CH Sweeney SSC Breakdown.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
1-24-17 Opera Workshop
Williams Opera Workshop SWEENEY TODD The Demon Barber of Fleet Street A Musical Thriller Music and Lyrics by Book by STEPHEN SONDHEIM ’50 HUGH WHEELER From an Adaptation by CHRISTOPHER BOND Originally Directed On Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in Association with Dean and Judy Manos Prelude Prologue: The Ballad of Sweeney Todd . Todd, Company Act I Scenes: 1. A street by the London docks: No Place Like London . Anthony, Todd, Beggar Woman 2. Mrs. Lovett’s Pie Shop: Worst Pies in London . Mrs. Lovett My Friends . Todd, Mrs. Lovett Ballad of Sweeney Todd, Reprise . Company 3. Judge Turpin’s House: Green Finch and Linnet Bird . Johanna Johanna (Part 1 & 2) . Anthony 4. St. Dunstan’s marketplace: Pirelli’s Entrance . Pirelli The Contest (Part 1) . Pirelli 5. Sweeney Todd’s Tonsorial Parlor: Pirelli’s Death . Pirelli 6. Outside Judge Turpin’s house: Kiss Me (Part 1) . Johanna, Anthony Ladies in their Sensitivities . Beadle 7. Sweeney Todd’s Tonsorial Parlor: Pretty Women (Part 1) . Judge, Todd Pretty Women (Part 2) . Todd, Judge, Anthony Epiphany . Todd, Mrs. Lovett 8. Mrs. Lovett’s Pie Shop: A Little Priest . Mrs. Lovett, Todd Continued on reverse side Tuesday, January 24, 2017 7:00 p.m. Chapin Hall Williamstown, Massachusetts The videotaping or other video or audio recording of this production is strictly prohibited. Act 2 9. The streets of London: Johanna—Act 2 Sequence . Anthony, Todd, Johanna, Beggar Woman 10. Mrs. Lovett’s Pie Shop: Not While I’m Around . -
Film Reviews
Page 104 FILM REVIEWS “Is this another attack?”: Imagining Disaster in C loverfield, Diary of the Dead and [ Rec] Cloverfield (Dir. Matt Reeves) USA 2007 Paramount Home Entertainment Diary of the Dead (Dir. George A. Romero) USA 2007 Optimum Home Entertainment [Rec] (Dir. Jaume Balagueró & Paco Plaza) S pain 2007 Odeon Sky Filmworks In 1965, at the height of the Cold War, Susan Sontag declared in her famous essay ‘The Imagination of Disaster’ that the world had entered an “age of extremity” in which it had become clear that from now until the end of human history, every person on earth would “spend his individual life under the threat not only of individual death, which is certain, but of something almost insupportable psychologically – collective incineration which could come at any time”. Sontag went on to claim that narratives in which this fate was dramatised for the mass audience in fantastical form – like the monster movies of the 1950s – helped society deal with this stress by distracting people from their fate and normalising what was psychologically unbearable: a kind of vaccination of the imagination, if you will. If this is the case, then Cloverfield, in which Manhattan is destroyed by an immensely powerful sea monster, George A. Romero’s latest zombie movie, Diary of the Dead, and claustrophobic Spanish hit [Rec] are not so much preemptive vaccinations against probable catastrophe, but intermittently powerful, if flawed, reminders of actual calamity. In all three films some of the most destabilising events and anxieties of the past decade – including 9/11 (and the fear of terrorist attacks striking at the heart of American and European cities), Hurricane Katrina, the 2004 Tsunami, and the SARS virus– are reconfigured as genrebased mass market entertainment. -
Sweeney Todd Book Key 4 the Note Inside the Envelope Says That a Man Has 1.1 1 Open Answers (A Old B Frightening Information About Mark Ingestrie
LEVEL 3 Answer keys Teacher Support Programme Sweeney Todd Book key 4 The note inside the envelope says that a man has 1.1 1 Open answers (a old b frightening information about Mark Ingestrie. He suggests a EASYSTARTS c a murder mystery d about a strange man meeting with Johanna Oakley. e in England) 5 Mr Jeffery goes to his old friend Captain Rathbone 2 Open answers and asks him for help. They think of ways to find 1.2 Open answers (1 ✗ 2 ✓ 3 ✗ 4 ✓ 5 ✗) Mr Thornhill. LEVEL 2 2.1 1 b 2 b 3 a 4 a 5 a 3.2 1 Mrs Lovett 2 Tobias Ragg 3 Mr Jeffery 2.2 1 Sweeney Todd; Tobias Ragg 4 Mark Ingestrie 5 Mr Thornhill 6 Mr Fidler Tobias must follow Sweeney Todd’s orders or 7 Captain Rathbone 8 Sweeney Todd Sweeney Todd will make trouble for him. He will 3.3 1 have eaten 2 haven’t had 3 hasn’t slept LEVEL 3 kill Tobias and he will make serious trouble for 4 has tried 5 has asked 6 haven’t discovered Tobias’s mother. Todd also hits and kicks Tobias 3.4 Open answers when he is unhappy with him. Tobias is paid very 4.1 Possible answers (as full sentences) LEVEL 4 little and must work very hard. 1 Mr Skinner is a prisoner in Mrs Lovett’s cellar. He 2 Thornhill; Johanna Oakley is sick of eating Mrs Lovett’s pies. He misses the He has a pearl necklace for her from Mark outside world and his friends and family. -
Sweeney Todd Educational Resource Pack
1 Contents 1. Synopsis 2. Context: Victorian London 3. Interviews - Walter Sutcliffe, Director - Sinead Hayes, Conductor - Dorota Karolczak, Designer - Jessica Hackett, Singer 4. Costume Sketches 5. A Sweeney Todd Chronology 6. Set design drafts 7. Biographies Stephen Sondheim and Hugh Wheeler 8. Rehearsal exercises 9. Production shots 2 Synopsis ACT I Years after his transportation to Australia, Benjamin Barker returns to Victorian London under the name of Sweeney Todd, seeking revenge for the loss of his family at the hands of the “honourable” Judge Turpin. His companion is young sailor Anthony, who rescued Sweeney at sea. Upon their arrival, the men are greeted by a beggar woman. “Don’t I know you”, she asks Sweeney as he shoves her out of his way. Back on his old stomping ground on Fleet Street, he meets hardy pie shop owner Mrs Lovett. She recognises him as the barber Benjamin Barker who was convicted under wrong charges, his helpless wife Lucy lured to the Judge Turpin’s house by his assistant Beadle, and there, abused by the guardian of the law. To his inquiry about the whereabouts of Lucy and his daughter Johanna, Mrs Lovett professes that Lucy poisoned herself and Johanna has since been in the care of the Judge. Sweeney swears to seek justice and Mrs Lovett persuades him to take up his old trade. She has kept his knives. The pair make an ingenious plan: while waiting for the Judge, Sweeney will practice "on less honourable throats". Mrs Lovett delights at the unexpected meat supply for her pie shop.” ACT II Business is flourishing at Mrs Lovett’s pie shop, and Sweeney is busy disposing of his customers. -
Pribyl-Mastersreport-2013
Copyright by Ashley Marian Pribyl 2013 The Report Committee for Ashley Marian Pribyl Certifies that this is the approved version of the following report: “Pretty Women”: Urban Crisis and Female Objectification in Stephen Sondheim’s Sweeney Todd APPROVED BY SUPERVISING COMMITTEE: Supervisor: Andrew Dell’Antonio Caroline O’Meara “Pretty Women”: Urban Crisis and Female Objectification in Stephen Sondheim’s Sweeney Todd by Ashley Marian Pribyl B. A. Music Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin May 2013 Dedication To my parents, for all of their support, and in loving memory of my grandmothers, Peggy Fritz and Marian Pribyl, whose stories of strength continue to inspire me. Abstract “Pretty Women”: Urban Crisis and Female Objectification in Stephen Sondheim’s Sweeney Todd Ashley Marian Pribyl, M. Music The University of Texas at Austin, 2013 Supervisor: Andrew Dell’Antonio Stephen Sondheim’s 1979 award-winning musical Sweeney Todd: The Demon Barber of Fleet Street was produced during a time of great political and economic uncertainty in New York City. Although not overtly political, the themes of urban crisis and class inequality that birthed the original legend of Sweeney Todd in Industrial Revolution London continued to play a large role within the modern musical, reflecting leftist political concerns at large. The main political argument within the work is the critique of class hierarchies created by capitalism and how the upper classes abuse the lower classes, ie. -
Character Breakdown August 16, 2019
Sweeney Todd Character Breakdown August 16, 2019 Yale Dramatic Association · P.O. Box 209037 · New Haven, CT 06520 · (860) 531-8224 Sweeney Todd Character Breakdown A note about casting: Today, London is—as it has long been—one of the most diverse cities in the world. Historically, productions of Sweeney Todd have whitewashed this fact. Reimagined for the 21st century, our production of Sweeney Todd is looking to cast an inclusive and diverse company of actors who reflect the world we live in today. In reference to the character descriptions below: The characters as written are on the binary and are written with he/him or she/her pronouns, which you will see in the following descriptions. But however limiting the descriptions are, our casting seeks to be as inclusive as possible and we invite gender non-conforming, genderqueer, transgender and non-binary actors to audition for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities. In addition, we will list disability when specific to a character, but are otherwise seeking actors with disabilities as well as non-disabled actors for all roles. Please let us know if you have any questions, concerns, or if there are any accommodations we can provide. A note about accents: Accents listed are not expected at auditions and will be worked on throughout the rehearsal process. That said, if you’re comfortable performing any of these accents, please let us know during auditions! Roles: Sweeney Todd Sweeney escaped from prison after being wrongfully accused and jailed for fifteen years. -
SWEENEY TODD the Demon Barber of Fleet Street a Musical Thriller with Music and Lyrics by Stephen Sondheim and Book by Hugh Wheeler
The English Theatre Frankfurt Education Pack SWEENEY TODD The Demon Barber of Fleet Street A musical thriller with music and lyrics by Stephen Sondheim and book by Hugh Wheeler. Based on the 1973 play Sweeney Todd: The Demon Barber of Fleet Street by Christopher Bond. SYNOPSIS The story of an East End of London barber with revenge in his heart and murder on his mind is an old one. Benjamin Barker, a skilled barber, was happily married to Lucy and they had one child, a daughter, Johan- na. A cruel and evil judge called Turpin took a liking towards Lucy and contrived to send her husband to the Australian penal colonies for life. After 15 years of what he called ‘a living hell’, Barker escaped and re- turned to London on a ship where he met up with a sailor, Anthony, who only knew him as Sweeney Todd. This was his new, adopted name and he is described as ‘a heavy-set, saturnine man in his forties.’ Almost at once he is accosted by a beggar woman who is also a prostitute. This character appears throug- hout the play and has an ironic and tragic role to play at the end. He revisits his old premises now owned by a Mrs Nellie Lovett, a pie maker who remembers Barker and was sweet on him in the past and happily kept his shaving blades when he was arrested. Nobody has rented the old barber’s shop since he left it, so it is available for him to set up business again. -
Sweeney Todd Study Guide.Qxd
Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community. -
Book by Hugh Wheeler
L i B r e T T o V o C a L B o o k A Musical Thriller Music and Lyrics by Stephen Sondheim Book by Hugh Wheeler From an Adaptation by Christopher Bond Originally Directed by Harold Prince Orchestrations by Jonathan Tunick Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in association with Dean and Judy Manos notice: do not deface! should you find it necessary to mark cues or cuts, use a soft black lead pencil only. not for sale this book is rented for the period specified in your contract. it remains the property of: Please return all materials to: mti music library 31a industrial Park road new hartford, ct 06057 421 west 54th street new york, ny 10019 (212) 541-4684 Libretto Copyright © 1979 by Hugh Wheeler Music and Lyrics © 1978, 1979 by Revelation Music Publishing Corp. and Rilting Music, Inc. In accordance with the terms and conditions specified in your performance license, all music, lyrics and dialogue contained herein are the property of the Authors and are fully protected by copyright. You are not permitted to make any changes to the music, lyrics or dialogue of the Play, including the interpolation of new material and/or the exclusion of existing material. Any changes shall constitute a willful infringement of said copyright and will subject you to all the criminal penalties and civil liabilities under the United States Copyright Act. This book may not be duplicated and must be returned at the conclusion of your production. -
SWEENEY TODD the DEMON BARBER of FLEET STREET a MUSICAL THRILLER Education Resource - VCE Theatre Studies Resources Prepared by Meg Upton and Deborah Vanderwerp
SWEENEY TODD THE DEMON BARBER OF FLEET STREET A MUSICAL THRILLER Education Resource - VCE Theatre Studies Resources prepared by Meg Upton and Deborah Vanderwerp Government Partners Foundation Partner Performance Partners SWEENEY TODD EDUCATION RESOURCE: THEATRE STUDIES Teddy Tahu Rhodes (Sweeney Todd) and Antoinette Halloran (Mrs Lovett) in rehearsal © Charlie Kinross From Stephen Sondheim and Hugh Wheeler comes this Tony Award-winning musical and the inspiration for Tim Burton’s hit Hollywood film, Sweeney Todd - the final instalment in Victorian Opera’s Sondheim trilogy. Teddy Tahu Rhodes stars as a murderous barber slicing a path of bloody revenge through Victorian London. Joining him is Victorian Opera favourite Antoinette Halloran as his wicked partner in crime Mrs Lovett, in this brand new production from the director of Sunday in the Park with George and Into the Woods. PERFORMANCES: Thursday 16 July 2015 - Saturday 25 July 2015, 1:00pm & 7.30pm – Music and Lyrics by Stephen Sondheim – Book by Hugh Wheeler – From an Adaptation by Christopher Bond – 2 hours and 30 minutes with one interval. By arrangement with Hal Leonard Australia Pty Ltd Exclusive agent for Music Theatre International (NY) Victorian Opera 2015 – Sweeney Todd Education Resource (General) 1 INTRODUCTION The Characters/Cast Character Cast Sweeney Todd/ A vengeful barber who returns to London after fifteen years of Teddy Tahu Rhodes Benjamin Barker unjust servitude in an Australian penal colony. He seeks revenge first on the corrupt judge who sent him there, and then on all of his clients Mrs Nellie Lovett A cheerful, talkative, amoral pie shop owner, Todd’s landlady, Antoinette Halloran and (arguably) in love with him Johanna Todd’s beautiful young daughter, claimed by the corrupt Judge Amelia Berry Turpin as his ‘ward’ Anthony Hope A young, naïve sailor who rescues Todd at sea. -
Sweeney Todd Synopsis
SWEENEY TODD SYNOPSIS ACT I It is 1845, and Anthony, a young sailor, has just arrived home to London. He is accompanied by a man he rescued drowning off the coast of Australia, Sweeney Todd. As they disembark, they are accosted by a beggar woman who alternates between begging for alms and soliciting sex, but seems to recognize Sweeney. Anthony is thrilled to have return to London, but Sweeney is not—he tells Anthony the tale of a young barber who was sent into exile by a powerful man with designs on the barberʼs beautiful wife. Sweeney enters a pie shop on Fleet Street, and is immediately accosted by the owner Mrs. Lovett. She bemoans the hard times, and the scarcity of meat (and the speedy cats). Sweeney asks about the empty apartment upstairs, and Mrs. Lovett tells him about the barber Benjamin Barker and who was falsely accused by Judge Turpin so that the Judge could get Barkerʼs wife, Lucy. The Judge and Bedle Bramford lured Lucy to the Judgeʼs house so he could torment and rape her. Sweeneyʼs anger confirms what Mrs. Lovett had suspected – that he is indeed Benjamin Barker. Mrs. Lovett tells Sweeney that Lucy had poisoned herself, and that his daughter Johanna was now a ward of Judge Turpin. Mrs. Lovett returns a set of silver shaving razors to Sweeney, who vows to use them to get his revenge. In Judge Turpinʼs house, Johanna sits at a window. Anthony happens to wander by and immediately falls in love with the beautiful young woman. Threats from the Beedle only strengthen his resolve to save her. -
The English Theatre Frankfurt
The English Theatre Frankfurt Education Pack SWEENEY TODD The Demon Barber of Fleet Street A musical thriller with music and lyrics by Stephen Sondheim and book by Hugh Wheeler. Based on the 1973 play Sweeney Todd: The Demon Barber of Fleet Street by Christopher Bond. SYNOPSIS The story of an East End of London barber with revenge in his heart and murder on his mind is an old one. Benjamin Barker, a skilled barber, was happily married to Lucy and they had one child, a daughter, Johan- na. A cruel and evil judge called Turpin took a liking towards Lucy and contrived to send her husband to the Australian penal colonies for life. After 15 years of what he called ‘a living hell’, Barker escaped and re- turned to London on a ship where he met up with a sailor, Anthony, who only knew him as Sweeney Todd. This was his new, adopted name and he is described as ‘a heavy-set, saturnine man in his forties.’ Almost at once he is accosted by a beggar woman who is also a prostitute. This character appears throug- hout the play and has an ironic and tragic role to play at the end. He revisits his old premises now owned by a Mrs Nellie Lovett, a pie maker who remembers Barker and was sweet on him in the past and happily kept his shaving blades when he was arrested. Nobody has rented the old barber’s shop since he left it, so it is available for him to set up business again.