The Archbishop and Willa Cather's
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If You Like My Ántonia, Check These Out!
If you like My Ántonia, check these out! This event is part of The Big Read, an initiative of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and Arts Midwest. Other Books by Cather About Willa Cather Alexander's Bridge (CAT) Willa Cather: The Emerging Voice Cather's first novel is a charming period piece, a love by Sharon O'Brien (920 CATHER, W.) story, and a fatalistic fable about a doomed love affair and the lives it destroys. Willa Cather: A Literary Life by James Leslie Woodress (920 CATHER, W.) Death Comes for the Archbishop (CAT) Cather's best-known novel recounts a life lived simply Willa Cather: The Writer and her World in the silence of the southwestern desert. by Janis P. Stout (920 CATHER, W.) A Lost Lady (CAT) Willa Cather: The Road is All This Cather classic depicts the encroachment of the (920 DVD CATHER, W.) civilization that supplanted the pioneer spirit of Nebraska's frontier. My Mortal Enemy (CAT) First published in 1926, this is Cather's sparest and most dramatic novel, a dark and oddly prescient portrait of a marriage that subverts our oldest notions about the nature of happiness and the sanctity of the hearth. One of Ours (CAT) Alienated from his parents and rejected by his wife, Claude Wheeler finally finds his destiny on the bloody battlefields of World War I. O Pioneers! (CAT) Willa Cather's second novel, a timeless tale of a strong pioneer woman facing great challenges, shines a light on the immigrant experience. -
The Making of Willa Cather's One of Ours: the Role of Dorothy Canfield
Janis P. Stout The Making of Willa Cather’s One of Ours: The Role of Dorothy Canfield Fisher n March 12, 1921, when Willa Cather was well into the writing of her novel of male disaffection from Nebraska and rebirth in war, One of Ours, she wrote her firstO letter in five years to her longtime friend and fellow-writer Dorothy Canfield Fisher. Three days later she wrote again, urging that she and Canfield Fisher become reconciled after a long es- trangement. (Sixteen years earlier Dorothy had successfully opposed Cather’s publication of a short story that she believed would be unduly wounding to a friend to whom she had introduced Cather.) In this sec- ond letter Cather mentioned that she felt in need of Canfield Fisher’s help with the novel, stating, indeed, that she was (in the words of Mark J. Madigan’s summary of the correspondence) “the only person who could help her with it” (“Rift” 124)1. Why, one wonders, was Dorothy Canfield Fisher the only person who could provide that help? What could Canfield Fisher provide that no one else could? That is the question I want to take up here. Madigan’s essay on the exchange of letters demonstrates that One of Ours provided a structured ground, delimited by their professionalism, on which the two women could achieve reconciliation. The biographical issues he elucidates, relating to both the causes of their estrangement and the clarifications that led to their reconciliation, are of keen interest, particularly as they afford insight into Cather’s sense of her own provin- cialism. -
Willa Cather and American Arts Communities
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J. -
THE DECORATION and FURNISHING of the CITY No
THE DECORATION AND FURNISHING OF THE CITY No. 5.--Fountains 'Vater is an essential attribute to every landscape or architectural composrtion, No park or garden is strictly complete which does not possess its cascade, fountain, basin, and canal, and no city which pretends to be artistically embellished is fully adorned without waterways, rond points, drinking fountains, and jets d'eau. The city which may fitly display fountains must abound in pleasure places and be something more than a commercial town. It must have prospered and developed beyond this elementary stage. The purpose of the Iountain is non-utilitarian; it transcends all mundane ideas.· It is a work of art set up for art's. sake alone. 'Vater is animate, and a fountain is a living thing; little wonder that poets and artists ever people them with gods, demi-goels, animals, and nymphs. Schemes for the beautiful treatment of water have ever been created during the great artistic epochs of the world. Ancient Rome was a city running with water, but the fountains of Rome have long ago been obliterated and lost, though numerous remaine of sculptured baths and basins, spouts and vases have been preserved. Probably the earliest of the fountains which are still running with water and which are of greatest importance to us as such to-day, are the Italian fountains of the 15th and 16th centuries, most of which are to be seen in the gardens of the villas around Florence and Rome. From the highest terrace of these gardeIls water pours forth from a chateau d'eau, a grotto, art archway, or from the cleft in a rock; it becomes a cascade and is artfully.., broken into a series of falls ; it pirouettes, tumbles, and empties itself into a deep pool, then, disappearing it reappears on the lowest terrace as a jet, or as a thousand jets throwing UF) glistening spray, and finally settles in a "bain des Dieux." SUCll is the treatment of water in the world's oldest gardens and parks; particularly fine examples are to be seen in the gardens of the Villa Torlonia and in the Villa d'Este. -
UNIVERSITY of $ASKATCHEWAN This Volume Is The
UNIVERSITY OF $ASKATCHEWAN This volume is the property of the University of Saskatchewan, and the Itt.rory rights of the author and of the University must be respected. If the reader ob tains any assistance from this volume, he must give proper credit in his ownworkr This Thesis by . EJi n.o r • C '.B • C j-IEJ- S0 M has been used by the following persons, whose slgnature~ attest their acc;eptance of the above restri ctions . Name and Address Date , UNIVERSITY OF SASKATCHEWAN The Faculty of Graduate Studies, University of Saskatchewan. We, the undersigned members of the Committee appointed by you to examine the Thesis submitted by Elinor C. B. Chelsom, B.A., B;Ed., in partial fulfillment of the requirements for the Degree of Master of Arts, beg to report that we consider the thesis satisfactory both in form and content. Subject of Thesis: ttWilla Cather And The Search For Identity" We also report that she has successfully passed an oral examination on the general field of the subject of the thesis. 14 April, 1966 WILLA CATHER AND THE SEARCH FOR IDENTITY A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Mas ter of Arts in the Department of English University of Saskatchewan by Elinor C. B. Chelsom Saskatoon, Saskatchewan April, 1966 Copyrigh t , 1966 Elinor C. B. Chelsom IY 1 s 1986 1 gratefully acknowledge the wise and encouraging counsel of Carlyle King, B.A., M.A., Ph.D. my supervisor in the preparation of this thesis. -
Willa Cather and the Swedes
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Fall 1984 Willa Cather And The Swedes Mona Pers University College at Vasteras Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Pers, Mona, "Willa Cather And The Swedes" (1984). Great Plains Quarterly. 1756. https://digitalcommons.unl.edu/greatplainsquarterly/1756 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WILLA CATHER AND THE SWEDES MONAPERS Willa Cather's immigrant characters, almost a able exaggeration when in 1921 she maintained literary anomaly at the time she created them, that "now all Miss Cather's books have been earned her widespread critical and popular ac translated into the Scandinavian," the Swedish claim, not least in the Scandinavian countries, a translations of 0 Pioneers! and The Song of market she was already eager to explore at the the Lark whetted the Scandinavian appetite beginning of her literary career. Sweden, the for more Cather. As the 1920s drew to a close, first Scandinavian country to "discover" her her reputation grew slowly but steadily. Her books, issued more translations of Cather fic friend George Seibel was probably guilty of tion than any other European country. In considerably less exaggeration than was Eva fact, Sweden was ten years ahead of any other Mahoney when he recalled "mentioning her Scandinavian country in publishing the transla name in the Gyldendal Boghandel in Copen tion of a Cather novel (see table). -
The Representation of the First World War in the American Novel
The representation of the first world war in the American novel Item Type text; Thesis-Reproduction (electronic) Authors Doehler, James Harold, 1910- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 07:22:59 Link to Item http://hdl.handle.net/10150/553556 THE REPRESENTATION OF THE FIRST WORLD WAR IN THE AMERICAN NOVEL ■ . ■ v ' James Harold Doehler A Thesis aotsdited to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate Co U e g e University of Arisom 1941 Director of Thesis e & a i m c > m J::-! - . V 3^ J , UF' Z" , r. •. TwiLgr-t. ' : fejCtm^L «••»«[?; ^ aJbtadE >1 *il *iv v I ; t. .•>#»>^ ii«;' .:r i»: s a * 3LXV>.Zj.. , 4 W i > l iie* L V W ?! df{t t*- * ? [ /?// TABLE OF CONTENTS Chapter Page I. INTRODUCTION ..... .......... < 1 II. NOVELS WRITTEN DURING THE WAR. 9 III. NOVELS WRITTEN DURING THE 1920*8 . 32 IV. DOS PASSOS, HEMINGWAY, AND CUMMINGS 60 V. NOVELS WRITTEN DURING THE 1930*8 . 85 VI. CONCLUSION ....................... 103 BIBLIOGRAPHY ..................... 106 l a y 4 7 7 CHAPIER I niiRODUcnoa The purpose of this work is to discover the attitudes toward the first World War which were revealed in the American novel from 1914 to 1941. -
Margins, Centers and the Nebraskan Commonwealth
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Presentations, Talks, and Seminar Papers -- Department of English English, Department of March 2003 The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth Guy Reynolds University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/englishtalks Part of the English Language and Literature Commons Reynolds, Guy, "The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth" (2003). Presentations, Talks, and Seminar Papers -- Department of English. 1. https://digitalcommons.unl.edu/englishtalks/1 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Presentations, Talks, and Seminar Papers -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Reynolds, The Politics of Cather’s Regionalism The Politics of Cather’s Regionalism: It features, of course, as this region often does in expatriate US writing: as everything you want to get away from. Here, the ‘dis‐ Margins, Centers and the Nebraskan quietingly cheerful horde’ represent a hideous uniformity, a col‐ Commonwealth lectivised national identity which seems both coarse and bland. This is, sadly, one of the main themes in the literary representa‐ tion of this particular region over the last century. In his useful Guy Reynolds study, The Middle West: Its Meaning in American Culture, Kansas geographer James Shortridge follows the rise and fall of the area’s Presented March 25, 2003, at the Plains Humanities Alliance Research & status in the national imagination. -
Review Red Cloud, Nebraska 68970 Summer, 1999 Telephone (402) 746-2653
Copyright © 1999 by the Willa Cather Roneer ISSN 0197-663X Memorial and Educational Foundation (The Wil~ Cather Society) Willa Cather Pioneer Memorial Newsletter and ~0 N. Webster Street VOLUME XLIII, No. 1 Review Red Cloud, Nebraska 68970 Summer, 1999 Telephone (402) 746-2653 "The Heart of Another Isa Dark Forest": A Reassessment of Professor St. Peter and His Wife Jean Tsien Beijing Foreign Studies University The Professor’s House is a a male subject (the professor) rich and complex work which gazing at female objects much can be rea~l rewardingly from of the time -- and not usually in many aspens: as a critique of admiration. Lillian St. Peter and soulless American materialism her daughters are seen through in the 1920s, as a depiction of ’ the critical -- at times, harsh -- male midlife crisis involving gaze of Godfrey St. Peter, who steady withdrawal into the self repeatedly offers comments on in preparation for death, as the them they cannot repudiate; for, story of the destruction of youth- as objects of a male gaze, they ful intellectual idealism and are not given a chance to reveal ’letting go with the heart,’ as their thoughts. While the two autobiographical parallels of male protagonists (Tom Outland Cather’s personal problems, and St. Peter) are depicted as and in many other ways. idealists, their women (Rosa- This paper attempts to read mond, according to Louie, ’~irtu- the work closely from a feminist ally [Tom’s] widow") are cold point of view. As we know, and hard and seen either quar- there is no "pure writing" exist- reling or spending money ing in a vacuum outside gender. -
Evelyn I. Funda
Evelyn I. Funda College of Humanities and Social Sciences [email protected] Utah State University (435) 797-3653 (office) 0700 Old Main Hill (435) 760-9703 (cell) Logan, UT 84322-0700 EDUCATION: Ph.D, University of Nebraska, Lincoln, 1994. (American Literature, Secondary Areas: Western American Literature and Folklore. Language: Czech) M.A., Boise State University, 1986 (English Education) B.A., Boise State University, 1984 English (Secondary Ed. emphasis / History minor) PROFESSIONAL POSITIONS: Associate Dean of Graduate Studies, College of Humanities & Social Sciences, 2016-Present Director, Mountain West Center for Regional Studies (CHaSS) 2016-Present Professor of English, Utah State University 2015-Present (Specializing in Willa Cather, American Literature 1865-1945, Western American memoir, and Agrarian Literature and Culture) Acting Department Head, English (February-March) 2020 Associate Professor of English, Utah State University 2001-2015 Assistant Professor of English, Utah State University 1995-2001 Instructor & Graduate Teaching Assistant, University of Nebraska-Lincoln 1989-1995 English Teacher, Kofa High School, Yuma, Arizona 1986-1989 PUBLICATIONS: Book (Peer-Reviewed): Weeds: A Farm Daughter’s Lament. Lincoln: University of Nebraska Press, 2013. • Reviewed in The New York Times Sunday Supplement, Prairie Schooner, Shelf Awareness, Midwest Book Review, Kirkus, Booklist, Western American Literature, ISLE: Interdisciplinary Studies in Literature and Environment, Pacific Northwest Quarterly, Lifewriting Annual, Kosmos: Czechoslovak and Central European Journal. • Winner of Evans Handcart Award for Biography, 2014. Textbook: Farm: A Multimodal Reader. 3rd Edition. (Forthcoming). Textbook co-authored and edited with Joyce Kinkead and Lynne McNeill. Logan: Utah State University Press, 2020. (Two previous editions published by Fountainhead Press, 2014 and 2016). -
Nicolas Lancret: Dance Before a Fountain
NICOLAS LA1VCRET Dance Before a r~zfountain~ NICOLAS LA1VCRET Dance Before a r~Tfountain~ MARY TAVENER HOLMES WITH A CONSERVATION NOTE BY MARK LEONARD THE J. PAUL GETTY MUSEUM LOS ANGELES This book is dedicated to Donald Posner GETTY MUSEUM STUDIES ON ART Library of Congress Cataloging-in-Publication Data © 2006 J. Paul Getty Trust Holmes, Mary Tavener. Nicolas Lancret : Dance before a fountain / Mary Tavener Holmes ; Getty Publications with a conservation note by Mark Leonard. I2OO Getty Center Drive, Suite 5OO p. cm. — (Getty Museum studies on art) Los Angeles, California ^004^^-1682 Includes bibliographical references and index. www.getty.edu ISBN-I3: 978-0-89236-83^-7 (pbk.) ISBN-IO: 0-89236-832-2 (pbk.) I. Lancret, Nicolas, 1690—1743- Dance before a fountain. 2- Lancret, Christopher Hudson, Publisher Nicolas, 1690 —1743"Criticism and interpretation. 3- Genre painting, Mark Greenberg, Editor in Chief French — l8th century. I. Leonard, Mark, 1954 ~~ H- Lancret, Nicolas, 1690 — 1743. III. J. Paul Getty Museum. IV. Title. V. Series. Mollie Holtman, Series Editor ND553.L225A65 2006 Abby Sider, Manuscript Editor 759.4-dc22 Catherine Lorenz, Designer 2005012001 Suzanne Watson, Production Coordinator Lou Meluso, Anthony Peres, Jack Ross, Photographers All photographs are copyrighted by the issuing institutions or by their Typesetting by Diane Franco owners, unless otherwise indicated. Figures 14, 16, 18, 29, 3^, 43> 57» 60, Printed in China by Imago 63 © Reunion des Musees Nationaux/Art Resource, New York. Figures 21, 30, 31, 34, and 55 are use<i by kind permission of the Trustees of the Wallace Collection, London. Frontispiece: Michel Aubert (French, 1700 —1757)> Nicolas Lancret [detail], engraving, from Antoine Joseph Dezallier d'Argenville (French, 1680 — 1765), Abrege de la vie des plus fameux peintres (Paris, I745~52)> vol. -
Front Matter
Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information The Cambridge Companion to Willa Cather The Cambridge Companion to Willa Cather offers thirteen original essays by leading scholars of a major American novelist. Willa Cather’s luminous prose is ‘easy’ to read yet surprisingly difficult to understand. The essays col- lected here are theoretically informed but accessibly written and cover the full range of Cather’s career, including most of her twelve novels and several of her short stories. The essays situate Cather’s work in a broad range of critical, cultural, and literary contexts, and the introduction explores current trends in Cather scholarship as well as the author’s place in contemporary culture. With a detailed chronology and a guide to further reading, the volume offers students and teachers a fresh and thorough sense of the author of My Antonia´ , The Professor’s House, and Death Comes for the Archbishop. © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information THE CAMBRIDGE COMPANION TO WILLA CATHER EDITED BY MARILEE LINDEMANN © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521527934 C Cambridge University Press 2005 This book is in copyright.