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MUSC 2018.07.21 Sweeneytoddprog.Pdf (2.031Mb)
GRIFFIN CONCERT HALL / UNIVERSITY CENTER FOR THE ARTS CSU MUSIC and OPERA FORT COLLINS APPRENTICE ARTISTS PRESENT THE RALPH OPERA PROGRAM PRESENTS MUSIC AND LYRICS BY STEPHEN SONDHEIM BOOK BY HUGH WHEELER Stage Director: John Carlo Pierce | Musical Director: Wes Kenney A concert production conducted by the graduating class of the Summer Conducting Program: Aron Bohnert, Kathy Edgel, Brad Lambrecht, Andrew Malovance, Andrea Peterson, Angela Peugnet, Melissa Shank, Neal Springer, Nathan Wubbena STARRING WES KENNEY AS SWEENEY TODD AND PATTY GOBLE AS MRS. LOVETT Saturday, July 21, 2018 / 7:30PM SUMMER MASTER OF MUSIC PROGRAM IN CONDUCTING Classes are designed to engage current Middle School and High School Choir, Band, and orchestra Directors who seek to further their personal knowledge and skills while earning a Masters Degree in Music education with Conducting emphasis. These intensive courses allow you to complete your degree in just three summers! Participants have daily conducting opportunities with a workshop orchestra, band and choir, providing further hands-on training. For further information on this program, please contact the director, Leslie Stewart, at [email protected] FACULTY AND STAFF FOR 2018 Jeremy Cuebas, Program Assistant Katie Glassman, Guest Lecturer in Jazz Pedagogy Wes Kenney, Professor in Orchestral Conducting James Kim, Professor in Choral Conducting Amy Murphy, Guest Lecturer in Jazz Pedagogy Rebecca Phillips, Professor in Band Conducting Peter Sommer, Lead Professor in Jazz Pedagogy Leslie Stewart, Program Director Shilo Stroman, Lecturer in Jazz Pedagogy Wil Swindler, Lecturer in Jazz Pedagogy Adam Torres, Program Coordinator State of Generosity Your gift to the School of Music, Theatre and Dance provides crucial scholarship support, enables the evolution of our programs and performances, and gives our students the opportunity to obtain their education in the one of the region’s most distinctive facilities for arts students. -
Sweeney Todd the Demon Barber of Fleet Street May 10 – June 7, 2020 Edu TABLE of CONTENTS
A NOISE WITHIN’S 2019-2020 REPERTORY THEATRE SEASON AUDIENCE GUIDE Stephen Sondheim’s Sweeney Todd The Demon Barber Of Fleet Street May 10 – June 7, 2020 Edu TABLE OF CONTENTS Character Map . 3 Synopsis . 4 About the Author: George Dibdin Pitt . 5 About the Adaptors: Christopher Bond, Hugh Wheeler, and Stephen Sondheim . 7 History of Sweeney Todd: A Timeline . 9 Change in the Air: The Transition from the Industrial Revolution to the Victorian Era . 10 Pretty Women: The Role of Women in 19th Century England . 11 The Great Divide: Social Inequality in Industrial and Victorian England . 14 Melodrama and Musicals . 15 The Evolution of the Sweeney Todd Story from Melodrama to Musical . 17 Themes . 18 Revenge . 18 Love and Desire . 18 Freedom and Captivity . 19 Madness . 19 Ken Booth Lighting Designer . 20 Additional Resources . 21 A NOISE WITHIN’S EDUCATION PROGRAMS MADE POSSIBLE IN PART BY: Ann Peppers Foundation The Green Foundation Capital Group Companies Kenneth T . and Michael J . Connell Foundation Eileen L . Norris Foundation The Dick and Sally Roberts Ralph M . Parsons Foundation Coyote Foundation Steinmetz Foundation The Jewish Community Dwight Stuart Youth Fund Foundation 3 A NOISE WITHIN 2019/20 REPERTORY SEASON | Spring 2020 Study Guide Sweeney Todd CHARACTER MAP Mrs. Lovett The owner of a struggling meat pie shop . She knew Sweeney Todd before he was sent to Australia, and she helps him set up a barbershop when he returns to London . Sweeney Todd/Benjamin Barker An English barber formerly known Beggar Woman/Lucy Barker as Benjamin Barker . After spending A woman who has gone mad over 15 years wrongfully incarcerated in time . -
CH Sweeney SSC Breakdown.Pdf
Sweeney Todd / Cambria Heights High School Scene / Song Character Breakdown Song Name/Scene Real Name Character Name Music Notes Act 1 - Prologue #1 - Prologue Script Pg. 1 Vocal Score Pg. -- Entire Prologue (none) (none) (none) #2 The Ballad of Sweeney Todd Script Pg. 1-3 Vocal Score Pg. 141-151 m. 59-74 & m. 114-136 m. 139-end Timm Link 1st Man, m. 4 S - Sarah, Lydia, Ashley, Noelle Morrone 2nd Man, m. 31 Lauren, Noelle P. (See Music Columns) Company, Chorus A - Courtney, Emily, Sheldon Mayo Tobias, m. 78 Shaina, Alli, Andrea, Shaina Sclesky 3rd Man, m. 83 Hannah Kyle Huber 4th Man, m. 86 T - Noelle M, Michaela, In octaves. Sing the octave that is most Emmy Fisher 1 of 2 Women, m. 91 Georgie, Emmy comfortable. Hannah Bearer 2 of 2 Women, m. 91 Bari - Evan J, Brad, Zachary Smego Add Tenor, m. 88 Sheldon, Calem All Women in Cast Women, m. 102 Bass - Timm, Kyle, Evan K, Zack, Michael John Morrone Todd, m. 137 do not sing Act 1 - Scene 1 #3 - No Place Like London Script Pg. 3-8 Vocal Score Pg. 152-160 Entire Song Zachary Smego Anthony John Morrone Todd Solo Lines, No Harmony Emmy Fisher Beggar Woman #4 - Transition Music Script Pg. 8-9 Vocal Score Pg. -- Entire Transition Hannah Bearer Mrs. Lovett Spoken Line Act 1 - Scene 2 #5 - Worst Pies In London Script Pg. 9-11 Vocal Score Pg. 161-166 Entire Song John Morrone Todd Just Present During Song Hannah Bearer Mrs. Lovett Solo Lines Scene Script Pg. -
1-24-17 Opera Workshop
Williams Opera Workshop SWEENEY TODD The Demon Barber of Fleet Street A Musical Thriller Music and Lyrics by Book by STEPHEN SONDHEIM ’50 HUGH WHEELER From an Adaptation by CHRISTOPHER BOND Originally Directed On Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in Association with Dean and Judy Manos Prelude Prologue: The Ballad of Sweeney Todd . Todd, Company Act I Scenes: 1. A street by the London docks: No Place Like London . Anthony, Todd, Beggar Woman 2. Mrs. Lovett’s Pie Shop: Worst Pies in London . Mrs. Lovett My Friends . Todd, Mrs. Lovett Ballad of Sweeney Todd, Reprise . Company 3. Judge Turpin’s House: Green Finch and Linnet Bird . Johanna Johanna (Part 1 & 2) . Anthony 4. St. Dunstan’s marketplace: Pirelli’s Entrance . Pirelli The Contest (Part 1) . Pirelli 5. Sweeney Todd’s Tonsorial Parlor: Pirelli’s Death . Pirelli 6. Outside Judge Turpin’s house: Kiss Me (Part 1) . Johanna, Anthony Ladies in their Sensitivities . Beadle 7. Sweeney Todd’s Tonsorial Parlor: Pretty Women (Part 1) . Judge, Todd Pretty Women (Part 2) . Todd, Judge, Anthony Epiphany . Todd, Mrs. Lovett 8. Mrs. Lovett’s Pie Shop: A Little Priest . Mrs. Lovett, Todd Continued on reverse side Tuesday, January 24, 2017 7:00 p.m. Chapin Hall Williamstown, Massachusetts The videotaping or other video or audio recording of this production is strictly prohibited. Act 2 9. The streets of London: Johanna—Act 2 Sequence . Anthony, Todd, Johanna, Beggar Woman 10. Mrs. Lovett’s Pie Shop: Not While I’m Around . -
Film Reviews
Page 104 FILM REVIEWS “Is this another attack?”: Imagining Disaster in C loverfield, Diary of the Dead and [ Rec] Cloverfield (Dir. Matt Reeves) USA 2007 Paramount Home Entertainment Diary of the Dead (Dir. George A. Romero) USA 2007 Optimum Home Entertainment [Rec] (Dir. Jaume Balagueró & Paco Plaza) S pain 2007 Odeon Sky Filmworks In 1965, at the height of the Cold War, Susan Sontag declared in her famous essay ‘The Imagination of Disaster’ that the world had entered an “age of extremity” in which it had become clear that from now until the end of human history, every person on earth would “spend his individual life under the threat not only of individual death, which is certain, but of something almost insupportable psychologically – collective incineration which could come at any time”. Sontag went on to claim that narratives in which this fate was dramatised for the mass audience in fantastical form – like the monster movies of the 1950s – helped society deal with this stress by distracting people from their fate and normalising what was psychologically unbearable: a kind of vaccination of the imagination, if you will. If this is the case, then Cloverfield, in which Manhattan is destroyed by an immensely powerful sea monster, George A. Romero’s latest zombie movie, Diary of the Dead, and claustrophobic Spanish hit [Rec] are not so much preemptive vaccinations against probable catastrophe, but intermittently powerful, if flawed, reminders of actual calamity. In all three films some of the most destabilising events and anxieties of the past decade – including 9/11 (and the fear of terrorist attacks striking at the heart of American and European cities), Hurricane Katrina, the 2004 Tsunami, and the SARS virus– are reconfigured as genrebased mass market entertainment. -
Sweeney Todd Book Key 4 the Note Inside the Envelope Says That a Man Has 1.1 1 Open Answers (A Old B Frightening Information About Mark Ingestrie
LEVEL 3 Answer keys Teacher Support Programme Sweeney Todd Book key 4 The note inside the envelope says that a man has 1.1 1 Open answers (a old b frightening information about Mark Ingestrie. He suggests a EASYSTARTS c a murder mystery d about a strange man meeting with Johanna Oakley. e in England) 5 Mr Jeffery goes to his old friend Captain Rathbone 2 Open answers and asks him for help. They think of ways to find 1.2 Open answers (1 ✗ 2 ✓ 3 ✗ 4 ✓ 5 ✗) Mr Thornhill. LEVEL 2 2.1 1 b 2 b 3 a 4 a 5 a 3.2 1 Mrs Lovett 2 Tobias Ragg 3 Mr Jeffery 2.2 1 Sweeney Todd; Tobias Ragg 4 Mark Ingestrie 5 Mr Thornhill 6 Mr Fidler Tobias must follow Sweeney Todd’s orders or 7 Captain Rathbone 8 Sweeney Todd Sweeney Todd will make trouble for him. He will 3.3 1 have eaten 2 haven’t had 3 hasn’t slept LEVEL 3 kill Tobias and he will make serious trouble for 4 has tried 5 has asked 6 haven’t discovered Tobias’s mother. Todd also hits and kicks Tobias 3.4 Open answers when he is unhappy with him. Tobias is paid very 4.1 Possible answers (as full sentences) LEVEL 4 little and must work very hard. 1 Mr Skinner is a prisoner in Mrs Lovett’s cellar. He 2 Thornhill; Johanna Oakley is sick of eating Mrs Lovett’s pies. He misses the He has a pearl necklace for her from Mark outside world and his friends and family. -
Sweeney Todd’ School Production
‘Sweeney Todd’ School Production Dear Parents/Carers, We are writing to invite your son/daughter to audition for this year’s whole school musical ‘Sweeney Todd’. Considered as one of Stephen Sondheim’s most powerful scores, this black comedy concerns the infamous homicidal career of Sweeney, the unjustly exiled barber who returns to 19th century London seeking revenge against the lecherous judge who coveted his young wife and falsely imprisoned him. Cheated of his revenge against the Judge, Sweeney’s thirst for blood soon expands to include his unfortunate customers, and - with the aid of his razor - he exacts a far more terrible revenge, cheerfully helped by Mrs. Lovett, who is delighted to give new life to her flavourless meat pies! Sophisticated, macabre, visceral and uncompromising, Sweeney Todd mixes intense drama with dark humour: - audiences find themselves laughing one moment, and gasping in surprise at the next! See below for details on this year’s production and audition process for the cast, band and crew. The performances will run from Wednesday 12th – Saturday 15th July 2017 Audition Dates Wednesday 25th January 2017 3:30 - 5pm on the stage Thursday 26th January 2017 3:30 - 5pm on the stage Call Backs th Friday 27 January 2017 3:30 - 5pm on the stage Audition Process – Cast Students to complete an audition application form prior to auditioning. Auditions will include some acting and singing as well as a basic voice trial to ensure that the student is allocated an appropriate part. As in previous years, we ask all students to audition whether they would like to have a chorus role or a principal role. -
Sweeney Todd Educational Resource Pack
1 Contents 1. Synopsis 2. Context: Victorian London 3. Interviews - Walter Sutcliffe, Director - Sinead Hayes, Conductor - Dorota Karolczak, Designer - Jessica Hackett, Singer 4. Costume Sketches 5. A Sweeney Todd Chronology 6. Set design drafts 7. Biographies Stephen Sondheim and Hugh Wheeler 8. Rehearsal exercises 9. Production shots 2 Synopsis ACT I Years after his transportation to Australia, Benjamin Barker returns to Victorian London under the name of Sweeney Todd, seeking revenge for the loss of his family at the hands of the “honourable” Judge Turpin. His companion is young sailor Anthony, who rescued Sweeney at sea. Upon their arrival, the men are greeted by a beggar woman. “Don’t I know you”, she asks Sweeney as he shoves her out of his way. Back on his old stomping ground on Fleet Street, he meets hardy pie shop owner Mrs Lovett. She recognises him as the barber Benjamin Barker who was convicted under wrong charges, his helpless wife Lucy lured to the Judge Turpin’s house by his assistant Beadle, and there, abused by the guardian of the law. To his inquiry about the whereabouts of Lucy and his daughter Johanna, Mrs Lovett professes that Lucy poisoned herself and Johanna has since been in the care of the Judge. Sweeney swears to seek justice and Mrs Lovett persuades him to take up his old trade. She has kept his knives. The pair make an ingenious plan: while waiting for the Judge, Sweeney will practice "on less honourable throats". Mrs Lovett delights at the unexpected meat supply for her pie shop.” ACT II Business is flourishing at Mrs Lovett’s pie shop, and Sweeney is busy disposing of his customers. -
SWEENEY TODD Is Presented Through Special Arrangement with Musical Theatre International (MTI)
July 22-August 7, 2021 Music and Lyrics by Book by Stephen Sondheim Hugh Wheeler From an Adaptation by CHRISTOPHER BOND Originally Directed On Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Scenic Designer Costume Designer Lighting Designer Sound Designer Diggle† Sarita P Fellows† Marika Kent Sun Hee Kil† Music Director Choreographer Casting Director Simone Allen Ben Hobbs Michael Cassera Production Stage Manager Production Manager Assistant Musical Director Amanda Spooner* Adam Zonder Megan Smythe Assistant Directors/Dramaturgs Deck Stage Manager/ Dialect Coach/ Fight Captain Intimacy Consultant Kate Semmens~, Arianna Tilley~ Vicki Whooper* Robin Christian McNair * Directed by Member of the Actors' Equity Association, Sanaz Ghajar the Union of Professional Actors and Stage Managers in the United States. Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in Association with Dean and Judy Manos † USA - Member of United Scenic Artists Local 829 SWEENEY TODD Is presented through special arrangement with Musical Theatre International (MTI). ‡ Member of the Hangar Theatre All authorized performance materials are also supplied by MTI. Company Design Fellows www.mtishows.com ~ Member of the Hangar Theatre Any video and/or audio recording of this production is strictly prohibited. 2021 Lab Company Premier Performance Sponsor Mainstage Media Sponsor Partner In The Arts Partner In Health CAST Sweeney Todd.............................................................................................................................................................Nik -
Pribyl-Mastersreport-2013
Copyright by Ashley Marian Pribyl 2013 The Report Committee for Ashley Marian Pribyl Certifies that this is the approved version of the following report: “Pretty Women”: Urban Crisis and Female Objectification in Stephen Sondheim’s Sweeney Todd APPROVED BY SUPERVISING COMMITTEE: Supervisor: Andrew Dell’Antonio Caroline O’Meara “Pretty Women”: Urban Crisis and Female Objectification in Stephen Sondheim’s Sweeney Todd by Ashley Marian Pribyl B. A. Music Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin May 2013 Dedication To my parents, for all of their support, and in loving memory of my grandmothers, Peggy Fritz and Marian Pribyl, whose stories of strength continue to inspire me. Abstract “Pretty Women”: Urban Crisis and Female Objectification in Stephen Sondheim’s Sweeney Todd Ashley Marian Pribyl, M. Music The University of Texas at Austin, 2013 Supervisor: Andrew Dell’Antonio Stephen Sondheim’s 1979 award-winning musical Sweeney Todd: The Demon Barber of Fleet Street was produced during a time of great political and economic uncertainty in New York City. Although not overtly political, the themes of urban crisis and class inequality that birthed the original legend of Sweeney Todd in Industrial Revolution London continued to play a large role within the modern musical, reflecting leftist political concerns at large. The main political argument within the work is the critique of class hierarchies created by capitalism and how the upper classes abuse the lower classes, ie. -
The Conspiracy Against the Human Race ———————— a Contrivance of Horror Thomas Ligotti
The Conspiracy against the Human Race ———————— A Contrivance of Horror Thomas Ligotti Hippocampus Press ————— New York 3 Copyright © 2010 Thomas Ligotti. Foreword © 2010 by Ray Brassier. Thomas Ligotti photograph © 2010 by Jennifer Gariepy. Parts of this work were published, in different form, in the following publications: “Literature Is Entertainment or It Is Nothing: An Interview with Thomas Ligotti” by Neddal Ayad, Fantastic Metropolis (website), October 31, 2004; “Thomas Ligotti on Sweeney Todd,” Horror: Another 100 Best Books, Stephen Jones and Kim Newman, eds., 2005; Introduction by Thomas Ligotti, The Tenant by Roland Topor, 2006; “‘It’s All a Matter of Personal Pathology’: An Interview with Thomas Ligotti” by Matt Cardin, The Teeming Brain (weblog), 2006. All excerpts from the works of Peter Wessel Zapffe © Gisle R. Tangenes; used with permission. All excerpts from the writings of H. P. Lovecraft © Robert C. Harrall; used with permission of Lovecraft Properties LLC. Library of Congress Cataloging-in-Publication Data Ligotti, Thomas. The conspiracy against the human race: a contrivance of horror / Thomas Ligotti. – 1st ed. p. cm. Includes bibliographical references. ISBN 978-0-9824296-9-3 (hardcover) – ISBN 978-0-9844802-7-2 (pbk.) 1. Horror in literature. 2. Literature–Philosophy. 3. Pessimism in literature. I. Title. PN56.H6L55 2010 809’.9164–dc22 2010008781 Published by Hippocampus Press P.O. Box 641, New York, NY 10156. http://www.hippocampuspress.com All rights reserved. No part of this work may be reproduced in any form or by any means without the written permission of the publisher. Cover design by Jennifer Gariepy. Cover production by Barbara Briggs Silbert. -
Character Breakdown August 16, 2019
Sweeney Todd Character Breakdown August 16, 2019 Yale Dramatic Association · P.O. Box 209037 · New Haven, CT 06520 · (860) 531-8224 Sweeney Todd Character Breakdown A note about casting: Today, London is—as it has long been—one of the most diverse cities in the world. Historically, productions of Sweeney Todd have whitewashed this fact. Reimagined for the 21st century, our production of Sweeney Todd is looking to cast an inclusive and diverse company of actors who reflect the world we live in today. In reference to the character descriptions below: The characters as written are on the binary and are written with he/him or she/her pronouns, which you will see in the following descriptions. But however limiting the descriptions are, our casting seeks to be as inclusive as possible and we invite gender non-conforming, genderqueer, transgender and non-binary actors to audition for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities. In addition, we will list disability when specific to a character, but are otherwise seeking actors with disabilities as well as non-disabled actors for all roles. Please let us know if you have any questions, concerns, or if there are any accommodations we can provide. A note about accents: Accents listed are not expected at auditions and will be worked on throughout the rehearsal process. That said, if you’re comfortable performing any of these accents, please let us know during auditions! Roles: Sweeney Todd Sweeney escaped from prison after being wrongfully accused and jailed for fifteen years.