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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
2009 Sundance Film Festival Announces Films in Competition
Media Contacts: For Immediate Release Brooks Addicott, 435.658.3456 December 3, 2008 [email protected] Amy McGee, 310.492.2333 [email protected] 2009 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN COMPETITION Festival Celebrates 25 Years of Independent Filmmaking and Cinematic Storytelling Park City, UT—Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 25th Sundance Film Festival. In addition to the four Competition categories, the Festival presents films in five out-of-competition sections to be announced tomorrow. The 2009 Sundance Film Festival runs January 15-25 in Park City, Salt Lake City, Ogden, and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. "This year's films are not narrowly defined. Instead we have a blurring of genres, a crossing of boundaries: geographic, generational, socio-economic and the like," said Geoffrey Gilmore, Director, Sundance Film Festival. "The result is both an exhilarating and emotive Festival in which traditional mythologies are suspended, discoveries are made, and creative storytelling is embraced." "Audiences may be surprised by how much emotion this year's films evoke," said John Cooper, Director of Programming, Sundance Film Festival. "We are seeing the next evolution of the independent film movement where films focus on storytelling with a sense of connection and purpose." For the 2009 Sundance Film Festival, 118 feature-length films were selected including 88 world premieres, 18 North American premieres, and 4 U.S. premieres representing 21 countries with 42 first-time filmmakers, including 28 in competition. -
Sweeney Todd the Demon Barber of Fleet Street May 10 – June 7, 2020 Edu TABLE of CONTENTS
A NOISE WITHIN’S 2019-2020 REPERTORY THEATRE SEASON AUDIENCE GUIDE Stephen Sondheim’s Sweeney Todd The Demon Barber Of Fleet Street May 10 – June 7, 2020 Edu TABLE OF CONTENTS Character Map . 3 Synopsis . 4 About the Author: George Dibdin Pitt . 5 About the Adaptors: Christopher Bond, Hugh Wheeler, and Stephen Sondheim . 7 History of Sweeney Todd: A Timeline . 9 Change in the Air: The Transition from the Industrial Revolution to the Victorian Era . 10 Pretty Women: The Role of Women in 19th Century England . 11 The Great Divide: Social Inequality in Industrial and Victorian England . 14 Melodrama and Musicals . 15 The Evolution of the Sweeney Todd Story from Melodrama to Musical . 17 Themes . 18 Revenge . 18 Love and Desire . 18 Freedom and Captivity . 19 Madness . 19 Ken Booth Lighting Designer . 20 Additional Resources . 21 A NOISE WITHIN’S EDUCATION PROGRAMS MADE POSSIBLE IN PART BY: Ann Peppers Foundation The Green Foundation Capital Group Companies Kenneth T . and Michael J . Connell Foundation Eileen L . Norris Foundation The Dick and Sally Roberts Ralph M . Parsons Foundation Coyote Foundation Steinmetz Foundation The Jewish Community Dwight Stuart Youth Fund Foundation 3 A NOISE WITHIN 2019/20 REPERTORY SEASON | Spring 2020 Study Guide Sweeney Todd CHARACTER MAP Mrs. Lovett The owner of a struggling meat pie shop . She knew Sweeney Todd before he was sent to Australia, and she helps him set up a barbershop when he returns to London . Sweeney Todd/Benjamin Barker An English barber formerly known Beggar Woman/Lucy Barker as Benjamin Barker . After spending A woman who has gone mad over 15 years wrongfully incarcerated in time . -
4. UK Films for Sale at EFM 2019
13 Graves TEvolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Diane Shorthouse +44 7957 306 990 Michael McKell [email protected] Genre: Horror Market Office: UK Film Centre Gropius 36 Director: John Langridge Home Office tel: +44 20 8215 3340 Status: Completed Synopsis: On the orders of their boss, two seasoned contract killers are marching their latest victim to the ‘mob graveyard’ they have used for several years. When he escapes leaving them no choice but to hunt him through the surrounding forest, they are soon hopelessly lost. As night falls and the shadows begin to lengthen, they uncover a dark and terrifying truth about the vast, sprawling woodland – and the hunters become the hunted as they find themselves stalked by an ancient supernatural force. 2:Hrs TReason8 Films Cast: Harry Jarvis, Ella-Rae Smith, Alhaji Fofana, Keith Allen Anna Krupnova Genre: Fantasy [email protected] Director: D James Newton Market Office: UK Film Centre Gropius 36 Status: Completed Home Office tel: +44 7914 621 232 Synopsis: When Tim, a 15yr old budding graffiti artist, and his two best friends Vic and Alf, bunk off from a school trip at the Natural History Museum, they stumble into a Press Conference being held by Lena Eidelhorn, a mad Scientist who is unveiling her latest invention, The Vitalitron. The Vitalitron is capable of predicting the time of death of any living creature and when Tim sneaks inside, he discovers he only has two hours left to live. Chased across London by tabloid journalists Tooley and Graves, Tim and his friends agree on a bucket list that will cram a lifetime into the next two hours. -
Ii. Bernhard Schlink – Der Vorleser 44
“Die geschriebene Version wollte geschrieben werden, die vielen anderen wollten es nicht” The portrayal of Nazi perpetrators in German novels since 1990 and the role of historiographic metafiction Kylie Giblett Department of Germanic Studies Faculty of Arts and Social Sciences University of Sydney A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2016 STATEMENT OF ORIGINALITY This is to certify that, to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purpose. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Signed: Name: Kylie Giblett Date: 13 May 2016 ACKNOWLEDGMENTS My thanks go to: Professor Yixu Lü – for her wisdom, kindness, guidance and constructive criticism throughout the PhD process. Dr Andrea Bandhauer – for being such an inspirational teacher that I felt compelled to continue my studies in German. Bernhard Schlink, Ulla Hahn, Tanja Dückers and Marcel Beyer – for providing the raw materials. Erling & Merete Nielsen – for their example of lifelong study and for providing me with a home in Germany, despite being Danes. David & Rosalie Morphett – for their constant support from my very first day. Elizabeth – for being an angel and putting up with “Mum’s thesis” for most of her life thus far. Ray – for his constant love, encouragement and support, and for making it possible for me to undertake this project. TABLE OF CONTENTS I. -
Hana Mae Lee Has Perfect Pitch H&M + Margiela Target + Neiman
NOVEMBER 2012 FREE Hana Mae Lee Has Perfect Pitch H&M + Margiela Target + Neiman Marcus MGM Grand Gambles on Vietnam Happiness From Bai Ling yellowmags.com from t h E E d i t or i N c h i ef Each year, I have the pleasure of making a trip to Beverly Hills to attend the annual Operation Smile gala in support of a charity in which I have strong conviction. Whereas, I usually visit for three or four days, this time was for only two. As is often the case, the less time one has, the more there is to do. I am not complaining, mind you, because it resulted in two wonderful interviews that are included in this issue. We first interviewed Bai Ling several years ago when she was filming Love Ranch with Helen Mirren and Joe Pesci. This year, we were fortunate to have her join us at the Operation Smile gala where she attracted considerable interest on the red carpet as she struck her signature “Bai Ling” poses. The following day, we met for an interview during which Bai offered us some insight into what drives her and counters some of her public persona. If you happen to look at her acting resume on imdb, you cannot help but be impressed by the sheer volume of this actor’s work. Millions of fans have enjoyed the film Pitch Perfect which was released last month. I had not had the opportunity to see it when I received a call from Hana Mae Lee’s publicist asking if I would like to interview her. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
AUGUSTANA COLLEGE THEATRE 2015-2016 Season Crime and Justice
AUGUSTANA COLLEGE THEATRE 2015-2016 Season Crime and Justice WVIK WVIKWVIK WVIis a proud WVIK partner in theWV Quad Cities’ WVIKarts and cultureWV WVIKcommunity WVIKWVIK WVIKWVIKWVIKwvik.org Augustana College Department of Theatre Arts, in conjunction with Opera@Augustana, proudly presents SWEENEY TODD The Demon Barber of Fleet Street A Musical Thriller Music and lyrics by Book by STEPHEN SONDHEIM HUGH WHEELER From an adaptation by CHRISTOPHER BOND Originally directed on Broadway by HAROLD PRINCE Orchestrations by JONATHAN TUNICK Originally produced on Broadway by RICHARD BARR, CHARLES WOODWARD, ROBERT FRYER, MARY LEA JOHNSON, MARTIN RICHARDS in association with DEAN and JUDY MANOS Directed by Music direction by JAY CRANFORD MICHELLE CROUCH SWEENEY TODD is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials also are supplied by MTI. www.MTIShows.com The videotaping or other video or audio recording of this production is strictly prohibited. A NOTE FROM THE DIRECTOR What a large undertaking in a short amount of time with Sondheim’s most difficult score! Kudos to the cast, crew, musical, technical and design team. Sondheim’s masterpiece about a wronged barber seeking revenge has long been a favorite of mine. Having seen the recent John Doyle Broadway revival on their final dress rehearsal, I caught Sondheim there looking perturbed. It had been deconstructed with the small cast playing their own instruments as they sang; clear storytelling had been lost. In our version, I wanted to focus completely on the relationships and reasons that drive Sweeney to action. A corrupt judge of powerful stature does the unimaginable, giving permission to a society in downward spiral to lose all sense of morality. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
French Film Final Inne.Autosave
Edinburgh Glasgow Dundee Aberdeen Inverness London Manchester Warwick Birmingham Cardiff In association with 7 – 20 March 2008 www.frenchfilmfestival.org.uk INDEX PROFILES Roll call of guests 5 / 6 LA FÊTE DU CIN ÉMA PREVIEW Introduction / Index What better way to start the year than sailing The spread of the festival is wider too – Avril (15) 7 down the Seine on a pacquebot filled to the screenings will take place for the first time Change of Address / Changement d’adresse (15) 8 gunnels with buyers, sales agents, producers, in Inverness at Eden Court and we return to the Her Name is Sabine / Elle s’appelle Sabine (12A) 8 actors, directors, journalists and others, all Warwick Arts Centre after a gap of several years. Intimate Enemies / L’Ennemi intime (15) 9 united by a common passion for French cinema? A special association with Cineworld cinemas Priceless / Hors de prix (15) 9 It marked the culmination of three hectic allows the festival to embrace Cardiff, A Secret / Un Secret (15) 11 Substitute (15) 11 Parisian days in darkest January of deal-making, Birmingham, Manchester-Didsbury and London- encounters and screenings. West India Quay as well as our regular venues in PANORAMA Edinburgh (Filmhouse), Glasgow (GFT), Dundee Introduction / Index 13 The tenth edition of the annual Rendezvous with Before I Forget / Avant que j’oublie (18) 14 (DCA), Aberdeen (Belmont), Riverside Studios, French Cinema, organised by Unifrance, provides Conversation With My Gardener the ICA Cinema and London (CineLumiere). / Dialogue avec mon jardinier (12A) 15 proof of the pride and pleasure the French take Could This Be Love? / Je crois que je l’aime (15) 16 in promoting the diversity of their film culture Film students will be able to engage with Don’t Worry, I’m Fine / Je vais bien, ne t’en fais pas (12A) 17 to the wider world. -
The New Mexico Film Office Announces 2 Productions Recently Filmed in New Mexico
4/28/2021 Customize Your Email Michelle Lujan Grisham Governor Alicia J. Keyes Cabinet Secretary Amber Dodson Director April 28, 2021 Media Inquiries: Jennifer Esquivel 505-469-2915 [email protected] The New Mexico Film Office Announces 2 Productions Recently Filmed In New Mexico SANTA FE, NM – The New Mexico Film Office announces two productions recently wrapped production in New Mexico, The Ray and Lullaby. “New Mexico is an ideal production destination for filmmakers working with all ranges of production budgets. With no minimum spend and versatile, diverse locations, New Mexico welcomes projects ranging from microbudget indies to studio tentpoles,” said Amber Dodson, Director, New Mexico Film Office. The Ray: The Ray, a feature film slated for a fall 2021 release is produced by The Ray LLC, filmed in Algodones, Cochiti Pueblo, and Albuquerque, New Mexico in March 2021. The film is directed by Chris Borrelli (The Vatican Tapes, Eloise, Witches In The Woods) and produced by Matt Allen (Mighty Oak, Four Chrsitmases, Soul Surfer), Gabriel Roth (Grindhouse, Hostel: Part II, Fright Club), and Conor Bailey (The Core, Warriors of the West) The production employed approximately 100 New Mexico crew members, 5 New Mexico principal talent, and 25 New Mexico background. "Starting with the accommodating and supportive New Mexico Film Office, all the way on down the line to our stand-ins and production assistants, the state has proved to be an enormously deep well of talent. The tireless and skillful crew put us in the best position to create a singular film, in no small part by making full use of the beauty and unique locations that New Mexico has to offer. -
Ghost Stories, Dir. by Andy Nyman, Jeremy Dyson (Lionsgate Films, 2018)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Ghost Stories, dir. by Andy Nyman, Jeremy Dyson (Lionsgate Films, 2018) Adapted by Jeremy Dyson and Andy Nyman from their 2010 stage play of the same name, Ghost Stories is an affectionate and self-reflexive homage to the British portmanteau-horror subgenre, and is as unabashedly melodramatic as it is deeply unsettling. The plot centres on the character Professor Goodman (played by Nyman), a parapsychologist and professional cynic who is compelled to review three unsolved cases: a night watchman encounters a poltergeist while on duty in an abandoned asylum for women; a teenage driver has an accident in the woods; and an affluent financier is haunted by the spirit of his unborn child. Male anguish bubbles under the surface and, as the cases unfold, Goodman begins to question his lack of faith in the supernatural, which, we are told, is a reaction against his strict, Jewish upbringing. Although we see very little of it, the spectre of Goodman’s childhood haunts the story like a fourth case. At the start of the film, we see a memory of his sister being violently thrown out of the family home by their father for being in a relationship with a South-Asian man. Goodman bears witness but is unable or unwilling to intervene. Not only does this flashback foreshadow the finale; it also emphasises the importance of accountability in each of the cases. Anxieties about fathers and fatherhood abound in Ghost Stories (the first case features a father consumed by the guilt he feels about not visiting his hospitalised daughter, who suffers from locked-in syndrome), while the text itself is equally haunted by its literary and cinematic ancestors.