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Syntactic Variations of African-American Vernacular English (Aave) Employed by the Main Character in Hustle & Flow
SYNTACTIC VARIATIONS OF AFRICAN-AMERICAN VERNACULAR ENGLISH (AAVE) EMPLOYED BY THE MAIN CHARACTER IN HUSTLE & FLOW A THESIS Presented as a Partial Fulfillment of the Requirements for the Attainment of a Sarjana Sastra Degree in English Language & Literature By: DESTYANA PRASTITASARI 07211144026 ENGLISH LANGUAGE AND LITERATURE STUDY PROGRAM ENGLISH EDUCATION DEPARTMENT FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2013 MOTTOS Stay focus, work very hard, and do your best. (Farah Quinn) There’s no reason to say ‘I cannot do it’ because ‘I can do it’ I can get the tired and desperate feelings but they cannot occur in more than 24 hours Always smile, greet for everyone, and everything gonna be alright (Mottos of my life) Everybody gotta have a dream (Hustle & Flow) v DEDICATIONS I dedicate this thesis to: My beloved mama (Mrs.Bingartin), My papa (Mr.Sumarno) who always give me love , pray, support and deep understanding, My beloved sweetheart, who always gives me spirit and patience, and My younger brother Ardhi ‘Hwang Kichu’ who always supports and accompanies me in writing this thesis. vi ACKNOWLEDGEMENTS Alhamdulillah, all praise be to Allah SWT, the Almighty, the Most Gracious and the Most Merciful, without which I would never have finished this thesis. In accomplishing this thesis, I owe to many people for the support, guidance, assistance, and help. I would like to express my deepest gratitude and thanks to RA Rahmi Dipayanti Andayani, M.Pd., my first consultant and Titik Sudartinah, M.A., my second consultant, for their endless support, advice, patience and great guidance in helping me throughout this thesis. -
Friday Night Cypher Lyrics – Big Sean Feat. Eminem | Funmeloud
Friday Night Cypher Lyrics – Big Sean Feat. Eminem | FunMeLoud Friday Night Cypher Lyrics – Big Sean : At almost a ten-minute run-time, this collaboration brings together rappers with very different styles, as well as individuals who have previously had disagreements – notablyEminem and Tee Grizzley, which Big Sean addressed in an interview with Vulture: Song : Friday Night Cypher Artist : Big Sean : Kash Doll, Payroll Giovanni, Royce da 5’9″, Sada Featuring Baby, Drego, Boldy James, 42 Dugg, Eminem, Cash Kidd & Tee Grizzley Produced by : KeY Wane, Jay John Henry, Helluva Beats & Hit-Boy Album : Detroit 2 Friday Night Cypher Lyrics [Intro: Tee Grizzley] Ayy, ayy, ayy Ayy, ayy, ayy (Hit-Boy) Ayy, this that Clipse sample, ayy Fuck that talkin’, let the clip slam ’em [Verse 1: Tee Grizzley] Friday Night Cypher Lyrics Yellow bands around them hundreds, you know how much that is (Tens) Too much to give me cash, they had to wire me the backend (Send it) Niggas in here lookin’ tough, you know that I got mag in (What?) Ask me am I only rappin’, you know I got that bag in (You see it) Bandman like Lonnie (Lonnie), want my head? Come find me (Come get it) Lil’ bro in that bitch chillin’, he ain’t tryna come home cocky (He chillin’) He comin’ home to a dollar (Dollar), and a mansion and a chopper (What else?) In the desert on a dirt bike (Skrrt), VLONE shirt and the Pradas (Fresh) Big nigga fresher than you, fuck you and your stylist (Woah) Paid ninety for my grill, then lost it, that’s why I ain’t smilin’ (Damn) You got Sean, you got Hit, you got -
GOSSIP GIRL by Cecily Von Ziegesar
Executive Producer Josh Schwartz Executive Producer Stephanie Savage Executive Producer Bob Levy Executive Producer Les Morgenstein Executive Producer John Stephens Co-Executive Producer Joshua Safran Producer Amy Kaufman Producer Joe Lazarov Episode 206 “New Haven Can Wait” Written by Alexandra McNally & Joshua Safran Directed by Norman Buckley Based on GOSSIP GIRL by Cecily von Ziegesar Double White Revisions 8/20/08, pg. 41 Goldenrod Revisions 8/14/08, pgs. 2, 3, 3A Green Revisions 8/12/08, pg. 16 Yellow Revisions 8/12/08, pgs. 5, 20, 20A-21, 22, 23, 31, 31A, 31B-32, 32A, 33, 36, 37, 38, 38A-39, 49A, 50, 51 Full Pink Revisions 8/11/08 Full Blue Revisions 8/8/08 Production #: 3T7606 Production Draft 8/5/08 © 2008 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment, Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. “New Haven Can Wait” Character List CAST Serena van der Woodsen Blair Waldorf Dan Humphrey Jenny Humphrey Nate Archibald Chuck Bass Rufus Humphrey Lily Bass Eleanor Waldorf Dorota Vanessa Abrams Headmaster Prescott Headmistress Queller Assistant GUEST CAST * Dean Berube (pronounced Barraby) Jordan Steele Skull and Bones Leader Skull Bones Shirley History Professor Girl (Miss Steinberg) Yale Guy EXTRAS Constance and St. Jude’s Seniors Yale Students Serena’s Driver Yale Guys and Two Super-Hot Yale Girls Skull and Bones Members Three Masked -
Taking Advantage of Campus Resources
2 WELCOME TITANS 2019 OPINION MONDAY AUGUST 26 - THURSDAY AUGUST 29, 2019 Column: Transfer students are unaware of resources Coming from a junior college, office hours and knowing your profes- I wish I knew all of the things sors, being aware and taking advantage CSUF had to offer. of all the resources available to students and getting involved in the community on campus. At FC, I managed to make it through my entire freshman and sophomore years avoiding my professors like the plague outside of the classroom. I quickly learned after transferring, that those sacred hours a professor sets aside for students to meet with them could make the difference of a letter grade. JENNIFER HO / DAILY TITAN JENNIFER BARRACLOUGH When it comes to resources, we al- Asst. Editor ready pay thousands of dollars in tuition, however I have talked to so many other As a transfer student at Cal State Ful- students who do not utilize the resources lerton, I am a seasoned veteran in the provided on campus. sense that I have years of college expe- It was not until my senior year here rience, unlike most freshmen on campus. that I even heard about the Health Ser- Yet, nobody prepared me for the transi- vices, which offers free or discounted Please join the tion from a community college to a uni- health care, and Counseling and Psy- versity and the challenges that came with chological Services, which provides free Sales Leadership Center it. therapy. Transfering to CSUF was rough. From Finding other people with similar in- (SLC) Fall Semester Kick-Off a larger campus to different academ- terests and goals is the best way to ic standards and expectations, there are feel comfortable on a new campus. -
Megan Thee Stallion : Good News | No.1 Lyrics Bros
Go Crazy Lyrics – Megan Thee Stallion : Good News | No.1 Lyrics Bros Go Crazy Lyrics – Megan Thee Stallion : Good News : “Go Crazy” is a track with high volume backtalk and character. With Megan Thee Stallion putting her weave up to give these girls a beating, this was sure to be a classy hit. Song : Go Crazy Artist : Megan Thee Stallion Featuring : Big Sean & 2 Chainz Produced by : Nicki Pooyandeh, Benjamin Lasnier & J.R. Rotem Album : Good News Go Crazy Lyrics Megan Thee Stallion [Intro: Megan Thee Stallion] Yeah Ah Real hot girl shit Mwah Go Crazy Lyrics [Verse 1: Megan Thee Stallion] Okay, the hate turned me to a monster, so I guess I’m evil now (I’m evil now) Woke up and I blacked out everything so I can see it now (See it now) I’m on that demon time, it’s only right I cop the Hellcat (Skrrt) They always hit me where it hurt, but this time, I felt that (Ow) Why I gotta prove myself to bitches that I’m better than? (Huh?) As if I wasn’t at radio stations goin’ Super Saiyan (Super Saiyan) As if this fuckin’ body isn’t everything they buyin’ (‘Thing they buyin’) And as if a nigga didn’t shoot me and they pickin’ sides (Baow) [Chorus: Megan Thee Stallion] Go Crazy Lyrics I’ll be back, I’m ’bout to go crazy I ain’t pullin’ up ‘less them hoes finna pay me (‘Less them hoes finna pay me) Bitch, I’m the shit, and I ain’t gotta prove it (I ain’t gotta prove it) Finna go dumb since these hoes think I’m stupid I’m ’bout to go crazy, crazy I’m ’bout to go crazy, crazy Bitch, I’m ’bout to go [Verse 2: Big Sean] I hit once, I hit twice, now it’s -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
Most Requested Songs of 2019
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2019 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Journey Don't Stop Believin' 4 Cupid Cupid Shuffle 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Walk The Moon Shut Up And Dance 7 Justin Timberlake Can't Stop The Feeling! 8 Earth, Wind & Fire September 9 Usher Feat. Ludacris & Lil' Jon Yeah 10 V.I.C. Wobble 11 DJ Casper Cha Cha Slide 12 Outkast Hey Ya! 13 Black Eyed Peas I Gotta Feeling 14 Bon Jovi Livin' On A Prayer 15 ABBA Dancing Queen 16 Bruno Mars 24k Magic 17 Garth Brooks Friends In Low Places 18 Spice Girls Wannabe 19 AC/DC You Shook Me All Night Long 20 Kenny Loggins Footloose 21 Backstreet Boys Everybody (Backstreet's Back) 22 Isley Brothers Shout 23 B-52's Love Shack 24 Van Morrison Brown Eyed Girl 25 Bruno Mars Marry You 26 Miley Cyrus Party In The U.S.A. 27 Taylor Swift Shake It Off 28 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 29 Montell Jordan This Is How We Do It 30 Beatles Twist And Shout 31 Ed Sheeran Thinking Out Loud 32 Sir Mix-A-Lot Baby Got Back 33 Maroon 5 Sugar 34 Ed Sheeran Perfect 35 Def Leppard Pour Some Sugar On Me 36 Killers Mr. Brightside 37 Pharrell Williams Happy 38 Toto Africa 39 Chris Stapleton Tennessee Whiskey 40 Flo Rida Feat. -
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WELCOME TO BREAKFAST // LUNCH // DINNER Each meal is prepared to order, from scratch, using consciously sourced whole foods & plant based ingredients with a focus on GMO-free, sustainable and organic items. Balanced choices to create delicious options for vegan, vegetarian and gluten-free diets so that everyone in your family can eat at the same table together. ORDER FOR PICK UP OR DELIVERY VIA – WWW.HUGOSRESTAURANT.COM – FLAT RATE DELIVERY - NO SPECIAL CHARGES OR & & WEST HOLLYWOOD | 8401 SANTA MONICA BLVD. | 323.654.3993 MON-THUR 9-9 | FRI 9-10 | SAT 8-10 | SUN 8-9 & STUDIO CITY | 12851 RIVERSIDE DR | 818.761.8985 MON-FRI 9-9 | SAT & SUN 8-9 hugosrestaurant hugosrestaurants FOR NEWS & DEALS BEVERAGES CHAI & TEA LATTES COFFEES WHOLE, NONFAT, OAT, SOY, RICE OR ALMOND MILK HOUSE COFFEE 3.75 HOUSE CHAI LATTE DECAF COFFEE 3.75 Ayurvedic spices with rooibos, raw cane sugar and steamed milk ESPRESSO 3.50 of choice. Caffeine free. 4.75 CAPPUCCINO 4.75 BLACK TEA CHAI LATTE CAFFE MOCHA 5.00 House Chai, black tea, raw cane sugar and steamed milk of choice. 4.75 CAFFE LATTE 4.75 MATCHA LATTE HORCHATA LATTE 5.00 Matcha green tea steamed with rice milk. 5.25 EXTRA SHOT 1.00 ROOIBOS AFRICANA LATTE LEMONADES With cornflower, blue mallow, vanilla and steamed milk of choice. 4.75 RED HOT LATTE OLD FASHIONED 4.00 Fresh ground sweet & spicy Saigon Cinnamon with steamed milk of choice. 4.75 MATCHA GREEN TEA 5.00 VEDIC LATTE ORGANIC STRAWBERRY 5.00 Turmeric, ginger, cardamom and hint of nutmeg and long pepper. -
GAMER Written by Mark Neveldine & Brian Taylor September 2007 Some
GAMER Written by Mark Neveldine & Brian Taylor September 2007 Some of them want to use you Some of them want to get used by you Some of them want to abuse you Some of them want to be abused - Eurythmics Some years from this exact moment... 1 INT. TRAIN - DAY 1 DARKNESS - NOW The beautiful CHIMING SOUNDS OF SPACE TRAVEL through the COSMOS... DOTS OF LIGHT whiz past our face. They could be stars at lightspeed, or... SUBWAY LIGHTS FLICKER ON - in a flash we see PALE, SULLEN FACES, riding into a bleak future, and hear the INDUSTRIAL CLATTER. It's dark, claustrophobic, obscure... the rhythmic beat of track and wheel-clicks engulf us. The lights flicker back on and hold as we see a half dozen SOLDIERS in BROWN CAMO, steel- eyed, prepared for whatever may be at the end of the TUNNEL. ZERO IN on TWO: KABLE, 30-something, roughneck... focused, determined; eyes burning with internalized emotion... ... and SANDRA, late 20s, undeniably hot but tough as hell - both are in shackles & cuffs, being roughly transported through underground tunnels, knocked and shoved around. Uniformed GUARDS roam the train, looking pissed off - their swagger seems to mask FEAR. KABLE is meditating, or exhausted - hard to tell. The GIRL makes eye contact w/ him. SANDRA Sandra. KABLE says nothing, just stares at her, stoic. SANDRA (cont'd) My name is Sandra. GUARD Shut the fuck up. Because he can, the GUARD takes a swing at KABLE'S head with a BILLY CLUB... CRACK! (CONTINUED) 2. WHITE KABLE SCRIPT - 9/19/2007 1 CONTINUED: 1 KABLE'S skull snaps back into the window. -
Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R. -
Megan Thee Stallion, Fever
REVIEWS Megan Thee Stallion Fever 8.0 1501 CERTIFIED / 300 ENTERTAINMENT • 2019 BY: TAYLOR CRUMPTON / MAY 23 2019 RAP Megan Thee Stallion’s debut is steeped in sex, pimpin, and power; it sounds like a once and future Houston rap classic. hen MeganMeganMegan TheeTheeThee StallionStallionStallion’s “Big Ole Freak” landed on Billboard’s Hot 100 in April, it was a testament to years of viral W freestyles and her devoted “hotties,” whose faithful support on social media helped the song rise to mainstream recognition. The 24- year-old has been prolific—her evolution is displayed through the invention of various rap personas, such as Tina Snow, Megan Thee Stallion, and Hot Girl Meg, the turn-up queen with serious ambition on her mind. “We have so many legends and so many greats,” she recently said of her hometown of Houston, Texas. “But I don’t feel like we ever really had a female rapper from Houston or Texas shut that shit down.” With her debut project Fever, she hopes to succeedMegan in doing Thee just Stallion that. At its core is the intersection of two beautiful rap legacies: the women rap tradition started by MCMCMC LyteLyteLyte and QueenQueenQueen LatifahLatifahLatifah, and Southern rap dynasty ushered in by Houston’s GetoGetoGeto BoysBoysBoys and UndergroundUndergroundUnderground KingsKingsKings. From the first song, Megan weaponizes misogynymisogynymisogyny through the execution of bars worthy of XXL Freshman Class President. South Park’s influence, home to fellow Houston legends ScarfaceScarfaceScarface and Lil’Lil’Lil’ KekeKekeKeke, is felt throughout “Hood Rat Shit,” which transitions into an ass-and clit-eating tutorial for her male tricks on “Pimpin,” where the spirit of Houston’s pimp tradition is embedded within every word. -
From Girlfriend to Gamer: Negotiating Place in the Hardcore/Casual Divide of Online Video Game Communities
FROM GIRLFRIEND TO GAMER: NEGOTIATING PLACE IN THE HARDCORE/CASUAL DIVIDE OF ONLINE VIDEO GAME COMMUNITIES Erica Kubik A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Committee: Radhika Gajjala, Advisor Amy Robinson Graduate Faculty Representative Kristine Blair Donald McQuarie ii ABSTRACT Radhika Gajjala, Advisor The stereotypical video gamer has traditionally been seen as a young, white, male; even though female gamers have also always been part of video game cultures. Recent changes in the landscape of video games, especially game marketers’ increasing interest in expanding the market, have made the subject of women in gaming more noticeable than ever. This dissertation asked how gender, especially females as a troubling demographic marking difference, shaped video game cultures in the recent past. This dissertation focused primarily on cultures found on the Internet as they related to video game consoles as they took shape during the beginning of the seventh generation of consoles, between 2005 and 2009. Using discourse analysis, this dissertation analyzed the ways gendered speech was used by cultural members to define not only the limits and values of a generalizable video game culture, but also to define the idealized gamer. This dissertation found that video game cultures exhibited the same biases against women that many other cyber/digital cultures employed, as evidenced by feminist scholars of technology. Specifically, female gamers were often perceived as less authoritative of technology than male gamers. This was especially true when the concept “hardcore” was employed to describe the ideals of gaming culture.