Kathryn Tickell and the Side in Concert Martin Hall, Loughborough University Wednesday 27 November at 7.30Pm

Total Page:16

File Type:pdf, Size:1020Kb

Kathryn Tickell and the Side in Concert Martin Hall, Loughborough University Wednesday 27 November at 7.30Pm Kathryn Tickell and The Side In Concert Martin Hall, Loughborough University Wednesday 27 November at 7.30pm www.arts.lboro.ac.uk Kathryn Tickell one of the UK’s foremost folk musicians will be performing at Loughborough University on Wednesday 17 November. Joined by The Side, this will be an unforgettable evening of evocative slow airs, jigs and reels as Kathyn’s rapid-fire Northumbrian smallpipe and fiddle playing fuses with the sounds of the harp, cello, accordion and clog dancing! Acmoserr, performer and recording artist Kathryn Tickell has a well established reputation in the folk music scene, having begun her musical career in childhood. She has 15 albums under her belt and a catalogue of performances spanning the world’s most prestigious venues and festivals, from the BBC Proms to Carnegie Hall. She has also performed and recorded with musical titans including Sting, The Chieftains, Penguin Cafe Orchestra, Evelyn Glennie and Andy Sheppard. In January 2013 she won the title of Musician of the Year at the BBC Radio 2 Folk Awards. Nick Slaer Director of Arts at Loughborough University says “we are delighted to be able to continue bringing world-class musicians to the University and region, and this concert is an unmissable opportunity to hear this exponent of the Northumbrian smallpipes perform live”. For this performance at Loughborough University Tickell is joined by her latest ensemble The Side, which is composed of Ruth Wall, Louisa Tuck and Amy Thatcher, each with an established reputation for their instruments and musical careers. Amy Thathe is a Newcastle based accordionist and clog dancer, who also performs with the all- female band, The Shee and the Monster Ceilidh Band. Classically trained Scottish harpist Ruth Wall performs as a soloist as well as with some of the most exciting ensembles and bands including Goldfrapp and Fitkin. Louisa Tuck is principal cellist at Northern Sinfonia and regularly performs as a soloist with the Royal Philharmonic Orchestra, the Scottish Chamber Orchestra and the John Wilson Orchestra. .
Recommended publications
  • Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
    Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack.
    [Show full text]
  • 25 July 2008 Page 1 of 8
    Radio 3 Listings for 19 – 25 July 2008 Page 1 of 8 SATURDAY 19 JULY 2008 Poulenc: Gloria Read a profile of this artist Britten Sinfonia http://www.bbc.co.uk/music/artist/rq8c/ SAT 01:00 Through the Night (b00cj7xc) Polyphony With John Shea. Stephen Layton (conductor) Choice no.5 (Verity): Methera Quartet: Jack's Alive! (John Dipper) (3.14) Including: Beethoven: Violin Concerto in D, Op 61 album: Methera Polish Chamber Orchestra Methera Records YAN001, Tr.3 Schumann, Robert (1810-1856): Cello Concerto in A minor Nigel Kennedy (violin/director). http://www.methera.co.uk/ Brahms, Johannes (1833-1897): Symphony No 2 http://www.myspace.com/methera Roman, Johan Helmich (1694-1758): Then Svenska Messan Couperin, Francois (1668-1733): Ordre No 8 in B minor SAT 12:15 Music Feature (b00clsyt) Bella Hardy: Three Maidens (Traditional) (3.25) (Pieces de clavecin) A Guide to Accomplishment Interview: Lucy Duran and Bella Hardy (3.21) Zemlinsky, Alexander von (1872-1942): Die Seejungfrau Bella Hardy: Down in Yon Forest (Traditional) (3.09) Chopin, Frederic (1810-1849), arr. Liszt: The Maiden's Wish Concentrating on the novels of Jane Austen, Fiona Talkington Interview: Lucy Duran with Bella Hardy and Chris Sherburne (Six Polish Songs) and Dr Jeanice Brooks of Southampton University present an (5.50) Raitio, Vaino (1891-1945): The Maidens on the Headlands insight into the world of the amateur musician in the late 18th Bella Hardy: Three Black Feathers (Bella Hardy) (3.56) Granados, Enrique (1867-1916): La maja y el ruisenor century, looking at society's attitudes to them and the notion of Bella Hardy (voice/fiddle); Chris Sherburne (concertina) (Goyescas) female 'accomplishment'.
    [Show full text]
  • Chamber Music Concerts Player and Chamber Musician with the Tempest Two Concerts Featuring Rounds for Brass Quintet, Flute Trio
    We are Chamber Music We are Opera and Song We are Popular Music Our Chamber Music Festival goes to the city Again in Manchester Cathedral, we will be Following its success at the Royal Albert Hall and Welcome centre (10-12 Jan) using Manchester Cathedral taking the magic and mystery of Orpheus with here at the RNCM last term, the RNCM Session as our hub, and featuring the Academy of Gluck’s Orfeo ed Euridice (28 Mar), which Orchestra returns with an exciting eclectic Ancient Music, the Talich Quartet and The will also be performed alongside his witty programme (25 Apr). Staff-led Vulgar Display Band of Instruments together with our staff The Drunkard Cured (L’ivrogne corrigé) in our give us their take on extreme metal (12 Feb). to the and students, to explore ‘The Art of Bach’. exclusive double-bill in the intimacy of our Our faithful lunchtime concert followers need not worry about the temporary closure of our Studio Theatre (18, 20, 22 and 27 Mar). Opera We are Folk and World Spring Concert Hall. These concerts will be as frequent, Scenes are back (21, 24, 28 and 31 Jan), as Fusing Latin American and traditional Celtic diverse and delightful as ever, in fantastic venues entertaining as ever. Yet another exciting venture folk, Salsa Celtica appear on the RNCM stage such as the Holden Art Gallery, St Ann’s is the one with the Royal Exchange Theatre for (7 Mar), followed by loud, proud acoustic season at Church and the Martin Harris Centre, featuring an extra-indulgent Day of Song (27 Apr) where Bellowhead–founding members, Spiers & the RNCM Chamber Ensemble with Stravinsky’s we will be taking you with us through the lush Boden on their last tour as a duo (20 Mar), The Soldier’s Tale, as well as a feast of other atmosphere of the Secession and travelling from while the award-winning folk band Melrose ensembles: Harp, Saxophone, Percussion and country to country by song throughout the day.
    [Show full text]
  • Star Quality Takes the Tradition Forward Photo: John Slavin @ Designfolk.Com
    PROFILE Star quality takes the tradition forward Photo: John Slavin @ designfolk.com PIPING TODAY • 18 PROFILE KATHRYN TICKELL HE bright-sounding bellows-blown KATHRYN TICKELL, Northumbrian bagpipes, with their robed to receive her Hon- Tparallel-bore, stopped-end chanters and keys-enhanced range, have a musical orary Doctorate from the voice that has been gathering growing inter- University of Northumbria est, not least from folk groups and session artists. last year… “One of Kath- They have a long history, surviving some- ryn’s most important and times precariously within a local playing enduring contributions is as community, but they also have changed with the times and, most recently, have been interna- a composer. Her work is root- tionally showcased on concert stages with fl air ed in the musical thinking and conviction by several star-quality perform- and practice of Northum- ers, the most popular and prominent of whom continues to be the musically radiant Kathryn berland, but it is also highly Derran Tickell, a piper and fi ddler with more innovative in harmony, in that 20 years of professional performance and rhythm and arrangement. 14 albums to her credit. In 1990, she formed the four-piece Kathryn Her music has been described Tickell Band and, with the band or with her as ‘a force for renewal, trans- brother, Peter, on fi ddle, or alone, has played forming traditional music all over Britain, and toured regularly in Europe, North America, Africa, Asia and Australia. She from within the tradition’.” has performed in venues ranging from small Photo: University of Northumbria village halls to the Edinburgh Festival, Carnegie composer and conductor Sir Peter Maxwell of local musicians such as Willie Taylor, Will Hall, The South Bank Centre, The Barbican Davies, Master of the Queen’s Music: “in ad- Atkinson, Joe Hutton, Richard Moscrop, Billy and at the European Parliament, and worked miration and respect for her work in making Pigg and Tom Hunter.
    [Show full text]
  • In Focus 5. Verano 2003. the Boogie Punkers. (PDF
    Editorial Sumario LA CRÍTICA, EL CRÍTICO, EL CRITERIO REPORTAJES (004) Curiosos palabros estos tres. Al crítico no le (002) The Boogie Punkers gusta formar parte de la crítica pero se sabe (006) Los Del Tonos poseedor de criterio. El criticado cuando recibe (009) Doctor Deseo una buena crítica piensa que está hecha con cri- (015) Fito y Fitipaldis (016) Edu "Bighands" terio, así que si tiene ocasión se lo hace saber al (018) Gorka Gassman crítico, y el crítico, claro está, opina entonces que (020) Los Padrinos el criticado tiene criterio al criticar su crítica. (023) Sanchís y Jocano Suena críptico pero suele ser así. (027) Séan Keane (029) Tres Hombres Bien, ¿qué facultades debe tener un crítico? En (031) E- Bow el caso que nos ocupa, se supone que cultura (034) Bad- F Line musical. No problemo, si hay que escuchar dis- (036) The Cumshots cos, se escuchan, mola. Pero el problema está en (038) Dover las condiciones. Si eres de una discográfica y (040) El Drogas y el Kutxi quieres venderme a tu grupo, hazme el favor (043) Koniec (045) Mike Sobieski (ironía) de mandarme un disco, y no un Cd-R sin (046) Motorhead títulos, sin créditos, sin contactos y sin nada ("tie- (049) Obligaciones nes fotos en la güéf"). Si tu grupo está presen- (051) Los Reyes del KO tando su última grabación, no me entregues la (054) Peer Wyboris víspera de la rueda de prensa el disco ("por men- (058) Sharon Sahnnon (060) Shisha Pangma sajero, que corre prisa") y me sueltes encima la BREVES (062) puntilla: "les preguntas cuatro bobadas".
    [Show full text]
  • The New Aural Actuality: an Exploration of Music, Sound And
    THE NEW AURAL ACTUALITY: AN EXPLORATION OF MUSIC, SOUND AND MEANING IN THE COMPOSED FEATURE DOCUMENTARY PODCAST by Benjamin Richard Phillip Horner Canterbury Christ Church University Thesis submitted for the Degree of Doctor of Philosophy 2019 Abstract This practice-led thesis explores the creative techniques and philosophies used in composing feature documentary podcasts and how listeners engage with the material and make meaning from it. Podcasting as a medium presents a new and so far unexplored way of interfacing with audio documentary and this study works to demonstrate crucial differences from radio practice in terms of intention and expression, how material is made, consideration for its audience, and how its programmes are distributed. Using post-structural theory, specifically Deleuze and Guattari’s ideas on interconnected networks of affective transmission, podcasting’s relationship to radio is explored, as is how listeners make meaning through their interaction with both the heard material and the devices upon which it is accessed. These theories are then applied to the characteristically open remit of the audio documentary to study how speech, music, sound and silence may be understood to generate meaning, emotion and a sense of immersion in the listener. It is suggested that modes of programme access, listening customs, and interpretational symbolism work together to impart information vital to the ability to connote and denote what is being heard, and that in this way the composed feature can be situated very closely to musical practice and engagement. Taking cues from musical and cinematic analytical practice three podcast programmes are closely scrutinised for an understanding of their constituent material, structural shape, and potential affective transmissions, before interviews with their producers are presented to discuss conceptual intentions and execution.
    [Show full text]
  • 10 September 2010 Page 1 of 23 SATURDAY 04 SEPTEMBER 2010 Australian Brandenburg Orchestra, Paul Dyer (Conductor)
    Radio 3 Listings for 4 – 10 September 2010 Page 1 of 23 SATURDAY 04 SEPTEMBER 2010 Australian Brandenburg Orchestra, Paul Dyer (conductor) SAT 01:00 Through the Night (b00tkp49) 4:14 AM Presented by Jonathan Swain Fauré, Gabriel (1845-1924) Nocturne No.4 in E flat major (Op.36) 1:01 AM Stéphane Lemelin (piano) Handel, Georg Frideric [1685-1759] Concerto grosso (Op.6`8) in C minor (HWV.326) 4:21 AM Harmonie Universelle, Florian Deuter (director & violin) Stanford, Charles Villiers (1852-1924) Eternal Father – from 3 Motets (Op.135 No.2) 1:17 AM BBC Singers, Stephen Cleobury (conductor) Vivaldi, Antonio [1678-1741] Concerto for 2 violins and orchestra (RV.508) in C major 4:28 AM Monica Waisman (violin) & Florian Deuter (violin & director), Handel, Georg Frideric (1685-1759) Harmonie Universelle Sonata for recorder/oboe and continuo (Op.1 No.4) in A minor (HWV.362) 1:27 AM Louise Pellerin (oboe), Dom André Laberge (organ – 1999 Karl Schnittke, Alfred (1934-1998) Wilhelm at the abbey church Saint-Benoît-du-Lac, Québec, Suite in the olden style arr. D.Shafran for cello and piano Canada) Daniil Shafran (cello), Anton Osetrov (piano) 4:35 AM 1:41 AM Mozart, Wolfgang Amadeus (1756-1791) Handel, Georg Frideric [1685-1759] Exsultate, jubilate – motet for Soprano & Orchestra (K.165) Concerto grosso (Op.6`5) in D major (HWV.323) Ellen van Lier (soprano), Netherlands Radio Orchestra, Roelof Harmonie Universelle, Florian Deuter (director & violin) Van Driesten (conductor) 1:56 AM 4:52 AM Handel, Georg Frideric [1685-1759] Rimsky-Korsakov, Nikolai (1844-1908)
    [Show full text]
  • Working for the Arts 2
    artsworking for the annual review 2000 Welcome to the Arts Council of England’s Annual Review for 2000 The Arts Council is the national body for the arts in England. We distribute public money to artists and arts organisations from Government and the National Lottery, both directly and through the 10 English Regional Arts Boards. We commission research, promote innovation in the arts and provide advice and information. Working as an independent, non-political body, at arm’s length from Government, we champion the arts - promoting the importance of artistic endeavour to the economic, physical, social and, not least, the spiritual wellbeing of the country. - Our funding programmes seek to support the highest artistic achievements, and to make these available to as many people as possible; to encourage new work and new - I Do, I Undo, I Re-do audiences; to bring challenging art to all sections of the community; and to celebrate the diversity of cultures that contribute so much to the richness of England’s artistic life. In this millennial year, the Arts Council has already persuaded York. ew Government of the necessity of increased public funding to Read, N Louise Bourgeois' 30-foot towers & ensure that England’s arts communities - among the most dominate Tate Modern's huge Turbine Hall. Visitors can mount dynamic, vibrant and resourceful in the world - survive and the spiral staircases to reach platforms where chairs are thrive. We will continue to make the case for the arts surrounded by large swivel mirrors. throughout the year and into the longer term. Collection of the Artist.
    [Show full text]
  • Penguin Cafe a Matter of Life... Mp3, Flac, Wma
    Penguin Cafe A Matter Of Life... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: A Matter Of Life... Country: UK Released: 2011 Style: Modern Classical MP3 version RAR size: 1969 mb FLAC version RAR size: 1594 mb WMA version RAR size: 1923 mb Rating: 4.3 Votes: 573 Other Formats: TTA APE WAV DXD XM AU MMF Tracklist Hide Credits That, Not That 1 4:24 Piano, Synthesizer [Ring Mod] – Arthur Jeffes Landau 2 Bagpipes [Northumbrian] – Kathryn TickellGlockenspiel – Des MurphyHarmonium – Neil 4:55 Codling Sundog 3 2:32 Bass – Arthur JeffesMelodica – Tom Chichester-Clark* The Fox And The Leopard 4 3:02 Lute [Cuatro] – Tom Chichester-Clark*Ukulele – Neil Codling Finland 5 4:56 Bells [Prayer Bowl] – Arthur Jeffes Pale Peach Jukebox 6 5:02 Lute [Cuatro] – Neil CodlingUkulele – Tom Chichester-Clark* 7 Harry Piers 4:56 Two Beans Shaker 8 2:02 Written-By, Lute [Cuatro] – Des Murphy From A Blue Temple 9 Cello, Percussion – Rebecca WaterworthHarmonium – Arthur JeffesPercussion [Guiro] – 8:40 Vincent Greene Ghost In The Pond 10 4:06 Percussion – Cass BrownePiano – Neil CodlingWhistle – Arthur Jeffes 11 Coriolis 2:03 Companies, etc. Manufactured By – Technicolor – CAP01476 Credits Bass – Andy Waterworth Directed By – Vincent Greene Lute [Cuatro], Organ [Dulcitone] – Arthur Jeffes (tracks: 3, 10) Mastered By – Ade Emsley Mixed By – Jamie Orchard-Lisle Percussion – Arthur Jeffes (tracks: 1, 3, 8), Pete Radcliffe (tracks: 2 to 4, 6) Ukulele – Arthur Jeffes (tracks: 1, 8, 10), Des Murphy (tracks: 4, 6, 8, 10) Violin – Darren Berry (tracks: 2, 6, 8, 10), Oli Langford* (tracks: 2, 5, 11) Violin, Viola – Vincent Greene (tracks: 6, 8) Written-By, Producer, Mixed By – Arthur Jeffes Notes "The Penguin Cafe was Simon Jeffes's dream-inspired creative universe.
    [Show full text]
  • An Exploration of the Work of David Bintley, a Very
    City Research Online City, University of London Institutional Repository Citation: Wallis, L (2010). An exploration of the work of David Bintley, a very ‘English’ choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating ‘genuine’ English Morris dance to a theatrical environment.. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/ City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17616/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] An exploration of the work of David Bintley, a very ‘English’ choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating ‘genuine’ English Morris dance to a theatrical environment. Lucy Wallis, BA (Hons), AISTD Submitted for the degree of Doctor of Philosophy at Trinity Laban Conservatoire of Music and Dance in the graduate school.
    [Show full text]
  • JOURNAL of the North American Association of Lowland and Border Pipers (N.A.A.L.B.P.I Is Published by Brian and Michele Mccandless for the N.A.A.L.B.P
    , WE JOURNAL OF THE NORTH AMERICAN ASSOCIATION OF LOWLAND AND BORDER PIPERS NUMBER 2 FEBRUARY 1991 Orkney r--> ~ Isles ~~ Outer Hebrides Inner I JOURNAL I OF THE BORTH AMERICAN ASSOCIATION OF LOWLAND AND BORDER PIPERS NUMBER 2 FEBRUARY 1991 I CONTENTS QUOTATION PAGE........................................... 2 I EDITORIALS. .............................................. 3 LETTERS. ................................................. 4 I PIPE DREAM COME TRUE by Mike MacNintch 7 I ANTIQUE BELLOWS PIPES by Alan Jones 9 REEL, CHAMBER AND PASTORAL PIPES by Sam Grier 12 TOWN PIPERS - A • EUROPEAN CONTINUITY by Brian McCandless 18 THE BAG IN OUR BAGPIPES by Mike MacHarg 27 • WHAT JOCKEY SAID TO JENNY AND OTHER LYRICAL ILLUMINATIONS ON LOWLAND PIPE MUSIC by Brian McCandless 30 PROFILE - Jean-pierre Rasle.............................. 38 REVIEW: NORTHUMBRIAN PIPING CONVENTION AT NORTH HERO, VERMONT 1990......................... 40 SELECTED DISCOGRAPHy..................................... 42 TUN ES: ................................................... 43 - Roxburgh Castle and Braw Lads Of Jedburgh . 44 - Braes of Yarrow and The Fashion the Lasses Have . 45 - Wedding Night and Goddesses . 46 - Stronsay Waltz and Islay Waltz . 47 - Nine Points of Roguery + Sleepy Maggie . 48 - The Dancing Master and Blind Billy . 49 - My Nannie 0' and Bonnie Jean . 50 CALENDAR. ................................................ 51 CLASSIFIED ADVERTISEMENTS.......................... 52 BAGPIPE MAKERS AND PIPING SUPPLIERS...................... 53 REFERENCES. .............................................. 54 MEMBERSHIP INFORMATION................................... 55 1 II II QUOTATION PAGE ON LOWLAND PIPE GRACING • " ...articulation of the notes of the scale staccato, a feat impossible with the open-ended chanter, where, the wind-stream being unbroken, the sound is continuous and the repetition of a note can only be suggested by means of intervening grace-notes or 'cuttings' between the note and its repetition. The Scottish Border small-pipes have the usual open-ended chanter.
    [Show full text]
  • Layout 2 5/12/11 10:47 Page1 APC-28.E$S:Layout 2 5/12/11 10:47 Page2
    APC-28.e$S:Layout 2 5/12/11 10:47 Page1 APC-28.e$S:Layout 2 5/12/11 10:47 Page2 temps fort Vendredi 28 octobre 2011 à Birzeit : les élèves de la Palestinian Circus School investissent enfin leur école. Ce superbe résultat, nous le devons à tous ceux et toutes celles qui se sont mobilisés autour de ce projet, en Belgique et ailleur s ! MERCI ! www.asseoir lespoir.be Photo : PCS APC-28.e$S:Layout 2 5/12/11 10:48 Page3 sommaire 2 TEMPS foRT 4 éDITo PoRTRAIT PolITIquE : 5 • 2012 : ZEBDA au second tour CôTé NoRD : 8 • Dave Sinardet : Culture, médias et clivages linguistiques dossier dossier dossier A JUSTER LA BAL ANCE JUSTICE SOCIALE ENVIRONNEMEN TALE COMME GL AIVE ET QUESTION ENVIRONNEMENTALE CONTRE L’ INÉGALITÉ SOC IALE A l’a pproc he de boulev ers ement s écolog iques d’am pleur et d’une ac cent uat ion dossier DoSSIER : JuSTICE SoCIAlE des inégalit és soc iales, on s’ aperçoit non seulem ent de leur origine s ouv ent com - mune -l’éc onomie cap italis te- mais au ss i de leur profonde imbric atio n. L’enjeu de la déc ennie à v enir, c’ est bien celui de c onnect er et d’ agir avec c e double horizon Objection d e croissance : en têt e : la just ice envi ronnement ale et la just ice s oc iale, jouer sur l’une ent rai- nant le plus souv ent l’aut re. nostalgie m oyenâgeuse o u Dans ce doss ier, on interro ge l’art iculat ion ent re ces deux néc ess ités .
    [Show full text]