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How Useful Are Episcopal Ordination Lists As a Source for Medieval English Monastic History?
Jnl of Ecclesiastical History, Vol. , No. , July . © Cambridge University Press doi:./S How Useful are Episcopal Ordination Lists as a Source for Medieval English Monastic History? by DAVID E. THORNTON Bilkent University, Ankara E-mail: [email protected] This article evaluates ordination lists preserved in bishops’ registers from late medieval England as evidence for the monastic orders, with special reference to religious houses in the diocese of Worcester, from to . By comparing almost , ordination records collected from registers from Worcester and neighbouring dioceses with ‘conven- tual’ lists, it is concluded that over per cent of monks and canons are not named in the extant ordination lists. Over half of these omissions are arguably due to structural gaps in the surviving ordination lists, but other, non-structural factors may also have contributed. ith the dispersal and destruction of the archives of religious houses following their dissolution in the late s, many docu- W ments that would otherwise facilitate the prosopographical study of the monastic orders in late medieval England and Wales have been irre- trievably lost. Surviving sources such as the profession and obituary lists from Christ Church Canterbury and the records of admissions in the BL = British Library, London; Bodl. Lib. = Bodleian Library, Oxford; BRUO = A. B. Emden, A biographical register of the University of Oxford to A.D. , Oxford –; CAP = Collectanea Anglo-Premonstratensia, London ; DKR = Annual report of the Deputy Keeper of the Public Records, London –; FOR = Faculty Office Register, –, ed. D. S. Chambers, Oxford ; GCL = Gloucester Cathedral Library; LP = J. S. Brewer and others, Letters and papers, foreign and domestic, of the reign of Henry VIII, London –; LPL = Lambeth Palace Library, London; MA = W. -
'Daylight Upon Magic': Stained Glass and the Victorian Monarchy
‘Daylight upon magic’: Stained Glass and the Victorian Monarchy Michael Ledger-Lomas If it help, through the senses, to bring home to the heart one more true idea of the glory and the tenderness of God, to stir up one deeper feeling of love, and thankfulness for an example so noble, to mould one life to more earnest walking after such a pattern of self-devotion, or to cast one gleam of brightness and hope over sorrow, by its witness to a continuous life in Christ, in and beyond the grave, their end will have been attained.1 Thus Canon Charles Leslie Courtenay (1816–1894) ended his account of the memorial window to the Prince Consort which the chapter of St George’s Chapel, Windsor had commissioned from George Gilbert Scott and Clayton and Bell. Erected in time for the wedding of Albert’s son the Prince of Wales in 1863, the window attempted to ‘combine the two ele- ments, the purely memorial and the purely religious […] giving to the strictly memorial part, a religious, whilst fully preserving in the strictly religious part, a memorial character’. For Courtenay, a former chaplain- in-ordinary to Queen Victoria, the window asserted the significance of the ‘domestic chapel of the Sovereign’s residence’ in the cult of the Prince Consort, even if Albert’s body had only briefly rested there before being moved to the private mausoleum Victoria was building at Frogmore. This window not only staked a claim but preached a sermon. It proclaimed the ‘Incarnation of the Son of God’, which is the ‘source of all human holiness, the security of the continuousness of life and love in Him, the assurance of the Communion of Saints’. -
A Brief History
A Brief History A brief history of St Mary’s Episcopal Cathedral, Glasgow The congregation of St Mary’s can be traced back to Glasgow’s ancient St Mungo’s Cathedral in the turbulent period before the Church of Scotland’s episcopalian structure was dismantled in 1689. Both before and after this change, public worship according to episcopalian traditions caused rioting in the city. However, Glasgow’s Episcopalians continued to meet in private houses or in a succession of meeting houses throughout the eighteenth century, surviving the rigours of the Penal Laws enacted after the 1745 Rising; throughout this period some of them were ardent and influential Jacobites. After the repeal of the Penal Laws in 1792, the congregation expanded, and for many years services took place in a classroom in the Grammar School in George Street. In 1825 St Mary’s Episcopal Chapel opened in Renfield Street to accommodate the growing congregation. The architect of the chapel was Robert Scott. After only forty-five years, the decision was made to move again. George Gilbert Scott, already working as architect for Glasgow University and one of the foremost architects in Britain, was commissioned to design a new church in Great Western Road. The result is one of the city’s best Gothic Revival buildings, constructed by the finest craftsmen available. Most of the stained glass was designed by the studios of Hardman, and Clayton & Bell. The church was opened for worship in 1871 and St Mary’s was consecrated in 1884. Nine years later, the imposing spire, added to the original square tower, was finally completed to the design of Scott’s son. -
Malvern Priory Magazine
Malvern Priory £1.00 Magazine MARCH 2021 ISSUE The Parish Church of St. Mary & St. Michael A JOYOUS WELCOME TO TWO NEW PRIORY PEOPLE Congratulations to James and Megan Wall who were delighted to welcome Iolo James to their family on Tuesday, 26th January. They would like to thank the many members of the Priory congregation who have sent cards and presents to celebrate the good news together but apart. “The photo is of his first trip into the big wide world—a Thursday Communion—at nine days old. This was also the week we celebrated Candlemas; how appropriate!” Proud grandma, Helen, gazes Megan and James lovingly at her first grandchild… Congratulations also to Katherine and Chris Little who, on Tuesday, 9th February, welcomed their daughter Martha Ellen to the world. "We are thrilled and thankful for the safe arrival of Martha who weighed 6lb 5oz. Thank you to all our Priory friends for their prayers, cards and messages of congratulation. We look forward to introducing Martha to her church family soon." Katherine and Chris WHAT IS A FRIEND – PART TWO? MAGAZINE DONATION Following the article ‘What is a ask you to pass it on to a neighbour Friend’ in the February issue of the or friend, and to encourage them If you read the Malvern Priory Magazine, we have to support and enjoy this beautiful magazine on-line included a Friends’ leaflet in this building in Malvern, which is part of our and would like to March edition with details about joining the heritage. Do also visit our new Facebook make a donation Friends of Malvern Priory. -
Programme of Meetings - June 1998 to February 1999
Greater Wigston Historical Society White Gate Farm, Newton Lane, Wigston Magna Leicestershire _______________________________________ BULLETIN 51 PETER CHARLES MASTIN 1947-1998 It is with the greatest sadness that we report the very sudden death of Peter Mas tin on 23rd May from a heart attack. Peter was born 16/2/1947 & brought up in Wigs ton. He emigrated with his parents & brother Ian to Australia when a teenager. He married & had three children, Sharon, Richard & Susan. When the family were grown up he felt the need to return to England & lived in Anstey Heights before moving to Wigston. He worked for Jessops the photographers. He joined the Society in 1989 & later became a member of the committee. Always active & involved, he was cheerful, helpful, unassuming & kind, whether offering a lift, operating the slide projector at meetings or directing members to the car park when we moved to the new venue. He will long be remembered for the many photographs he took of the area, both copies of old originals & modern scenes for 'then & now' displays. And for the beautifully designed exhibitions he organised with Stuart Follows in the Methodist Church, South Wigston & with Duncan Lucas at the U.K. Church in Wigston. He was author of "South Wigston-The early years 1883-1913" & "South wigston-Between the wars 1914-1945," & jointly with Duncan & Tricia, of "Wigston Magna & South." A major book on railways was in course of preparation. He was a member of the Mary Webb Appreciation Society & a 'Friend' of the F.W.K. Museum. He had recently become a Trustee of the Oadby & Wigston Buildings Preservation Trust, & was one of those involved in the huge job of moving the Folk Museum into storage. -
Herefordshire News Sheet
CONTENTS ARS OFFICERS AND COMMITTEE FOR 1991 .................................................................... 2 PROGRAMME SEPTEMBER 1991 TO FEBRUARY 1992 ................................................... 3 EDITORIAL ........................................................................................................................... 3 MISCELLANY ....................................................................................................................... 4 BOOK REVIEW .................................................................................................................... 5 WORKERS EDUCATIONAL ASSOCIATION AND THE LOCAL HISTORY SOCIETIES OF HEREFORDSHIRE ............................................................................................................... 6 ANNUAL GARDEN PARTY .................................................................................................. 6 INDUSTRIAL ARCHAEOLOGY MEETING, 15TH MAY, 1991 ................................................ 7 A FIELD SURVEY IN KIMBOLTON ...................................................................................... 7 FIND OF A QUERNSTONE AT CRASWALL ...................................................................... 10 BOLSTONE PARISH CHURCH .......................................................................................... 11 REDUNDANT CHURCHES IN THE DIOCESE OF HEREFORD ........................................ 13 THE MILLS OF LEDBURY ................................................................................................. -
Eternal Light: a Requiem
Eternal Light: A Requiem 2008 Theatre Royal, Bath Sadlers Wells, London Forum Theatre, Malvern Theatre Royal, Plymouth St John’s Smiths Square, London The Lowry, Salford Wycombe Swan, High Wycombe Theatre Royal, Norwich Festival Theatre, Edinburgh 2009 Cymru, Llandudno Hall for Cornwall, Truro Snape Maltings Theatre Royal, Brighton Eden Court, Inverness Clwyd Theatre, Cymru, Mold Theatre Royal, Newcastle Birmingham Hippodrome, Birmingham Tewkesbury Abbey, Tewkesbury Guildhall, Plymouth Wells Cathedral, Wells Newcastle University, Australia Grand Theatre, Leeds Leisure Centre, Thame Hertogenbosch, The Netherlands St Peter’s Church, Plymouth St John the Baptist Church, Barnstaple All Saints Church, Swansea Christ Church Cathedral, Oxford All Saints Church, Douglas, Isle of Man Parish Church, Stockton State Hall, Heathfield, East Sussex Methodist Church, Belfast Methodist Central Hall, Coventry St Lukes United Methodist Church, Houston TX, USA St James the Great Church, Littlehampton St John’s Church, Old Coulsdon St Bede’s Roman Catholic Church, Basingstoke Tewskesbury Abbey St Mary’s Church, Bury St Edmunds St James, Exeter 2010 Leisure Centre, Billingshurst St Michael’s & All Angels Church, Turnham Green, London St Peters Church, Ealing, London Lady Eleanor Hollis School, Hampton All Saints Church, Putney, London Easterbrook Hall, Dumfries Waterfront Hall, Belfast First United Church, Mooretown NJ, USA Symphony Hall, Birmingham St James Piccadilly, London The Sage, Gateshead Cadogan Hall, London St Saviour’s Church, Brockenhurst St Albans -
UWS Academic Portal Business Success and the Architectural
UWS Academic Portal Business success and the architectural practice of Sir George Gilbert Scott, c.1845–1878 McKinstry, Sam; Ding, Yingyong Published in: Business History DOI: 10.1080/00076791.2017.1288216 E-pub ahead of print: 10/03/2017 Document Version Peer reviewed version Link to publication on the UWS Academic Portal Citation for published version (APA): McKinstry, S., & Ding, Y. (2017). Business success and the architectural practice of Sir George Gilbert Scott, c.1845–1878: a study in hard work, sound management and networks of trust. Business History, 59(6), 928-950. https://doi.org/10.1080/00076791.2017.1288216 General rights Copyright and moral rights for the publications made accessible in the UWS Academic Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25 Sep 2021 Business Success and the Architectural Practice of Sir George Gilbert Scott, c1845- 1878: a Study in Hard Work, Sound Management and Networks of Trust Sam McKinstry, Ying Yong Ding University of the West of Scotland Tel: 0044-1418483000 Fax: 0044-1418483618 Correspondence: [email protected] 21 December 2016 1 Abstract The study which follows explores the management of Sir George Gilbert Scott’s architectural practice, which was responsible for the very large output of over 1,000 works across the Victorian period. -
St. Matthew's Church Stretton with Appleton a Church Guide
St. Matthew’s Church Stretton with Appleton A Church Guide 2017 SAINT MATTHEW St Matthew, one of the twelve disciples of Jesus Christ, Apostle and Evangelist, also called Levi, was sitting at his tax-collector’s desk in Capernaum, when he was called by Christ. He followed Him immediately and also gave a feast for Jesus and the other disciples. After the resurrection of Christ, while Matthew was still in Judea, before going to the district he was to evangelize, he wrote the Gospel of Jesus Christ in Hebrew for the sake of the Jews who had become believers. He then went to Ethiopa and preached the Gospel, confirming his teaching with many miracles. He incurred the displeasure of the new king of Ethiopa, and on 21st September he was killed at the altar while celebrating Mass, thus becoming a martyr. His body was taken to Salerno and later, under Pope Gregory VII, it was transferred to the church dedicated to St. Matthew. Wood carving on the front of St. Matthew’s altar depicting a money bag, scroll and pen. # St Matthew’s Church The influential Starkey family owned Stretton from the reign of Henry II 1154 – 1189 AD – the time of Thomas Becket, to the beginning of the 18th century. A chapel was probably built for family worship during the 13th or 14th century. The chapel is referred to in the will of Richard Starkey in 1527 as the Oratory of St Saviour, to which he bequeathed money “for a new steeple for a greater bell to be rung for the services”. -
RESTORATIONS of ST. MARTIN's CHURCH, LEICESTER By
RESTORATIONS OF ST. MARTIN'S CHURCH, LEICESTER by ROGER KEENE I It is a far cry from the Sketchbook of Villard de Honnecourt,2 that record of a thirteenth-century maitre d'oeuvre, the "Gothic Vitruvius", to the drawings of Raphael Brandon, the nineteenth-century professional architect; from the original shout of Gothic joy to the distant echo six hundred years later. Arnd yet ,both mern were dedicated to the same art. Raphael Brandon, in fact, had his earliest training in France, and studied the same buildings which Villard recorded with such great gusto at the time of their construction. Many of Braindon's contemporaries did likewise, and these .men - the much and over-maligned "restorers", "copyists" and "despoilers of our architectural herita~" - were equally enthusiasts, who between them sketched, measured and wrote about their love with a personal dedication, a fanaticism, which it would be hard to match today, and might well have put Villard de Honnecourt to shame. Putting on one side for a moment the complex religious and social forces which helped to mould the Gothic Revival, these men may be considered in the first instance as enthusiasts in their profession of architecture. Our Mr. Brandon was one of these. He served St. Martin's church in Leicester for thirty-one years - from 1846, when he was a young man of 29, until his sad death in 1877, at the age of 60. He is the man who shaped St. Martin's into the church we see today. He was aided and encouraged by another principal participant who was not so much a person as a family. -
St. John's Anglican Cathedral and the Beginnings of Ecclesiological Gothic in Newfoundland
ANALYSIS I ANALYSE ST. JOHN'S ANGLICAN CATHEDRAL AND THE BEGINNINGS OF ECCLESIOLOGICAL GOTHIC IN NEWFOUNDLAND PETER COFFMAN is currently in the final stages >PETER COFFMAN 1 of a doctorate in the Department of Art at Queen's University in Kingston. He has published on numerous aspects of English medieval and Canadian Gothic Revival architecture. he Anglican cathedral of St. John Tthe Baptist in St. John's, Newfound land (fig. 1), is a quintessentially Eng - lish Gothic building of the thirteenth century, built six hundred years later and three thousand miles from England. Notwithstanding its remote location in one of the most impoverished corners of the British Empire, it was designed by the most famous and prolific archi tect of Victorian England, George (later Sir George) Gilbert Scott. The existence of such an extraordinary monument in such an unlikely place is due to the con vergence of a number of social, religious, economic, and architectural factors that have never received scholarly attention. The goal of this paper is to redress that neglect by examining events leading to and including the cathedral's first build ing campaign, which occurred from 1847 to 1850. As late as 1836, there was only one Angli can church in the city of St . John's. That church (fig. 2) was an extremely modest affair that would later be described as "a wooden shed of the most monstrous description."2 The process that eventu ally led to its replacement by Gilbert Scott's cathedral was triggered by a growing sense of crisis in the Established (i .e. -
Download Malvern Town Guide
Visit MalvernThe Official Great Malvern Town Guide Things to see Things to do Food + drink Out and about www.VisitTheMalverns.org Malvern Hills District Council www.malvernhills.gov1.uk Malvern’s infinite variety never ceases to delight... Great Malvern is largely Victorian but its roots go back much further: Iron and Bronze Age forts and tracks ran along the hills and Great Malvern was only a collection of small cottages until the Middle Ages. The oldest parts of the town can be seen around the Priory Church which was founded in 1085 when Benedictine monks settled here and built a Priory, which was a daughter house to Westminster Abbey. Great Malvern originated as a spa village with therapeutic qualities attributed to its springs. It was the Georgian fancy of taking the waters and later the Victorian popularity of the water cure that transformed Malvern into a Spa town. Doctors Gully and Wilson brought hydropathy – the water cure – from Austria and built the first water cure house in 1845. The growing influx of visitors necessitated accommodation, information and social recreation to rival such centres as Bath and Cheltenham. Although Malvern is no longer a Spa town many of the impressive buildings used for the water cure are still in use as public buildings. 2 The popularity of Great Malvern continued to grow even when the water cure had declined. The 20th century saw the start of Festivals held at the Winter Gardens celebrating the works of Sir Edward Elgar and George Bernard Shaw in Malvern. Today there is a new theatre complex on the site of the old Winter Gardens.