JANUARY 2013 Welcome to

We are proud to kick off an exciting new year at The Old Globe with George Bernard Shaw’s Pygmalion. This production celebrates the 100th anniversary of Shaw’s great comedy, and a century has not dimmed the wit and insight of Pygmalion — the play still shines, as fresh and funny and vibrant

DOUG GATES today as it was in 1913. Managing Director Michael G. Murphy and recently appointed Artistic Director Barry Edelstein. You may recognize some familiar faces in this production, both on stage and behind the scenes. We are pleased to welcome the esteemed director Nicholas Martin back to The Old Globe. Nicky has made a name for himself as a great American theatre director, but he got his start as an actor, and his career began right here at The Old Globe. He first performed in the 1959 Shakespeare Festival, and over the last 50 years he has returned numerous times to the Globe, first as an actor and then as director. Actor Robert Sean Leonard is also a Globe alumnus; he appeared in Jack O’Brien’s acclaimed 1993 production of King Lear. Pygmalion also features five of The Old Globe’s Associate Artists: costume designer Robert Morgan and actors Kandis Chappell, Don Sparks, Deborah Taylor and Paxton Whitehead. (See the feature on page 17 for photos of their work at the Globe over the past 30 years.) In Pygmalion, these seasoned performers share the stage with six students from our Master of Fine Arts program in acting, a joint program with the University of San Diego. A staple of our Summer Shakespeare Festival, these talented actors train in all genres of classic drama, and we are pleased to draw on their resources to bring Shaw’s work to life. On behalf of the cast, creative team, crews and staff, thank you for joining us for Pygmalion.

Barry Edelstein Michael G. Murphy Artistic Director Managing Director

Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 PRESENTS PYGMALION

BY GEORGE BERNARD SHAW

Alexander Dodge Robert Morgan† Philip S. Rosenberg Drew Levy SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Mark Bennett Jan Gist Caparelliotis Casting Annette Yé ORIGINAL MUSIC VOICE AND DIALECT COACH CASTING STAGE MANAGER

DIRECTED BY NICHOLAS MARTIN

—————————————————— Donald and Darlene Shiley Stage OLD GLOBE THEATRE Conrad Prebys Theatre Center January 12 - February 17, 2013

2 PERFORMANCES MAGAZINE THE CAST (in order of appearance) CLARA...... Danielle O’Farrell MRS. EYNSFORD HILL...... Maggie Carney* BYSTANDER...... Jeremy Fisher FREDDY EYNSFORD HILL...... Robbie Simpson ELIZA DOOLITTLE...... Charlotte Parry* COLONEL PICKERING...... Paxton Whitehead†* PROFESSOR HENRY HIGGINS...... Robert Sean Leonard* BYSTANDER...... Erin Elizabeth Adams BYSTANDER, TAXI MAN...... Adam Gerber BYSTANDER, PARLOR MAID...... Allison Layman MRS. PEARCE...... Deborah Taylor†* MR. DOOLITTLE...... Don Sparks†* MRS. HIGGINS...... Kandis Chappell†*

SETTING London, 1912 Act I: Covent Garden Act II: Higgins’ Laboratory on Wimpole Street Act III: Mrs. Higgins’ Drawing Room, Chelsea Embankment

15-minute intermission

Act IV: Higgins’ Laboratory Act V: Mrs. Higgins’ Drawing Room

STAGE MANAGEMENT STAFF Stage Manager...... Annette Yé* Assistant Stage Manager...... Jess Slocum* Stage Management Interns...... Jessica Kelley, Ricky Moreno

PRODUCTION STAFF Assistant Director...... Jason McDowell-Green Associate Scenic Design...... Colin McGurk Assistant Scenic Design...... Sean Fanning Assistant Scenic Design...... Kenichi Takahashi Associate Costume Design...... Charlotte Devaux Assistant Lighting Design...... Amanda Zieve

†Associate Artist of The Old Globe.

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.

Student in The Old Globe/University of San Diego Graduate Theatre Program.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 Board of Directors LEADERSHIP GIFTS The Old Globe recognizes and thanks the following generous individuals who have made extraordinary gifts of $1 million or more. These major Happy New Year and welcome to The Old Globe! contributions have been designated for artistic, endowment and facilities Thank you for joining us for the 100th Anniversary projects, and help The Old Globe celebration of Pygmalion, the immortal tale of remain one of our country’s great Henry Higgins and Eliza Doolittle. theatre institutions. As Chair of The Old Globe Board, I am proud $20,000,000 or greater to support one of the region’s largest and Donald† and Darlene Shiley most respected not-for-profit performing arts $10,000,000 or greater organizations, and I am grateful to those of you who Conrad Prebys do the same. Your loyal attendance is gratifying evidence of the broad appeal of the Globe, and we work very hard to have a $5,000,000 or greater Sheryl and Harvey White positive impact on you and our entire community. Kathryn Hattox Just as important as your attendance, your charitable gifts and volunteer Karen and Donald Cohn activities are the fuel that drives our institution. Individuals like you are the $2,000,000 or greater foundation of the Globe’s annual fund income, which represents 64% of our Viterbi Family Foundation contributed income. We thank you for your interest and hope that you’ll not only $1,000,000 or greater support the Globe with your own annual contribution but that you’ll also serve California Cultural and as an ambassador, bringing friends with you every time you attend. Historical Endowment Estate of Dorothy S. Prough On behalf of the Board of Directors, thank you for making the Globe a part of The Rivkin Family your life. Estate of Beatrice Lynds Enjoy the performance! Audrey S. Geisel/San Diego Foundation Dr. Seuss Fund Mr. and Mrs. Victor H.† Ottenstein Mrs. Helen Edison† Harold W. Fuson, Jr. The Stephen & Mary Birch Foundation Chair, Board of Directors The Kresge Foundation †In Memoriam

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Sheila Lipinsky Jordine Von Wantoch Gordon Luce (1925-2006) Mary Beth Adderley* Ramin Pourteymour Pamela J. Wagner Dolly Poet (1921-2007) Elizabeth Altman Paula Powers* Jim Wening Deborah Szekely Pamela Cesak Conrad Prebys* Lynne Wheeler Hon. Pete Wilson Nicole A. Clay David Reagan Debbie Wilson Joseph J. Cohen Sandra Redman Karin Winner EMERITUS DIRECTORS Peter J. Cooper* Crystal Sargent June Yoder Garet B. Clark Valerie S. Cooper Jean Shekhter Vicki Zeiger J. Dallas Clark (1913–2005) Ann Davies Ann Steck *Executive Committee Member Bea Epsten Silvija Devine Steven J. Stuckey Sally Furay, R.S.C.J. Pamela A. Farr Daniel L. Sullivan, Ph.D. HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Karen Fox Julie H. Sullivan, Ph.D. Mr s. Richard C. Adams Delza Martin (1915–2005) Victor P. Gálvez Rhona Thompson (1912–2005) Darlene Shiley Kathryn Hattox* Evelyn Mack Truitt Clair Burgener (1921-2006) Patsy Shumway Deni Jacobs Debra Turner Mrs. John H. Fox (1908–2003) Carolyn Yorston-Wellcome Daphne Jameson Linda Van Vark Audrey Geisel Jo Ann Kilty Stacey LeVasseur Vasquez Paul Harter

4 PERFORMANCES MAGAZINE Production Sponsors

Wells Fargo has been a stalwart supporter of The Old Globe for decades. The bank’s charitable giving and volunteering play an important role in San Diego’s future and provide the bank with an outstanding opportunity to support the arts and celebrate its vitality. Through the efforts of Wells Fargo’s enthusiastic team and its contributions, Wells Fargo believes in sharing its success within this community by giving back to not-for-profits and educational institutions that address vital community needs and issues. The bank believes the arts are an important tool to create a livable and exciting community and is pleased to be part of The Old Globe’s history and its future by supporting its education and artistic programming year after year.

BRIAN AND SILVIJA DEVINE GLOBE GUILDERS Founded by Craig Noel and Irma MacPherson in 1955 as a volunteer auxiliary, the Globe Guilders are an essential part of the Globe family. Hundreds of dedicated members provide invaluable assistance to the Globe through their hosting of company calls, connection with the students in the Old Globe/University of San Diego Graduate Theatre Program, coordination of December Nights activities on the Globe’s Copley Plaza and involvement in the community and fundraising activities, including their annual Celebrating Couture Fashion Show.

Celebrating Couture 2013 Featuring the return of internationally For Brian and Silvija, supporting the acclaimed designer Naeem Khan performing arts is a lifelong endeavor. Having lived all over the country, their Tuesday, May 21, 2013 | Hilton San Diego Bayfront Hotel regional theatre history spans nationwide Presented by Globe Guilders and Neiman Marcus and includes San Francisco’s American Champagne Reception | Luncheon | Auctions | Fashion Show Conservatory Theater, New York’s Proceeds benefit the Globe’s artistic and education programs. Roundabout Theatre Company and For more information, contact Barbara Bolt at Washington, DC’s Arena Stage, where they (619) 889-7121 or visit www.GlobeGuilders.org. saw The Great White Hope with James Earl Jones and Jane Alexander before its Broadway debut. Shortly after moving to United is proud to San Diego in 1990, the two became involved provide Globe artists with San Diego Repertory Theatre, La Jolla non-stop service Playhouse and The Old Globe, where Silvija between San Diego joined the Board of Directors in 2012. and its New York area hub, Newark Liberty International Airport. In addition to theatre, Brian and Silvija United serves over 370 destinations with more than 5,500 flights ardently support live music of all genres, a day to 378 airports on six continents from hubs in Chicago, including at the La Jolla Music Society, on Cleveland, Denver, Guam, Houston, Los Angeles, New York/ whose board Silvija also serves, as well Newark Liberty, San Francisco, Tokyo and Washington, DC. United as multiple charities for education. With is committed to the communities it serves and supports numerous Brian as Chairman of the Board at Petco, charitable organizations across the country. The Old Globe salutes the Devines are also strong advocates for United Airlines for its many years of support and for caring for animal welfare organizations, including the theatre artists and staff year-round. San Diego Humane Society and SCPA.

PERFORMANCES MAGAZINE 5 Meet Barry Edelstein The Globe’s New Artistic Director

The Old Globe Board community outreach and artist-training programs. of Directors recently He was Associate Producer of The Public’s announced the recent Broadway production of The Merchant appointment of Barry of Venice starring Al Pacino. Other productions Edelstein as Artistic he supervised there were As You Like It and Director. A nationally All’s Well That Ends Well directed by Daniel recognized director, Sullivan, King Lear with Sam Waterston and Bill producer, author Irwin, Measure for Measure directed by David and educator, Barry Esbjornson, The Winter’s Tale directed by Michael will work together Greif, Twelfth Night with Anne Hathaway, Othello with Managing with Philip Seymour Hoffman and Hamlet with Director Michael G. Michael Stuhlbarg. He supervised the addition of Murphy to lead San Shakespeare to The Public’s Public LAB small- Diego’s flagship arts scale producing series with his own production institution. of Timon of Athens with Richard Thomas in the

JOSEPH MORAN JOSEPH title role, and he supervised Love’s Labour’s Lost, Barry was most Titus Andronicus and the upcoming Troilus and recently the Director of the Shakespeare Cressida in that series. He launched The Public’s Initiative at New York City’s Public Theater. In Mobile Unit tour to prisons, homeless shelters this capacity he oversaw all of the company’s and other underserved audiences with Measure Shakespearean productions, including its famous for Measure and Richard III. This body of work led Shakespeare in the Park series in Central Park, NPR to call Barry “one of the country’s leading as well as The Public’s extensive educational, Shakespeareans.”

Barry Edelstein (right) with John Turturro at a workshop of Richard III at Classic Stage Company. Alessandro Nivola and Gwyneth Paltrow in As You Like It, directed by Barry Edelstein at Williamstown Theatre Festival.

6 PERFORMANCES MAGAZINE JOAN MARCUS JOAN (from left) Daniel Oreskes, Ron Rifkin and Noah Robbins in The Twenty-Seventh Man, directed by Barry Edelstein at The Public Theater. (from left) Mary Lou Rosato and Uma Thurman in The Misanthrope, directed by Barry Edelstein at Classic Stage Company. DIXIE SHERIDAN Barry Edelstein (left) with Steve Martin during rehearsal for Martin’s Wasp and Other Plays at New York Stage and Film. JOAN MARCUS JOAN (from left) Chris McKinney, Richard Thomas, Mark Nelson, Cary Donaldson and Max Casella in Timon of Athens, directed by Barry Edelstein at The Public Theater.

From 1998-2003 Barry was Artistic Director of Most recently in New York he directed the premiere of Off Broadway’s Classic Stage Company, where he novelist Nathan Englander’s first play, The Twenty-Seventh directed Richard III starring John Turturro and Julianna Man, at The Public. Margulies and The Winter’s Tale starring David Strathairn. He also staged the world premiere of Steve Martin’s Barry’s book Bardisms: Shakespeare for all Occasions The Underpants, which he commissioned, Ben Jonson’s “instructs and entertains” (New York Post) and was The Alchemist and Molière’s The Misanthrope starring re-released in paperback in 2010. His book Thinking Uma Thurman in her stage debut. At Williamstown Shakespeare (called by New York magazine “a must- Theatre Festival, he directed As You Like It starring read for actors”) is the standard text on American Gwyneth Paltrow. His other New York credits include Shakespearean acting. Arthur Miller’s All My Sons (which won the Lucille Lortel Award for Best Revival) and, at The Public, Steve Martin’s Barry has taught at The Juilliard School, New York Wasp and Other Plays, Julius Caesar starring Jeffrey University’s Graduate Acting Program, Yale School of Wright for Shakespeare in the Park and The Merchant Drama and University of Southern California. He has of Venice featuring Ron Leibman’s Obie Award-winning lectured on theatre around the USA and the world and portrayal of Shylock. has written on the subject for The New York Times, The Washington Post, The New Republic and American He has also directed many contemporary and classic Theatre. He is a graduate of Oxford University where he plays at leading regional theatres. His first film, My Lunch studied as a Rhodes Scholar. He and his wife, Hilit, have with Larry, starring Lisa Edelstein (no relation) and Greg two children, Tillirose and August. Germann, played the festival circuit in 2006 and 2007.

PERFORMANCES MAGAZINE 7 Pygmalion100 YEARS OF BY DANIELLE MAGES AMATO

In October 1913, audiences saw George Bernard In attendance at Pygmalion’s first performance was Shaw’s influential comedy Pygmalion for the first time. Archduke Franz Ferdinand, whose assassination eight With his story of a flower girl transformed into a lady months later would spark the start of World War I. through the fine art of proper speech, Shaw reinvented After its Vienna run, Pygmalion transferred to Berlin. a Greek myth well known to audiences of his time. He The German translation, written by Shaw’s friend and turned an ancient tale about a sculptor who falls in collaborator Siegfried Trebitsch, would make its way to love with his own creation into a truly modern story of New York months before Shaw’s original English version class divides and sexual politics with an unforgettable opened on Broadway. heroine at its center. With this 100th Anniversary production, director Nicholas Martin brings Shaw’s It was not until April 1914 that Pygmalion was first landmark play to new life at The Old Globe. performed in London, starring Mrs. Patrick Campbell, the actress for whom Shaw wrote the part of Eliza. Mrs. Ironically, Pygmalion, a love letter to the English Pat, as she was known, was 49 years old, decades older language in all its forms, did not premiere in London — than the 18-year-old described in the script, but for or even in English. Instead, in an act of defiance that Shaw and the critics of the time, she was the definitive was typical Shaw, the playwright arranged for the Eliza. She went on to play the role in Pygmalion’s play to have its first production in Vienna in a German Broadway debut, and she continued to play the part for translation. This allowed him to thumb his nose at the nearly a decade in tours and revivals in both England English press, confound the public’s expectations and North America. and amuse himself — all things he dearly loved to do.

(above left to right) Mrs. Patrick Campbell as Eliza Doolittle, Philip Merivale as Henry Higgins, Mrs. Edmund Gurney as Mrs. Eynsford Hill and Olive Wilmut Davies as Miss Eynsford Hill in the 1917 production of Pygmalion at the Liberty Theatre.

8 PERFORMANCES MAGAZINE When the film version of the play was made in 1938, directed running musical in history. It was made into a blockbuster by Hungarian filmmaker Gabriel Pascal, Shaw once again film in 1964 with Audrey Hepburn controversially replacing offered Mrs. Pat the part. Julie Andrews as Eliza. The (She was then 73 years old.) In film subsequently won eight the end, the film role went to Academy Awards. a young Wendy Hiller, whose performances in Shaw’s Shaw objected to a musical plays helped launch her long Pygmalion because he feared and successful career. Shaw it would push his original himself wrote the film script, play to the wayside, taking its creating new scenes and place in the imaginations and expanding the number of appetites of theatregoers. locations in which the story These fears were, to some takes place. The screenplay degree, proven correct. For won him an Academy Award. many years, My Fair Lady seemed to diminish interest in Shaw began fielding requests Pygmalion — so much so that to set Pygmalion to music as rumors circulated of a ban on early as 1920, when he firmly Wendy Hiller and Leslie Howard in the 1938 film version ofPygmalion . London productions of the quashed a proposed German play in favor of the musical. operetta, writing, “To allow a In the U.S., after My Fair comic opera to supplant [my Lady premiered, Pygmalion play] is out of the question.” disappeared from Broadway But the requests kept coming. stages, and it has seen only In 1948, Shaw declared that two Broadway revivals since the play had “its own verbal the 1940s. music,” saying further, “My decision is final. Let me hear With this 100th Anniversary no more about it. This is production, director final.” Just two years later, Nicholas Martin hopes to however, after Shaw’s death, make Pygmalion new for an Gabriel Pascal acquired the audience that might think rights from the Shaw estate they already know the story. and began to move forward Says Martin, “I think that My with the idea. Artists like Fair Lady, which is its own Cole Porter, Noël Coward, kind of masterpiece, has Richard Rodgers and Oscar prevented companies from Hammerstein were attached doing Pygmalion. That should to the project at various times, never be the case, because it’s but in the end, it was Alan Rex Harrison and Julie Andrews in the 1956 Broadway production of My Fair Lady. a whole other animal. But you Jay Lerner and Frederick do have to invent it anew. And Loewe who turned Shaw’s Pygmalion into the musical theatre by that I don’t mean putting it in another period, or making it phenomenon My Fair Lady. The musical opened on Broadway futuristic — none of that will work. I mean being faithful to the in 1956 with Rex Harrison and Julie Andrews in the leading play as written and making it really come alive.” Shaw would roles, and it ran until 1962, becoming at that time the longest certainly approve.

THE MANY ENDINGS OF PYGMALION

From Pygmalion’s earliest productions, Shaw fought actors, directors and even audiences who wanted a “happy ending,” in other words, a romantic union between Higgins and Eliza. For Shaw, Eliza’s triumph lay in becoming her own woman and leaving Higgins behind. Shaw even went so far as to write a sequel to the play, describing in great detail what he thought happened after the final curtain: Eliza marries Freddy. Despite what Shaw wanted, actors and directors have grappled with how to resolve this complex and compelling relationship. Even in the original production, directed by Shaw, Herbert Beerbaum Tree, who played Higgins, changed the ending, taking it upon himself to add a romantic gesture right before the curtain fell. (He threw flowers to the departing Eliza.) Tree famously told Shaw, “My ending makes money. You should be grateful.” Shaw replied, “Your ending is damnable. You should be shot.” The romantic conclusion to the 1938 film was shot in secret and only revealed to Shaw days before its official premiere. And of course, My Fair Lady ends as a traditional romance.

PERFORMANCES MAGAZINE 9 NICHOLAS MARTIN A Life at The Old Globe WILL GULLETTE (from left) Paxton Whitehead, Nicholas Martin, Mitchell Edmonds, Linda Hoy and Henry J. Jordan in The School for Scandal by Richard Brinsley Sheridan, directed by Craig Noel, 1989.

Director Nicholas Martin speaks with Literary Manager and Dramaturg Danielle Mages Amato about his history at The Old Globe

WHEN DID YOU day, I think of San Diego as my was an actor and Jack was a FIRST BECOME hometown and the Globe itself director, and from the moment INVOLVED as my home theatre. we met we were great friends. WITH THE OLD I got to know him when we GLOBE? WHAT WERE SOME OF YOUR were in a famous repertory I started to work EARLY PRODUCTIONS AT THE company called APA Rep, which at the Globe in GLOBE? was run by a genius named the 1950s when I played the fool in King Lear. Ellis Rabb. It was really the last I was still in That was my favorite. It’s still my repertory company to work on Nicholas Martin college. At that favorite part I ever played, and Broadway. Jack was an assistant time, of course, I was only 18. A real highlight to Ellis, and he eventually rose it was run by the great Craig for me when I was young was in the company to be a staff Noel. My acting teacher, Alan playing Rosencrantz in Bill Ball’s director. He was enormously Fletcher, directed there every Hamlet. And then later, I came encouraging of me when I summer. He brought gifted back to be in Jack O’Brien’s stopped acting and started young people from Carnegie Hamlet. directing. And he’s a great Mellon to the Shakespeare director. Festival with him to act, and I YOU AND JACK O’BRIEN MET was one of those lucky people. WHEN YOU WERE QUITE I UNDERSTAND YOU ALSO I just kept coming back every YOUNG, YES? HAVE A LONG HISTORY WITH summer for four years. I fell in Jack and I met when I was 23 ROBERT SEAN LEONARD. love with San Diego, and to this and he was a year younger. I When I started directing, which

10 PERFORMANCES MAGAZINE was very late in life — I was trouble. That’s a very short like Chekhov. And I think, “Well, 50 when I started directing list of actors. I just played a it’s there.” Just like people are in New York — I worked with hunch that Bobby, after all that always discovering that Hamlet a wonderful bunch of young television and not really being has some funny things to say. people, including Calista able to do theatre, would fall for Well, yeah! I like to mine that Flockhart, Ethan Hawke and a masterpiece. And I was right. fun. Jonathan Sherman, and Bobby It was one of the happiest days was in that group. We first had in my old life when he agreed. WHAT DOES IT MEAN TO a chance to work together And then I knew I had to find YOU TO COME BACK TO THE when I was directing George an actress who was equally GLOBE AT THIS POINT IN YOUR Bernard Shaw’s You Never Can gifted to play Eliza. And with CAREER? Tell at the Roundabout. He Charlotte Parry, I have. It means a lot to me to come was the ideal person to play back now. I’m old but feeling the lead, and we became fast IS THERE SOMETHING ABOUT young, and the Globe is a friends. Among the actors I SHAW’S WORK THAT YOU FIND place where I’ve always felt at have worked with, he is one PARTICULARLY ATTRACTIVE? home and sort of…in love. It’s of the greatest and certainly I’m drawn by his enormous skill so peculiar to fall in love with one of the smartest and most with language. And the wit. It’s a place, but one hears about charismatic. never been equaled. people falling in love with Paris, or falling in love with Venice. WHAT MADE HIM A GOOD HIS PLAYS—AND ALSO HIS I really feel that way about FIT FOR THE PART OF HENRY LETTERS AND ESSAYS—ARE San Diego. I’ve seen it change HIGGINS? JUST SO ENORMOUSLY FUN. greatly, but I don’t regret those It’s a hard part, and you need I’m glad you mentioned the changes, because the great somebody who is enormously word fun. I’m up for fun, and I’m spirit of this theatre, and this appealing as well as enormously up for giving an audience fun. city, is still so prevalent. articulate, because if you don’t I’ve frequently been assailed like Henry Higgins, you’re in for finding the humor in plays KEN HOWARD Nicholas Martin (left) in Hamlet with Bill Ball, 1960. Victor Garber with Joan McMurtrey in Macbeth, directed by Nicholas Martin, costume design by Old Globe Associate Artist Robert Morgan, 1996.

PERFORMANCES MAGAZINE 11 Profiles

ERIN ELIZABETH ADAMS JEREMY FISHER Julius Caesar and Macbeth. Her other (Bystander) was last seen in (Bystander) appeared in regional work includes Petra in An Enemy the Old Globe/USD M.F.A. the 2012 Old Globe of the People (Playhouse on Park) and a wide production of Measure for Shakespeare Festival range of roles in productions at the Measure. She has worked in productions of Richard III, Monomoy Theatre in Chatham, New York City on Gated As You Like It and Inherit the Massachusetts. Ms. Layman studied with Bill (Midtown International Wind. He has also appeared Esper at his studio in New York and received Theatre Festival) and regionally on Heist!, in the Old Globe/USD M.F.A. productions of her B.A. in French Language and Literature A Midsummer Night’s Dream and Post Wave Measure for Measure, Twelfth Night, Fathers from Wesleyan University in Connecticut. Spectacular (Actors Theatre of Louisville), and Sons and a staged reading of Pygmalion. Henry IV Parts I and II (Actors’ Shakespeare His Chicago productions include Coronado ROBERT SEAN LEONARD Project) and Done (Providence Black and Hollow Lands (Steep Theatre Company), (Professor Henry Higgins) Repertory Company). She is a former Acting Stage Door and No More Dead Dogs (Griffin previously appeared at Apprentice with the Actors Theatre of Theatre Company), the title role in Ivanov, The Old Globe in King Lear Louisville. Ms. Adams received her B.A. Sweet Confinement (After Dark Award for directed by Jack O’Brien. in Theatre and Literary Arts from Brown Outstanding Ensemble), The Incredibly He has performed in the University. Famous Willy Rivers and Bible B-Sides Broadway productions of (Sinnerman Ensemble), Sweet Bird of Youth The Invention of Love (Tony Award), Long MAGGIE CARNEY (Mrs. (The Artistic Home), Election Day (Theatre Day’s Journey Into Night (Tony nomination), Eynsford Hill) is delighted Seven), Odin’s Horse (Infamous Born Yesterday, The Violet Hour, The Music to be making her Globe Commonwealth Theatre), Hot N’ Throbbing Man, The Iceman Cometh, Arcadia, Candida debut with Pygmalion. Her (Pine Box Theater Company) and Another (Tony nomination), Philadelphia, Here I other local credits include Day in the Empire (Black Sheep Productions). Come!, The Speed of Darkness, Breaking the A Christmas Carol (Cygnet Mr. Fisher is a graduate of Indiana University Code and Brighton Beach Memoirs. His Off Theatre Company), Standing and The School at Steppenwolf. Broadway credits include Fifth of July, You on Ceremony: The Gay Marriage Plays Never Can Tell and When She Danced. (Diversionary Theatre), Yellow Face (Mo’olelo ADAM GERBER (Bystander, He also appeared in the West End Performing Arts Company, Craig Noel Award Taxi Man) was last seen in production of Our Town. Born in New Jersey, nomination) and A Midsummer Night’s the Old Globe/USD Mr. Leonard began acting at age 14 at The Dream, Peter and the Starcatchers and production of Measure for Public Theater in New York. At 19, he made ¡Salsalandia! (La Jolla Playhouse). Her Measure. His New York his film debut in the acclaimed Dead Poets regional credits include The Tempest and Bill credits include As You Like It Society. His film credits include Much Ado Irwin’s Largely New York (Seattle Repertory and the Off Broadway About Nothing, The Age of Innocence, Theatre), Bad Dates (BoarsHead Theater, revival of Lebensraum (Harold Clurman Lab Mr. & Mrs. Bridge, Swing Kids, Tape, Chelsea Thespie Award, Wilde Award nomination), Theatre). He most recently worked in Tokyo, Walls and Whit Stillman’s The Last Days of Bedroom Farce (Jeff Citation) and Into the Japan on Hikobae (The Actors Clinic, Will Disco. He appeared for eight seasons on the Woods (Jeff Citation nomination) Do). Mr. Gerber has performed in numerous Fox medical drama “House.” (Touchstone Theatre) and Smash (Bailiwick other productions including Sex and the Repertory Theatre, Jeff Citation). She has Holyland (New York International Fringe DANIELLE O’FARRELL also appeared at Northlight Theatre, Festival) and Much Ado About Nothing, (Clara) recently appeared in Roadworks Productions, Writers’ Theatre, Macbeth, Twelfth Night, In the Boom Boom As You Like It, Richard III and Noble Fool Theatricals, Famous Door Room and Dancing at Lughnasa (Stella Adler Inherit the Wind (The Old Theatre Company, Chicago Shakespeare Studio of Acting), and he has been featured Globe 2012 Shakespeare Theater, Poetry Foundation, The Second in various national commercials. He is a Festival) and Measure for City, Peninsula Players, Creede Repertory graduate of the Stella Adler Studio of Acting Measure, Twelfth Night and Theatre and Wisconsin Shakespeare Festival. and received his B.A. from The George Fathers and Sons (The Old Globe/USD Washington University where he appeared M.F.A. Program). Previously she worked in KANDIS CHAPPELL (Mrs. in The Winter’s Tale and Metamorphosis. Chicago on The Real Thing (Remy Bumppo Higgins) is an Associate Theatre Company), Orpheus Descending Artist of The Old Globe ALLISON LAYMAN (American Theater Company), The Taming where she has appeared in (Bystander, Parlor Maid) of the Shrew (Chicago Shakespeare Theater) more than 30 productions recently appeared in the and No Exit, The Love of the Nightingale and including The Dining Room, Old Globe/USD M.F.A. the world premiere of Hideous Progeny Richard III, The Norman production of Measure for (LiveWire Chicago Theatre). She has Conquests, King Lear and Collected Stories. Measure. She spent the past performed in many other productions with She has performed at North Coast two years as a company the side project theatre company, First Folio Repertory Theatre, San Diego Repertory member of The Shakespeare Theatre of New Theatre, Signal Ensemble Theatre, Point of Theatre and Lyric Opera San Diego, and she Jersey where her mainstage roles included Contention Theatre Company and Bruised has worked extensively at South Coast Luciana in The Comedy of Errors and Orange as well as projects with Chicago Repertory in Costa Mesa. Ms. Chappell has Sempronious in Timon of Athens as well as Children’s Theatre, Remy Bumppo, Around appeared on Broadway, at Lincoln Center multiple roles in the educational touring the Coyote and Northwestern University. Theater and in theatres across the country. productions of A Midsummer Night’s Dream, Her film credits include Farewell Darkness

12 PERFORMANCES MAGAZINE and Stay with Me. Her television credits Punchlines & Pregnant (Broadway Comedy The Miser (Stage West). She has appeared in include “My Boys.” Ms. O’Farrell received her Club). His favorite regional credits include the films Sea of Love, The Brother from B.F.A. in Theatre from the Chicago College A Class Act (Berkshire Theatre Festival), Another Planet and Lianna. Her television of Performing Arts at Roosevelt University. Rent and Almost, Maine (Papermill Theatre), credits include “Murphy Brown,” “Star Trek,” www.danielleofarrell.com. The Sisters Rosensweig and The House of “Cop Rock,” “Knightswatch” and “NYPD Blue Leaves (New Century Theatre) and Miss Blue.” She is the proud mother of mountain CHARLOTTE PARRY (Eliza Saigon, Inherit the Wind, The Sunshine Boys climber Billy Clapp and performs on The Old Doolittle) was a member of and Lost in Yonkers (The Majestic Theatre). Globe stage with love and dedication to her the inaugural year of Sam He has appeared on television in NBC’s beautiful mother, “Tina,” and Craig Noel. Mendes’ Bridge Project, “30 Rock” and “Smash,” Syfy’s “Can You performing The Cherry Survive a Horror Movie?” and numerous PAXTON WHITEHEAD Orchard and The Winter’s commercials. Mr. Simpson holds a B.F.A. in (Colonel Pickering) is an Old Tale at Brooklyn Academy Acting from Syracuse University. Globe Associate Artist and of Music, on the West End and has previously appeared at internationally. She played Cecily in the DON SPARKS (Mr. the Globe in Twelfth Night, sellout Broadway run of The Importance of Doolittle) is an Associate The Mask of Moriarty, Being Earnest. Her other Broadway credits Artist of The Old Globe and The School for Scandal, include Coram Boy and The Real Thing. Her has appeared in over 30 Much Ado About Nothing, Beyond the Off Broadway credits include Equivocation productions since Fringe, The Rivals, Richard III and The Miser, (Manhattan Theatre Club), Look Back in apprenticing at the Globe as well as serving as director for Misalliance Anger and Howard Katz (Roundabout and then making his Equity and co-adapter for There’s One in Every Theatre Company), The Master Builder (Irish debut in 1972 in Beyond the Fringe. His other Marriage. His New York credits include Repertory Theatre), Rainbow Kiss (The Play Globe roles include Aubrey Piper in The Importance of Being Earnest, Absurd Company) and The Lover (DirectorFest). The Show-Off and Malvolio in Twelfth Night. Person Singular, Suite in Two Keys, London For Peter Hall Company at BAM, Center He has performed at numerous theatres Suite, My Fair Lady, Lettice and Lovage, Theater Group and London she performed throughout the U.S. and Canada including Artist Descending a Staircase, A Little Hotel in As You Like It and The Importance of Being the Mark Taper Forum, South Coast on the Side, Run for Your Wife, Noises Off, Earnest. Regionally she has appeared in the Repertory, Long Wharf Theatre, Berkshire Camelot, The Crucifer of Blood, Habeas world premiere of John Patrick Shanley’s Theatre Festival, Geffen Playhouse, Corpus, Candida, Beyond the Fringe, The Pirate (New York Stage and Film), the world Manhattan Theatre Club, The Eugene O’Neill Affair, One Way Pendulum, Gallows Humor premiere of Albee’s Me, Myself & I and The Theater Center and many others. His and premieres of Doric Wilson plays at Caffe Birthday Party (McCarter Theatre Center), Broadway credits include Take Me Out Cino. His London credits include Heartbreak The Turn of the Screw (Westport Country playing Skipper for five months. He has House with Rex Harrison, Diana Rigg and Playhouse) and Cymbeline and Private Lives also had recurring roles on “L.A. Law,” Rosemary Harris. He has been seen in (The Shakespeare Theatre of New Jersey). “Frasier,” “Get a Life,” “Madame’s Place” Los Angeles in How the Other Half Loves, Ms. Parry’s West End credits also include and “Law & Order.” Woman in Mind and The Pirates of Penzance The Real Thing, The Cherry Orchard and and at South Coast Repertory in Heartbreak The Winter’s Tale, and her U.K. regional and DEBORAH TAYLOR (Mrs. House, How the Other Half Loves and The national tour credits include Charley’s Aunt, Pearce) is an Associate Artist Circle. His recent credits include The Habit Amadeus, The Blue Room, A Midsummer of The Old Globe and has of Art and All’s Well that Ends Well in Night’s Dream, Titus Andronicus, As You appeared in the Globe Washington, DC and productions at Coconut Like It, Northanger Abbey, Les Liaisons productions of Romeo and Grove Playhouse, Paper Mill Playhouse, Dangereuses, The Seagull, Three Sisters, Juliet, The Merry Wives of Princeton, Williamstown, Stratford, Godspell, Follies and Whistle Down the Wind. Windsor, Bell, Book and Westport, Seattle, Boston, Hartford, She has appeared on television in The Safe Candle, As You Like It, Antony and Cincinnati, Memphis, Toronto, Vancouver, House and Extreme Ghost Stories (ITV). Cleopatra, Twelfth Night, The Magic Fire, Winnipeg and Philadelphia. Mr. Whitehead Her film credits include The Park Bench. Wonderful Tennessee, Out of Purgatory, served as Artistic Director of the Shaw Ms. Parry has narrated over 40 audiobooks Interior Decoration, The Snow Ball (also at Festival Theatre in Niagara-on-the-Lake, in America and the U.K. Hartford Stage and Huntington Theatre Canada from 1967 to 1978. He adapted, Company), Season’s Greetings, Yankee with Suzanne Grossmann, Georges ROBBIE SIMPSON (Freddy Wives, A Midsummer Night’s Dream, Hamlet, Feydeau’s The Chemmy Circle, There’s One Eynsford Hill) was most The Dining Room, The Seagull, Ring ‘Round in Every Marriage and A Flea in Her Ear. recently seen in the Old the Moon, The Rivals, Henry IV Part I, The Globe/USD production of Winter’s Tale and Othello. Her other theatre GEORGE BERNARD SHAW (Playwright) Measure for Measure. His credits include The Magic Fire (Berkeley is the second-most produced playwright U.K. credits include Orlando Repertory Theatre), The Beaux Stratagem in Globe history, following only William in As You Like It (Hartford Stage), The Women (Royal Shakespeare. Mr. Shaw was born in Dublin (Shakespeare’s Globe). His New York and Off Alexandra Theatre, Toronto), Holiday, on July 26, 1856 and immigrated to London Broadway credits include A Class Act Breaking the Silence and Tonight We in 1878. His first significant attempt at directed by Bob Moss (Playwrights Improvise (Shaw Festival Theatre), Whose literature was as a novelist; he produced Horizons), Hanschen in Spring Awakening Line Is It Anyway?, Ah, Wilderness! and five novels between 1879 and 1888. (Roy Arias Studios & Theaters) and A Place to Stay (Studio Arena Theater) and Eventually he turned to criticism: first art

PERFORMANCES MAGAZINE 13 Profiles and music (enough to fill volumes) and ALEXANDER DODGE (Scenic Design) in Vienna. His regional credits include later theatre. Mr. Shaw’s theatre criticism has designed the Globe productions of Ahmanson Theatre, American Conservatory was particularly significant for pointing the The Recommendation, Rafta, Rafta…, Theater, American Players Theatre, The way to a theatre he himself would soon The Last Romance, Sammy, The Pleasure Denver Center for the Performing Arts, create: a theatre of paradox and wit, one of His Company, Bell, Book and Candle, Guthrie Theater, Huntington Theatre that sought engagement with the world and The Sisters Rosensweig and Moonlight and Company, The John F. Kennedy Center contemporary issues rather than escape Magnolias. His Broadway credits include for the Performing Arts, McCarter Theatre from them. As a playwright, Present Laughter (2010 Tony Award Center, Milwaukee Repertory Theatre, Mr. Shaw turned out an impressive body of nomination), Old Acquaintance, Butley and Oregon Shakespeare Festival, Portland work including more than 50 plays. Some Hedda Gabler. His West End credits include Center Stage, Seattle Repertory Theatre, of his better known plays include Man and All New People as well as Manchester and Studio Arena Theater and Williamstown Superman (1903), Major Barbara (1905), Glasgow. Off Broadway he has designed Theatre Festival. He has received two Drama Pygmalion (1912) – which would later be Modern Terrorism, or They Who Want to Desk nominations, 12 Drama-Logue Awards turned into the musical My Fair Lady – and Kill Us and How We Learn to Love Them, and has exhibited at Prague Quadrennial. He Saint Joan (1923). By the time of his death All New People, Trust and The Water’s Edge is the former Director of Boston University’s in 1950, Mr. Shaw had received world fame (Second Stage Theatre), Maple and Vine and Theatre Arts Division, School for the Arts. unprecedented for a literary figure and was Rapture, Blister, Burn (Playwrights Horizons), hailed by worshipers as one of the greatest The Understudy (Roundabout Theatre PHILIP S. ROSENBERG (Lighting Design) playwrights in the English language, second Company), Paris Commune and Measure for previously designed the Globe production only to William Shakespeare. Pleasure (The Public Theater), Antony and of The Recommendation. His Off Broadway Cleopatra (Theatre for a New Audience), credits include Cactus Flower. His regional NICHOLAS MARTIN (Director) previously Observe the Sons of Ulster Marching credits include The Kennedy Center, La Jolla directed the Globe productions of Later Towards the Somme (Lucille Lortel Award) Playhouse, Ford’s Theatre, Guthrie Theater, Life, Full Gallop, Overtime, Macbeth and and Chaucer in Rome (Lincoln Center TheatreWorks, Hartford Stage, Huntington The Mask of Moriarty. He has directed the Theater) and Force Continuum and Sexual Theatre Company, Chicago Shakespeare Broadway productions of Present Laughter, Perversity in Chicago (Atlantic Theater Theater, The Shakespeare Theatre Company, Butley, Match, Hedda Gabler, The Rehearsal Company). His regional credits include Manhattan School of Music, Portland Stage, and You Never Can Tell. His Off Broadway productions at Alley Theatre, Arena Stage, The Actors Company Theatre, Barrington directing credits include the World Premiere CENTERSTAGE, Hartford Stage, Huntington Stage Company, Williamstown Theatre of Christopher Durang’s Why Torture is Theatre Company, Geffen Playhouse, Festival, Dorset Festival, Bay Street Theatre, Wrong, and the People Who Love Them, Guthrie Theater, La Jolla Playhouse, Long Two River Theater Company, George Street The Time of the Cuckoo and Chaucer in Wharf Theatre, Mark Taper Forum, The Playhouse and Westport Country Playhouse. Rome (The Public Theater), Noah Haidle’s Shakespeare Theatre Company, Stratford Over the past 12 years Mr. Rosenberg has Saturn Returns and Paul Rudnick’s The New Shakespeare Festival, Williamstown Theatre served as associate lighting designer on over Century (Lincoln Center Theater), Fully Festival and Yale Repertory Theatre. His 35 Broadway plays and musicals. Committed (Vineyard Theatre and Cherry opera credits include Il Trittico (Deutsche DREW LEVY (Sound Design) has Lane Theatre), Full Gallop (Manhattan Oper Berlin), Così Fan Tutte (Minnesota Theatre Club and Westside Arts Theatre), designed the Broadway productions Opera), Der Waffenschmied (Munich), of Chaplin, The Importance of Being Observe the Sons of Ulster Marching The Flying Dutchman (Würzburg) and Towards the Somme (Drama Desk Award Earnest and Present Laughter. His Off Lohengrin (Budapest). Mr. Dodge trained Broadway credits include Why Torture is nomination), Betty’s Summer Vacation (Obie at the Yale School of Drama. Award, Drama Desk nominations), Jonathan Wrong, and the People Who Love Them, Marc Sherman’s Sophistry (Playwrights ROBERT MORGAN (Costume Design) Emergence-See!, Rainbow Kiss, Dutchman Horizons) and John Guare’s Bosoms and is an Old Globe Associate Artist and has (AUDELCO VIV Award nomination) and Neglect (Signature Theatre Company). designed the Globe productions of God The Mistakes Madeline Made. His regional Mr. Martin’s numerous regional credits of Carnage, Dr. Seuss’ How the Grinch credits include The Elephant Man, The include She Stoops to Conquer (McCarter Stole Christmas!, Life of Riley, Measure for Last of the Red Hot Lovers, A Month in Theatre Center), The House of Blue Measure, Hamlet, Moonlight and Magnolias, the Country, She Stoops to Conquer, Our Leaves (Mark Taper Forum) and Dead End Vincent in Brixton, Bus Stop, Love & Hours Town, A Funny Thing Happened on the (Ahmanson Theatre). He is also director of and Imaginary Friends, among others. He Way to the Forum, Quartermaine’s Terms, the West Coast and London productions has designed the Broadway productions of She Loves Me, The Corn is Green and of Full Gallop. He most recently opened Dr. Seuss’ How the Grinch Stole Christmas!, Crimes of the Heart (Williamstown Theatre the new Christopher Durang play Vanya The Full Monty, Imaginary Friends, I’m Not Festival), You, Nero (Arena Stage), The and Sonia and Masha and Spike at Lincoln Rappaport and Sherlock’s Last Case. His Off Year of Magical Thinking and The Circle Center Theater. He served as Artistic Broadway credits include Pride’s Crossing (Westport Country Playhouse), Jacques Director of Williamstown Theatre Festival and Saturn Returns (Lincoln Center Theater) Brel is Alive and Well and Living in Paris and Huntington Theatre Company and and The Loves of Anatol (Circle in the Square (Two River Theater Company), She Stoops directed numerous productions at both. Theatre). His television credits include to Conquer (McCarter Theatre Center), He is the recipient of the Norton Award for American Playhouse, The Skin of Our Teeth Pirates!, The Corn is Green, She Loves Me, Sustained Achievement. and A Christmas Carol. He has designed Present Laughter, The Cherry Orchard, internationally for the West End and Maria Love’s Labour’s Lost, The Sisters Rosensweig, Theresa’s Schönbrunn Palace Theater Burn This and the world premiere of Sonia

14 PERFORMANCES MAGAZINE Flew (Huntington Theatre Company) and Shakespeare Festival, Alabama Shakespeare credits include 9 Parts of Desire (Mo’olelo Shipwrecked! (Long Wharf Theatre). His Festival, Arena Stage, San Diego Repertory Performing Arts Company). associate credits include One Man, Two Theatre, Milwaukee Repertory Theater, Guvnors (Tony Award nomination), Rock of PlayMakers Repertory Company, Indiana JESS SLOCUM (Assistant Stage Manager) Ages, That Championship Season, Women Repertory Theatre, American Players has previously worked at the Globe on on the Verge on a Nervous Breakdown, Theatre and Mo’olelo Performing Arts A Room with a View, Richard O’Brien’s The Everyday Rapture (Drama Desk Award Company. Ms. Gist has been a guest on Rocky Horror Show, the 2011 and 2012 nomination), The 39 Steps (Tony Award), KPBS radio’s “A Way with Words,” narrated Shakespeare Festivals, Rafta, Rafta…, Robin South Pacific, Cymbeline, Happiness, San Diego Museum of Art documentaries, and the 7 Hoods, Alive and Well, Sammy, The Apple Tree, Adding Machine and The coached dialects for the film The Rosa Cornelia, Since Africa, Dr. Seuss’ How the Metropolitan Opera’s 125th Anniversary Parks Story and recorded dozens of Books Grinch Stole Christmas! (‘07-’09) and The Gala. Mr. Levy holds an M.F.A. from Boston To Listen To. She is a founding member of Glass Menagerie. Her Broadway credits University. The Voice and Speech Trainers Association include In the Heights. Her regional credits and has presented at many national and include Ruined, The Third Story, Memphis MARK BENNETT (Original Music) international conference workshops for them and Most Wanted (La Jolla Playhouse), previously worked on the Globe production and for The Voice Foundation. She has taught Post Office (Center Theater Group) and of Twelfth Night directed by Jack O’Brien. workshops in Russia for the International Tranquility Woods (Steppenwolf Theatre His Broadway credits include Dead Accounts, Voice Teachers Exchange at The Moscow Art Company). Her San Diego credits include Driving Miss Daisy, A Steady Rain, The Coast Theatre and at London’s Central School of Yellow Face (Mo’olelo Performing Arts of Utopia (2007 Drama Desk Award for Speech and Drama. She has been published Company), Words By (North Coast Outstanding Music in a Play, Henry Hewes in VASTA Journals, and chapters in books Repertory Theatre) and Festival of Christmas Award for Sound Design), Henry IV, Golda’s include The Complete Vocal Warm-Up, More 2011 (Lamb’s Players Theatre). She is Balcony, The Goat, or Who Is Sylvia?, Lily Stage Dialects and an interview in Voice a graduate of Vanderbilt University. Proud Tomlin’s The Search for Signs of Intelligent and Speech Training in the New Millennium: member of Actors’ Equity. Life in the Universe, The Lion in Winter, Who’s Conversations with Master Teachers. She is Afraid of Virginia Woolf? and A View from BARRY EDELSTEIN (Artistic Director) a professor in The Old Globe/USD Graduate is a stage director, producer, author and the Bridge, among others. His Off Broadway Theatre Program. www.jangistspeaking.com. credits include Vanya and Sonia and Masha educator. Widely recognized as one of and Spike, The New Century, Chaucer in CAPARELLIOTIS CASTING (Casting) the leading authorities on the works of Rome and The Time of the Cuckoo (Lincoln recently cast the Globe productions Shakespeare in the United States, he has Center Theater), An Illiad (Obie Award), of The Brothers Size and Good People. directed nearly half of the Bard’s works. Valhalla, Mad Forest and My Children! My Their Broadway casting credits include As Director of the Shakespeare Initiative Africa! (New York Theatre Workshop) and Craig Wright’s Grace, Theresa Rebeck’s at The Public Theater (2008-2012), he original scores for eight Shakespeare in the Dead Accounts, Sharr White’s The Other oversaw all of the company’s Shakespearean Park productions, Why Torture is Wrong, and Place (upcoming), Lyle Kessler’s Orphans productions, as well as its extensive the People Who Love Them, The Seagull and (upcoming), Seminar, The Columnist, Stick educational, community outreach and Dogeaters (The Public Theater). Some of his Fly, Good People, Bengal Tiger at the artist-training programs. At The Public, regional credits include An Iliad directed by Baghdad Zoo, The House of Blue Leaves, Mr. Edelstein staged Julius Caesar starring Lisa Peterson, A Midsummer Night’s Dream Fences, Lend Me a Tenor and The Royal Jeffrey Wright for Shakespeare in the Park directed by Christopher Ashley (Craig Noel Family. They also cast for Manhattan Theatre and The Merchant of Venice featuring Ron Award, Outstanding Music for a Play) and Club, Second Stage Theatre, Atlantic Theater Leibman’s Obie Award-winning portrayal of composer and co-lyricist for Most Wanted Company, LCT3, Ars Nova, Goodman Shylock. He was also Associate Producer (La Jolla Playhouse), Dead End directed Theatre, Arena Stage, Ford’s Theatre and of The Public’s Broadway production of by Nicholas Martin, Without Walls and The three seasons with Williamstown Theatre The Merchant of Venice starring Al Pacino. House of Bernarda Alba (Center Theater Festival. Their recent and upcoming film and From 1998-2003 he was Artistic Director Group), Plato’s Symposium (The Getty) and television credits include HairBrained (with of Classic Stage Company, where he The Bridge Project directed by Sam Mendes, Brendan Fraser) and Steel Magnolias (Sony produced and directed some of New York’s 2009-2012 (Brooklyn Academy of Music, The for Lifetime). most memorable classical productions. Old Vic). Mr. Bennett has received the 1998 Mr. Edelstein’s Shakespearean directorial Obie Award for Sustained Excellence of ANNETTE YÉ (Stage Manager) served as credits include productions of The Winter’s Sound Design, 1998 Bessie Award, Ovation stage manager for The Old Globe’s God of Tale with David Strathairn, Timon of Athens Award, American Theatre Wing Award and Carnage, Anna Christie, Groundswell and with Richard Thomas, As You Like It with 14 Drama Desk nominations. the 2010 production of Dr. Seuss’ How The Gwyneth Paltrow and Richard III with John Grinch Stole Christmas! Her other Globe Turturro. His additional credits include the JAN GIST (Voice and Dialect Coach) has credits include Dr. Seuss’ How the Grinch Lucille Lortel Award-winning revival of Arthur been Voice, Speech and Dialect Coach for Stole Christmas! (’11 and ‘12), Boeing- Miller’s All My Sons; the world premiere of Old Globe productions since 2002. She has Boeing, The First Wives Club, Opus, Dancing Steve Martin’s The Underpants, which he coached at theatres around the country in the Dark, Hay Fever and the Summer commissioned; Molière’s The Misanthrope including Ahmanson Theatre, La Jolla Shakespeare Festivals 2008 and 2010- starring Uma Thurman in her stage debut; Playhouse, Oregon Shakespeare Festival, 2012. Ms. Yé’s regional credits include Peter and the world premiere of novelist Nathan The Shakespeare Theatre Company in DC, and the Starcatchers, Tobacco Road and Englander’s play The Twenty-Seventh Man. The American Shakespeare Center, Utah ¡Salsalandia! (La Jolla Playhouse). Her other He has also directed new and classical work

PERFORMANCES MAGAZINE 15 Profiles extensively at regional theatres around the the Grinch Stole Christmas!, Dirty Rotten education and theatre: Honorary Doctorate USA. Edelstein has taught Shakespearean Scoundrels (Tony nomination), Henry IV of Humane Letters, University of San Diego, acting at The Juilliard School, NYU’s (Tony Award), Hairspray (Tony Award), Honorary Doctorate in Fine Arts, San Diego Graduate Acting Program and the University Imaginary Friends, The Invention of Love State University and the annual Awards for of Southern California. He has lectured (Tony nomination, Drama Desk Award), The Excellence in Theatre named in his honor by on theatre around the USA and the world Full Monty (Tony nomination), More to Love, the San Diego Theatre Critics Circle. In 2007, and has written on the subject for The New Getting Away with Murder, Pride’s Crossing, he received the National Medal of Arts — York Times, The Washington Post, The New The Little Foxes, Hapgood (Lucille Lortel the nation’s highest honor for artistic Republic and American Theatre. His book Award, Best Director), Damn Yankees, Two excellence — in a ceremony at the White Thinking Shakespeare (called by New York Shakespearean Actors (Tony nomination), House. Craig Noel died on April 3, 2010 magazine “a must-read for actors”) was Porgy and Bess (Tony Award). Metropolitan at the age of 94. published in 2007 and is now the standard Opera: II Trittico. London: Love Never Dies, text on American Shakespearean acting. Hairspray (Olivier nomination). National He is also the author of Bardisms: Theatre: His Girl Friday. Six movies for PBS’s Shakespeare for All Occasions. Mr. Edelstein “American Playhouse.” Awards: 2008 Theatre is a graduate of Oxford University, where he Hall of Fame Inductee, 2005 John Houseman studied as a Rhodes Scholar. Award, ArtServe Michigan 2008 International Achievement Award, Honorary Doctorate, MICHAEL G. MURPHY (Managing University of Michigan. Honorary Doctor of Director) served as General Manager Humane Letters, University of San Diego. of The Old Globe from 2003 to 2012, Film (actor): Sex and the City 2. overseeing the Production, Education, Human Resources, Information Technology CRAIG NOEL (Founding Director) was and Facilities Departments, as well as Front first appointed director in 1939, directing of House operations. He also managed the 15 productions prior to World War II. Since CAPARELLIOTIS CASTING construction of the Globe’s new theatre then he directed more than 200 plays of David Caparelliotis and education facilities. Prior to the Globe, all styles and periods and produced an Lauren Port he was the Managing Director of Austin additional 270 productions. His vision for Miriam Mintz Lyric Opera in Austin, Texas, Director of The Old Globe resulted in the establishment Administration of San Diego Opera and of the Shakespeare Festival and the San General Manager of San Diego Repertory Diego Junior Theatre in the late ‘40s, the Theatre. Before relocating to San Diego expansion to two theatres in the ‘50s, Globe from New York, he held similar positions at Educational Tours in the ‘70s and Teatro Theatre for a New Audience and the Joyce Meta and the Old Globe/University of San Theater Foundation’s American Theater Diego M.F.A. program in the ‘80s. During Exchange. He also served as negotiating the 1940s, Mr. Noel served as dialogue assistant for the League of Resident Theatres director for the 20th Century Fox Studios and sales representative for Columbia Artists and was the former director of the Ernie Pyle SPECIAL THANKS Theatricals Corporation. Mr. Murphy has Theatre in Tokyo. Described by Variety as served on the Board of Directors of the San the eminence grise of San Diego theatre, Mr. Marsha Kuligowski Diego Performing Arts League and serves Noel is one of the few San Diegans to have High Society as a Management Trustee for San Diego had an entire year (1987) proclaimed in his County Theatrical Trusts, the pension and honor, and to be named one of San Diego’s welfare trust for IATSE stagehands in the San “Living Treasures.” He was a founder of the Diego region. He was also an adjunct faculty California Theatre Council and a former vice member of the Music Department at the president of the California Confederation University of San Diego. Mr. Murphy earned of the Arts. His numerous honors include his B.F.A. degree in Stage Management from The San Diego Union-Tribune list of 25 This theatre operates under an agreement Webster University in St. Louis, Missouri and persons who shaped the city’s history; the between the League of Resident Theatres and Actors’ Equity Association, the union of his M.F.A. in Performing Arts Management Governor’s Award for the Arts; University of professional actors and stage managers in the from Brooklyn College of the City University Arizona Alumni Association’s Outstanding United States. of New York. Citizen, for his contribution to their Fine Arts department; San Diego State University’s The Directors are members of the Society JACK O’BRIEN (Artistic Director Emeritus) of Stage Directors and Choreographers, Outstanding Alumnus; Conservator of an independent national labor union. served as the Artistic Director of The American Arts Award from American Old Globe from 1982 through 2007. Conservatory Theater; the San Diego Press Mr. O’Brien most recently directed Norbert This Theatre operates under an Agreement Club Headliner Award; San Diego Gentleman with the International Alliance of Theatrical Leo Butz and Katie Holmes in Theresa of Distinction Award; and a combined Stage Employees Local No. 122. Rebeck’s Dead Accounts on Broadway. tribute from the Public Arts Advisory His Broadway credits also include: Catch Council and the San Diego County Board of Me If You Can, Impressionism, The Coast The Scenic, Costume, Lighting and Sound Supervisors. Mr. Noel was particularly proud Designers in LORT Theatres are represented of Utopia (Tony Award), Dr. Seuss’ How of the following three honors representing by United Scenic Artists Local USA-829, IATSE.

16 PERFORMANCES MAGAZINE Familiar Faces on the Globe Stage This production of Pygmalion features five of The Old Globe’s Associate Artists: costume designer Robert Morgan and actors Kandis Chappell, Don Sparks, Deborah Taylor and Paxton Whitehead. Together, they have been involved with over 100 shows at The Old Globe. The photos below represent just a few highlights of their Globe careers.

Don Sparks KEN HOWARD (above) Old Globe Associate Artist Kandis

Kandis Chappell Chappell as Regan with Katherine McGrath as Goneril in King Lear, directed by Jack (above) Old Globe Associate Artist O’Brien, costume design by Old Globe Don Sparks in The House of Blue Associate Artist Robert Morgan, 1993. Leaves by John Guare, directed by (left) Chappell as Helena in A Midsummer Craig Noel, 1971. (left) Sparks as Night’s Dream, directed by Jack O’Brien, Malvolio in Twelfth Night by William

JOHN PETER WEISS costume design by Robert Morgan, 1985. Shakespeare, directed by Laird Williamson, 1994.

Deborah KEN HOWARD

Taylor Old Globe Associate Artist Paxton Whitehead as Richard in the Globe’s 500th production, Richard III, directed by John Houseman, 1985. (below) Whitehead as Malvolio in Twelfth Night, directed by Jack O’Brien, 2001. Paxton Whitehead CRAIG SCHWARTZ CRAIG

(above) Old Globe Associate Artist Deborah Taylor as a Nurse with Heather Wood as Juliet in Romeo and Juliet, directed by Rick Seer, 2008. (right) Taylor as Hermia in A Midsummer Night’s Dream, directed by Jack O’Brien, costume design by Old Globe

Associate Artist Robert Morgan, 1978. JOHN PETER WEISS CRAIG SCHWARTZ CRAIG

(far left) Old Globe Associate Artist Robert Morgan, 1977. (left) Amanda Naughton, Kelsey Venter, Geno Carr and Phil Johnson Robert in Dr. Seuss’ How the Grinch Stole Christmas!, Morgan costume design by Robert Morgan. CLIFFORD BAKER CLIFFORD HENRY DIROCCO HENRY

PERFORMANCES MAGAZINE 17 Season Sponsors

In 1995, the Season Sponsor program was initiated by Globe Board Members to secure a foundation of support for artistic and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is grateful to acknowledge the following donors who have generously supported the 2012-2013 season.

LEAD SEASON SPONSORS $75,000 or greater

Karen and Donald Cohn Darlene Marcos Shiley Charter Sponsor since 1995 Charter Sponsor since 1995 In memory of Donald Shiley Charter Sponsor since 1995

Audrey S. Geisel Sheryl and Harvey White Sponsor since 1998 Sponsors since 2000

Sponsor since 2000

Conrad Prebys and Mary Ann Blair Peter Cooper and Debbie Turner Sponsor since 2007 Norman Blachford Sponsors since 2004 Sponsors since 2008

18 PERFORMANCES MAGAZINE SEASON SPONSORS $50,000 or greater

Elaine Lipinsky Family Foundation Globe Guilders Charter Sponsor since 1995 Charter Sponsors since 1995

John A. Berol The County of San Diego Sponsor since 1996 Sponsor since 1996

Kathryn Hattox Joan and Irwin Jacobs Sponsor since 1998 Sponsors since 2002

Mary Beth Adderley and Valerie and Harry Cooper Elizabeth & Ryan Williams Sponsors since 2005 Sponsors since 2004

June E. Yoder Brian and Silvija Devine Sponsor since 2010 Sponsors since 2012

Charter Sponsor since 1995 Sponsor since 2004

Sponsor since 2007 Sponsor since 2007

For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 19 Education

SUMMER SHAKESPEARE INTENSIVE For high school-aged students, our Education Department offers two top-notch programs that provide training and scholarships toward a future in the theatre. High school students looking for an opportunity to study classical acting and perform in The Old Globe’s Lowell Davies Festival Theatre can audition for the SUMMER SHAKESPEARE INTENSIVE. This four-week program immerses participants in deep study of one of Shakespeare’s plays and gives students a professional-level

JEFFREY WEISER JEFFREY experience as they rehearse their show. Students work with the Globe’s stage managers and costume, props and scenic departments in an exhilarating theatre experience.

Here’s what former students have to say about the Summer Shakespeare Intensive! “The hardest fun you could ever have.” – Mico Ramos “A wonderfully empowering program that not only increased my confidence in my acting skills, but my confidence in myself.” – Meghan McKenzie HENRY DIROCCO HENRY “This is the best program I have ever done. I have been to a lot of workshops and done a lot of camps, but the Intensive is by far the

best one. I learned a million different things, and everyone who taught the program was HENRY DIROCCO HENRY professional and insightful.” – Kelly Prendergast

(top) 2012 Summer Shakespeare “I had an amazing time in the Shakespeare Intensive. Everything was done at a very Intensive participants begin their professional level while still keeping a sense of fun and enjoying theatre.” – Derl Clausen training with movement exercises; (bottom) A Midsummer Night’s Dream, 2012 Summer Shakespeare Intensive. Auditions for the Summer Shakespeare Intensive will take place on March 9 and 10, 2013. J. KATARZYNA WORONOWICZ. KATARZYNA J. The semi-finalists, finalists and winners of the 2012 Globe Honors.

GLOBE HONORS is a competition for San Diego County Winners of the semi-finals move on to the finals round where students who have worked on plays and musicals at their they perform their audition pieces onstage in The Old Globe schools and in the community. The competition consists of Theatre. All winners receive $1,000 scholarships. auditions for actors and singers and an interview process for Auditions for Globe Honors will be held on May 4 and 5, 2013. technical theatre students.

For more information about Education Programs, please contact [email protected] or visit www.TheOldGlobe.org/Education.

20 PERFORMANCES MAGAZINE David C. Copley January 31, 1952 — November 20, 2012

The Old Globe fondly San Diego Humane Society and remembers David Copley as a Sharp Healthcare. loyal supporter of the theatre The Old Globe is grateful to and a beloved friend to Craig have built a lasting connection Noel, Jack O’Brien and all of to a life lived with inestimable The Old Globe family. integrity and compassion. He David and his family were and his family were longtime leaders in San Diego for more Globe supporters whose many than 80 years. During David’s contributions included both tenure as publisher, the San generous personal gifts and Diego Union-Tribune won two grants from the Helen K. and Pulitzer Prizes and was named James S. Copley Foundation, in 2008 by the California which supported the holiday Newspaper Publishers production of Dr. Seuss’ How Association as the best large the Grinch Stole Christmas! daily in the state. A noted from 1998 through 2008 as philanthropist, David loved well as the Globe’s Securing a the arts and supported many San Diego Landmark campaign.

local organizations, including SOCIAL DIARY DIEGO MARGO SCHWAB/SAN David recently opened his the Museum of Contemporary “Though much is taken, much abides.” home to host a celebration Art San Diego, La Jolla TENNYSON honoring the underwriters Playhouse, the Museum of of the 2012 Globe Gala, an Photographic Arts and The Old Globe. He established event that raised nearly $1 million for the theatre. an endowment for UCLA’s David C. Copley Chair The Globe’s Copley Plaza bears his family’s name, for the Study of Costume Design and was a leading providing a permanent reminder of David’s kind and contributor to San Diego’s new Central Library, the generous spirit.

THANK YOU, CITY OF SAN DIEGO! A Penny for the Arts

The Old Globe is grateful that the City arts and cultural events, and these of San Diego values not-for-profit arts and “cultural tourists” spent more than twice culture organizations for their capacity as much as other visitors. That same to foster creativity and innovation and year, 68 organizations, including The Old stimulate the local economy. In October Globe, were funded by the Commission’s 2012, the City Council voted in support Organizational Support Program (OSP) of a plan to gradually restore funding for through a rigorous application process. the Commission for Arts and Culture to The total budget for fiscal year 2011 OSP 2002 levels, allocating a “full penny” from each dollar of TOT support was $5.8 million. Collectively, these 68 organizations (Transient Occupancy Tax) paid by tourists to support arts and added more than $170 million in direct expenditures to the culture. This plan outlines a gradual increase of total funding local economy and supported a workforce of nearly 6,000. The for the Commission’s Organizational Support Program and City’s funding was also leveraged to bring in more than $107 Creative Communities San Diego Program from $6.5 million in million in earned revenues and $95 million in contributions. fiscal year 2013 to 12.8 million in fiscal year 2017. The Old Globe’s annual contract with the City of San Diego San Diego’s arts and culture not-for-profit represent a Commission for Arts and Culture helps sustain a year-round multimillion-dollar industry that consistently provides a production schedule of world-class theatre on three stages positive return on the City’s investment. In 2011, more than in Balboa Park as well as a wide range of education and two million visitors to San Diego participated in City-funded community programs serving both adults and children.

PERFORMANCES MAGAZINE 21 Events at the Globe

Meeting our artists is one of the many benefits of membership at The Old Globe. From $500 donors to Production Sponsors, Globe donors have a variety of opportunities to connect with the theatre from the inside, getting to know the directors, actors, designers and creators of our spectacular and moving plays and musicals. DOUG GATES DOUG GATES (from left) Season Sponsors Diane Zeps and Kamaya Jane and Season Sponsor and (from left) Board member Lynne Wheeler, Patricia Hodgkin, Allegiance star and Tony Board Member Mary Beth Adderley with Allegiance star George Takei at the Opening Award winner Lea Salonga and Kimberly Bernantz at a private luncheon. Night of Allegiance – A New American Musical. J. KATARZYNA WORONOWICZ. KATARZYNA J. DOUG GATES (from left) Stephen Smith, Allegiance star George Takei, Margie Kitano, Eleanor Lynch (from left) Michelle Cardinal, Allegiance star and Tony Award winner Lea Salonga and and Patrick Harrison at the Meet the Artist event with George Takei. Peter Landin at the Opening Night festivities of Allegiance – A New American Musical. DOUG GATES DOUG GATES (from left) Carl Zeiger, Board Member Vicki Zeiger and Frank Urtasun with new Artistic (from left) Board Member Don Cohn and Karen Cohn with new Artistic Director Barry Director Barry Edelstein (center) at the Grinch 15th Anniversary Celebration. Edelstein at the Grinch 15th Anniversary Celebration.

22 PERFORMANCES MAGAZINE THE OLD GLOBE

2012 saw the launch of The Old Globe Residency Project, an artistic initiative funded by a grant from The James Irvine Foundation that seeks to further the Globe’s engagement with underserved communities in San Diego County. The centerpiece is The Old Globe Community Voices, a program that introduces new audiences to not only theatregoing, but also to the process of creating their own art in and for their communities. Participants attend free playwriting workshops and performances, culminating in a presentation of their own plays, which are performed by professional actors at The Old Globe. We asked two members of our inaugural groups to share a few words about their experience.

MILLER OLIVER I knew I also wanted to get a real message across. It just all Victory Outreach Church began to flow and fall into place. Before I joined the program, I had little When it was finally time to present my play at The Old Globe, experience with theatre. One of the pastors I was nervous all over again. But it was really amazing to be able told me to join but I said, “No, I can’t do it. I have to see my play performed in front of my family and friends.

J. KATARZYNA WORONOWICZ. KATARZYNA J. a lot going on right now.” But he kept pushing I feel so grateful that The Old Globe would offer such a great the idea, and finally I made a deal with two of my friends that I experience for free. By the time the class was ending all I kept would take the class if they would. saying was, “I wish this was longer.” In the beginning, I was nervous and embarrassed but, as the I plan to lead future productions within my local church and classes continued, I found myself beginning to loosen up. By the to enhance them with the tools and skills I obtained from the time we saw our second show together at the Globe, we were a class. My advice to anyone considering doing the class would family. Good People was great, and as I started writing my play, be DO IT!

ERIKA A. HERNANDEZ I could feel the entire audience connect even though we were all The Salvation Army Ray & Joan Kroc Corps complete strangers. This is an experience that everyone should Community Center have without being limited by financial constraints. Prior to participating in Community Voices, The workshop presented an opportunity for me to tell a story I had some experience in writing, but none in that fellow community members could identify with. I would like

DOUG GATES theatre. The greatest benefit that I received to write more plays that speak to the needs of our communities. from the program was being exposed to the impact of a live I think we all need to listen to the voices in our heads; there is show. I had the opportunity to see Good People and was usually an interesting character or two lurking there, waiting for fascinated by the sensation of being more than an onlooker in an opportunity to be heard. It is my hope that the Globe can the drama. I felt drawn in, almost as if I was a family member. continue to offer this opportunity to as many people as possible.

For more information about The Old Globe Community Voices, please email [email protected] or visit www.TheOldGlobe.org/CommunityVoices. J. KATARZYNA WORONOWICZ KATARZYNA J. The Old Globe Community Voices participants from Victory Outreach Church with performers from their play readings at The Old Globe on Thursday, Nov. 8, 2012.

PERFORMANCES MAGAZINE 23 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) City of San Diego Commission Globe Guilders Darlene Marcos Shiley, for Arts & Culture The James Irvine Foundation in memory of Donald Shiley The County of San Diego Microsoft The Shubert Foundation Audrey S. Geisel/The San Diego Sheryl & Harvey White Foundation Foundation Dr. Seuss Fund

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Peter Cooper & Norman Blachford Conrad Prebys & Debra Turner Elizabeth & Ryan Williams Valerie & Harry Cooper Qualcomm Foundation The Legler Benbough Foundation Mr. & Mrs. Brian K. Devine United John A. Berol Edgerton Foundation Wells Fargo Mary Ann Blair Kathy & John Hattox June E. Yoder, Karen & Donald Cohn HM Electronics, Inc. in memory of David Yoder Cohn Restaurant Group/ Joan & Irwin Jacobs Fund of the Prado Restaurant Jewish Community Foundation Elaine Lipinsky Family Foundation

Production Sponsors ($25,000 to $49,999) Anonymous Higgs Fletcher & Mack, LLP San Diego Gas & Electric® Balboa Park Celebration, Inc. Elaine & Leonard Hirsch Sheraton San Diego Hotel & Marina Bank of America Inn at the Park Patsy & Forrest* Shumway Alan Benaroya Jo Ann Kilty Mickey Stern Richard & Kathy Binford Barbara G. Kjos Ms. Jeanette Stevens California Bank & Trust National Corporate Theatre Fund Gillian & Tony Thornley Pamela & Jerry Cesak Neiman Marcus Union Bank Elaine & Dave Darwin Paula & Brian Powers U.S. Bank Nina & Robert Doede Random House Children’s Books Mandell Weiss Charitable Trust Pamela A. Farr Gloria & Dick Rasmussen *In Memoriam

Director Circle ($10,000 to $24,999) Jane Smisor Bastien Daphne H. & James D. Jameson Reneé Schatz Nikki & Ben Clay Carol & George Lattimer Jean & Gary Shekhter Joseph Cohen & Martha Farish Jeffrey & Sheila Lipinsky Anne Taubman & David Boyle Ann Davies Family Foundation Evelyn Mack Truitt Karen Fox & Harvey Ruben Rebecca Moores Pamela J. Wagner Hal & Pam Fuson National Endowment for the Arts Dr. Steve & Lynne Wheeler Diana Glimm Rafael & Marina Pastor Karin Winner Lee & Frank Goldberg Tom & Lisa Pierce Laurie Mitchell & Brent Woods Dr. & Mrs. Harry F. Hixson, Jr. Allison & Robert Price Carolyn Yorston-Wellcome Deni & Jeff Jacobs Price Family Charitable Fund

24 PERFORMANCES MAGAZINE Annual Fund Donors

FOUNDER CIRCLE Darlene G. Davies, in memory Lyn Nelson PLATINUM ($5,000 to $9,999) of Lowell Davies Arthur & Marilyn Neumann ($1,000 to $1,499) Lawrence G. Alldredge & Dawn Moore Pat & Dan Derbes Lawrence Newmark Anonymous Anonymous Michael & Katy Dessent L. Robert & Patricia L. Payne Sondra & Robert Berk Fund of the Bradford W. Bates Jim & Sally Ditto Ben & Joan Pollard Jewish Community Foundation Joan & Jeremy Berg Dan & Phyllis Epstein Bill & Mo Popp Gary & Barbara Blake Family Fund of Barbara Bloom Mr. & Mrs. Ira S. Epstein Daniel Porte Jr., MD the Jewish Community Foundation The Louis Yager Cantwell Mary & David Fitz The Arthur & Jeanette Pratt Steve & Elizabeth Bluhm Private Foundation Susanna & Michael Flaster Memorial Fund Nancy Brock Carol & Jeff Chang Jean & Sid Fox Joseph & Jane Rascoff Cecilia Carrick & Stan Nadel Clifford & Carolyn Colwell Samuel I. & John Henry Fox Sarah B. Marsh-Rebelo & Harry & Sandra Carter R. Patrick & Sharon Connell Foundation at John G. Rebelo Walter & Cheryl Deegan Bernard J. Eggertsen & Union Bank of California Chrissy & Roger Roberts Dorothy R. Dring Florence Nemkov Chuck Freebern Nancy Robertson Paul & Clare Friedman Marion Eggertsen Charles & Millicent Froehlich Mary & Eugene Rumsey, MD Gay and Lesbian Fund for San Diego Barbara & Dick Enberg Joy & Dr. Fred Frye Carole Sachs at The San Diego Foundation Dr. & Mrs. Robert Epsten Elaine & Murray Galinson Warren & Beverly Sanborn Mr. & Mrs. Arthur A. Greenberg Carol Spielman-Ewan & Joel Ewan Barbara & Albert Garlinghouse Sanderson Family Donor Advised Kaaren Henderson Martha & George Gafford Bill & Judy Garrett Fund at the Rancho Santa Fe Bill & Nancy Homeyer Drs. Thomas & Jane Gawronski Teresa George Foundation Kenneth & Marilyn Jones Norm Hapke & Valerie Jacobs Hapke Nancy Reed Gibson Drs. Joseph & Gloria Shurman Louis & Mary Beth Kelly Gordon & Phyllis Harris Wendy Gillespie Dee E. Silver, MD Robert Kilian & Kathleen Slayton Alexa Kirkwood Hirsch Robert Gleason & Marc Matys Elene & Herb Solomon Bill & Linda Kolb William Karatz Walter Goeddel Nancy & Alan Spector and Family Dr. & Mrs. James E. Lasry Brooke & Dan Koehler Sheila & Tom Gorey Barbie & Dan Spinazzola Don & Mary Jane Lincoln Peter Manes & Yoko Sakaguchi Dr. & Mrs. William Gott Nancy Steinhart & Edward & Nancy Lyon Paul & Maggie Meyer Timothy P. Haidinger Rebecca Goodpasture Jasna Markovac & Gary Miller Money/Arenz Foundation, Inc. Ms. Cheryl Haimsohn Eugene & Hannah Step F. Dale & Lois Marriott Caroline & Nicolas Nierenberg Guy & Laura Halgren Lou & Doris Vettese Marcia Mattson Matthew & Judith Pollack Pat & Rick Harmetz Zelda J. Waxenberg Dr. & Mrs. M. Joseph McGreevy John & Marcia Price Drs. Patrick Harrison & Eleanor Lynch Jan Harden Webster & Raul Ortega Jack Meek Family Foundation Rhonda Heth & Thomas Mabie The Patricia and Christopher Weil Judith & Neil Morgan Rivkin Family Fund I at Richard & Janet Hunter Family Foundation Virginia Oliver The San Diego Foundation Hutcheson Family Fund at James E. & Kathryn A. Whistler Dr. Julie Prazich & Dr. Sara Rosenthal Bob & Julie Sullivan The San Diego Foundation Robert & Doris Reed Deborah Szekely Drs. Sonia & Andrew Israel ($1,500 to $2,499) The Ralph B. Rogers Foundation Pat & Jack Thomas Jerri-Ann & Gary Jacobs Anita Busquets & William Ladd San Diego Concierge Association Cherie Halladay Tirschwell Pat JaCoby Devora & Ron Eisenberg Alan & Esther Siman Dixie & Ken Unruh Mary & Russell Johnson of Great News! Dave & Phyllis Snyder Carol Vassiliadis Jackie Johnston Gary & Carrie Huckell Greta & Steve Treadgold Jordine Skoff Von Wantoch Katleman Family Fund of the William & Edythe Kenton Celeste & Gene Trepte Jewish Community Foundation Sherry & Larry Kline Stan & Anita Ulrich CRAIG NOEL CIRCLE Dr. Gerald & Mrs. Barbara Kent Robin J. Lipman Jo & Howard Weiner ($2,500 to $4,999) Bob* & Gladys King Nancy & James Mullen David & Irene Weinrieb Dr. & Mrs. Wayne Akeson Ken & Sheryl King In Memory of Dolly & Jim Poet Mary Kay West Gail Andrade and Webster & Helen Kinnaird Marie & Don Prisby Howard & Christy Zatkin John & Jennifer Andrade Jane & Ray Klofkorn Marisa SorBello & Peter Czipott Anonymous (3) Curt & Nancy Koch James & Ellen Weil GOLD Judith Bachner & Eric Lasley Betty & Dr. Leonard Kornreich Shirli Fabbri Weiss ($500 to $999) Jan & Rich Baldwin Rosalie Kostanzer & Michael Keefe In Memory of Freda Altschuler & Bobbie Ball Bob & Laura Kyle DIAMOND Sylvia Goldin Diana J. Barliant* & Nowell Wisch Jean & David Laing ($1,500 to $2,499) Anonymous (5) Jan Bart Peter Landin & Michelle Cardinal Anonymous George Amerault Melissa Garfield Bartell & Terry & Mary Lehr Jeff & Donna Applestein Drs. Gabriela & Mike Antos Michael Bartell Ms. Sherrill Leist Mrs. Lazare F. Bernhard Earl Asbury Deron & Toni Bear Dr. Ronald & Mrs. Ruth W. Leonardi Steve G. Bjorg The Backman Family Linda Birch James & Pamela Lester Jane Cowgill Andris Baltins Charlotte & Charles Bird Sandy & Arthur Levinson Enid Gleich Bruce & Patricia Becker Joan Bishop, in memory Barbara & Mathew Loonin George C. Guerra Amnon & Lee Ben-Yehuda of Harold McNeil Sue & John Major Leo S. Guthman Fund Drs. John & Karen Berger Paul Black Merriel F. Mandell, PhD Jerry Lester, MD/Rosarito, Mexico Jay Biskupski & Catherine Imrie Dr. Herman & Irene H. Boschken Jackie & Charlie Mann Fund of the Dr. Robert & Marcia Malkus Bob & Joyce Blumberg Dr. & Mrs. Edgar D. Canada Jewish Community Foundation Joy & Ronald Mankoff Barbara Bolt Edward & Pamela Carnot Elizabeth & Edward McIntyre Holly McGrath & David Bruce Deb & Brand Brickman George & Ellen Casey Elizabeth B. Meyer Akiko Charlene Morimoto & Dr. & Mrs. Simon C. Brumbaugh, Jr. Rudy & Carol Ceseña Grace & Scott Miller Hubert Frank Hamilton, Jr. Greg & Loretta Cass Garet & Wendy Clark Barbara & Mike Morton Mark Niblack, MD Luc Cayet & Anne Marie Pleska Richard & Stephanie Coutts Sara F. Moser Susan Parker Lynne Champagne & Wilfred Kearse Susan Barlow Cowell Jim & Ruth Mulvaney Foundation at Shearn & Linda Platt Jack & Carol Clark Gigi & Ed Cramer The San Diego Foundation Esther Rodriguez Ronald D. Culbertson Timothy & Marie Cunning Elspeth & Jim Myer Jack & Louise Strecker Honorable Vincent Di Figlia Carlo & Nadine Daleo Joyce & Martin Nash Margery & John Swanson Dr. Donald & Eilene Dose Bob Nelson Jacqueline & Stanley Drosch

PERFORMANCES MAGAZINE 25 Annual Fund Donors

(continued) Mr. William D. Smith & Dr. & Mrs. Richard Friedman Dr. & Mrs. Richard Perlman Elisabeth K. Ecke Dr. Carol Harter John & Mary Garvelink Abigail Pike Bill Eiffert & Leslie Hodge Peter & Frances Splinter Rita J. Geisel Pricor Family Drs. Susan & George Fee Ronald & Susan Styn Carole & Howard Goldfeder Alex & Eileen Pue Esther & Robert Feier Clifford & Kay Sweet Euvoughn L. Greenan Kathy & Jay Rains Richard & Beverly Fink Brenda & Robert Tomaras Craig & Catherine Greene Irl R. & Clarice Robinson Family Foundation Jeffrey & Sheila Truesdell Gary & Anne Grim Stuart & Linda Robinson Pauline Forman & Jack Burke Ms. C. Anne Turhollow & Theodore Gryga Judy Rosen Susan & Steven Garfin Mr. Michael J. Perkins Maggi Hall Dr. Norman & Barbara Rozansky Theresa A. Georgi Marlene G. Lipsey Turrentine George D. Hardy Crystal A. Rubin Arthur Getis Natalie C. Venezia & Paul A. Sager Mark & Corrine Harvey Marsha Sable Norman & Patricia Gillespie Karen Walker Garry & Sharon Hays Samiljan Family Fund of the J. M. Gillman Douglas Wallingford Gerald M. Hermanson & Jewish Community Foundation Louise & Doug Goodman Kathy & Jim Waring Donna L. Buckner Lillian Schafer Robert & Edry Goot The Washkowiak’s Suzanne & Lawrence Hess Mr. & Mrs. Russell Schnapp Chris Graham & Michael Albo Ms. Sandy Wichelecki Blaine Hibbard Carl Schott Carol & Don Green Dennis & Carol Wilson Donald J. Hickey Martin & Connie Schroeder Richard & Candace Haden Cass Witkowski Family Peggy & John Holl Elsa & Jim Sears Helen M. Hammond Ms. Abbe Wolfsheimer Robert Hyman John & Patricia Seiber Jeff & Judy Handler Brendan M. & Kaye I. Wynne Susan D. Inot Lori Severson & Eric Longstreet James & Ruth Harris of the Ed & Linda Janon Alex V. Sher Jewish Community Foundation SILVER Tony & Nancy Janus Curt Sherman Virginia Hawkins ($250 to $499) Mrs. Katherine Jarvis Eunice M. Simmons, M.D. Jamie Henson & Robert Houskeeper Margaret Acampora Dr. Natasha Josefowitz Anne & Ronald Simon Mike Hogan Enterprises Sybil & B.J. Adelson Dr. James & Sharon Justeson Malcolm E. Smith Bruce & Jane Hopkins Chris & Natalie Anderson Drs. Irvin & Nancy Kaufman Norman & Judith Solomon Stephen Hopkins & Dr. Carey Pratt Cyla Andrus Capt. & Mrs. Robert S. Kayler Susanne Stanford & Tom Matthews Isaacs Brothers Foundation at Alicia Atun & Elaine Rendon* Julia Kenyon Ann & Robert Steiner The San Diego Foundation Anonymous (6) Evelyn Klees, in memory of Dave & Jan Stormoen Dr. & Mrs. Clyde W. Jones John & Elizabeth Bagby Robert Edwin Klees Helga & Sam Strong Kathy & Rob Jones Mark J. Ballam Mr. & Mrs. Robert Kucinski Eric & Marian Suggs Patricia & Alexander Kelley Beverly Bartlett Michelle LaGrandeur John & Linda Sunkel Dr. Marvin Kripps Sharon & Bill Beamer Steven & Denise Landgarten Mrs. J.B. Swedelius LABS, Inc./Silvia Dreyfuss Edgar Berner Family Fund of the Elizabeth Lasley Linda Tallian Barney Lanz Jewish Community Foundation Elliott & Phyllis Lasser John & Gail Tauscher Rick & Sherry Levin John & Sally Berry Dixon & Pat Lee Brian & Janet Taylor Marshall & Judy Lewis Fund of the Nicholas B. Binkley Allen Lemberg Family Marshall & Leila Taylor Jewish Community Foundation Robert Blanton & Ann Clark Ellen & Ira Levine Mr. & Mrs. Reed Thompson Carl Maguire & Margaret Sheehan Kathleen Blossfield B. Leonard Levy Tim & Judy Tillyer Sally & Luis Maizel Gaylyn N. Boone & James R. Dorcy Timothy S. Lucey Doris Trauner & Richard Stanford Drs. Betty Joan Maly & John Meyers Helen & Douglas Boyden Bill Luckow Capt. & Mrs. Ben Trovaten Ron & Mercy Mandelbaum LaVerne & Blaine Briggs Neil A. Malmquist Nancy Alice Vaughn Rev. Stephen J. Mather Donor Advised Fund at the Deborah & Frederick Mandabach Johanna Vertullo McAuliffe Family Rancho Santa Fe Foundation Russell Mangerie Barbara C. Ward Ronald McCaskill & Robyn Rogers Glenn & Jolie Buberl Patricia Manning Judith L. White Mr. & Mrs. William M. McKenzie Ruth Bunn Harold & Beverly Martyn Olivia & Marty Winkler Charles & Billie McKnight David Burns & Diane Lischio William McBride Mr. & Mrs. John W. Witt Rena Minisi & Rich Paul Mary-Kay Butler Robert McCommins Mr. & Mrs. William F. Wolff Charles & Susan Muha Helen M. Caldwell Dennis A. McConnell Philip & Elsa Wood Shirley Mulcahy William & Shirley Carrington Oliver McElroy & Karen Delaurier Vicky Zollweg & Michael Dunteman Marsha J. Netzer Elaine Chortek Teresa McEuen Rod & Barbara Orth Janet & Maarten Chrispeels Mr. & Mrs. David McNair *In Memoriam Lisa Churchill Dr. & Mrs. Robert Meredith Barbara B. Oswalt This list current as of November 30, 2012. Julius J. Peal Fund at Richard Clampitt & Rachel Hurst The Michael Family The San Diego Foundation Alan L. & Frances E. Cornell Dr. & Mrs. Paul E. Michelson For additional information on how you In Memory of Margaret Peninger Charley & Barb Crew Phyllis Minick may support The Old Globe’s artistic, Dr. Ken Pischel & Mr. & Mrs. Alan Davis C. F. Monroe education and community programs, Dr. Katherine Ozanich Florence C. DeLucia Craig & Betsey Monsell please visit our website at Drs. Paul & Katherine Ponganis Ms. Angela DeCaro Dr. & Mrs. Robert Morrison www.TheOldGlobe.org or contact Rowling Family Charitable Fund of the Caroline S. DeMar Mary Jo Murphy Rachel Plummer, Major Gifts Officer, Jewish Community Foundation Bethany Derrough Katherine Newton at (619) 231-1941 x2317 or Frank Ruyak Dutch & Dawn Dershem Thomas & Tanya O’Donnell [email protected]. Simon & Ruth Sayre Hon. Harry M. & Kee Elias Dr. David & Elizabeth Ostrander Linda J. Seifert Mr. & Mrs. Victor Engleman Susan & Jim Oxford Stella Shvil Professional Fiduciary The Englunds Clifford T. Pentrack & Beverly & Howard Silldorf Sherry L. Franklin, MD Mary E. Giovaniello

Become a Member of the Annual Fund Annual Fund donations support both the artistic work of the Globe and the variety of educational opportunities that we offer for Did you know that your ticket or subscription purchase covers only the San Diego community. As an Annual Fund member, you will also 50% of the cost of your seat? As a not-for-profit theatre, The Old Globe enjoy many benefits that will enhance your theatregoing experience. relies on the generous support of patrons like you to contribute the rest. For more information contact [email protected]

26 PERFORMANCES MAGAZINE “What the Globe means to us” DOUG GATES J. KATARZYNA WORONOWICZ KATARZYNA J. Director Michael Wilson with Globe Board Member Valerie Cooper and Harry Cooper James and Janice LaGrone with Allegiance star George Takei (center) at a Meet the at the Circle Patron Opening Night Dinner for Divine Rivalry in July 2012. Artist event in September 2012. Valerie and Harry Cooper James and Janice LaGrone Globe Board Member (Valerie Cooper), Season Sponsors Bronze Level Members, Craig Noel League Members “San Diego is lucky to have one of the country’s best regional “It was a no-brainer decision to take our association with The theatres that gives so many people the opportunity to see Old Globe to the next level by becoming Craig Noel League world-class plays. Ticket prices do not completely cover costs, Members. In this era of declining financial support for arts it and we feel it is important to support the Globe so shows are became imperative to us that the quality of productions, acting available for the community.” and actor development be protected from future degradation.” JEFFREY WEISER JEFFREY DOUG GATES (from left) Esther Rodriguez and Randy Tidmore with 2012 Shakespeare Festival Cast (seated) Board member Crystal Sargent and Doug Sargent with (standing) set designer members Jonas McMullen, Aidan Hayek, Dana Green and Lou Francine Rasse at a Jeff Cowie, Torrey Pines Bank CEO Gary Cady, director Michael Wilson and lighting summer event with the Festival acting company. designer Rui Rita at the Circle Patron Dinner for the opening night of Dividing the Estate.

Esther Rodriguez and Randy Tidmore Crystal Sargent Diamond Level Members, Globe Guilders, SVP with Torrey Pines Bank, Globe Board Member, Craig Noel League Members Director Circle Corporate Member “The Globe keeps our youth engaged and nurtured in a cultural “San Diego is our flagship city, and we take great pride in the environment that enriches their lives, and we need to support it roots and business success we have built here. We remain so it will continue to thrive through future generations.” committed to paying it forward through the support of iconic -Esther Rodriguez institutions like The Old Globe, and exposing our clients to “I support the Globe because it works hard to help the children these timeless productions nurtures and adds value to our in the community learn about theatre, including writing and relationships.” staging plays of their own. I like the variety of productions the Globe brings to San Diego, and I like the people that work at the theatre and make all this possible.” -Randy Tidmore

PERFORMANCES MAGAZINE 27 Corporate Donors

LEAD SEASON SPONSORS ($75,000 or more)

SEASON SPONSORS ($50,000 - $74,999)

PRODUCTION SPONSORS ($25,000 - $49,999)

DIRECTOR CIRCLE ($15,000 to $24,999) National Corporate Theatre Fund is a not-for-profit corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: Acquis Consulting Group Marsh & McLennan Companies American Express Foundation The McGraw-Hill Companies AOL MetLife Bank of America Morgan Stanley Bloomberg Pfizer, Inc. BNY Mellon RBC Wealth Management James E. Buckley RVM Inc. Steven Bunson The Ralph and Luci Schey Foundation Christopher Campbell/ Sharp Electronics ($10,000 to $14,999) Palace Production Center Skadden, Arps, Slate, Break-Away Tours ResMed Foundation Cisco Systems, Inc. Meagher & Flom LLC Clear Channel Outdoor George S. Smith, Jr. Citi TheaterMania.com/Gretchen Shugart FOUNDER CIRCLE ($5,000 - $9,999) Cleveland Clinic John Thomopoulos Bertrand at Mister A’s First American Trust CMT/ABC The James S. and Lynne P. Turley Ernst Nokia Inc. Hyatt Regency La Jolla The Westgate Hotel Datacert, Inc. & Young Fund for Impact Creativity Dorsey & Whitney Foundation UBS CRAIG NOEL CIRCLE ($2,500 - $4,999) Epiq Systems Wells Fargo The Cox Kids Foundation at The San Diego Foundation Ernst & Young Willkie Farr & Gallagher LLP Cubic Corporation HoyleCohen Northgate González Market Goldman, Sachs & Co. Public Support

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego.

28 PERFORMANCES MAGAZINE The Old Globe is pleased to salute Qualcomm Foundation for its commitment to being good citizens and good neighbors in San Diego. Qualcomm Foundation contributes to a multitude of organizations and participates in touching people’s lives on a personal level all over San Diego, a community they will always call home. At The Old Globe, Qualcomm, and now the Qualcomm Foundation, have been longtime Leading Sponsors of the Summer Shakespeare Festival and support the Shakespeare Initiatives for young people, which include the rigorous Shakespeare Intensive, serving high school students who spend four weeks during the summer studying acting, theatre production and Shakespeare and, ultimately, stage a production in the Lowell Davies Festival Theatre. Qualcomm Foundation consistently supports Production Guides, a pre-show workshop for teachers to help them incorporate theatre into their curriculum, as well as Follow the HENRY DIROCCO HENRY Jay Whittaker (center) with Bard Tours for nearly 1,000 students and a Teacher Appreciation Series. (from left) Danielle O’Farrell and The philanthropic endeavors of Qualcomm Foundation and Qualcomm Incorporated Bree Welch in Richard III. develop and strengthen communities worldwide, and here in San Diego the Globe is grateful for Qualcomm Foundation’s support where culturally vibrant organizations, such as The Old Globe, can continue to serve this community and provide outstanding theatre to San Diego for years to come.

In Memoriam and Endowment Gifts

Donors to the Endowment Helen Albritton Lowell Davies Chuck Hollinquest Delza Martin Rose Schweitzer John A. Berol Margaret Armbruster Lyn Ann Deems Bettie Holloway Bob McGlade Marilyn Shaw Ronald Brown William Armbruster Betty Crates Dennis Violetta Horton Cora Inez McGlade R. Ernest Sheperd Ava Carmichael Colonel Albert A. Arnhym Barney DeSelm Tom Howell David McIntyre Diane Sinor Harry & Valerie Cooper Leni Arnhym Jean DeSelm David Huffman Dr. Fraser L. Machpherson John Sinor Maria Correia Lois L. Bailey Trust Chris Dimolias Helena Ingrum Irma Macpherson Anne Smith Jane Cowgill Grace Barbey Edith Dolnick Barbara Iredale Maggie Mazur Larry Spear Darlene G. Davies Diana Barliant Dozoretz Family Estate Judge T. Bruce Iredale Paul Michael Marje Spear Danah Fayman Lillie Mae Barr Mary Suzanne “Sue” Drew Thelma Irwin Eleanor Mikkelsen Denise Spooner Mr. & Mrs. Feldman Chester K. Barta, MD Bill Eaton Bob Jamieson Elsa Mikkelsen Andrew Stewart Ellis Construction F. William Bartels, LS Jessica Eaton Donald Jenkins Judy Miller Jane Stillman Kathryn Hattox Joseph Basquez Helen Edison Mary Jermanok Francis M. Millican Charles E. Stoll The Hollis Foundation Katherine Black John Ellsworth Joseph E. Jessop, Jr. Richard C. Mitchell Cora Sweet James and Jan LaGrone Frank Bowers Anne Enoch Barbara Johnson Dr. Francis Montalbano Kay Taylor-Hopkins The Mr. Isaac C. Malamud Patricia Wynand Brandon Montague Enoch Gram Jones Jack Mosher Hie Thompson and Mrs. Agustina R. Dorothy Brown Pauline Evans Dana Juhl Jim Mulvaney Marilyn Thompson Malamud Foundation Lewis Brown Dennis Farmer Steve Kaster Rita Neeper Peg Thornton The Mission Valley Vincent Buckley Chuck Farr Anne M. Kay Kenneth Newton Martha Tingler Community Fund Victor Buono Bunny Feldman Hank Kelley Craig Noel Howard Tirschwell Mr. Stephen B. Nielander & Clair Burgener Betsy Flannagan Peggy Kellner The Teresa A. Nugent Marian Trevor Ms. Dominique K. Alessio Louis Yager Cantwell Annette Ford Luther Kennett Memorial Fund Walter Trevor La Nona Royalty Funds C. Wayland Capwell Mrs. John H. Fox Bill King Martin B. Ortlieb Burton & Valeda Turner National Endowment for Mary Delafield Carter Robert Friedenberg J. Robert King Victor Ottenstein Walter Varner the Arts Whitfield Case Dorothea Gales Agnes Kinsella Dr. Ralph W. Otterstrom Patti Vars Jeannie Polinsky Rivkin Jack Cecil Dessie Galland Richard Kneeland Douglas Pagliotti Dick Viertel Artistic Fund J. Dallas & Mary Clark Dorothy Garland Tony Kopas Margaret F. Peninger Ann C. Vojtko The San Diego Foundation Gordon Frank Cleator Sheldon Gero Jack Krill William F. Penny, Sr. Phil Wahl Pat Thomas Marian Colby Shirley Gillespie Jeff Larsen Clive Nelson Pillsbury Harvey Von Wantoch San Diego Trust & Savings Hazel Goes Cook Tony Gillson John David Lentz Dolly & James Poet Rusty Walker Celeste & Gene Trepte Dudley R. Cooper Dr. Viola Granstaff Georgie Leslie Sheila Potiker Tim Ward Tim & Ellen Zinn Tom Corcoran Gracie Knudsen Gray Marguerite “Peg” Lewis Dorothy S. Prough Jim Webre Geraldine Corda Mike Gubitosi Nim Lindsey Anne Ratner Alma Webster In Memoriam Gifts Clif Cowgill Peg Graybill Bernard Lipinsky Allen Redman Robert West to the Endowment or Kay Crick Sam L. Hall Dorris Lipinsky Hadley & Hester Jack Whitney Annual Fund Josephine Crum Dr. Winston Hall Elaine Lipinsky Richardson Hal Williams Jack Aaronson Warren Currier Connie Hedges Gordon Luce Will Roberson Dr. Stanley E. Willis II Mary Adams Francis Cushing James Hempstead Marie Manning Nancy Rondebush Dick Wilson Richard Croxton Adams Ethelind Davies Kerry Hogan-Bean Bini Vincent Marquez Eleanor Rose Dolores M. Wilson John Robert Agajeenian John Davies Nina Hoke Minerva Marquiz Serena Sams Victor Wulff

PERFORMANCES MAGAZINE 29 Join the Craig Noel League Today

Ensure a Stronger Future for The Old Globe!

Founded in 2000 and named for the Globe’s Founding Director, the “We have been supporting The Old Globe for over 30 years as Craig Noel League is a planned giving usher team captains and most recently as tour docents. We are society for the Globe comprised of impressed by the excellence of Globe productions and its crew, designers, actors and staff. We both believe the Globe is one of individuals who have included The Old the premiere theatres in the nation and we are very proud to be Globe in their estate plans. Through part of its family. We decided to include the theatre in our estate their generosity, these members of plan through membership in the Craig Noel League. Today we are the theatre are helping to ensure a contributing our time through volunteering, and in the future our gift will help the Globe continue its great tradition of producing long and bright future for San Diego’s outstanding theatre.” leading cultural landmark. —Craig and Mary Hunter

Craig Noel League Members

Patricia W. Crigler. Ph. D., Jerry Lester Foundation Dolores & Rod Smith CAPT/USN/Ret. Robin J. Lipman Marisa SorBello & Carlos & Patricia Cuellar Heather Manion Peter Czipott Mrs. Philip H. Dickinson Chris & Jill Metcalf John & Cindy Sorensen Doug Druley & Becky Young Paul I. & Margaret W. Meyer Nancy A. Spector & Bernard J. Eggertsen & Steve Miller Alan R. Spector Florence Nemkov Dr. Robert W. Miner Jeanette Stevens Dr. & Mrs. Robert Epsten Shirley Mulcahy Eric Leighton Swenson Frank A. Frye, III Laurie Dale Munday Anne C. Taubman Mr. Alan Gary & Stanley Nadel & Randy Tidmore Ms. Joanee Udelf Cecilia Carrick Cherie Halladay Tirschwell Nancy Reed Gibson Alice B. Nesnow Evelyn Mack Truitt CRAIG NOEL,CRAIG 1957 Robert Gleason & Arthur & Marilyn Neumann Ginny Unanue Marc Matys Ronald J. Newell Carol & Lawrence Veit Anonymous (18) Marcy Goldstone Greg & Polly Noel Jordine Von Wantoch Diana Barliant* Carol & Don Green PACEM (Pacific Academy of Merle Wahl Jan Bart Kathryn Hattox Ecclesiastical Music) Holly J. B. Ward Nancine Belfiore David & Debbie Hawkins Sarah B. Marsh-Rebelo & Sarah Woodruff Watkins Alan Benaroya Jill Denison Holmes John Rebelo Sheryl & Harvey P. White Barbara Bolt Craig & Mary Hunter Esther Rodriguez Mrs. Jack Galen Whitney Nancy Brock Bob Jacobs* Darlene Shiley Julie Meier Wright Ronald Brown Grace Johnston Patsy & Forrest* Shumway Carolyn Yorston-Wellcome Dr. & Mrs. Edgar D. Canada Gladys H. King B. Sy & Ruth Ann Silver Garet & Wendy Clark Marilyn Kneeland Dee E. Silver, M.D. *In Memoriam R. Patrick & Sharon Connell Jean & David Laing Stephen M. Silverman Jane Cowgill James & Janice LaGrone Roberta Simpson

To become a member of the Craig Noel League or to tell us of a gift you have already made, please contact Bridget Cantu Wear, Associate Director of Development, Planned Giving, at (619) 231-1941 x2312 or [email protected].

30 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Jacqueline Brookes Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday – Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired patrons, The Old Globe has an Assistive Listening ORDERING TICKETS/CHANGE OF ADDRESS System in all three theatres: the Sheryl and Harvey White The Old Globe accepts Visa, Discover, MasterCard, or Theatre, the Old Globe Theatre and the Lowell Davies American Express. Phone orders for non-subscribers Festival Theatre. A limited number of the lightweight are subject to a $3.50 per ticket service charge. Ticket headsets, as well as induction neck loops, may be obtained exchanges are subject to a service charge for non- from the house manager prior to performances. subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) 234-5623 PUBLIC TOURS during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the to the Ticket Services Office, or email us at history, three stages, shop and craft areas. Open tours: most [email protected]. Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 238-0043 UNABLE TO ATTEND? x2145 for information/reservations. If you find you are unable to use your tickets, please give them to a friend, or turn them in to the Ticket Services LOST AND FOUND Office and receive a tax receipt for your donation. Tickets If you have misplaced a personal item while at the theatre, must be received by show time. please contact the Ticket Services Office or Security as soon as possible. If we are unable to locate your item, RESTROOMS we’ll happily take down your contact information and a Restrooms are located in the lower lobby of the Old Globe description of the item and contact you if it is found. The Theatre, the lobby of the Sheryl and Harvey White Theatre Old Globe does not assume liability for items left behind on and adjacent to the Lowell Davies Festival Theatre. the premises.

SEATING OF LATECOMERS Natural Herb Cough Drops — Courtesy of Ricola USA, Inc. — Although we understand parking is often at a premium, the are available upon request. Please ask an usher. seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 31 Staff

Barry Edelstein...... Artistic Director Josh Camp, Trish Rutter...... Craftspersons Donor Services Michael G. Murphy...... Managing Director David Medina...... Properties Buyer Janette Jack, Barbara Lekes, Stella Livoni, Richard Seer...... Director of Professional Training David Buess...... Property Master, Globe Richard Navarro, Michael Prince, Stephanie Reed, Edward Nelson...... Interim General Manager Seamus O’Bryan...... Stage & Property Master, White Susie Virgilio, Judy Zimmerman...... Suite Concierges Dave Henson...... Director of Marketing and Communications Todd Schultz...... Director of Development Lighting MARKETING Mark Somers...... Director of Finance Shawna Cadence...... Lighting Director Jeffrey Weiser...... Public Relations Director Robert Drake...... Director of Production Lace King...... Lighting Assistant Ed Hofmeister...... Associate Director of Marketing Roberta Wells-Famula...... Director of Education Tonnie Ficken...... Master Electrician, Globe Mike Hausberg...... Public Relations Associate Jim Dodd...... Master Electrician, White Kelly Boyle...... Digital and Print Publications Coordinator ARTISTIC Eben Alguire, Kevin Anthenill, Sam Ibrahim, Marissa Haywood...... Marketing Assistant Adrian Noble...... Shakespeare Festival Artistic Director Omar Ramos, Steve Schmitz...... Electricians Susie Virgilio...... Marketing/Events Assistant Eric Louie, Justin Waldman...... Associate Producers Danielle Mages Amato...... Literary Manager/Dramaturg Sound Subscription Sales Bernadette Hanson...... Artistic Associate Paul Peterson...... Sound Director Scott Cooke...... Subscription Sales Manager Desiree Nash...... Community Outreach Coordinator Mark Hartshorn...... Master Sound Technician, Globe Tom Budd, Anna Bowen-Davies, Arthur Faro, Katherine Harroff...... Community Teaching Artist Dana Pickop...... Master Sound Technician, White Andy Fink, Janet Kavin, Pamela Malone, Yolanda Moore, Jessica Morrow, Ken Seper, Jan Gist...... Resident Vocal Coach Cassandra Shepard, Jerome Tullmann, ADMINISTRATION Grant Walpole...... Subscription Sales Representatives PRODUCTION Brian Franko...... Assistant General Manager Shana Wride...... Administrative Assistant Debra Pratt Ballard...... Associate Director of Production Ticket Services Darlene Davies...... The Old Globe Historian Suzanne Conway...... Company Manager Bob Coddington...... Ticket Services Manager Carol Donahue...... Production Coordinator Marsi Bennion...... Ticket Operations Manager Information Technology Dani Meister...... Group Sales Manager Dean Yager...... Information Technology Manager Stage Management Tony Dixon, Leila Knox...... Production Stage Manager Thad Steffen...... Information Technology Assistant Manager Rob Novak...... Lead Ticket Services Representatives John Ralston...... Information Technology Assistant Kari Archer, Sarah Ditges, Kathy Fineman, Technical Merri Fitzpatrick, Steve Greenhalgh, Alejandro Gutierrez, Benjamin Thoron...... Technical Director Human Resources Tyler Jones, Michael McCullock, Caryn Morgan, Wendy Berzansky...... Associate Technical Director Sandra Parde...... Human Resources Director Jordyn Patton, Christopher Smith, Travis Barrett...... Assistant Technical Director Kathy Silberman...... Interim Human Resources Manager Carly Wickham-Stickler...... Ticket Services Representatives Sean Fanning...... Resident Design Assistant Eliza Korshin...... Technical Assistant/Buyer Maintenance PATRON SERVICES Christian Thorsen...... Stage Carpenter/Flyman, Globe James Ford...... Facilities Manager Mike Callaway...... Theatre Manager Carole Payette...... Charge Scenic Artist Violanda Corona, Ismael Delgado, Miguel Gaspar, Mary Taylor, Samaria Ship...... House Managers Jessica Amador, W. Adam Bernard, Jenn Imbler, Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Kristen Cairns...... Front of House Assistant Erica Orr, Edward Roxburgh...... Scenic Artists Jose Morales, Albert Rios, Maria Rios, Vielka Smith, Elaine Gingery...... Food and Beverage Manager Gillian Kelleher...... Master Carpenter Nicolas Torres, Leonardo Rodriguez ...... Building Staff Timothy Acosta, Missy Bradstreet, Robert Dougherty...... Festival Master Carpenter Nellie R. del Rosario, Kai Drey, William Henderson, Andrew Young...... Charge Carpenter, White PROFESSIONAL TRAINING Sondra Mejia, Benjamin A. Murrell, Paige Plihal, Amanda Rhoades, Michelle Thorsen...... Pub Staff Laura McEntyre...... Automation Coordinator Llance Bower...... Program Coordinator Fernando Avita, Daniel Capiro, Chris Chauvet, Brian Byrnes, Maria Carrera, Cynthia Caywood, Jasmine Morgan, Jessica Platt, Jason Chohon, Bob Dougherty, Jack Hernandez, Ray Chambers, Gerhard Gessner, Jan Gist, Stephanie Rakowski...... Gift Shop Supervisors Josh Letton, Seamus O’Bryan...... Carpenters Fred Robinson, Abraham Stoll...... M.F.A. Faculty Eszter Julian, Jeremy Luce...... Deck Crew William Hartley, Corey Johnston, Security/Parking Services Stephanie Larson, Nate Parde...... M.F.A. Production Staff Jerome Kinchen...... Irvine Intern Rachel “Beahr” Garcia...... Security Supervisor Dallas Chang, Sherisa Eselin, Janet Larson, EDUCATION Security Officers Costumes Jeffrey Neitzel...... Kim Montelibano Heil...... Education Programs Manager Oscar Gonzalez, Jeff Howell...... Parking Lot Attendants Stacy Sutton...... Director Carol Green...... Speakers Bureau Coordinator Michael Prince, Norman Ramos...... VIP Valet Attendants Charlotte Devaux...... Resident Design Associate Jennifer Barclay Newsham, Amanda Cooley Davis, Maureen Mac Niallais...... Assistant to the Director James Cota, Jo Anne Glover, Lisel Gorell-Getz, Shelly Williams...... Design Assistant/Shopper Brian Hammond, Jason Heil, Erika Malone, Michelle Hunt Souza...... Design Assistant Erika Phillips, James Pillar, Damon Shearer, Wendy Miller...... Tailors/Draper Cynthia Stokes, Mark Wischkaemper...... Teaching Artists Jack O’Brien...... Artistic Director Emeritus Erin Cass, Joan Mathison...... Draper Craig Noel...... Founding Director Babs Behling, Annie Glidden Grace...... Assistant Cutters FINANCE Mary Miller...... Costume Assistant Carly Bennett-Valle...... Senior Accountant Joanna Stypulkowska...... Stitcher Trish Guidi...... Accounts Payable/Accounting Assistant Erin Carignan...... Craft Supervisor Adam Latham...... Payroll Coordinator/Accounting Assistant Stephanie Parker...... Lead Craft Artisans Tim Cole...... Receptionist Molly O’Connor...... Wig and Makeup Supervisor Kim Parker...... Assistant to Wig and Makeup Supervisor DEVELOPMENT Beverly Boyd...... Wardrobe Supervisor Annamarie Maricle...... Associate Director, Institutional Grants Beth Merriman...... Crew Chief, Globe Bridget Cantu Wear...... Associate Director, Planned Giving Anna MacDonald...... Crew Chief, White Eileen Prisby...... Events Manager Ana Maldonado, Heather Premo, Rachel Plummer, Keely Tidrow...... Major Gifts Officers Noelle Van Wyk...... Wardrobe Crew, Globe Jessica Burger...... Development Manager, Marie Jezbera...... Rental Agent Individual Annual Giving Angelique von Thun...... Major Gifts Associate Properties Diane Addis...... Membership Administrator Neil A. Holmes...... Properties Director Kacie Bluhm...... Development Assistant Kristin Steva Campbell...... Assistant to the Director Rico Zamora...... VIP Donor Ticketing Kristine Hummel...... Prop Assistant M.H. Schrenkeisen...... Shop Foreman Rory Murphy...... Lead Craftsman

32 PERFORMANCES MAGAZINE