prevention. university students, alumni dispensers." "If a decision was made to and the university administra Of the on-campus students install cc;mdom dispensers," tion, Kerr said. -
Threes a Crowd! Pdf, Epub, Ebook
THREES A CROWD! PDF, EPUB, EBOOK Ray O'Ryan,Colin Jack | 120 pages | 01 Nov 2013 | SIMON & SCHUSTER | 9781442482210 | English | New York, United States Threes a Crowd! PDF Book Other characters included E. Mike 1 episode, Edit Did You Know? The Best Horror Movies on Netflix. In the finale, Janet marries Phillip, Terri moves to Hawaii. Masanori 1 episode, Jack and Vicky profess their love for one another, but Vicky turns down Jack's proposal of marriage, citing her fear of the institution after seeing her parents feud her whole life. Doctor Billy Morris 1 episode, Air Marshal 1 episode, Sharon Wyatt Edit Cast Complete series cast summary: John Ritter When the series concluded, producers Brian Cooke and Johnnie Mortimer devised two spin- offs. With his restaurant suddenly popular after a glowing review, Jack forgets about his and Vicky's first anniversary. Bradford appears in the police lineup. Jack's Aunt Mae 1 episode, Jack and Vicky argue over money. Jonathan 1 episode, Connections Referenced in Jeopardy! Contributors Become a contributor. Bazur 1 episode, During a Christmas hiatus in late producers auditioned several female leads to play Jack's new love interest Vicky Bradford, and eventually decided upon Broadway actress Mary Cadorette. Threes a Crowd! Writer Greedy Gretchen 1 episode, Mary Ann Gibson She and fellow cast member Priscilla Barnes would find it very hard to tape the rest of the season. Vicky Bradford 22 episodes, Air Marshal 1 episode, Sharon Wyatt Larry Dallas 1 episode, Clyde Kusatsu A Star is Born. Delivery Man 1 episode, Liz Sheridan Clear your history. -
George A. Sunga Television Collection
http://oac.cdlib.org/findaid/ark:/13030/c8st7r7t No online items Guide to the George A. Sunga Television Collection Finding Aid Authors: Conor Foley. © Copyright 2013 Special Collections & University Archives. All rights reserved. 2013-08-05 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the George A. Sunga MS-0493 1 Television Collection Guide to the George A. Sunga Television Collection 1964/1996 Special Collections & University Archives Overview of the Collection Collection Title: George A. Sunga Television Collection Dates: 1964-1996 Identification: MS-0493 Creator: Sunga, George, c. 1932- Physical Description: 14.42 linear ft Language of Materials: English Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Biographical Information: George Sunga is a successful Filipino-American television producer known for his work on successful shows like Three's Company, Good Times, The Jeffersons, and All in the Family. His work received numerous accolades, including several People’s Choice Awards, an Emmy nomination, and honors from the Academy for Television Arts and Sciences. Sunga grew up in San Diego and attended San Diego State College in the early 1950s. He was a member of the Tau Kappa Epsilon fraternity's Gamma-Lambda chapter, and in 1954-1955 he served as president of the Associated Students. As part of his studies in television production at San Diego State, Sunga helped to compile the anthology series, Climax, which exposed him to the directing techniques of John Frankenheimer. -
Cracking Down on Drugs Emmons Initiates 3-Fold Information Program
Volume 13. Issue 17 Serving Lowell Area Readers Since 1893 Wednesday, March 8, 1^89 Along Main Street Cracking Down on Drugs Emmons initiates 3-fold information program In hopes of combating the the state to help fund the fight these kids early because they're helping out with the project." he 3 = small city drug problem. Lowell against drugs." Emmons said. coming in contact with drugs at said. i :r Police Chief Barry Emmons is "As a whole I think the commu- an earlier age."' he adds. By the time the cost for the spearheading a substance abuse nity is aware of the drug problem The drug abuse program will booklets, video, coloring books information program which he and the job that lies ahead of us. then filter in to the middle school and time donated by the police hopes will allow city enforce- Emmons spoke highly of the and high school levels. The high and rescue departments are to- ment officers to come in contact support local businesses have school program will be similar taled. the expense will be YMCA BEGINS YOUTH PCX)L FUND CAMPAIGN with the youth before they are given the substance abuse prog- to the adult awareness program. roughly $10-$ 12,000. approached by drug dealers. ram. "It's our intention to make The cost for the drug awareness, The project has received a The Lowell VMCA has kicked otTils Invest in Youth/Pool Fund The program is a three-fold op- this an on-going program." Em- child watch and crime watch grant from the LOOK Fund and Campaign. -
American Primacy and the Global Media
City Research Online City, University of London Institutional Repository Citation: Chalaby, J. (2016). Drama without drama: The late rise of scripted TV formats. Television & New Media, 17(1), pp. 3-20. doi: 10.1177/1527476414561089 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/5818/ Link to published version: http://dx.doi.org/10.1177/1527476414561089 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Drama without drama: The late rise of scripted TV formats Author’s name and address: Professor Jean K. Chalaby Department of Sociology City University London London EC1V 0HB Tel: 020 7040 0151 Fax: 020 7040 8558 Email: [email protected] Author biography: Jean K. Chalaby is Professor of International Communication and Head of Sociology at City University London. He is the author of The Invention of Journalism (1998), The de Gaulle Presidency and the Media (2002) and Transnational Television in Europe: Reconfiguring Global Communications Networks (2009). -
Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC
Retro: Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC (and some CTV) * 20 WXON-Ind * 50 WKBD-Ind * 56 WTVS-PBS [The News didn't list TVO, Global or CBEFT] Morning 6:05 7 News 6:19 2 Town & Country Almanac 6:25 7 TV College 6:30 2 Summer Semester 4 Classroom 56 Varieties of Man & Society 6:55 7 Take Kerr 7:00 2 News (Frank Mankiewicz) 4 Today (Barbara Walters/Jim Hartz; Today in Detroit at 7:25 and 8:25) 7 AM America (Bill Beutel) 56 Instructional TV 7:30 9 Cartoon Playhouse 8:00 2 Captain Kangaroo 9 Uncle Bobby 8:30 9 Bozo's Big Top 9:00 2 New Price is Right 4 Concentration 7 Rita Bell "Miracle of the Bells" (pt 2) 9:30 2 Tattletales 4 Jackpot 9 Mr. Piper 50 Jack LaLanne 9:55 4 Carol Duvall 10:00 2 Spin-Off 4 Celebrity Sweepstakes 9 Mon Ami 50 Detroit Today 56 Sesame Street 10:15 9 Friendly Giant 10:30 2 Gambit 4 Wheel of Fortune 7 AM Detroit 9 Mr. Dressup 50 Not for Women Only 11:00 2 Phil Donahue 4 High Rollers 9 Take 30 from Ottawa 50 New Zoo Revue 56 Electric Company 11:30 4 Hollywood Squares 7 Brady Bunch 9 Family Court 50 Bugs Bunny 56 Villa Alegre Afternoon Noon 2 News (Vic Caputo/Beverly Payne) 4 Magnificent Marble Machine 7 Showoffs 9 Galloping Gourmet 50 Underdog 56 Mister Rogers' Neighborhood 12:30 2 Search for Tomorrow 4 News (Robert Blair) 7 All My Children 9 That Girl! 50 Lucy 56 Erica-Theonie 1:00 2 Love of Life (with local news at 1:25) 4 What's My Line? 7 Ryan's Hope 9 Showtime "The Last Chance" 50 Bill Kennedy "Hell's Kitchen" 56 Antiques VIII 1:30 2 As the World Turns 4 -
Women's Leadership in Primetime Television an Introductory Study
Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period. -
Children's Television. Hearing on H.R. 1677 Before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce
DOCUMENT RESUME ED 315 048 IR 014 159 TITLE Children's Television. Hearing on H.R. 1677 before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce. House of Representatives, One Hundred First Congress, First Session. INSTITUTION Congress of the U.S., Washington, DC. House Committee on Energy and Commerce. PUB DATE 6 Apr 89 NOTE 213p.; Serial No. 101-32. AVAILABLE FROMSuperintendent of Documents, Congressional Sales Office, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Mat.. als (090) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Childrens Television; *Federal Legislation; Hearings; *Programing (Broadcast); *Television Commercials IDENTIFIERS Congress 101st ABSTRACT A statement by the chairman of the subcommittee, Representative Edward J. Markey opened this hearing on H.R. 1677, the Children's Television Act of 1989, a bill which would require the Federal Communications Commission to reinstate restrictions on advertising during children's television, to enforce the obligation of broadcasters to meet the eduCational and informational needs of the child audience, and for other purposes. The text of the bill is then presented, followed by related literature, surveys, and the testimony of nine witnesses: (1) Daniel R. Anderson, Psychology Department, University of Massachusetts; (2) Helen L. Boehm, vice president, Children's Advertising Review Unit, Council of Better Business Bureaus, Inc.;(3) Honorable Terry L. Bruce, Representative in Congress from the State of Illinois;(4) William P. Castleman, vice president, ACT III Broadcasting, on behalf of the Association of Independent Television Stations;(5) Peggy Charren, president, Action for Children's Television; (6) DeWitt F. -
Programming for TV, Radio, and the Internet: Strategy, Development, and Evaluation
Programming for TV, Radio, and the Internet: Strategy, Development, and Evaluation Philippe Perebinossoff Brian Gross Lynne S. Gross ELSEVIER Programming for TV, Radio, and the Internet Programming for TV, Radio, and the Internet Strategy, Development, and Evaluation Philippe Perebinossoff California State University, Fullerton Brian Gross EF Education, Jakarta, Indonesia Lynne S. Gross California State University, Fullerton AMSTERDAM · BOSTON · HEIDELBERG · LONDON NEW YORK · OXFORD · PARIS · SAN DIEGO SAN FRANCISCO · SINGAPORE · SYDNEY · TOKYO Focal Press is an imprint of Elsevier Acquisition Editor: Amy Jollymore Project Manager: Bonnie Falk Editorial Assistant: Cara Anderson Marketing Manager: Christine Degon Cover Design: Dardani Gasc Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2005, Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, e-mail: [email protected] may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Customer Support” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library.