Right Arm Resource Update
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Putting Their Faith Into Words
TUESDAY, OCTOBER 16, 2018 Businesses come to the rescue for Lynn Fire Dept. By Gayla Cawley The rescue boat has long From left, Charlie ITEM STAFF been on the wish list for the Patsios, John Walsh department, and was pur- of John’s Oil, and LYNN — The Lynn Fire chased at no cost to the city, AL Prime Energy Department acquired its thanks to the donations CEO Nasser Buisier rst rescue boat, which will of three local business- on the rescue boat allow crews to pull people men — AL Prime Energy the Lynn Fire De- out of the Lynn Harbor CEO Nasser Buisier; John partment recently without the potential life or Walsh, of John’s Oil; with acquired for water death delay of waiting for support and assistance response incidents assistance from a neighbor- from Swampscott developer in Lynn Harbor. ing community or the U.S. Coast Guard. BOAT, A3 PHOTO | SUSAN ARCHER Father, son making a run for veterans By Steve Krause ITEM STAFF LYNN — The family that runs together stays together. That’s how it is for the Dunnigans of Lynn. Father and son will be running the U.S. Marine Corps Marathon Oct. 28 in the Washington, D.C. area — a 26.3-mile run that will raise money to bene t the New England Center and Home for Veterans in Boston. Glenn Dunnigan, a Lynn Police of cer, is a veteran marathon runner who did the MCM in 2002. His son, Cullen, a 2015 graduate of St. John’s Prep and a political science major at Salem State, ran the race as a senior in high school. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Latin Rhythm from Mambo to Hip Hop
Latin Rhythm From Mambo to Hip Hop Introductory Essay Professor Juan Flores, Latino Studies, Department of Social and Cultural Analysis, New York University In the latter half of the 20th century, with immigration from South America and the Caribbean increasing every decade, Latin sounds influenced American popular music: jazz, rock, rhythm and blues, and even country music. In the 1930s and 40s, dance halls often had a Latin orchestra alternate with a big band. Latin music had Americans dancing -- the samba, paso doble, and rumba -- and, in three distinct waves of immense popularity, the mambo, cha-cha and salsa. The “Spanish tinge” made its way also into the popular music of the 50s and beyond, as artists from The Diamonds (“Little Darling”) to the Beatles (“And I Love Her”) used a distinctive Latin beat in their hit songs. The growing appeal of Latin music was evident in the late 1940s and 50s, when mambo was all the rage, attracting dance audiences of all backgrounds throughout the United States, and giving Latinos unprecedented cultural visibility. Mambo, an elaboration on traditional Cuban dance forms like el danzón, la charanga and el son, took strongest root in New York City, where it reached the peak of its artistic expression in the performances and recordings of bandleader Machito (Frank Grillo) and his big-band orchestra, Machito and His Afro-Cubans. Machito’s band is often considered the greatest in the history of Latin music. Along with rival bandleaders Tito Rodríguez and Tito Puente, Machito was part of what came to be called the Big Three. -
Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas -
The Funky Diaspora
The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
Illinois for the Report Says Illinois Survivors to Offer Support Tions Against Them
Questions? Call 1-800-Tribune Thursday, December 20, 2018 Breaking news at chicagotribune.com 500 accused priests unnamed State AG report finds extensive abuse, says church yet to ID many By Elvia Malagon licly identified only 185 olic dioceses that govern ades. and moral responsibility to Chicago Tribune clergy with credible allega- parishes across Illinois for The report says Illinois survivors to offer support tions against them. their lack of transparency dioceses “have lost sight of and services, and to take A scathing report from The determination is and flawed investigations. both a key tenet” of policies swift action to remove abu- Attorney General Lisa part of a preliminary report Although the report says laid out by the United States sive clergy,” the report Madigan finds the number made public Wednesday by that “Clergy sexual abuse of Conference of Catholic states. of Catholic priests accused Madigan’s office, which has minors in Illinois is signifi- Bishops as well as “the most In a prepared statement, of sexual abuse against chil- been investigating Catholic cantly more extensive than obvious human need as a Chicago Cardinal Blase Cu- dren in Illinois is much clergy sexual abuse of mi- the Illinois Dioceses previ- result of these abhorrent pich acknowledged that higher than previously ac- nors following revelations ously reported,” it does not acts of abuse: the healing victims of sexual abuse by CHICAGO TRIBUNE knowledged. during the summer of wide- estimate how many of the and reconciliation of sur- Catholic priests continue to Attorney General Lisa Madi- The report said accusa- spread abuse and cover-ups allegations against the 690 vivors.” live with the pain. -
2012 Program Guide
"# && # " $ % $ " " " !' TD Sponsor.indd 1 4/17/12 2:36:06 PM .0& ,&, 22 ',0 .0& )()//&0 #-% 1 #-% ,&, 22', && 33" #% 1 #% !& 3# - )() % 1 % & -* - , 33" $1$ 01091705.ad 1 4/23/12 9:00:16 AM Welcome to the 27th Annual TD Vancouver International Jazz Festival @ek_\nfi[jf]aXqqdlj`Z`Xe?\iY`\?XeZfZb1Èdlj`Z`jXeXik]fidk_Xk kiXejZ\e[jcXe^lX^\%É@ek_Xkjg`i`k#K;9Xeb>iflg`jgc\Xj\[kfYi`e^pfl# ]fik_\k\ek_Zfej\Zlk`m\p\Xi#k_\)'()K;MXeZflm\i@ek\ieXk`feXcAXqq =\jk`mXc#Xe\m\ekk_XkZ\c\YiXk\jk_\[`m\ij`kpXe[\ek\ikX`ed\ekf]dlj`ZYp kXc\ek\[Xik`jkj]ifd:XeX[XXe[Xifle[k_\nfic[% K;jki`m\jkf\e_XeZ\k_\Zfddle`k`\j`en_`Z_n\j\im\#Xe[n_XkY\kk\i nXpkfYi`e^g\fgc\kf^\k_\ik_Xekfj_Xi\`ek_\cfm\f]^i\Xkdlj`ZK_XkËj n_pK;`jgifl[kfjgfejfik\edXafidlj`Z]\jk`mXcj]ifdM`Zkfi`Xkf?Xc`]Xo% >i\Xk]\jk`mXcj[feËk_Xgg\en`k_flk^i\Xkg\fgc\kffi^Xe`q\Xe[ilek_\d%N\Ë[c`b\kfk_Xeb \m\ipfe\n_f`j`emfcm\[n`k_dXb`e^k_\)'()K;MXeZflm\i@ek\ieXk`feXcAXqq=\jk`mXcX_`k Æ]ifdmfclek\\ijXe[fi^Xe`q\ij#kfk_\kXc\ek\[]\Xkli\[Xik`jkjXe[k_fljXe[jf]dlj`Zcfm\ij n_faf`elj\m\ipp\Xi%PflijlggfikdXb\jk_`j`eZi\[`Yc\\m\ekgfjj`Yc\% =fik_\cfm\f]dlj`Z#k_Xebpfl% AXe\Iljj\cc J\e`fiM`Z\Gi\j`[\ek#GXZ`ÔZI\^`fe 8D<JJ8><=IFDK?<:F8JK8CA8QQ9CL<JJF:@<KP 9:ËjcXi^\jkdlj`Zgi\j\ek\i#:fXjkXcAXqq`j MXeZflm\i8ik>Xcc\ip]fik_\`ijlggfik`e n\ccbefne]fi`kj[Xi`e^Xik`jk`Zm`j`fek_Xk _\cg`e^ljdXb\k_`jdfm\% Z\c\YiXk\j`eefmXk`fe#[`m\ij`kpXe[`eZclj`m`kp K_\]\jk`mXcËjjk\ccXic`e\lgY\^`ejn`k_X `edlj`Z#n`k_`eXm`YiXekXe[\m\i$\mfcm`e^ i`^_k\fljE\nFic\XejY`cc]\Xkli`e^k_\ -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex.... -
This Is Our Story, This Is Our Song Tune in Or Stream • Tue Feb 16 9/8C 2 February 2021
Member Guide | February 2021 Powered by You® THIS IS OUR STORY, THIS IS OUR SONG TUNE IN OR STREAM • TUE FEB 16 9/8C 2 FEBRUARY 2021 Communications Building 1003 Mail Code 6602 Southern Illinois University 1100 Lincoln Drive Carbondale, IL 62901 FEBRUARY 2021 • VOL. 40, NO. 8 WSIU | WUSI WSEC | WQEC | WMEC WSIU RADIO Listen online POSTMASTER: Please send address changes to address shown above. HD 8.1, 16.1 HD 14.1, 27.1, 22.1 WSIU 91.9FM at wsiu.org & CREATE 8.2, 16.2 CREATE 14.2, 27.2, 22.2 WUSI 90.3FM via the WSIU WORLD 8.3, 16.3 WORLD 14.3, 27.3, 22.3 WVSI 88.9FM Mobile App! WSIU Public Broadcasting KIDS 24/7 8.4 KIDS 24/7 14.4, 27.4, 22.4 Interim Executive Director: Jak Tichenor: [email protected] Associate Director, Finance & Administration: [email protected] Associate Director, TV & Video Services: [email protected] facebook.com/wsiutv @wsiutv | @wsiuradio Associate Director, Radio: [email protected] facebook.com/wsiuradio @wsiuliteracy Associate Director, News & Public Affairs:[email protected] facebook.com/wsiuliteracy @wsectv Associate Director, Technology & Planning (Springfield): [email protected] Main Office: (618) 453-4343 or (866) 498-5561 Associate Director, Development: [email protected] Contact Us Fax: (618) 453-6186 | FM News: (618) 453-6101 Associate Director, Corporate Support: [email protected] Find more news, TV News: (618) 453-6541 | SIRIS: (618) 453-2808 Assistant Director, Marketing & Digital Services: [email protected] stories, expanded Pledge Line: (618) 453-9748 -
2019 Program Guide
It’s a saxophone. And it’s a way to connect us through music. TD is proud to be an instrument of change by supporting the TD Vancouver Jazz Festival through The Ready Commitment. Music is where we all belong. Visit TDMusic.com to learn more. ®The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. SUBSCRIPTIONS ON SALE NOW! SEP 28 Rosanne Cash OCT 5 Mari Boine OCT 19 DakhaBrakha NOV 2 Flamenco Legends: The Paco de Lucía Project NOV 16 Orquesta Akokán FEB 29 We Shall Overcome: A Celebration of Dr. Martin Luther King, Jr. MAR 8 Dianne Reeves: Beleza Brazil APR 4 La Santa Cecilia APR 18 Kalabanté: Afrique en Cirque ROSANNE CASH WE SHALL DAKHABRAKHA DIANNE REEVES OVERCOME chancentre.com Welcome to the 34th Annual TD Vancouver International Jazz Festival Music has the power to unite us. It can transform the feeling of isolation into one of belonging. And when you feel like you belong, you can feel connected and more confi dent in the future. Th at’s why, through Th e Ready Commitment, TD’s global corporate citizenship platform, we are supporting over 80 music festivals across Canada to help bring people together to share unique and inclusive experiences. From national to local stages, we are connecting people of all backgrounds to learn from one another, laugh with one another, and grow together. We are thrilled to support the TD Vancouver International Jazz Festival; a festival that enriches lives and strengthens community. We are proud to help open doors to a more inclusive and sustainable today and tomorrow through music and we hope you enjoy our summer festivals with friends and family. -
Where Did All the Time
FREE Take a Where did copy Dressing all the defensively Fashion 22 time go? For me, love is a gulf of How relativity changed the story contradictions Science 28 Features 13 No. 853 Friday 26th October 2018 Arts varsity.co.uk Cambridge’s Independent Student Newspaper since 1947 Cambridge 91.9% among Percentage of total UK’s ‘most Cambridge professors and readers who are liberal’ areas white, of those who disclosed ethnicity Amy Batley Senior News Correspondent e Castle area of Cambridge, which in- cludes more than a third of the Univer- sity’s colleges, is “the most liberal area” of England, according to an investiga- tion into national attitudes published last week. e study, entitled ‘Fear, hope and loss: Understanding the drivers of hope and hate’, was conducted by anti-ex- tremist political action group Hope Not £11,947 Hate. ese ndings come ater a report by the Centre for Cities, released in Feb- ruary this year, described Cambridge as Di erence between the average the least equal city in the UK in terms of annual salary of black and white wealth and income. e Hope Not Hate report argues that academic and research sta there has been an emergence of “two Englands”, split between areas charac- terised by Euroscepticism and hostility towards immigration and “liberal, out- ward-looking and cosmopolitan areas”. ▲ Cambridge has few BME professors, a position which requires University approval through its General Board ROSIE BRADBURY e study, which polled 43,000 people at several intervals between 2011-2018 and incorporated analysis of Change.org petitions in support of Tommy Robinson, highlighted stark geographic divisions Stark pay gap for BME academics in attitudes towards immigration and multiculturalism.