The Art of Knitting Lesley L
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4-H Crocheting Project Member Guide
4-H Crocheting Project Member Guide Crocheting is one of the oldest needlework arts. To crochet means to form yarn or thread into a fabric using a hook. Its name comes from the French word croche, meaning “hook.” The crochet hook was one of many tools first used to make delicate lace. As time went on, more stitches and designs came into being, and crocheting became a separate art. Crocheting appeals to many people because it can be used to make a variety of creations, such as scarves, caps, vests, sweaters, purses, belts, lace, doilies, tablecloths, afghans, pillow covers, and bedspreads. In the 4-H Crocheting Project, you can learn to: • Crochet articles for yourself and others • Select, use, and care for crocheting tools • Work and share with others in your club • Keep simple records of your project and activities The 4-H Crocheting project is divided into six phases. Skills to learn and suggested articles to make are on page 2. Your club leader will teach you how to do basic crochet stitches and help you find patterns to use as you learn. When you reach the advanced phases, you’ll need to choose patterns from a variety of pattern books, needlework books, and magazines. You can find these at newsstands, notions counters, fabric stores, or specialty shops that sell yarn and thread. If you want to show others what you learn in the Crocheting project, check with your leader about exhibiting articles at fairs or other community events. If you make an article to wear, you might like to model in your county 4-H fashion revue. -
October 2018
YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line. -
Senior Textile Artist Badge Workshop
Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts. -
Working with Neon Rays Added Karen Chrissinger As a Teacher
June 2017 A Message from Jill In this Issue: On October 1, 2009, I took a big step in my and my family’s life - I A Message from Jill purchased Louise’s Needlework. Being an owner of a small business is one of the hardest yet most fulfilling jobs there is. I love the challenge of Yeah….that stitch! growing Louise’s every year and we have come so far yet there is still more Karen Chrissinger discusses the basic types of stitches and growing to do. Our move has been one of the best changes we made. We how they are worked. love our space, light and parking. In fact we wish we had more space than we have now! We have added new thread lines and continue to grow Classes others. Don’t miss out on a wonderful new class beginning soon at Louise’s. We have had great success with our clubs and will continue to add new and exciting ones in the near future. New classes have been added on A Few of Our Newest Arrivals Thursdays and we have hosted Laura Taylor (who will be back in 2018), Canvases just added – and will be hosting Kelly Clark in September. available in the store and online. Even employees have changed. We have Working with Neon Rays added Karen Chrissinger as a teacher. If you Diane Snyder gives several haven’t taken a class from her you should. helpful hints on working with this beautiful, but sometimes Karen has spread her love of needlepoint to frustrating, ribbon. -
Annual Report 2009 – 2010
Summer 2010 O L D S T U R B R I D G E Special Annual VILLAGE Report Edition Visitor 2009-2010 2009--2010 Building On Our Strengths Firing Up the Kiln Quilts from the OSV Collection Summer Events a member magazine that keeps you co m i n g b a c k Old Sturbridge Village, a museum and learning resource of 2009 Building On Our Strengths New England life, invites each visitor to find meaning, pleasure, 2010 Old Sturbridge Village Annual Report relevance, and inspiration through the exploration of history. A message from our President and CEO Jim Donahue to our V I S I T O R magazine. Old Sturbridge Village is a fitting We hope that you will learn new things and come to visit the Village soon. There is always something fun to do at place to learn a history lesson in how to deal with Welcome O l d S T u R b ri d g E V I l l a g E . challenging times and still move forward and prosper in the face of great adversity. That lesson Volume l, No. 1 Summer 2010 Special Annual Report Edition definitely played out this year during one of the Interpreter Nancy Garder wears a 1830s-style summer bonnet. On the Cover: most difficult economic periods this country has In This Issue: 2009–2010 Annual Report experienced over the last 60 years. 1 Building On Our Strengths A Message from our President and CEO Jim Donahue President and CEO Jim Donahue Vice President of Marketing and 7 Chairman’s Letter Communications Ann Lindblad Just knowing that generations before us Communications Coordinator Susie Bonta Design Yellow Inc. -
Spool Knitting
Spool knitting by Angie This is a very old craft that can be used to make many items – from lanyards, flowers and keyrings, to hats. Children often find it engaging, but it is be an easy and relaxing hobby for anyone. And once learned, the technique can be applied to similar forms of knitting. Also known as corking, French knitting (English knitting in France), or mushroom knitting, at its simplest, this craft uses a basic wood or plastic spool, with a hole down the centre and an array of pins on the top. Lucets, which were invented by the Vikings, are the historical origin of this kind of knitting. They are made of wood and have two arm-like horns. They are used to make strong, flat braid. Spool knitters make round braid. The working technique is the same. Spools knitters can be made of old wooden cotton thread reels with four nails hammered into the top. Round-headed finishing nails or cotter pins can also be used. The centre channel should be sanded or filed, so that the yarn doesn't catch. A large wooden bead, with one end cut down slightly, can also be used. Several toy and craft companies make plastic or wood knitters. They usually have between three and six pins and come equipped with a knitting tool, usually made of metal. Larger versions of knitters, with dozens of pins, are made of plastic or wood, either round, rectangular or in an “S” shape, and are called loom knitters. The knitting technique is the same for all and they're used to make circular or longer items, such as scarves, sweaters and afghans. -
All About Macramé History of Macramé
August 2019 Newsletter All about Macramé For August we thought we would ring the changes and dedicate this edition of the newsletter to a fibre art that was popular in the 1970’s and 80’s for making wall hangings and potholders but which has recently made a resurgence in fibre art. Some customers have also found that the weaversbazaar cotton and linen warps are ideally suited to macramé. So we have all been having a go. Dianne Miles, one of the weaversbazaar tutors, has extensive experience in Macramé and has designed a one day course to show how the techniques can be incorporated into Tapestry for stunning effect – more details below. So we would like to show you some of the best work going on and introduce you to some of the cross overs with other textile art. History of Macramé The earliest recorded macramé knots appear in decorative carvings of the Babylonians and Assyrians. Macramé was introduced to Europe via Spain during its conquest by the Moors and the word is believed to derive from a 13th century Arabic weavers term meaning fringe as the knots were used to turn excess yarn into decorative edges to finish hand woven fabrics. Probably introduced to England by Queen Mary in the late 17th century it was also practiced by sailors who made decorative objects (such as hammocks, belts etc.) whilst at sea thereby disseminating it even further afield when they sold their work in port. It was also known as McNamara’s Lace. The Victorians loved macramé for “rich trimming” for clothing and household items with a favourite book being “Sylvia’s Book of Macramé Lace” which is still available today. -
Authors/Editors Subject
AUTHORS/EDITORS SUBJECT APS VHS video AQS catalogue AQS catalogue DOAK, CAROL paper pieced LARK BOOKS art quilts CAMPBELL-HARDING, VALERIE strip piecing HACKETT, MARY L. landscape HACKETT, MARY L. landscapes FREEMAN, ROLAND quilt history PERRY, ROSILAND & FROLLI, MARY applique SUIT, MARY SUE patchwork ROLFE, MARGARET animal designs SIUDARA, ZYLPHA DVD PORTER, CHRISTINE & DARRA WILLIAMSON small quilts JOHNSTON, ANN dyeing WAGNER, CAROL architectual quilting DONALSDON, JANIE quilting designs BARROW, JODI sq. in a sq. BISHOP, ROBERT patriotic quilts ALDERMAN, BETTY Redwork HECHTLINGER, ALDELAIDE history of quilts MARSTON, G. & CUNNINGHAMJ. flower quilts MARSTON, G. & J. CUNNINGHAM traditional quilts BETTER HOMES & GARDENS collection REGAN, JENNIFER history of quilts GARNAS, VICKI traditional quilts GREEN, MARY (ed) Collection LAWSON, SUZY Amish Quilts JENKINS & GOLDSMITH amish BURNS, ELEANOR Amish Quilts PELLMAN, RACHEL Amish quilts MARSTON, G. & CUNNINGHAM, J. Amish Quilting designs HENNING, BRENDA scrap quilts BUTLER, AMY purse patterns OROYAN, SUSANNA dolls HICKEY, MARY basics BOYCE, ANN applique SIENKIEWICZ, ELLIE applique MERRETT, STEWART applique BUCKLEY, KAREN KAY applique ANDERSON, FAYE applique BASS, CHARLOTTE applique LAURY, JEAN RAY applique TOWNSWICK, JANE hand applique WHITE, TONEE holiday/seasonal WHITE, TONEE applique EICHORN, ROSEMARY art quilts COLLINS, SALLY piecing basics WOLFF, COLETTE manipulating fabric JOYCE, HENRY history of quilts SHAW, ROBERT art quilts JOHNSTON, JACK dolls ROBINSON, CHARLOTTE Collection PIPPEN, -
Pilling Performance and Abrasion Characteristics of Selected Basic Weft Knitted Fabrics
Muhammet Akaydin, Yahya Can Pilling Performance and Abrasion Characteristics of Selected Basic Weft Knitted Fabrics Pamukkale University, Abstract Denizli Vocational Scholl, The aim of this study was the determination of the effects of dyeing, knit construction and Denizli, Turkey the thread yarn production type on the abrasion resistance and pilling performance of E-mail: [email protected] selected basic weft knitted fabrics. For this aim jersey and interlock fabrics were produced from 100% cotton ring and compact yarns. Some of the fabrics produced were dyed. The abrasion resistance and pilling performance of raw and dyed fabrics were measured. The results obtained were classified according to the knit construction, whether the fabric was raw or dyed, and the properties of the yarn from which the fabric was produced. According to the results obtained, the abrasion resistance and pilling performance of interlock fabrics were found to be higher than those of jersey fabrics, those of dyed fabrics higher than those of raw fabrics, and those of fabrics produced from compact yarns were higher than those fabrics produced from ring yarns. Key words: abrasion resistance, compact yarn, pilling, weft knitted fabric. Abrasion resistance and pilling perform- ported that 100 % cotton samples knitted ance are two of the most important me- from ring spun yarns tend to have lower chanical characteristics of fabrics. The pilling rates than those constructed from resistance of a fabric against the force of 100 % cotton open-end spun yarns [9]. friction is known as the abrasion resist- ance. In general, pilling is a fabric defect Akaydin studied basic knitted fabrics observed as small fiber balls or a group from ring combed and compact yarns and consisting of intervened fibers that are determined that the abrasion resistance attached to the fabric surface by one or and pilling performance of supreme fab- more fibers [1]. -
Warp and Weft Knitting | Knitting | Basic Knitted Fabrics
Weft vs. Warp Knitting Weft Warp Weft knitting. Weft knitting uses one continuous yarn to form courses, or rows of loops, across a fabric. There are three fundamental stitches in weft knitting: plain-knit, purl and rib. On a machine, the individual yarn is fed to one or more needles at a time. Weft knitting machines can produce both flat and circular fabric. Circular machines produce mainly yardage but may also produce sweater bodies, pantyhose and socks. Flatbed machines knit full garments and operate at much slower speeds. The simplest, most common filling knit fabric is single jersey. Double knits are made on machines with two sets of needles. All hosiery is produced as a filling knit process. Warp Knitting. Warp knitting represents the fastest method of producing fabric from yarns. Warp knitting differs from weft knitting in that each needle loops its own thread. The needles produce parallel rows of loops simultaneously that are interlocked in a zigzag pattern. Fabric is produced in sheet or flat form using one or more sets of warp yarns. The yarns are fed from warp beams to a row of needles extending across the width of the machine (Figure 9b). Two common types of warp knitting machines are the Tricot and Raschel machines. Raschel machines are useful because they can process all yarn types in all forms (filament, staple, combed, carded, etc.). Warp knitting can also be used to make pile fabrics often used for upholstery. Back Knitting To form a fabric by the intermeshing of loops of yam. wale course Wen €hitting Loops are formed by needles knitting the yam across the width Each weft thread is fed at right angles to the direction of fabric formation. -
Cast on Magazine, Hiatt, June Hemmons, the Principles of Knitting, 2000, Pgs 47-48
CAST ONTHE EDUCATIONAL JOURNAL FOR KNITTERS WWW.TKGA.COM 15 SUMMER 2016 DESIGNS Ganseys: FOR THE TRADITIONAL DAYS OF AND MODERN SUMMER! STYLES ALL YOU NEED TO KNOW: I-Cords and Knots BREEZY KNITS FOR THE SUN! TWO ONLINE BONUS PATTERNS! LEARN. DISCOVER. JULY 13-16, 2016 | CHARLESTON Embassy Suites North Charleston Airport/Hotel & Convention 5055 International Blvd | North Charleston, SC 29418 www.TKGA.com Four great days of learning, discovery and fun. Improve your knitting skills at the Masters Day Program or take classes from the industry's best teachers. You'll find enough education to keep your needles going year round! REGISTER ONLINE TODAY! CAST ON FROM YOUR The Official Publication of EXECUTIVE DIRECTOR The Knitting Guild Association THE EDUCATIONAL JOURNAL FOR KNITTERS SUMMER 2016 >> Dear TKGA Members, EDITOR Marrijane Jones • Zanesville, OH MANAGING EDITOR Let the countdown to the 2016 TKGA Conference begin! Teresa Kocher • Zanesville, OH We’re just a month away from a wonderful knitting TKGA EXECUTIVE DIRECTOR experience in Charleston, South Carolina, from July 13-16, Arenda Holladay • Lexington, KY and I look forward to seeing you there. TKGA ADVISORY BOARD Gwen Bortner • LeGrand, CA Did you know that TKGA’s Conference is where new Master Margaret Fisher • Cabin John, MD Michelle Hunter • Dublin, OH Knitters are pinned? After many months of diligent work Melissa Leapman • New York, NY perfecting their knitting skills, researching and writing Nancy Thomas • Charlotte, NC Kara Gott Warner • Berne, IN about the history of knitting, and creating their own MASTER HAND interpretations of required designs, the new graduates of KNITTING COMMITTEE this rigorous program will be welcomed into the fold by Advisor Arenda Holladay • Lexington, KY TKGA. -
Basic Knitted Fabrics
Chapter 1 BASIC KNITTED FABRICS In this chapter, we’ll convert written-out instructions to charts, watching the charts grow symbol by symbol. We’re just doing an overview at this point, getting our feet a bit wet as to how charts are just a pictorial representation of knitting instructions. As much as possible, please don’t start thinking about the actual mechanics of how we construct knitting charts, whether on paper or in the computer. Those details will be covered at length in later chapters. Let’s Start at the Beginning The first two stitches we all learn are knit and purl, so we’ll start with them. In this book, knit stitches will be represented with k and purl stitches will be represented with p The First Rules of Knitting Charts Since this book will show charts constructed stitch by stitch and row by row, there are a few basic rules that we have to discuss immediately. Charting Rules Charts show all rows as they will appear when looked at from the public side of the piece, the side that would show if we were wearing a sweater.1 Each row of the chart represents one row of knitting. 1 Public side is a clearer term than right side, because right side could refer to the part of a sweater (especially a cardigan front) on the wearer’s right. Right side could also refer to the right edge of a knitted item or chart. The other side, including the inside of a sweater, is therefore the private side.