1-24-17 Opera Workshop

Total Page:16

File Type:pdf, Size:1020Kb

1-24-17 Opera Workshop Williams Opera Workshop SWEENEY TODD The Demon Barber of Fleet Street A Musical Thriller Music and Lyrics by Book by STEPHEN SONDHEIM ’50 HUGH WHEELER From an Adaptation by CHRISTOPHER BOND Originally Directed On Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in Association with Dean and Judy Manos Prelude Prologue: The Ballad of Sweeney Todd . Todd, Company Act I Scenes: 1. A street by the London docks: No Place Like London . Anthony, Todd, Beggar Woman 2. Mrs. Lovett’s Pie Shop: Worst Pies in London . Mrs. Lovett My Friends . Todd, Mrs. Lovett Ballad of Sweeney Todd, Reprise . Company 3. Judge Turpin’s House: Green Finch and Linnet Bird . Johanna Johanna (Part 1 & 2) . Anthony 4. St. Dunstan’s marketplace: Pirelli’s Entrance . Pirelli The Contest (Part 1) . Pirelli 5. Sweeney Todd’s Tonsorial Parlor: Pirelli’s Death . Pirelli 6. Outside Judge Turpin’s house: Kiss Me (Part 1) . Johanna, Anthony Ladies in their Sensitivities . Beadle 7. Sweeney Todd’s Tonsorial Parlor: Pretty Women (Part 1) . Judge, Todd Pretty Women (Part 2) . Todd, Judge, Anthony Epiphany . Todd, Mrs. Lovett 8. Mrs. Lovett’s Pie Shop: A Little Priest . Mrs. Lovett, Todd Continued on reverse side Tuesday, January 24, 2017 7:00 p.m. Chapin Hall Williamstown, Massachusetts The videotaping or other video or audio recording of this production is strictly prohibited. Act 2 9. The streets of London: Johanna—Act 2 Sequence . Anthony, Todd, Johanna, Beggar Woman 10. Mrs. Lovett’s Pie Shop: Not While I’m Around . Tobias, Mrs. Lovett 11. Sweeney Todd’s Tonsorial Parlor: Searching . Anthony, Johanna, Beggar Woman The Judge’s Return . Todd, Judge 12. Mrs. Lovett’s bake house: Final Scene (Part 1) . Todd, Mrs. Lovett Final Scene (Part 2) . Todd The Ballad of Sweeney Todd . Company Cast of Characters (In Order of Appearance) Anthony Hope . Harold Theurer ’17 Sweeney Todd . Jack Romans ’20 Beggar Woman . .Caroline Fairweather ’20 Mrs. Lovett . .Evelyn Mahon ’18 Judge Turpin . .Jordan LaMothe ’17 The Beadle . .Brandon Hilfer ’20 Johanna . .Nicole Jones ’20 Tobias Ragg . .Teague Morris ’17 Adolfo Pirelli . .Kurt Pfrommer ’18 The Company Mia Herrong-Sampong ’20, Woogie Jung ’19 Christine Pash ’18, Julia Randall ’19 Stage Director . Erin Nafziger Musical Director . Keith Kibler Orchestra Director . Derek Galvin ’18 Lighting Designer . Kurt Pfrommer ’18 Costume Designer . Evelyn Mahon ’18 Rehearsal Pianist . .Qiana Yang ’20 Orchestra Calvin Ludwig ’18, flute/picc Timothy Suh ’18, clarinet Yitong Tseo ’17, cello Harrison Dilthey, double bass Hannah Goodrick ’18, violin Leonard Bopp ’19, trumpet Sofie Netteberg ’20, bassoon Tiku Majumder, horn Qiana Yang ’20, piano SWEENEY TODD Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also suppled by MTI. www.MTIShows.com Our heartfelt thanks go out to: Barbara Bell, Corissa Bryant, Marjorie Hirsch, Robin Kibler, Evelyn Mahon ’18, Jonathan Myers, Samantha Patterson, Kurt Pfrommer ’18, Michelle Picard, Emily Rea, Kerry Ryer-Parke, Marlene Walt, Brad Wells, Qiana Yang ’20, and The Williams College Theater Department. Without their support, this production would not have been possible..
Recommended publications
  • Sweeney Todd the Demon Barber of Fleet Street May 10 – June 7, 2020 Edu TABLE of CONTENTS
    A NOISE WITHIN’S 2019-2020 REPERTORY THEATRE SEASON AUDIENCE GUIDE Stephen Sondheim’s Sweeney Todd The Demon Barber Of Fleet Street May 10 – June 7, 2020 Edu TABLE OF CONTENTS Character Map . 3 Synopsis . 4 About the Author: George Dibdin Pitt . 5 About the Adaptors: Christopher Bond, Hugh Wheeler, and Stephen Sondheim . 7 History of Sweeney Todd: A Timeline . 9 Change in the Air: The Transition from the Industrial Revolution to the Victorian Era . 10 Pretty Women: The Role of Women in 19th Century England . 11 The Great Divide: Social Inequality in Industrial and Victorian England . 14 Melodrama and Musicals . 15 The Evolution of the Sweeney Todd Story from Melodrama to Musical . 17 Themes . 18 Revenge . 18 Love and Desire . 18 Freedom and Captivity . 19 Madness . 19 Ken Booth Lighting Designer . 20 Additional Resources . 21 A NOISE WITHIN’S EDUCATION PROGRAMS MADE POSSIBLE IN PART BY: Ann Peppers Foundation The Green Foundation Capital Group Companies Kenneth T . and Michael J . Connell Foundation Eileen L . Norris Foundation The Dick and Sally Roberts Ralph M . Parsons Foundation Coyote Foundation Steinmetz Foundation The Jewish Community Dwight Stuart Youth Fund Foundation 3 A NOISE WITHIN 2019/20 REPERTORY SEASON | Spring 2020 Study Guide Sweeney Todd CHARACTER MAP Mrs. Lovett The owner of a struggling meat pie shop . She knew Sweeney Todd before he was sent to Australia, and she helps him set up a barbershop when he returns to London . Sweeney Todd/Benjamin Barker An English barber formerly known Beggar Woman/Lucy Barker as Benjamin Barker . After spending A woman who has gone mad over 15 years wrongfully incarcerated in time .
    [Show full text]
  • CH Sweeney SSC Breakdown.Pdf
    Sweeney Todd / Cambria Heights High School Scene / Song Character Breakdown Song Name/Scene Real Name Character Name Music Notes Act 1 - Prologue #1 - Prologue Script Pg. 1 Vocal Score Pg. -- Entire Prologue (none) (none) (none) #2 The Ballad of Sweeney Todd Script Pg. 1-3 Vocal Score Pg. 141-151 m. 59-74 & m. 114-136 m. 139-end Timm Link 1st Man, m. 4 S - Sarah, Lydia, Ashley, Noelle Morrone 2nd Man, m. 31 Lauren, Noelle P. (See Music Columns) Company, Chorus A - Courtney, Emily, Sheldon Mayo Tobias, m. 78 Shaina, Alli, Andrea, Shaina Sclesky 3rd Man, m. 83 Hannah Kyle Huber 4th Man, m. 86 T - Noelle M, Michaela, In octaves. Sing the octave that is most Emmy Fisher 1 of 2 Women, m. 91 Georgie, Emmy comfortable. Hannah Bearer 2 of 2 Women, m. 91 Bari - Evan J, Brad, Zachary Smego Add Tenor, m. 88 Sheldon, Calem All Women in Cast Women, m. 102 Bass - Timm, Kyle, Evan K, Zack, Michael John Morrone Todd, m. 137 do not sing Act 1 - Scene 1 #3 - No Place Like London Script Pg. 3-8 Vocal Score Pg. 152-160 Entire Song Zachary Smego Anthony John Morrone Todd Solo Lines, No Harmony Emmy Fisher Beggar Woman #4 - Transition Music Script Pg. 8-9 Vocal Score Pg. -- Entire Transition Hannah Bearer Mrs. Lovett Spoken Line Act 1 - Scene 2 #5 - Worst Pies In London Script Pg. 9-11 Vocal Score Pg. 161-166 Entire Song John Morrone Todd Just Present During Song Hannah Bearer Mrs. Lovett Solo Lines Scene Script Pg.
    [Show full text]
  • AUGUSTANA COLLEGE THEATRE 2015-2016 Season Crime and Justice
    AUGUSTANA COLLEGE THEATRE 2015-2016 Season Crime and Justice WVIK WVIKWVIK WVIis a proud WVIK partner in theWV Quad Cities’ WVIKarts and cultureWV WVIKcommunity WVIKWVIK WVIKWVIKWVIKwvik.org Augustana College Department of Theatre Arts, in conjunction with Opera@Augustana, proudly presents SWEENEY TODD The Demon Barber of Fleet Street A Musical Thriller Music and lyrics by Book by STEPHEN SONDHEIM HUGH WHEELER From an adaptation by CHRISTOPHER BOND Originally directed on Broadway by HAROLD PRINCE Orchestrations by JONATHAN TUNICK Originally produced on Broadway by RICHARD BARR, CHARLES WOODWARD, ROBERT FRYER, MARY LEA JOHNSON, MARTIN RICHARDS in association with DEAN and JUDY MANOS Directed by Music direction by JAY CRANFORD MICHELLE CROUCH SWEENEY TODD is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials also are supplied by MTI. www.MTIShows.com The videotaping or other video or audio recording of this production is strictly prohibited. A NOTE FROM THE DIRECTOR What a large undertaking in a short amount of time with Sondheim’s most difficult score! Kudos to the cast, crew, musical, technical and design team. Sondheim’s masterpiece about a wronged barber seeking revenge has long been a favorite of mine. Having seen the recent John Doyle Broadway revival on their final dress rehearsal, I caught Sondheim there looking perturbed. It had been deconstructed with the small cast playing their own instruments as they sang; clear storytelling had been lost. In our version, I wanted to focus completely on the relationships and reasons that drive Sweeney to action. A corrupt judge of powerful stature does the unimaginable, giving permission to a society in downward spiral to lose all sense of morality.
    [Show full text]
  • Doug Goheen Big Dog Publishing
    Doug Goheen Adapted from the 1846-47 serialized penny dreadful, The String of Pearls: A Romance Big Dog Publishing Sweeney Todd 2 Copyright © 2010, Doug Goheen ALL RIGHTS RESERVED Sweeney Todd and the String of Pearls is fully protected under the copyright laws of the United States of America, and all of the countries covered by the Universal Copyright Convention and countries with which the United States has bilateral copyright relations including Canada, Mexico, Australia, and all nations of the United Kingdom. Copying or reproducing all or any part of this book in any manner is strictly forbidden by law. No part of this book may be stored in a retrieval system or transmitted in any form by any means including mechanical, electronic, photocopying, recording, or videotaping without written permission from the publisher. A royalty is due for every performance of this play whether admission is charged or not. A “performance” is any presentation in which an audience of any size is admitted. The name of the author must appear on all programs, printing, and advertising for the play. The program must also contain the following notice: “Produced by special arrangement with Big Dog Publishing Company, Sarasota, FL.” All rights including professional, amateur, radio broadcasting, television, motion picture, recitation, lecturing, public reading, and the rights of translation into foreign languages are strictly reserved by Big Dog Publishing Company, www.BigDogPlays.com, to whom all inquiries should be addressed. Big Dog Publishing P.O. Box 1400 Tallevast, FL 34270 Sweeney Todd 3 For Nathan and Jacob Sweeney Todd 4 Sweeney Todd and the String of Pearls CLASSIC HORROR.
    [Show full text]
  • Spring 2015 CUES Internet at the Speed of Whoa
    OPERAVolume 55 Number 05 | Spring 2015 CUES Internet at the speed of whoa. XFINITY® Internet delivers the fastest and most reliable in-home WiFi for all rooms, all devices, all the time. To learn more call 866-620-9714 or visit comcast.com Restrictions apply. Not available in all areas. Features and programming vary depending on area and level of service. WiFi claims based on April and October 2013 study by Allion Test Labs, Inc. Actual speeds vary and are not guaranteed. Reliably fast speed based on February 2013 FCC Broadband Report. Call for restrictions and complete details. ©2014 Comcast. All rights reserved. All trademarks are property of their respective owners. DIE WALKÜRE APRIL 18, 22, 25, 30 MAY 3 SWEENEY TODD APRIL 24, 26, 29 MAY 2, 8, 9 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Kim Anderson Paul Hopper Perryn Leech Elizabeth Lyons Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera instagram.com/hougrandopera Readers of Houston Grand Opera’s Opera Cues magazine are the Mobile: HGO.org most desirable prospects for an advertiser’s message.
    [Show full text]
  • Film Reviews
    Page 104 FILM REVIEWS “Is this another attack?”: Imagining Disaster in C loverfield, Diary of the Dead and [ Rec] Cloverfield (Dir. Matt Reeves) USA 2007 Paramount Home Entertainment Diary of the Dead (Dir. George A. Romero) USA 2007 Optimum Home Entertainment [Rec] (Dir. Jaume Balagueró & Paco Plaza) S pain 2007 Odeon Sky Filmworks In 1965, at the height of the Cold War, Susan Sontag declared in her famous essay ‘The Imagination of Disaster’ that the world had entered an “age of extremity” in which it had become clear that from now until the end of human history, every person on earth would “spend his individual life under the threat not only of individual death, which is certain, but of something almost insupportable psychologically – collective incineration which could come at any time”. Sontag went on to claim that narratives in which this fate was dramatised for the mass audience in fantastical form – like the monster movies of the 1950s – helped society deal with this stress by distracting people from their fate and normalising what was psychologically unbearable: a kind of vaccination of the imagination, if you will. If this is the case, then Cloverfield, in which Manhattan is destroyed by an immensely powerful sea monster, George A. Romero’s latest zombie movie, Diary of the Dead, and claustrophobic Spanish hit [Rec] are not so much pre­emptive vaccinations against probable catastrophe, but intermittently powerful, if flawed, reminders of actual calamity. In all three films some of the most destabilising events and anxieties of the past decade – including 9/11 (and the fear of terrorist attacks striking at the heart of American and European cities), Hurricane Katrina, the 2004 Tsunami, and the SARS virus– are reconfigured as genre­based mass market entertainment.
    [Show full text]
  • Sweeney Todd Book Key 4 the Note Inside the Envelope Says That a Man Has 1.1 1 Open Answers (A Old B Frightening Information About Mark Ingestrie
    LEVEL 3 Answer keys Teacher Support Programme Sweeney Todd Book key 4 The note inside the envelope says that a man has 1.1 1 Open answers (a old b frightening information about Mark Ingestrie. He suggests a EASYSTARTS c a murder mystery d about a strange man meeting with Johanna Oakley. e in England) 5 Mr Jeffery goes to his old friend Captain Rathbone 2 Open answers and asks him for help. They think of ways to find 1.2 Open answers (1 ✗ 2 ✓ 3 ✗ 4 ✓ 5 ✗) Mr Thornhill. LEVEL 2 2.1 1 b 2 b 3 a 4 a 5 a 3.2 1 Mrs Lovett 2 Tobias Ragg 3 Mr Jeffery 2.2 1 Sweeney Todd; Tobias Ragg 4 Mark Ingestrie 5 Mr Thornhill 6 Mr Fidler Tobias must follow Sweeney Todd’s orders or 7 Captain Rathbone 8 Sweeney Todd Sweeney Todd will make trouble for him. He will 3.3 1 have eaten 2 haven’t had 3 hasn’t slept LEVEL 3 kill Tobias and he will make serious trouble for 4 has tried 5 has asked 6 haven’t discovered Tobias’s mother. Todd also hits and kicks Tobias 3.4 Open answers when he is unhappy with him. Tobias is paid very 4.1 Possible answers (as full sentences) LEVEL 4 little and must work very hard. 1 Mr Skinner is a prisoner in Mrs Lovett’s cellar. He 2 Thornhill; Johanna Oakley is sick of eating Mrs Lovett’s pies. He misses the He has a pearl necklace for her from Mark outside world and his friends and family.
    [Show full text]
  • Harrington's Pie and Mash Shop 3 Selkirk Road Tooting, London
    Harrington’s Pie and Mash Shop 3 Selkirk Road Tooting, London. Open for business since 1908. RACHEL EDWARDS JENNY GERSTEN SEAVIEW PRODUCTIONS NATE KOCH, Executive Producer FIONA RUDIN BARROW STREET THEATRE JEAN DOUMANIAN REBECCA GOLD “A Customer!” present My name is Rachel Edwards and I am the originating producer of Tooting Arts Club’s Sweeney The Tooting Arts Club production of Todd. On behalf of myself, and my producing partners Jenny Gersten, Greg Nobile, Jana Shea and Nate Koch, it is our pleasure to welcome you to Harrington’s Pie and Mash Shop! In the spring of 1908, number 3 Selkirk Road Tooting, London, became the home of Harrington’s Pie and Mash shop when it was bought by Bertie Harrington and his wife Clara. Little has changed in this tiny Tooting eatery since it first opened for business some 109 years ago. The Harrington fam- ily still run the shop, the original green tiles still adorn the walls and the menu remains unchanged since the days of Queen Victoria. A Musical Thriller Music and Lyrics Book by The idea to stage Sweeney Todd in London’s oldest pie and mash shop was one which I lived with for several years before I dared to say it out loud. It felt too outrageous, too complicated, in essence – it felt impossible. A simple ‘yes’ from Beverley Mason – owner of Harrington’s, and great STEPHEN SONDHEIM HUGH WHEELER grand-daughter of Bertie and Clara – changed everything. Subsequently, an unforgettable collabora- tion was born that set in motion a chain of events that was nothing short of extraordinary.
    [Show full text]
  • Theatreworks SILICON VALLEY
    TheatreWorks SILICON VALLEY The Demon Barber of Fleet Street October 2014 About TheatreWorks Volume 45, No. 3 TheatreWorks is proud to be celebrating its 45th anniversary producing award- winning theatre in Silicon Valley. Led by Founding Artistic Director Robert Kelley and Managing Director Phil Santora, it presents a wide range of programming, Paul Heppner from mainstage productions to education programs and new works for the Publisher American theatre. Susan Peterson Design & Production Director Founded in 1970, the company continues to celebrate the human spirit and the Ana Alvira, Deb Choat, diversity of our community by nurturing new work, championing arts education, Robin Kessler, Kim Love Design and Production Artists and revitalizing the great works of the past. TheatreWorks has produced 64 Mike Hathaway world premieres and 150 US and regional premieres. In the 2014/15 season, Advertising Sales Director TheatreWorks adds the world premiere of The Great Pretender and three more Marty Griswold, regional premieres to its resume. Seattle Sales Director Joey Chapman, Gwendolyn Fairbanks, TheatreWorks’ 2013/14 season included the world premieres of The Loudest Ann Manning, Lenore Waldron Man on Earth, as well as regional premieres of Other Desert Cities, Warrior Seattle Area Account Executives Class, Silent Sky, and The Hound of the Baskervilles. The company also Staci Hyatt, Marilyn Kallins, Tia Mignonne, Terri Reed produced the musical Little Women, which became the second-highest selling San Francisco/Bay Area Account Executives show in TW’s history. In the course of the year, shows that debuted at TW Denise Wong played off-Broadway and at theatres throughout the US.
    [Show full text]
  • Sweeney Todd Educational Resource Pack
    1 Contents 1. Synopsis 2. Context: Victorian London 3. Interviews - Walter Sutcliffe, Director - Sinead Hayes, Conductor - Dorota Karolczak, Designer - Jessica Hackett, Singer 4. Costume Sketches 5. A Sweeney Todd Chronology 6. Set design drafts 7. Biographies Stephen Sondheim and Hugh Wheeler 8. Rehearsal exercises 9. Production shots 2 Synopsis ACT I Years after his transportation to Australia, Benjamin Barker returns to Victorian London under the name of Sweeney Todd, seeking revenge for the loss of his family at the hands of the “honourable” Judge Turpin. His companion is young sailor Anthony, who rescued Sweeney at sea. Upon their arrival, the men are greeted by a beggar woman. “Don’t I know you”, she asks Sweeney as he shoves her out of his way. Back on his old stomping ground on Fleet Street, he meets hardy pie shop owner Mrs Lovett. She recognises him as the barber Benjamin Barker who was convicted under wrong charges, his helpless wife Lucy lured to the Judge Turpin’s house by his assistant Beadle, and there, abused by the guardian of the law. To his inquiry about the whereabouts of Lucy and his daughter Johanna, Mrs Lovett professes that Lucy poisoned herself and Johanna has since been in the care of the Judge. Sweeney swears to seek justice and Mrs Lovett persuades him to take up his old trade. She has kept his knives. The pair make an ingenious plan: while waiting for the Judge, Sweeney will practice "on less honourable throats". Mrs Lovett delights at the unexpected meat supply for her pie shop.” ACT II Business is flourishing at Mrs Lovett’s pie shop, and Sweeney is busy disposing of his customers.
    [Show full text]
  • SWEENEY TODD Is Presented Through Special Arrangement with Musical Theatre International (MTI)
    July 22-August 7, 2021 Music and Lyrics by Book by Stephen Sondheim Hugh Wheeler From an Adaptation by CHRISTOPHER BOND Originally Directed On Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Scenic Designer Costume Designer Lighting Designer Sound Designer Diggle† Sarita P Fellows† Marika Kent Sun Hee Kil† Music Director Choreographer Casting Director Simone Allen Ben Hobbs Michael Cassera Production Stage Manager Production Manager Assistant Musical Director Amanda Spooner* Adam Zonder Megan Smythe Assistant Directors/Dramaturgs Deck Stage Manager/ Dialect Coach/ Fight Captain Intimacy Consultant Kate Semmens~, Arianna Tilley~ Vicki Whooper* Robin Christian McNair * Directed by Member of the Actors' Equity Association, Sanaz Ghajar the Union of Professional Actors and Stage Managers in the United States. Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in Association with Dean and Judy Manos † USA - Member of United Scenic Artists Local 829 SWEENEY TODD Is presented through special arrangement with Musical Theatre International (MTI). ‡ Member of the Hangar Theatre All authorized performance materials are also supplied by MTI. Company Design Fellows www.mtishows.com ~ Member of the Hangar Theatre Any video and/or audio recording of this production is strictly prohibited. 2021 Lab Company Premier Performance Sponsor Mainstage Media Sponsor Partner In The Arts Partner In Health CAST Sweeney Todd.............................................................................................................................................................Nik
    [Show full text]
  • Pribyl-Mastersreport-2013
    Copyright by Ashley Marian Pribyl 2013 The Report Committee for Ashley Marian Pribyl Certifies that this is the approved version of the following report: “Pretty Women”: Urban Crisis and Female Objectification in Stephen Sondheim’s Sweeney Todd APPROVED BY SUPERVISING COMMITTEE: Supervisor: Andrew Dell’Antonio Caroline O’Meara “Pretty Women”: Urban Crisis and Female Objectification in Stephen Sondheim’s Sweeney Todd by Ashley Marian Pribyl B. A. Music Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin May 2013 Dedication To my parents, for all of their support, and in loving memory of my grandmothers, Peggy Fritz and Marian Pribyl, whose stories of strength continue to inspire me. Abstract “Pretty Women”: Urban Crisis and Female Objectification in Stephen Sondheim’s Sweeney Todd Ashley Marian Pribyl, M. Music The University of Texas at Austin, 2013 Supervisor: Andrew Dell’Antonio Stephen Sondheim’s 1979 award-winning musical Sweeney Todd: The Demon Barber of Fleet Street was produced during a time of great political and economic uncertainty in New York City. Although not overtly political, the themes of urban crisis and class inequality that birthed the original legend of Sweeney Todd in Industrial Revolution London continued to play a large role within the modern musical, reflecting leftist political concerns at large. The main political argument within the work is the critique of class hierarchies created by capitalism and how the upper classes abuse the lower classes, ie.
    [Show full text]