The Analysis of Language Style Used by Robert Angier in “The Prestige” Movie by Cristopher Nolan and Its Application in Teaching Speaking

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THE ANALYSIS OF LANGUAGE STYLE USED BY ROBERT ANGIER IN “THE PRESTIGE” MOVIE BY CRISTOPHER NOLAN AND ITS APPLICATION IN TEACHING SPEAKING

A THESIS Submitted to the English Education Program of Muhammadiyah University of Purworejo in partial fulfillment of the requirements for Sarjana Pendidikan Degree

Doni Irawan

112120022

ENGLISH EDUCATION PROGRAM FACULTY OF TEACHER TRAINING AND EDUCATIONAL SCIENCES MUHAMMADIYAH UNIVERSITY OF PURWOREJO 2016

APPROVAL SHEET THE ANALYSIS OF LANGUAGE STYLE USED BY ROBERT ANGIER IN “THE PRESTIGE” MOVIE BY CRISTOPHER NOLAN AND ITS APPLICATION IN TEACHING SPEAKING

A THESIS

Doni Irawan 112120022

This Thesis has been approved to be defend in front of the Board of Examiners

Approved by:

Consultant I Consultant II

Zulia Chasanah, S.S,M.Pd Sri Widodo, S.S, M.Hum NIDN 0616127401 NIDN 0628057302

The head of English Education Program

Sri Widodo, S.S, M.Hum NIDN 0628057302

RATIFICATION SHEET

THE ANALYSIS OF LANGUAGE STYLE USED BY ROBERT ANGIER IN “THE PRESTIGE” MOVIE BY CRISTOPHER NOLAN AND ITS APPLICATION IN TEACHING SPEAKING

A THESIS

Doni Irawan 112120022

This thesis has been defended and accepted by the Board of Examiners Teacher Training and Education Faculty Muhammadiyah University of Purworejo On the date of 15th February 2015

The Board of Examiners First Examiner Second Examiner Third Examiner

Titi Rokhayati, M.Pd Sri Widodo, S.S, M.Hum Zulia Chasanah, S.S, M.Pd NIDN: 0631057301 NIDN.0628057302 NIDN. 0616127401

Purworejo, 19th February 2016 The Dean of Teacher Training and Education Faculty

Yuli Widiyono, M.Pd NIDN. 0616078301

iii

STATEMENTS

The student who sign in the following:

Name : Doni Irawan

NIM : 112120022

Program : English Education Program

Faculty : Teacher Training and Educational Sciences

Stated that thesis entitled “The Analysis of Language Style Used by Robert

Angier in The Prestige Movie by Christopher Nolan and its Application in Teaching

Speaking” is totally done by my own work. The content of this thesis was not written by someone else as the requirement in finishing the study in this university. The researcher only took some parts of other research as the reference of her research. If the researcher‟s statement is untruth, this entirely becomes researcher‟s responsibility.

Purworejo, Februari 2016 The Researcher

Doni Irawan

MOTTO

Stop dreaming and start doing! (Unknown)

Just do it ! (Shia Labeouf)

Reach for the sky cause tomorrow may never come (Social Distorsion)

DEDICATION

I dedicate this thesis to: 1. My Superwoman, my hero, my mother; Puji Sri Widayati. Thanks for everything. 2. My Father, Harsono. Thanks for your care. 3. My Sisters, Mbak Rani and Mbak Rini, you‟re good sisters. 4. Mas Roni and Hana who always support me 5. My lovely rose, Anis Karunia. Thanks for coloring my days. 6. My sick friends Dwel, Gugus, Ozy. Thanks for our sick moments. 7. My Classmate, Azis, Faris, Eko, Della, Fitri, Resty, and all my friends in PBI A 8. My friends Dani Tembol, Azim, Ardiyan,Agung ,Kholis, Bagus, Omah Joglo pictures, Argomas Abadi and to all my friends who always support me.

ACKNOWLEDGEMENT

Alhamdulillah, thanks to Allah the Most Gracious and the Most Merciful, since without His blessing, the researcher will never accomplish this thesis. The researcher would like to express his great gratitude to:

1. Drs. H. Supriyono, M.Pd, as the Rector of Muhammadiyah University of

Purworejo.

2. Yuli Widiyono, M.Pd, as the dean of the Faculty of Teacher Training and

Educational Sciences of Muhammadiyah University of Purworejo.

3. Sri Widodo, S.S, M.Hum, the Head of English Education Program also his

second consultant, who has given the guidance on the researcher‟s thesis.

4. Zulia Chasanah, S.S, M.Pd. as his first consultant, who has given suggestions

and guidance and also sacrificed her mind, time and energy for the sake of the

researcher‟s thesis.

5. All of the lecturers of English Education Program.

The researcher confesses that this thesis is not perfect. However, the researcher still hopes that this thesis will be useful for the improvement in English teaching and learning.

Purworejo, February 2016 The Researcher

Doni Irawan

vii

ABSTRACT

Irawan, Doni. 112120022. 2016. The Analysis of Language Style Used by Robert Angier in “The Prestige” Movie by Christopher Nolan And its Application in Teaching Speaking. A Thesis. English Education Program. Teacher And Education Faculty of Purworejo Muhammadiyah University. First consultant: Zulia Chasanah, S.S,M.Pd. Second Cosultant: Sri Widodo S.S, M.Hum Key words: Analysis, Language Style, Robert Angier, The Prestige, Movie, Application, Teaching Speaking. Language are closely related to language style. This research analyzed the language style used by Robert Angier in The Prestige and its application in teaching speaking. The aim of this study is to find out the types of language style used by Robert Angier and to show the application in teaching speaking. This study used descriptive qualitative method. The instrument of the research is researcher himself. The researcher is able to determine the research focus, choosing data source also collecting the data. The data is taken from the script of this movie. The researcher uses library approach and use many sources include books and internet to support this research. The result of this study shows that there are 30 data contains language style. 15(50%) belongs to Casual, 7(23.33%) belongs to Consultative, 6(20%) belongs to Formal, 1(3.33%) data belongs to Frozen, 1(3.33%) belongs to Intimate. The dominant language style is Casual style. The factor is the characteristic of Robert Angier. He always acts to be friendly with everyone. He is the type of a man who always tries to takes benefit from others. The utterance in the movie can be used to teach short functional text and monologue which are taught in X grade of senior high school semester 1. The researcher hopes that this research can be useful for teachers and students in learning about that material. For other researcher, this study can be their reference.

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TABLE OF CONTENTS

PAGE OF TITTLE i

APPROVAL SHEET ii

RATIFICATION SHEET iii

STATEMENT iv

MOTTOS v

DEDICATIONS vi

ACKNOWLEDGEMENT vii

ABSTRACT ix

TABLE OF CONTENT x

CHAPTER I INTRODUCTION

A. Background of Study 1

B. Identification of Problem 3

C. Statements of the Problem 3

D. Objectives of The Study 3

E. Limitation of the study 4

F. Significance of the study 4

CHAPTER II REVIEW OF RELATED LITERATURE

A. Previous Study 6

B. Sociolinguistics 8

C. Language Variety 10

1. Definition of language variety 10

2. Classification of language variety 11

D. Language Style 14

1. Frozen Style 15

2. Formal Style 17

3. Consultative Style 18

4. Casual Style 18

5. Intimate Style 21

E. Movie 23

F. The Prestige Movie 38

G. Robert Angier 34

H. Teaching Speaking 36

CHAPTER III RESEARCH METHODOLOGY

A. Research Design 38

B. Object of The Research 40

C. Source of The Data 40

D. Research Instrument 40

E. Unit of analysis 41

F. Technique of Collecting Data 41

G. Technique of Analyzing Data 42

CHAPTER IV RESEARCH FINDINGS AND DISCUSSIONS

A. Research findings 44

B. Discussions 45

C. The Application of language style used by Robert Angier on The Prestige

movie by Christopher Nolan in Teaching Speaking 77

CHAPTER V

A. Conclusion 82

B. Suggestion 83

BIBLIOGRAPHY 84

APPENDICES

CHAPTER I

INTRODUCTION

In this chapter the researcher will explain the background of study, the reasons for choosing topic of the research, statement of the problem of the research, the objective of the study, the limitation of the problem, and significance of the study.

A. Background of study

People are both individual and social creature. As a social creature, people need to interact with other people. Interaction cannot be separated from communication. Communication means sending message or idea from a human to the other human.

In communicating, people need the media. People usually use sign, written letters, or spoken voice as media to communicate with others. As we know, communication means sending message from people to other people. It is clear enough that the purpose of the communication is to make the responder knows the message from the source correctly. People need a media to know what the other people mean. This media is called language. Language is the media on the communication field, whether it is sign language, written language or spoken language. Language convey people‟s message so the other people can see and understand that message.

Language which is used in society is so various. Every region has their language. One place to the other place has various ways in conveying the language. The variant of the language use that affected by social condition can be studied in sociolinguistic.

One of topic discussed in sociolinguistic field is language variety.

Language variety, based on the language use, it sub-classified into register and style. Style is language variation that caused by situational factors like setting, addressee, or topic. Someone will use formal language in certain situation and use informal language in other situation. That kind of language variety can be found in our daily life. We can also analyze style in a movie because movie is the reflection of people‟s life.

Nowadays, movie has been produced in massive quantity by very big production house or even by independent people. A good movie is a movie which give attention in every single detail of its component. One of the components that should be considered is language. A good movie usually has a language that match with the setting, such as time, location, social condition etc, even when the movie is just fiction.

A movie needs researches and observations before it is made. Based on research and observation, the movie maker can decide the appropriate language used in the interaction. After finishing that step, the interaction between the characters in the movie can reflect the real social interaction that usually happens in real condition. Here, we can analyze the language style.

B. Identification of The Problem

1. Communication is important for people to build relation with others

2. Knowledge of sociolinguistic is important to understand that

language can be affected by places and situations

3. Knowing language variety is important to avoid us from

misunderstanding when we communicate with others

4. Appropriate language style is needed to communicate in appropriate

and good ways.

C. Statement of Problem

In this thesis, the researcher will discuss:

1. What kinds of language style used by Robert Angier in “The

Prestige” Movie by Christopher Nolan?

2. How is the application of language style found in Robert Angier

utterance in “The Prestige” movie by Christopher Nolan to be

applied in teaching language?

D. Objective of Study

The objectives of this thesis are:

1. To describe the category of language style used by Robert Angier in

“The Prestige” movie by Christopher Nolan

2. To describe the application of language style used by Angier in

“The Prestige” movie by Christopher Nolan in teaching speaking

E. The Limitation of the Study

The scope of this research is limited. This thesis will focus on the

usage of language style used in “The Prestige” Movie by Christopher

Nolan.

F. The Significance of the Study

This research is expected to give contribution to everyone that has

relation English Education. There are some expectations to be

achieved from this study:

a. For Teacher

This study are expected to contribute in their sociolinguistic study

material especially language style. This research also expected to

contribute in the communication between teacher and students so

they can build good communication.

b. For the students

This study‟s purpose is to give student knowledge about language

style.

c. For other researchers

This study can be used as a reference by other researchers who want to conduct same kind of study.

CHAPTER II

REVIEW OF RELATED LITERATURE

A. Previous Study

In previous study, the researcher presents two thesis that have same

topic with the researcher‟s thesis. The first study is written by Emilya

Somia Miseuri. Her thesis title is Language Style In King‟s Speech Movie.

The objective of her research is to find out the frequency of all

kinds of language style used in The King‟s Speech Movie. The object of

her thesis is the movie script of The King‟s Speech movie. The method is

documentation. The first step, she read the movie script. Second is

identifying the types of language style. Next is finding the dominant

frequency of the types of the language style. The last is counting the

percentage of language style. She identifying and classifying 339

dialogues into their types. 15 Frozen language style (4,4%), 62 Formal

language style (18,2%), 187 Consultative language style (55,1%), 71

Casual language style (20,9%),4 Intimate language style (1,1%). She

found out that Consultative is the most dominant type of language style

used in King‟s speech movie.

The second thesis is written by Siti Zulaekho. The title is Language

style of Muluk in Alangkah Lucunya Negri Ini Movie . The objective of her

research is to find out and classifying language style and language function

use by Muluk In Alangkah Lucunya Negri ini movie. The object of the thesis is the Muluk‟s dialogue on Alangkah Lucunya Negri Ini movie script. She analyze the data by Watching and closely observing Alangkah

Lucunya Negeri Ini movie. Then she Label and classify Muluk‟s utterances based on the types of language style and functions. Next is

Analyzing Muluk‟s utterances based on the characteristics of language style And Analyzing the factors that influence the language choice. The last is Presenting the data analysis. The data shows that not all the type of language style and language function found in Muluk‟s utterance. Muluk only uses formal, consultative, casual and intimate language style.

Whereas for the language function Muluk only uses expressive, phatic, directive, and metalingual. The most dominant language style is causal.

She doesn‟t find frozen language style. It happens because the setting of the movie is informal. The most dominant language style of this movie is directive, because the movie mostly show the scene of Muluk explain his program for the thief.

Based on the previous study, the researcher decides to choose the same topic about language style. The differences are on the object and the scope. Emilya analyzes all of the dialogue on the movie script, she analyzes the language style but not analyze the factors influence the use of the language in the movie. Siti only analyze the utterance of one character in the movie. She also analyzes the language style and analyzes the factors influence the use of the language. This research analyzes only one

character of the movie. This research also analyzes the language style and

analyzes the factors that influence it. Emily used the King Speech movie

as her object. Siti used character Muluk in Alangkah Lucunya Negri Ini as

her object. The object of this research is the character Robert Angier in

The Prestige movie.

B. Sociolinguistic

Language is a media to conduct a communication. Language is

the mediator between society to communicate. People will understand

each other if they know the language. We cannot separate the society

from language. We study the correlation between society and language in

sociolinguistic.

According to Holmes (2001:1), particularly, sociolinguistics

studies the relationship between language and society. They are interested

in explaining why people speak differently in different social contexts,

and they are concerned with identifying the social functions of language

and the ways it is used to convey social meaning. Meanwhile, Finegan &

Biber (1994: 3) say that the term sociolinguistics draws a distinction

between “the sociology of language”, with a focus on sociological

matters, and “sociolinguistics”, with a focus on language. Meanwhile,

Wardaugh (2006:13) quoted in Hudson (1996:4) stated that

sociolinguistics is „the study of language in relation to society,‟ whereas

the sociology of language is „the study of society in relation to language.‟

In other words, in sociolinguistics we study language and society in order to find out as much as we can about what kind of thing language is, and in the sociology of language we reverse the direction of our interest.

Tagliamonte (2006:3) explains that sociolinguistics argues that language exist in context, dependent on the speaker who is using it, and dependent on where it is being used and why. Speakers mark their personal history and identity in their speech as well as their sociocultural, economic, and geographical coordinates in time and space. Indeed, some researcher would argue that, since speech obviously social, to study it without reference to Society would be like studying behavior without relating the behavior of one partner to that of the other.

According to Meyerhoff (2006:1) everyone can modify the way they speak depending on who they are with or what the situation is. When they do this, they are drawing on their sociolinguistic knowledge. Meanwhile,

Wardaugh (2006:10) stated that there are several possible relationships between language and society. One is that social structure may either influence or determine linguistic structure and/or behavior. Certain evidence may be adduced to support this view: the age-grading phenomenon whereby young children speak differently from older children and, in turn, children speak differently from mature adults; studies which show that the varieties of language that speakers use reflect such matters as their regional, social, or ethnic origin and possibly even their gender; and other studies which show that particular ways of speaking,

choices of words, and even rules for conversing are in fact highly

determined by certain social requirements.

From the explanations above, the researcher concludes that

sociolinguistic is a study of language that used in society. Every person

may have different language in different situation. The use of the

language is influenced by their sociocultural condition, economic

condition, geographic condition. Sociolinguistic tries to collaborate all

things related to the use of language in the society by its social community

in its social interaction

Sociolinguistics is the study of the characteristics of language

varieties, the characteristics of their function, and the characteristics of

their speakers as these three constantly interact, change and one change

one another within a speech community ( J.A Fishman in Chaer. 2004:3).

Language variety is an important branch of sociolinguistics. Language .

C. Language Variety

1. Definition of Language Variety

Sociolinguistics talks about language variety. Variation in language

happens because people from all around the world have their own

language which is differ from one to others.

Wardhaugh ( 2006 :25) defines language variety as a set of human

speech patterns (sounds, words, and grammatical features) that are related

to external factors such as geographical area and social group.

Meyerhoff (2006:28) explain that language variety is language which is systematically different from others on the basis of pronunciation, grammar and vocabulary. Meanwhile, Hudson (1996: 22) defines that a variety of language as a set of linguistic items with similar social distribution because what makes one variety of language different from another is the linguistic items.

From the definitions above, language variety is a set of linguistic item that used by community or person that are influenced by external factor.

People may use different pronunciation, grammar or vocabulary because there are different external factor that influencing it. The differences can be seen on the pronunciation, grammar, and vocabulary.

2. Classification Of Language variety

Language variety classified to some terms. They classified according

to the external factors and the patterns of the language.

Language variety, according to Holmes (2001:123-223), can be classified based on the user and the use:

1. Based on the User

Based on the user, language variety consists of five kinds, namely:

1) Standard language

Standard language, as Holmes (1992:76) puts it, is a prestigious language that has undergone some degrees of regulation and codification. It is usually used by educated and prestigious members of the community. E.g. A manager will say “let‟s we begin our meeting today” not “okay, start the meeting!” when he/ she holds meeting with his/ her business partners.

2) Dialect

Dialect is defined as different vocabularies, grammars, and pronunciations because of geographical area and the social group of the speakers (Holmes,

1992:147). Dialect is classified into geographical, social, and chronological dialects. E.g. “which „otel are you staying old chap” The top social classes in England dropped the (h) at the beginning of words like hotel and herb.

3) Idiolect

According to Wardaugh (2006:151), idiolect refers to the speech characteristics and linguistic behavior of individuals. E.g. A person says,

“Please turn on the cool blazterz” while another says, “Please turn on the air conditioner”

4) Jargon

Fomkin, Rodman, Hyams (2006: 475) stated that Jargon is set of words that use on specific field such as profession, trade, occupation for example, the terms “strike” in bowling game means all targets knocked down. While in fishing, “strike” means got fish.

5) Vernacular

Holmes (1992:74) suggests that vernacular is “a language which has not been standardized and has no official status”. It is used in everyday communication at home and between close friends. E.g. A mother says

“what did you learn from school, son?” to her son. Not “May I know about your study in the school?”

2. Based on the Use

Based on the use, there are two kinds of language variety that is, style and register.

1) Style

Style is the kind of language variety in which the speaker selects certain linguistic forms rather than others that contain the same information

(Holmes, 1992:223). In Language style, the use of language affected by external factors such as sociocultural condition, economic condition or geographical condition. For example, a bank teller will say “wait for a moment, please!” (formal) to the customer. In opposition, he/ she will say

“wait a minute man !” (informal) to the office boy.

2) Register

Holmes (1992:246) defines register as an “occupational style”,

meaning that it is the language of a particular group of people or the

language used in a specific situation. Register related with someone‟s

occupation. For example: A teacher says, “Ok students, now, we are

discussing Simple Present Tense. Simple Present Tense is used to express

general truth and to express a habitual action”, while a news anchor says,

“Welcome to the world news! Live from the grand studio”

Language variety is set of linguistic item that can be vary in the pattern, pronunciation or grammar. The variation the language happens because of some external factor. Based on user, language variety consists of five kinds there are standard language, dialect, idiolect, jargon and vernacular. Based on the use, language variety consists of two kinds there are style and register.

D. Language Style

Based on the use, language style divided into style and register.

Language style are variety language use for specific purpose. It‟s not

social or regional dialect.

Language style, according to Joos (in Alwasilah, 1993:45), is

classified into five types based on the degree of formality, that is, frozen,

formal, consultative, casual, and intimate styles

1. Frozen style

Frozen style (Oratorical style) is defined as the most formal style and elegant variety that reserved for very important or symbolic moments. It is usually used in the situation which is celebrated with respect and legitimate or formal ceremonies. An oratorical style is used in public speaking before a large audience; wording is carefully planned in advance, intonation is somewhat exaggerated, and numerous rhetorical devices are appropriate. Many of linguistics units fixed and there is no variation in it.

Certain fixed expressions are required, for example; “Yes Your Honor”,

“Yes my Lord”, “I object…”, and so on. Not only the sentences are carefully constructed individually, but also sequences of sentences are intricately related. Obviously, it must be very carefully planned and to do well by requiring high skill. That is why this style is called Frozen style or

Oratorical style. The people who attend on that occasion are often the person of high level or important figures. The occasion itself is not an ordinary occasion. It means that the occasion seems to give precedence and respect over the hearers and the speakers. Thus, almost exclusively specially-professional orators, lawyers, and preachers use this style. In spite of the fact, ordinary citizens who attend in the court, religious services may demand frozen language because it is not an ordinary occasion and it may be recognized for achievement in their employment.

Furthermore, a story or proverbial message used this style. Constitute that

languages are immutable, and signal a linguistic event in the culture that is outside ordinary language use. It must not be altered in anyway.

Frozen style usually tends to be monolog, but there are some expressions for this case. It also can be involved in conversation if each member of the interaction has certain of fix verbal role to be played. For example, in court, there are judges, witnesses, juries, and so on

We can conclude that Frozen or oratorical style is the most formal style. It is usually used in situation that is very formal and has symbolic value, such as in formal ceremonies and court, constitutions, and state documents. The characteristics of frozen style are the use of maintained and unchanged sentence structures, the use of long and careful sentence constructions, the use of exaggerated intonation, and also almost no responses between the speaker and hearer.

Example:

“Preamble We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defense, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America…” (The U.S. Code published by the Law Revision Counsel of the U.S. House of Representatives, 2004: 1).

In another example : Visitors should make their way at once to the Upper floor by way of the staircase.

2. Formal style

Formal or deliberative style is also used in addressing audiences.

Usually audiences too large to permit effectively interchange between speakers and hearers, though the forms are normally not as polished as those in an oratorical style such in a typical university classroom lecture is often carried out in a deliberative style. Formal style is defined as the style of language that be used for important or serious situation. At that level, there is no symbolic or lasting value in this situation. Formal style is usually a single topic oriented and it is related to the fact that formal writing is technical. Thus, most scholar or technical reports use this style.

Formal style may also be used in speaking to a single hearer. To do so, however, indicates that the speaker fells little mutually with the hearer.

The formal style labels are : yes, sir… okay, sir.. and a very few others.

We can conclude that formal or deliberative style is defined as the type of language style that is used in situations in which the speakers are very careful about pronunciation, choice of words, and sentence structure.

It is usually used in important or serious situations, such as in scholar and technical reports, classrooms, formal speeches, and sermons. Formal style has three characteristics, namely having a single topic, using a sentence structure that shows less intimacy between the speaker and hearer, and using standard forms.

Example:

Mr. : Do you want to be a good business man? Chris : Yes, sir, I want to be a good business man

Mr. : Have you already started learning on your own? Chris : Yes, sir In another example: Visitors should go up the stairs at once.

3. Consultative style

Consultative style is typically a dialogue, though formal enough that words are chosen with some care. Business transaction, doctor-patient conversation, and the like are usually consultative in nature. Consultative style used in the most orally conducted everyday business transactions, particularly between chance acquaintances. It is the usual form of speech in small groups except among close friends. The typical occurrence of consultative speech is between two persons. While one is speaking, at intervals the others give short responses, mostly drawn from a small inventory of standard signals. There are basic parts of the system, essential to its operation. Among them are: “Yes”, “No”, “Uhhuh”, “Mmm”,

“Huh”, “That‟s right”, “I think so”. A number of them are aberrant enough in phonology that they cannot be represented well in spelling.

Consultative is the style most open to give and take of everyday conversation discussed so far. That is why it is typically a dialogue, at the level where the words still have to be chosen with some care. We make routine request. For information where provide answers to such request in consultative, for example, seller-buyer conversation, doctor-patient conversation, and so on.

We conclude that Consultative style or business style is usually used in

a semi-formal situation. It is used in transaction, information exchange,

and operational process. Consultative style is used in such conversations as

seller-buyer conversation, doctor-patient conversation, teaching and

learning process, and small group discussion. The consultative labels are:

yes, no, uhhuu, huh.., that‟s right, I think so and a very few others.

Chris : What should I do to loss my weight? Doctor : uhmmm, You shouldn‟t eat junk foods Chris : huh? I think I can‟t do that doc. Man : You don‟t have to I you don‟t want to lose your weight.

Chris : Can you tell me what kind of stone is it? Mr.Twistle : Yes, this is the Arken stone, originally came from New Zealand. Chris: uhmmm, I like the color.

In another example : Would you mind going upstairs right away,

4. Casual style

Casual are conversation between friends or colleagues or sometimes members of a family; in this context words need to be guarded and social barriers are moderately low.

Casual style is also simply defined as a style that is used for the conversation in our relaxed or normal situation that appropriate to the conversation with our friends, the background information so freely inserted into casual conversation.

Positively, casual style is characterized by the use of the first name or even nickname rather than a little name and last name in addressing one another. The

pronunciation is rapid and often slurred, besides that the use of slang. This is a prime indication of in-group relationship. It is used only with insiders, and only members of the group assume it to known, for example, to teenagers or to some clique among adolescents. Another characteristic feature of casual speech is the omissions of unstressed words, particularly at the beginning of sentences. There most involved are articles, pronouns, auxiliaries, and be. “Anybody home?”,

“Car broke down”. “Got a match?”, “Need help?”. Such expressions are a highly diagnostic feature of the casual style; they will generally be interpreted as signaling informality. However, most speakers are not aware either of the phenomenon or of its significances. That is, they do not know what is about an utterance that gives them the impression of informality.

We can conclude that Casual style is defined as a style used in an informal and a relaxed situation. Casual style is used, for example, between friends or between family members. Casual style has four characteristics, namely the use of nickname when addressing one another, the use of rapid and slurred pronunciation, the use of slang, and the use of non-standard forms.

Linda : Got the idea Chris? Chris : Yea, I got it Linda : Okay, let‟s start this

Wayne : You catch the game last night? Chris : No, no.

In another example: Time you all went upstairs now.

5. Intimate style

An intimate style is one characterized by complete absence of social inhibitions. Talk with family, beloved ones, and very close friends, where you tend to reveal your inner self, it is usually in an intimate style.

Intimate style is also a completely private language developed within families, lovers, and the closest of friends. It might embarrass some for non-group members to hear them in-group intimate language. The word that generally signal intimacy such as, “dear”, “darling”, and even “honey” or “hon” might be used in this situation. On the other names, nicknames might regularly prove embarrassing to hearer as well as speakers outside of intimate situations. Furthermore, intimate language is also characterized by ellipsis, deletion, rapid, slurred, pronunciation, non-verbal communication, and private code characteristics. It is often unintelligible outside the smallest social units

We can conclude that Intimate style is the most casual style, and it is usually used between family members, couples or lovers, and intimate friends. The characteristics of this style are the use of private codes, the use of words signaling intimate relation, the use of rapid and slurred pronunciation, the use of non-verbal communication, and the use of non- standard forms.

Linda : Hey, baby. What happened? Chris : No, nothing. Look, I can't get Christopher today.

Christopher : Bye, Mom.

Linda : Bye, baby. Come back without that, please.

In another example: Up you go, Chaps!

Style is the kind of language variety in which the speaker selects certain linguistic forms rather than others that contain the same information. Based on the

Five Clocks theory of Martin Joss, style can be classified into five kinds.

Language style are classifying based on the formality levels. The highest rank of the language style in this theory is Frozen style. It means that Frozen style is the most formal style on this theory, beneath this style there are formal style, consultative style, casual style and intimate style.

E. Movie

Jacob (2000:1) stated that Movies are document of time and place, a movie

tells stories about characters going through experiences.

These are 11 main genres of movie ;

1. Action Films

An action story is similar to adventure, and the protagonist

usually takes a risky turn, which leads to desperate situations (including

explosions, fight scenes, daring escapes, etc.). Action and Adventure are

usually categorized together (sometimes even as action-adventure)

because they have much in common, and many stories fall under both

genres simultaneously. The examples of this film‟s genres are: The Raid,

Mission impossible, James bond 007, Die Hard.

2. Adventure films

Adventure Films are exciting stories, with new experiences or

exotic locales. Adventure films are very similar to the action film genre,

in that they are designed to provide an action-filled, energetic experience

for the film viewer. examples: Pirates of Caribbean, Indiana Jones,

Lord Of The Rings, Star Wars.

3. Comedy Films

Comedies are light-hearted plots consistently and deliberately designed

to amuse and provoke laughter (with one-liners, jokes, etc.) by

exaggerating the situation, the language, action, relationships and

characters. Examples: The Interview, The Great Dictator, Dumb and

Dumber, Ted

4. Crime (gangster) films

Crime (gangster) films are developed around the sinister actions of

criminals or mobsters, particularly bankrobbers, underworld figures, or

ruthless hoodlums who operate outside the law, stealing and murdering

their way through life. Examples: Life of Crime, Carlito‟s Way, Public

Enemy, The Gangster

5. Drama Films

Dramas are serious, plot-driven presentations, portraying realistic

characters, settings, life situations, and stories involving intense character

development and interaction. Usually, they are not focused on special-

effects, comedy, or action, Dramatic films are probably the largest film

genre, with many subsets. Examples: Boyhood, Pride & Prejudice,

Rocky, The Prestige.

6. Epic (Historical) film

include costume dramas, historical dramas, war films, medieval romps,

or 'period pictures' that often cover a large expanse of time set against a

vast, panoramic backdrop. Epics often share elements of the elaborate

adventure films genre. Epics take an historical or imagined event, mythic,

legendary, or heroic figure, and add an extravagant setting and lavish

costumes, accompanied by grandeur and spectacle, dramatic scope, high

production values, and a sweeping musical score. The examples: Troy,

Kingdom Heaven, Gladiator, Braveheart

7. Horror Films

Horror films are designed to frighten and to invoke our hidden worst

fears, often in a terrifying, shocking finale, while captivating and

entertaining us at the same time in a cathartic experience terror.

Examples: A Nightmare On The Elm Street, Babadook, The Exorcist,

The Omen

8. Musical/Dance Films

Musical/dance films are cinematic forms that emphasize full-scale scores

or song and dance routines in a significant way (usually with a musical or

dance performance integrated as part of the film narrative), or they are

films that are centered on combinations of music, dance, song or

choreography. Examples: Frozen, Wizard Of OZ, High School Musical,

Camp Rock

9. Sci-fi films

Sci-fi films are often quasi-scientific, visionary and imaginative -

complete with heroes, aliens, distant planets, impossible quests,

improbable settings, fantastic places, great dark and shadowy villains,

futuristic technology, unknown and unknowable forces, and

extraordinary monsters ('things or creatures from space'), either created

by mad scientists or by nuclear havoc. Examples: The Matrix,

Interstellar, Star Trek, Back To The Future.

10. War (And Anti-War)

War (and anti-war) films acknowledge the horror and heartbreak of war,

letting the actual combat fighting (against nations or humankind) on land,

sea, or in the air provide the primary plot or background for the action of the

film. Examples: The Thin Red Line, Letters From Iwo Jima, Saving Private

Ryan, Fury

11. Westerns Films

Westerns are the major defining genre of the American film industry - a

eulogy to the early days of the expansive American frontier. They are one of

the oldest, most enduring genres with very recognizable plots, elements, and

characters (six-guns, horses, dusty towns and trails, cowboys, Indians, etc.).

Examples: Django Unchained, Once Upon A Time In The West,

Stagecoach, Homesman.

The Prestige is belonging to Drama genre movie. The prestige is showing the life story of its characters. The whole story of the movie is about rivalry of two magicians. The rivalry forcing the magicians to did some sacrifices. They lose people they loved, they should go to another side of the earth, even they should forgot the humanity. That rivalry are filmed in less action scene. The film show us that two magicians effort to be best magician and the psychological effect for the both of them.

(www.filmsite.org)

F. The Prestige

The Prestige is a 2006 science

fiction mystery drama film

directed by Christopher Nolan,

from a screenplay adapted by

Nolan and his brother Jonathan

from Christopher Priest's 1995

World Fantasy Award-winning

novel of the same name. The

American-British co-production

features Hugh Jackman as Robert

Angier, Christian Bale as Alfred Borden, and David Bowie as Nikola

Tesla. It also stars Michael Caine, Scarlet Johansson, Piper Perabo, Andy

Serkis, and Rebecca Hall. A co-production between Touchstone Pictures

and Warner Bros. Pictures, the film wa released on October 20, 2006,

receiving positive reviews and strong box office results, and received

Academy Award nominations for Best Cinematography and Best Art

Direction. (Wikipedia.com/theprestige)

The story follows Robert Angier and Alfred Borden, rival stage magicians in London at the end of the 19th century. Obsessed with creating the best stage illusion, they engage in competitive one-upmanship with tragic results.

In the beginning of the story, Angier and Borden are friend and also partner in magical performance. Someday, Borden did a fault in a magical performance that caused Angier‟s wife died. Angier cannot accept it and want to do revenge. Angier and Borden decide to be separated, they do their own magical performance. Angier always follow Borden‟s performance as undercover guest. He try to disturb Borden‟s performance even he ever try to kill Borden on the stage. Borden cannot accept that. He also follows Angier‟s show and disturb it.

In the middle of the story, Borden found the new awesome magic trick. He can transport from one place to another place in a very short time. Angier who watch it directly, cannot believe in what he see. He try to imitate that trick, but he always fail. Someday, he found person that have a face looked like him. He ask the person to be his partner in a transport man magic trick. He success to perform that trick in earlier show. But, finally, he failed when Borden made the Angier‟s clone have drunk. But Angier not give up, he go to find Professor Tesla. Tesla is in the middle of project building cloning machine. Angier got that machine, and he start to use it in his show.

Angier can do very fast transport trick using the machine. The machine can duplicate Angier into two creatures. Borden confuse with it, he can‟t find the secret. Finally, he became a fake volunteer in Angier‟s trick. . Borden go to the back stage and find Angier send to the water box when he do the trick. Borden try to open the water box, but it was unlocked. Angier run out of the air and died. Borden accused as the killer and sent to the jail. Borden didn‟t know that the dead man is not the real

Angier, but the duplicate of Angier. The accident was planned by Angier to sent Borden to the jail.

Borden receive the death execution punishment from the judge because of the crime that he had made. A few day before the execution,

The real Angier come to see Borden. Borden very shocked realize that

Angier still alive. Angier come to explain his plan to take care of Borden‟s child. Angier want to revenge the death of his wife to Borden‟s child.

Borden order his twin (were become his partner during his transporter man trick) to kill Angier. In the end, When Borden is executing.

Like another film directed by Christopher Nolan, The Prestige is very exciting film. The Prestige has a twist ending. Movie viewer will be surprised with the ending of the Prestige film. The Prestige have unique story and unique characters. The interaction between characters are very interesting to observe.

G. Robert Angier

Robert Angier (born Caldlow) was a magician's assistant and later

stage magician who lived in London. Born into a rich family, he wished to

become a magician but that career would've been a shame to his family.

He pretended to be an American by the name of Robert Angier in order to

preserve his family's reputation, and began working for the magician

Milton.

Angier became close to Milton's assistant Julia McCullough an

eventually married her. During the performance of a water cell trick, Julia

was unable to free herself from her bonds and ended up drowning on

stage. Milton's career was over and Angier blamed Alfred Borden, another

assistant, for tying the wrong knot during the trick. Angier formed his own

stage act with Milton's ingénieur John Cutter.

In revenge for his wife's death, Angier went to one of Borden's

performances and shot him during a bullet catch trick. In return, Borden

visited Angier's performance and ruined a disappearing bird trick, killing

the bird on stage and forcing Angier to cancel his show.

Cutter hired Olivia Wenscombe as Angier's female assistant, and

soon afterwards Borden released a new show: "The Transported Man".

Believing he could perform the trick better, Angier created his own

version using a double, but he always ended the act below stage, and

Borden revealed the secret to his audience. Angier then sent Olivia to work

for Borden in an effort to discover the secret of how it was done. She

couldn't find the answer, and began falling in love with Borden, but gave

Angier his encrypted diary.

Angier failed to break the encryption, so captured Borden's ingénieur Bernard Fallon and traded his life for the key. The key turned out to be the word "Tesla", so Angier travelled to Colorado Springs to visit the physicist Nikola Tesla. After meeting his servant Mr Alley, he asked

Tesla to design him a machine that could transport him. Tesla demonstrated his skills with electricity, but the machine he made did not work as Angier wanted. However, Angier noticed that it created duplicates of whatever was put into it, so took the machine back to London.

He then performed "The Real Transported Man", using the machine to duplicate himself into another location, while dropping the original version of himself into a water chamber and killing it. He saw

Borden in the audience of one of his shows, who sneaked backstage and saw the killing of the old Angier. Angier decided not to reveal himself, instead dressing as Lord Caldlow and letting Borden be put on trial for his murder.

As Lord Caldlow, Angier then tried to take custody of Borden's daughter Jess. Borden was executed, however he appeared at a warehouse where Angier stored the corpses from his act. Borden shot Angier, revealing that he had a twin who was executed and they disguised themselves as Fallon. Angier died, and Borden burnt the warehouse and all

the evidence of Angier's acts. (http://chrisnolan.wikia.com/wiki/Robert

Angier)

The writer are choose Robert Angier as a research object because

Robert Angier is one of the main character of the film. There are three

main character of this film. Angier, Borden, Fallon. Borden and Fallon are

twins, but the moviegoer would not know that they are twins until the film

is about to end. So the researcher cannot recognize the character in most

scenes on the movie, is it Borden or Fallon. The researcher decide to

choose Robert Angier as the object. He is include as the main character of

The Prestige movie. He is the rival of Borden and Fallon. Angier is so

ambitious man. He do everything to compete Borden and Fallon magic

show. Angier is a hard worker, he do so many sacrifice to be the best

Magician on that time.

Above there are so many theories from experts at sociolinguistic.

Here, the researcher chooses language style as a main discussion of

research. The researcher analyses kind of language style of Robert Angier

utterances in “The Prestige” movie by Christopher Nolan.

H. Teaching Speaking

According to brown (2006:8) teaching is guiding and facilitating

learning, enabling the learner to learn, Setting the condition for learning.

Bailey (2003:48) said that speaking is the productive aural/oral skill. It

consists of producing systematic verbal utterances to convey meaning.

According that explanation we can said that teaching speaking is guiding and facilitating, enabling the learner to learn, setting the condition for learning, enabling the learner to learn, setting the condition for learning how to produce systematic verbal utterances to convey meaning.

Language Style can be applied in classroom in the interaction between teacher and student or in the English lesson. The use of appropriate Language style can show how to communicate in appropriate way. If it happens , we can differ how we talk to the teacher and how we talk to the students. Language style learning can also be applied in teaching speaking in class. More specific is teaching speaking dealing with how speak in formal and informal way. Teacher teach the student to speak in formal or informal way through learning language style. Those expression taught in X grade semester 2

Teacher can use movie as a media to show the examples of formal and informal sentences. According to Manser (2000:481) visual aids is picture, video, so on used in teaching to help people understand something.

It means that a media like movie can be use as learning media. People can learn about the term in English through watching English movie. The benefit of applying the use of Language style learning through movie in teaching speaking are student will not get bored because the learning media is movie. Student usually not bored when they‟re watching movie.

Another benefit is student and teacher can be good communicators because they can express what they want to say in appropriate and good language.

The weakness of applying language style learning through movie in teaching speaking is the student must have a good listening skill. If they‟re not, it can be a problem to understand the expressions been said by the character. Is it impossible to learn the expression if they don‟t know it clearly.

CHAPTER III

RESEARCH METHODOLOGY

In this chapter, the researcher presents research methodology. It contains research design, object of research instrument, source of data, technique of collecting data, technique of analyzing data and technique of coding data.

A. Research design

In conducting this study, the researcher used descriptive qualitative

research method. According Creswell (2012:4), qualitative research is

explore and understand the meaning individuals or groups ascribe to a

social or human problem. The goal of qualitative research is a holistic

picture and a depth of understanding rather than a numeric analysis of

data. Meanwhile Sudjana ( 2009:195) said that qualitative research is

research that is used to produce a grounded theory which appears from

data not hypothesis just like in quantitative research.

This study include in qualitative research because the data were

taken from words, phrases, clauses, and sentence. Moreover, the

sentences were analyzed descriptively to describe and to explain in

detail the phenomena of sentences based on politeness strategies

theory. Creswell (2012:16) said that qualitative research has some

characteristics as follow:

1. Qualitative research is exploring a problem and developing a

detailed understanding of a central phenomenon.

2. Qualitative research is having the literature review play a minor

role but justify a problem.

3. Qualitative research is stating the purpose and research

questions in general and broad way so as to the participants

experiences.

4. Qualitative research is collecting data based on words from a

small number of individuals so as the participants views are

obtained.

5. Analyzing the data for descriptions and themes using text

analysis and interpreting the larger meaning of findings.

6. Writing the report using flexible, emerging structures and

evaluative criteria, and including the researchers subjective

reflexivity and bias.

Based on the explanations above, the researcher used

descriptive qualitative research. In conducting this research

he used descriptive qualitative research because the

researcher would like to describe about the type of

Language style found in Angier‟s utterance in the script of

The Prestige Movie.

B. Object of The Research

Object means something that researcher tries to examine. The

object of this research is Angier‟s utterances in the script of The

Prestige Movie

C. Research Instrument

Sugiyono (2011:102) states that research instrument is a tool that is

used to measure nature phenomenon or social which is observed. In

qualitative research, the instrument of the research is the researcher

herself, therefore as a human instrument; the researcher has to be able

in determining the research focus, choosing data source and also

collecting the data. Also, the researcher must classify the data, giving

the evidence of the data and analyze them. In finishing the research,

the researcher has to make the conclusion of data analysis.

D. Source of Data

According to Hornby (2011:109) data is information of fact. In

research, the data is very essential in finding and solving the problem.

It is very necessary for researcher because the data is the basic element

needed in research. In this research, the researcher takes the data from

the script of The Prestige Movie.

E. Unit of analysis

This research is conducted to analyze Angier‟s utterances in the script

of The Prestige movie that contain the five language style.

F. Technique of Collecting data

Sugiyono (2015:308) stated that techniques of collecting data is the

main part in research., because the main objective from research is

getting the data. Without knowing the technique of collecting data, the

researcher will not get the data. Furthermore, Arikunto (2010:256)

states that data collecting is to inspect variable which research used

interview method, test, observation, questioner, documentation etc.

In this research, the researcher used documentation method to

collect the data. He did the following steps:

1. Watching and closely observing The Prestige movie.

2. Read the movie script

3. Mark the dialogue that contain Angier‟s utterance

4. Classified Angier‟s utterance based on the type of language style

G. Technique of Analyzing Data

Sugiyono (2014:335) that data analysis is critical to the qualitative

research process. Analysis of any kind involves a way of thinking. It

refers to the systematic examination of something to determine its part,

the relation among parts, and the relationship to the whole. Analysis is

a research for patterns.

In this research, the technique of analyzing data covers following

steps:

1. Classifying the data finding which contain language style into five

types of language style.

2. Making the interpretation and analysis of each datum based on five

types of language style theory stated by Martin Joss.

3. Drawing conclusion and suggestion.

H. Technique of Coding data

In order to make easier the classification and analysis of data in

the research, each data is marked by a code. The coding of data in

this research can be seen through the following ways:

1. The number of each data.

2. The type of Language style which are Frozen for frozen style,

Formal for formal style, Consultative for consultative style,

Casual for casual style, and Intimate for intimate style.

3. The Timing in which the utterance was uttered.

To make clear coding, an example will be presented: 01/Frozen/00.05.30.

It means that the data is number one. The type of Language style is

Frozen. It is occurred at 00.05.30.

CHAPTER IV

RESEARCH FINDING AND DISCUSSION

This chapter consist of research finding and discussion . The further explanations will be presented in this chapter.

A. Research Finding

This research‟s objectives are to describe types of language style

used by Robert Angier in The Prestige movie and also how is the

application in teaching speaking. The researcher summarizes the result of

the data analysis before analyzing the data in details. In order to make the

reader understand easily the researcher will present it in table:

Table 1. Type of Language style used by Angier on The Prestige Movie

No Type of Language Number of Data Total Percentage Style 1 Frozen Style 863-876 1 3,33% 2 Formal Style 502-503, 557-567, 985- 6 20% 987, 1015-1016, 1438- 1445, 1446-1456 3 Consultative Style 124-131, 146-153, 525- 7 23,3% 528, 595-607, 723-730, 1227-1232, 1399-1402

4 Casual Style 178-181, 182-185, 199- 15 50% 201, 203-206, 222-224, 244-248, 353-357, 462- 465, 491-495, 516-518, 579-580, 796-799, 833- 836, 962-965, 1031- 1035 5 Intimate style 910-913 1 3,33%

Total 30 100% data

From the table above, we can draw a conclusion that from 30 data

which are taken by the researcher, 1 (3,33%) data belongs to Frozen style,

6 (20%) data belongs to Formal style, 7 (23,33%) data belongs to

Consultative style , 15 (50%) data belongs to Casual style, 1 (3, 33%) data

belongs to Intimate style.

B. Discussion

Discussion is the main part of this research. Here, the researcher will

present further explanation from the research finding. In this discussion the

researcher will explain what is the type of the language style that used in

every Robert Angier‟s utterance. The researcher also explains the context

situation to make the explanation more clear. The researcher gives the

coding data which contains the number of data, the type of language style,

and the timing. The detail explanations are as follow:

1. Language Style Used By Robert Angier On “The Prestige” Movie

By Christopher Nolan

1.1 Frozen Style

Frozen style is used in public speaking before a large

audience; wording is carefully planned in advance, intonation is

somewhat exaggerated, and numerous rhetorical devices are

appropriate. Many of linguistics units fixed and there is no

variation in it. Not only the sentences are carefully constructed

individually, but also sequences of sentences are intricately related.

Obviously, it must be very carefully planned and to do well by

requiring high skill. That is why this style is called Frozen style or

Oratorical style. The people who attend on that occasion are often

the person of high level or important figures. The occasion itself is

not an ordinary occasion. It means that the occasion seems to give

precedence and respect over the hearers and the speakers.

The researcher gives 1 utterance said by Angier that contains frozen style. The details as follow:

Table 2. Frozen Language Style

No Data Utterance 1 863-876 Ladies and gentlemen, much of what you've seen may be termed as illusions or entertaining trifles Alas …. Merely a technique familiar to certain citizens of the Orient and various holy men of the Himalayas

863-876/Frozen/00:59:51- 01:00:36

Ladies and gentlemen, much of what you've seen may be termed as illusions or entertaining trifles Alas...... I cannot claim this next feat as illusion. Watch carefully. You will see no trickery, for no trickery is employed. Merely a technique familiar to certain citizens of the Orient and various holy men of the Himalayas. Indeed, many of you may be familiar with this technique, but for those of you who are not, do not be alarmed. What you're about to see is considered safe.

a. Relevance to the context situation

Angier perform on magic show in another day. He become

more skilled than before. Performing in front of thousand

audience, he show his fluent performance.

b. Data interpretation

According the situation above, Angier use utterance that can

be classified as Frozen style. It can be identify when he use

symbolic word in his sentence like alas and holy men of

Himalayas. Most of sentences are formal but there‟s some

word that the audience did not understand. Some of Angier

word are just like a magic formula in a magic ritual.

1.2. Formal Style

Formal or deliberative style is defined as the type of language

style that is used in situations in which the speakers are very careful

about pronunciation, choice of words, and sentence structure. It is

usually used in important or serious situations, such as in scholar and

technical reports, classrooms, formal speeches, and sermons. Formal

style has three characteristics, namely having a single topic, using a

sentence structure that shows less intimacy between the speaker and

hearer, and using standard forms.

The researcher gives 6 utterance said by Angier that contains

Formal style. The details as follow:

Table 2. Formal Language style

NO Data Utterance

1 502-503 Thank you. Ladies and gentlemen, for my final trick, I will require the assistance of two volunteers 2 557-567 I'll make it a little harder then, shall I? Two volunteers, please. A lady and a gentlemen. 3 985-987 Many of you may be familiar with this technique, but for those of you who aren't, do not be alarmed. 4 1015-1016 I cannot claim this next feat as illusion. What you're about to see is considered safe. 5 1438-1445 Anyone in the audience who would be irrevocably damaged by seeing a man drown should leave now 6 1446-1456 In my travels, I have seen the future. And it is a strange future, indeed. The world, ladies and gentlemen, is on the brink of new and terrifying possibilities

1) 502-503/Formal/00:36:51-00:36:57

Angier: Thank you. Ladies and gentlemen, for my final trick, I will require the assistance of two volunteers.

a. Relevance to the context situation

Angier perform in his first show. After showing a lot of

magic trick in the show, finally he will show his final trick.

The trick need two volunteers help.

b. Data interpretation

In the situation above, Angier uses sentence that can be

classified as Formal style. The sentence use single topic, the

sentence is complete, and using standard form, there is no

slang word or incomplete sentence. The information

transmitted well. Angier uses that style because he talk to

many audience, so using formal style is the most effective

way.

2) 557-567/Formal/00:40:01-00:40:30

Angier: You've seen this one before?

Audience: We've seen them all before.

Angier: I'll make it a little harder then, shall I? Two volunteers, please. A lady and a gentlemen. To hold this cage with me. I'll perform this feat in a manner never before seen by yourselves or any other audience anywhere in the world. Madame, place one hand on the back of the cage, one hand on the front. Sir, one hand on the bottom of the cage one hand on the top.

a. Relevance to the context situation

Angier performed his Final trick on his first show. He would

perform magic cage trick. Angier said that this trick is the trick

that has never been performed in the world. Two volunteers

come to the stage to help Angier do the trick. b. Data interpretation

In the situation above, Angier used utterance that can be

classified as formal style. Angier used complete and long

sentence. He call the audience “Madame” and “Sir”. Angier

carefully choice polite and standard words to speak. There are

no slang word or incomplete sentence. The information

transmitted well. Angier use formal style because he talking to

his audience, honorable people.

3) 985-987/Formal/01:07:04-01:07:14

Angier: Many of you may be familiar with this technique, but for those of you who aren't, do not be alarmed. What you're about to see is considered safe

a. Relevance to the context situation

Angier performed his another magic show in another day. He

performed usual trick before went to the main trick.

b. Data interpretation

In the situation above, Angier used utterance that can be classified

as Formal style. He used complete sentence, the sentence also in

standard form. There are no slang words or incomplete sentence.

the information transmitted clearly to the audience. Angier used

formal style because he talking to his audience, honorable people.

4) 1015-1016/Formal/01:08:48-01:08:54

Angier: I cannot claim this next feat as illusion. What you're about to see is considered safe.

a. Relevance to the context situation

Angier perform his another magic show in another day. He

performing usual trick before going to the main trick.

b. Data interpretation

In the situation above, Angier used utterance that can be

classified as Formal style. He use complete sentence, the

sentence also in standard form. There are no slang words or

incomplete sentence. the information transmitted clearly to the

audience. Angier used formal style because he talking to his

audience, honorable people.

5) 1438-1445/Formal/01:40:40-01:41:04

Angier: Ladies and gentlemen, my first trick of the evening involves considerable risk. Anyone in the audience who would be irrevocably damaged by seeing a man drown should leave now. When I tell you the lady who taught me this illusion actually died performing it, you'll understand the seriousness of the dangers involved. Let's begin.

a. Relevance to the context situation

Angier performed his first magic show on his newest show. He

performed a magic trick that made his girlfriend die. Before the

show, he alarmed his audience about the danger of that trick.

b. Data interpretation

In the situation above, Angier use utterance that can be classified as

Formal style. He use complete sentence, the sentence also in

standard form. There are no slang words or incomplete sentence.

The sentence are carefully planned. He speaks fluently and politely

to the audience. He used formal style because he is on the serious

situation and respect the audience.

6) 1446-1456/Formal/01:41:14-01:42:01

Angier: In my travels, I have seen the future. And it is a strange future, indeed. The world, ladies and gentlemen, is on the brink of new and terrifying possibilities. What you're about to witness is not magic. It's purely science. I'd like to invite you to come up on stage now so that you can examine the machine for yourselves.

a. Relevance to the context situation

Angier performed in the magic show. He would perform the

transporter magic trick for the first time. The transporter man are

planned to be the climax trick in his show. He was showing his

transporter man machine to the audience and give the audience

chance to examine the machine.

b. Data interpretation

In the situation above, Angier used utterance that can be classified as

Formal style. He used complete sentence, the sentence also in

standard form. There are no slang words or incomplete sentence.

The sentence are carefully planned. He speak fluently and politely to

the audience. He used ladies and gentleman to call his audience. He

used formal style because he is on the serious situation and respect

the audience.

1. 3. Consultative Style

Consultative style or business style is usually used in a semi-formal situation. It is used in transaction, information exchange, and operational process. Consultative style is used in such conversations as seller-buyer conversation, doctor-patient conversation, teaching and learning process, and small group discussion. The consultative labels are: yes, no, uhhuu, huh.., that‟s right, I think so and a very few others.

The researcher gives 7 utterances said by Angier that contains

Consultative style. The details as follow:

NO Data Utterance 1 124-131 Yes, I know. That‟s why I‟m here. 2 146-153 He made a machine for a colleague of mine some time ago. Can you get me a meeting with him? 3 525-528 I haven‟t had the chance to compliment you on your beautiful theater. 4 595-607 A rotating transposition that shifts every day of the diary. Simple but time-consuming to translate, even with five-letter keyword. 5 723-730 Price is not an object. 6 1227-1232 So where did my top hat go? 7 1399-1402 Are you interested in helping us?

1) 124-131/Consultative/ 00.09.14-00.09.33.

Hotel Receptionist: You're our first guest of the season,

Mr.Angier. Your telegram didn't indicate how long you'd be staying

with us.

Angier: As long as it takes. I will need a coach tomorrow

to take me up the mountain.

Hotel Receptionist: Well, the peak‟s closed, sir. For scientific

experimentation.

Angier: Yes, I know. That‟s why I‟m here

a. Relevance to the context situation

Robert Angier went to U.S to meet Mr. Tesla. He came to the

hotel near the place where Tesla did his experiment. Angier

welcomed by the Hotel receptionist. b. Data interpretation

Angier‟s utterance on the conversation between him and Hotel

receptionist can be classified as consultative style. The

conversation is about hotel service (between customer and

seller). Angier answered the question from the receptionist in

complete sentence structure. The information being transmitted

is clear.

2) 146-153/Consultative/ 00.10.53-00.11.10

Alley: I‟m Alley, Sorry about the fence. People keep interfering

with our works.

Angier: I‟ve come to see Tesla.

Alley: Why?

Angier: He made a machine for a colleague of mine some time

ago. Can you get me a meeting with him?

Alley: Impossible I‟m afraid.

a. Relevance to the context situation

Angier came to the peak where Tesla did his experiment. He try to

tried to pass the fence, but he hit by electrical power. The guard of

the place (Alley) hear the electrical sound and come to see it. He

found Angier there.

b. Data interpretation

Angier‟s utterance on the conversation can be classified as

consultative style. Angier talk to the stranger. He talk clearly and in

complete sentence form. “He made a machine for a colleague of

mine sometime ago. Can you get me a meeting with him?”. The

sentence contains subject, verb, object, adverb of time. He explain

the reason why he want to meet Tesla.

3) 525-528/Consultative/00.38.14-00.38.23

Mr. Merit: Very nice. Very nice, indeed.

Angier: I haven‟t had the chance to compliment you on your beautiful

theater.

Mr. Merit: it‟ll be a lot more beautiful when it‟s full.

Angier: Don‟t worry.

a. Relevance to the context situation

Angier showed his magic on front of the owner of the theatre, Mr.

Merit. Mr. Merit wanted to know how interesting is Angier magic

show. So he can lend his theatre to Angier. he feels amazed after

Angier show his magic to him.

b. Data interpretation.

According to the conversation, Angier‟s utterance can be classified

as consultative style. Angier don‟t know who is Mr. Merit before. It

means that he talked to a stranger. His sentence is in complete

form, the meaning is clear, and formal enough. The conversation is

about theater lending transaction.

4) 595-607/Consultative/00.42.27-00.42.58

Alley: That a chipper?

Angier: A rotating transposition that shifts every day of the diary.

Simple but time-consuming to translate, even with five-letter

keyword.

Alley: which is?

Angier: we magicians have a circle of trust.

Alley: you have a circle of trust with someone whose diary you stole?

Angier: Maybe I bought it.

Alley: And you‟re hoping to find a great secret in there?

Angier: I‟ve already found it. That‟s why I‟m here. Tesla built one for

another magician.

Alley: Why would you want the same thing?

Angier: Call it professional rivalry.

a. Relevance to the context situation

Alley come to meet Angier in the Hotel. Tesla send him to discuss

about the money which Angier talked before. While having dinner,

they discuss about the Tesla‟s experiment. Angier read the small

book, try to solve the code there. Tesla saw it and ask Angier about

that book. b. Data interpretation

According to the conversation, The utterance can be classified as

consultative style. Angier use complete form sentence. He explain

clearly his point. The information is transferred clearly. There‟s

constant questions and answers on the conversation. Both of

communicants are counterbalancing the conversation.

5) 723-730/Consultative/00.51.13-00.51.35

Tesla: you would be presenting it merely as illusion?

Angier: Well, if people actually believed the things I did on stage they

wouldn't clap, they'd scream. Think of sawing a woman in half.

Tesla: Have you considered the cost of this?

Angier: Price is not an object.

Tesla: Perhaps not, but have you considered the cost?

Angier: I'm not sure I follow.

a. Relevance to the context situation

Angier meet Tesla for the first time. Tesla explains his experiment

a little bit to Angier. Angier ask Tesla to build him a machine for

his magical show. But it seems that Tesla hard to do it. b. Data interpretation

The conversation between Angier and Tesla can be classified as

Consultative style. They never meet before, they don‟t know each

other, it means that the conversation happens between strangers.

The conversation is about transaction about building machine. The

conversation are contains balance questions and answers. The

communicant are counterbalancing each other.

6) 1227-1232/Consultative/01.23.57-01.24.10 Tesla: When I told you I could make you a machine, I spoke a

truth.

Angier: Why isn't it working?

Tesla: Because exact science, Mr. Angier, is not an exact science.

The machine simply does not operate as expected. It requires

further examination.

Angier: So where did my top hat go?

Tesla: Nowhere.

a. Relevance to the context situation

Angier came to the experiment station. He disappointed because

Tesla‟s machine didn‟t work. He come with anger, looking for

Tesla. Finally he meet Tesla. Tesla explain the reasons why the

machine isn‟t working. b. Data interpretation

The conversation above can be classified as consultative. Angier

uses complete sentence form. He asks with polite complete

question, the question is clear. Tesla answers every Angier‟s

question with clear.

7) 1399-1402/Consultative/ 01.37.56-01.38.11

Angier: Are you interested in helping us?

Mr. Ackerman: Yes... but you'll have to dress it up a little. Disguise

it. Give them enough reason to doubt it.

a. Relevance to the context situation

Angier needed a theatre for his magic show. He‟s in Mr.

Ackerman‟s theatre, try to get the attention from the owner. Angier

show his transporter man trick. Mr. Ackerman was so amazed with

that trick. b. Data interpretation

The conversation can be classified to consultative. for Angier, Mr.

Ackerman is a stranger. The conversation is about transaction about

the theatre lending. Angier use formal enough language, but the

point is clear.

1.4. Casual Style

Casual style is defined as a style used in an informal and a relaxed

situation. Casual style is used, for example, between friends or

between family members. Casual style has four characteristics,

namely the use of nickname when addressing one another, the use of

rapid and slurred pronunciation, the use of slang, and the use of non-

standard forms. Another characteristic feature of casual speech is the

omissions of unstressed words, particularly at the beginning of

sentences. There most involved are articles, pronouns, auxiliaries, and

be. “Anybody home?”, “Car broke down”. “Got a match?”, “Need

help?”. Such expressions are a highly diagnostic feature of the casual

style; they will generally be interpreted as signaling informality.

The researcher gives 15 utterance said by Angier that contains

consultative style. The details as follow

Table 2. Casual Style

No Data Utterance 1 178-181 They're all favorites. 2 182-185 You can't for every trick. 3 199-201 …Chung Ling Soo. 4 203-206 Which is? 5 222-224 Hey, Cutter, where's he from? 6 244-248 I can barely lift this thing and it's not even filled with water. Or fish, look. I don't know. Hang on a second. He must be strong as an ox. 7 353-357 And? 8 462-465 Me? Booking? Why? 9 491-495 Yep. OK. This ties up here? 10 516-518 That's bloody marvelous, Cutter 11 579-580 The name stays 12 796-799 All right. Take a good look. Let's get out there and find me. 13 833-836 Well, it has to be. Borden's trick is getting noticed. 14 962-965 Wha...? He's blackmailing us? 15 1031-1035 Yeah, well, he did.

1)178-181/Casual/00.13.30-00.13.41

Borden: Milton has gotten success, whatever that means, so now he's

scared. He won't take any risks at all. He's squandering the

goodwill of his audience with tired, second-rate tricks...

Angier: They're all favorites.

a. Relevance to the context situation

Clutter, Angier, and Borden are on the backstage after Milton‟s

Magic show. They debated about Milton magic show. b. Data interpretation

According to the conversation, Angier‟s utterance can be classify

as Casual style. first reason is Angier did not use complete sentence

form. He is not use protest word to explain his contradiction

argument. Second reason is Angier say his argument when

Borden‟s sentence unfinished.

2) 182-185/Casual/00.13.41-00.13.53

Borden: Give me something fresh. He won't even try a bloody

bullet catch.

Clutter: A bullet catch is suicide. All it takes is some smartass

volunteer to put a button in the barrel.

Borden: Use a plant.

Angier: You can't for every trick.

a. Relevance to the context situation

Clutter, Angier, and Borden are on the backstage after Milton‟s

Magic show. They debated about Milton magic show.

b. Data interpretation

According to the conversation, Angier‟s utterance can be classified

as casual style. Angier don‟t use complete sentence. He did not

explain the reason of his argument.

3). 199-201/Casual/00:14:25-00:14:35

Clutter: If you want to see what it takes to make real magic,go to the

Tenley. There's a Chinaman there and he really has what it

takes.

Angier: Chung Ling Soo.

Borden: I can't afford that.

a. Relevance to the context situation

Clutter, Angier, Borden are debating about magic trick. Clutter

suggest Angier and Borden to come to the magic show at Tenley.

Clutter said that there is the real magic in Tenley.

b. Data interpretation

According to the Conversation, Angier use casual style in his

utterance. He is interrupt clutter‟s words by saying the name of the

magician.

4) 203-206/Casual/00:14:37-00:14:49

Clutter: You two go and see that show, and whichever one of you can

tell me how he does the goldfish bowl trick gets the prize.

Angier: Which is?

Clutter: Ten minutes onstage with my old friend, Mr. Ackerman.

a. Relevance to the context situation

Clutter, Angier, Borden are debating about magic trick. Clutter

suggests Angier and Borden to come to the magic show at Tenley.

Clutter said that there is the real magic in Tenley. b. Data interpretation

According to the conversation above, Angier‟s utterance can be

classified as casual style. The utterance “which is?” that said by

Angier is not a complete interrogative statement.

5) 222-224/00:15:34-00:15:42

Angier: Hey, Cutter, where's he from?

Clutter: Where are you from? He shifts props for Virgil at the hall.

Angier: Worried he'll steal your tricks?

Clutter: Doesn't deal in methods.

a. Relevance to the context situation

After the show, Cutter got angry because in one of their magic trick

Borden did not tie the rope properly. it can be a dangerous error if

the rope is not tied properly. Angier watch them debating each other.

Borden is not agree with Cutter opinion and he go away from there. b. Data interpretation

According to the conversation above, Angier uses casual style in

his utterance. The first reason is Angier use “Hey” to ask a question

to Cutter. Means that their relationship are close enough. The

second reason is Angier said “ worried he‟ll steal your trick?”. That

interrogative question are not in complete form. So that sentence

can be classified as casual style.

6) 244-248/Casual/00:17:04-00:17:24

Angier: I can barely lift this thing and it's not even filled with water.

Or fish, look. I don't know. Hang on a second. He must be

strong as an ox.

Julia: He's been pretending to be a cripple for years

a. Relevance to the context situation

Angier and Julia are in their bedroom. Angier told Julia that he was

watching the magic show of a Chinese magician. He told that the

magician show the very rare magic trick. Angier try to do his magic

trick in front of Julia. b. Data interpretation

According the conversation above, Angier used casual utterance. It

can be proved when Angier told the story in long sentence without

giving Julia time to interrupt.

7) 353-357 /Casual/00:26:42-00:27:00

Angier: Which knot did you tie?

Borden: I keep asking myself that.

Angier: And?

Borden: And. I'm sorry, I just don't know.

Angier: You don't know?

a. Relevance to the context situation

Everyone attend the funeral ceremony of Julia. Angier was there,

watching his beloved woman lie down in the box. Suddenly Borden

came to the funeral ceremony. He is the man that caused Julia dead.

Angier interrogating Borden about the died of Julia. b. Data interpretation

According the conversation above, Utterance that used by Angier

can be classified as casual style. The reason is that the relationship

between Angier and Borden are close enough. Angier is used

“and?” to ask question to Borden. That interrogative sentence are

not in complete form.

8) 462-465/Casual/00:34:35-00:34:45

Clutter: Heard about a booking. Nice little theater. Young, up-and-

coming magician.

Angier: Who?

Clutter: You.

Angier: Me? Booking? Why?

Clutter: I want to keep on working.

a. Relevance to the context situation

Angier is on the coffee shop drinking a glass of coffee. Cutter came

and offered job to Angier. Cutter would to make a magical show.

Angier is the main magician in that show. b. Data interpretation

According to the conversation above, utterance used by Angier is

Casual style. It was proved when Angier said “ Me? Booking?

Why? “ the words is not have a clear form. The information

transmitted by that words is not clear.

9) 491-495/Casual/00:36:09-00:36:20

Angier: And this will conceal, right?

Cutter: Oh, sure.

Cutter: Tighten up on there.

Angier: Yep. OK. This ties up here?

Cutter: Ties in the back.

Angier: Good.

a. Relevance to the context situation

Angier is wearing automatic vest made by Cutter for magic show.

Cutter is trying to help Angier wearing the vest. b. Data interpretation

According the conversation above, Angier used casual style in his

utterance. It can be prove when Angier said “yep”. That word is

slang word. It means that the relationship between Angier and

cutter is close enough.

10) 516-518/Casual/00:37:47-00:37:58

Angier: One...

Cutter: Two...Three.

Angier : That's bloody marvelous, Cutter. a. Relevance to the context situation

Angier is wearing automatic vest made by cutter for magic show.

Cutter are try to help Angier wear the vest. After the vest is set

properly, Cutter instructs Angier to use it ability. Then Angier do

the magic trick with that vest. b. Data interpretation

According the conversation above, Angier used casual style in his

utterance. It can be prove when Angier said “bloody marvelous”.

That word is slang word. It means that the relationship between

Angier and cutter is close enough.

11) 579-580/Casual/00:41:14-00:41:17

Cutter: change the name of the act.

Angier: The name stays.

a. Relevance to the context situation

The Magic Show performed by Angier are collapse. The owner of

the theatre end the contract of the show because he disappointed

with the accident happened in that show. Angier confused, he must

got another job to reach his dream. Cutter suggest Angier to change

his stage name to hide his reputation, but Angier refuse it. b. Data interpretation

According to the conversation above, Angier utterance can be

classified as casual style. The conversation contained emotional

feeling of the characters. It means that the relationships between

them are close enough. Especially for Angier, it can be analyzed

from the form of the sentence. He does not use complete sentence

to declare disagreeing. He did not use “no” when he said “The

name stays”. Although he said “The name stays” is to declare that

he is not agree with cutter opinion about changing the name.

12) 796-799/Casual/00:55:41-00:55:52

Cutter: And the only way that I know how to do it is to find you a

bloody good double.

Angier: All right. Take a good look. Let's get out there and find me.

A. Relevance to the context situation

After three times watched the transporter man show by Borden,

Angier still cannot find the trick of that magic show. Cutter said

that Borden use his twin to help him perform the show, he order

Angier to find man who have face like him. In the beginning,

Angier did not agree with Cutter, but after a lot of explanation from

cutter, Angier follow his suggestion.

B. Data interpretation

The conversation above can be classified as Casual style

conversation. Because it happens between person who know each

other. The conversation also contains slang word “bloody”. Angier

utterance can be classified as Casual style. It can be prove when he

said “Take a good look. Let's get out there and find me”. Means

that he order Cutter to dress up well and accompany Angier to find

the Man. When someone are ordering someone else to dress up, it

means that they have close enough relationship. Someone utterance

can be classified as casual style when the order or talking to

someone that have close enough relationship with them.

13) 833-836/Casual/00:57:57-00:58:08

Wescombe: So, if you come down through there...does Root go up

through there?

Angier: Yep.

Wescombe: It's going to be amazing.

Angier: Well, it has to be. Borden's trick is getting noticed.

A. Relevance to the context situation

Angier practiced his “The new transporter man” trick. He was

helped by his clone to do this trick. When Angier disappeared in

the fast way, His clone come from another place, pretend that he is

Angier. In this trick, Angier jumped the basement pretend that he is

disappear. Angier jumped to the basement, fall down to the

mattress, then Wescombe also jump, to see Angier.

B. Data Interpretation

According the conversation above, Angier utterance can be

classified as casual style. The conversation happened above the

mattress, both of them are lying on it. It reflects that the

conversation is not formal conversation. Angier use “Yep” to

answer Wescombe question. Yep is informal word. That

explanation is enough to conclude that Angier is using Casual style

in his utterance.

14) 962-965/Casual/01:05:49-01:06:02

Angier: We have a problem. Cutter, Borden is performing right

across the street.

Cutter: Yeah, we have a bigger problem. Root. He's realized that

he can make demands.

Angier: Wha...? He's blackmailing us? a. Relevance to the context situation

A minute before perform his show, Angier just know that Borden

are performing in the cross of the street. The bigger problem come

when Cutter said that Root are rebelling the contract. b. Data interpretation

According to the conversation above, Angier uses utterance that

can be classified as casual style. Angier uses informal word when

he said “Wha?”, and uses incomplete sentence when said “he‟s

blackmailing us?”. Proper interrogative sentence usually use is, are,

do, etc before subject. When someone use informal sentence like

that can he can be classified as casual style user.

15) 1031-1035/Casual/01:10:11-01:10:29

Cutter: I don't know how Borden found him. Kept him under

wraps. I was careful.

Angier: Yeah, well, he did.

Cutter: Do you think it was her?

Angier: You weren't expecting me?

a. Relevance to the context situation

Cutter and Angier are confused because Borden knew about

Root. Cutter wondering Borden knew that Root used to help

Angier in his show. Cutter suspicious that Wescombe was help

Borden to found Root.

b. Data interpretation

According the conversation above, Angier used Casual style in

his utterance. It can be proved when Angier said “ Yeah, Well,

he did”. The sentence are unorganized, he did not use properly

ordered sentence. The use of incomplete sentence or

unorganized sentence can be classified as Casual style. It also

can be proved when Cutter ask a question to Angier but he did

not answer it, he just ask another question back to cutter. The

case like this only happened when both of communicators are

knowing each other. So we can conclude that the utterance is

Casual style.

1.5. Intimate

Intimate style is the most casual style, and it is usually used between

family members, couples or lovers, and intimate friends. The

characteristics of this style are the use of private codes, the use of words

signaling intimate relation, the use of rapid and slurred pronunciation,

the use of non-verbal communication, and the use of non-standard

forms. The word that generally signal intimacy such as, “dear”,

“darling”, and even “honey” or “hon” might be used in this situation.

On the other names, nicknames might regularly prove embarrassing to

hearer as well as speakers outside of intimate situations.

The researcher gives 1 utterance said by Angier that contains

Intimate style. The details as follow:

No Data Utterance 1 910-913 Because you're gonna tell him the truth. Hmm? Good girl.

1) 910-913/Intimate/01:02:46- 01:03:05

Angier: He'll want my secret.

Wescombe: Why would he trust me?

Angier: Because you're gonna tell him the truth. Hmm? Good girl.

A. Relevance to context situation

Angier complained about himself to wescombe. He feels that he can‟t

compete with Borden, he can‟t solve the trick of the transporter man.

Wescombe try to support Angier, but Angier wants more, he wants

Wescombe to be his spy. Angier ask Wescombe to steal the secret of

the transporter man trick.

B. Data interpretation

According the conversation above, we can classify Angier utterance as

Intimate style. Angier talk to a woman who have very close relationship

with him. He ask her a very difficult job, they must be have so close

relationship. We can analyze the use of the terms too. Angier use “girl”

to call an adult woman. Kind of nickname like this can be use to call

someone that have so close relationship

Those are all of discussion of 30 data that have been found and classified by the researcher. From 30 data which are taken by the researcher, 15 (50%) data belongs to Casual style, 7 (23,33%) data belongs to Consultative style, 6 (20%) data belongs to Formal style, 1 (3,33%) data belongs to Frozen style, 1 (3, 33%) data belongs to Intimate style.

The data shows that Casual Style is the most dominant language style used by Robert Angier in “The Prestige” movie. It happens because of the characteristic of Robert Angier in movie. Angier always have intense conversation with people he known. He likes to tell about his ambition. He also acts to be friendly to everyone, so he mainly uses causal style in his conversation. He needs to have many friends to reach his ambition.

C. The Application of language style used by Robert Angier on “The

Prestige” movie by Christopher Nolan in Teaching Speaking

Brown (2000:7) explains teaching is guiding and facilitating learning, enabling the learner to learn setting the condition for learning.

Teaching means showing or helping someone to learn how to do something. Providing with knowledge, causing to know or understand, while Bailey (2003:48) stated that speaking is the productive aural/oral skill. It consists of producing systematic verbal utterances to convey

meaning. So the researcher concludes that teaching speaking is the process of guiding and facilitating and moreover helping the learners to get productivity in oral skill.

Language style can be applied in especially in English material. Language style can be applied in teaching speaking class. More specific dealing with formal, consultative and casual way to express sympathy and affection.

To make it more interesting, teacher can use the Prestige movie to show the examples of those expressions. Those expression are taught in X grade semester 2.

The strengths of applying Language style language style used by

Robert Angier on “The Prestige” movie in teaching speaking, the student will not be bored in the learning process because the media of learning the expressions are movie. Basically, everybody loves watching movie.

Mixing with the brief explanation from the teacher, it may create a good result of students learning process. Second, by applying language style used by Robert Angier on “The Prestige” movie by Christopher Nolan in teaching speaking dealing with expression, either students or teachers can be good communicators because they can express what they want to say in appropriate and good language. The weakness of applying language style used by Robert Angier on “The Prestige” movie in teaching speaking lies in the listening skill of the student while watching movie as the media whether students can clearly know what have been said by the character or not.

LESSON PLAN

Senior High School

Class/ Semester: X/2

Time Allocation: 2 x 45 Minutes

Competency Standard

Speaking

Expressing meaning in short functional text and monologue arranged as narrative text, descriptive text and news item in daily life.

Basic Competence

Expressing meaning in short functional text and monologue arranged as narrative text, descriptive text and news item formal and informal by using a variety of spoken language accurately, fluently and acceptable in the context of daily life.

Indicators

1. Give announcement in formal and informal way

2. Deliver spoken invitation in formal and informal way

Learning Objectives

1. Students are able to give announcement in formal and informal way

2. Students are able deliver spoken invitation in formal and informal way

Materials

Short functional text and monologue as follow:

Announcement (Formal/Informal)

-All passengers of Garuda Indonesia flight number 32, please stay on

the line.

-To All members of Group B come to the meeting point, right now!

Invitation (Formal/informal)

-The Director of Coffebuck request presence of Mr. Jackson to the

opening ceremony of branch caffe of coffebuck at Victoria street, 7pm

on Thursday, 1st April 2007

-To Antony, you are invited to my birthday party at Saturday, 1st

November 2007 at 3.pm in Pahlawan Hotel. Please come to my

birthday party.

Teaching Method

Discussion and role play

Meeting 1

Learning Activities :

a. Initial Activities

Greets and absences the students

Tells the aim of teaching learning process

Explain the expression of showing sympathy and showing affection

b. Core Activities

- Exploration

1. Watching and listen to the Prestige movie that played by

teacher.

- Elaboration

1. Identify the expression and the use Language style that

available in the dialogue of The Prestige movie.

2. Identify the Language style used by Robert Angier on The

Prestige movie

3. Practice the expression using the differentiation of those

language style found in movie in front of the class.

- Confirmation

1. Making the announcement and spoken invitation using 5 kind

of language style ( Frozen, Formal, Consultative, Casual,

Intimate) and practice it.

c. Closing Activities

1. Asking the difficulties in the process of learning.

2. Make the conclusion.

Learning Sources

1. LKS Kreatif

2. Movie

3. PPT

Evaluation

a. Technique : Test and Non-test

b. Form : Observation and Practice

c. Instrument: ask the students to practice short functional text and

monologue contains the expression using those language styles

that have studied in front of the class.

Scoring

90-100 = Very good

80-89 = Good

70-79 = Good enough

60-69 = Not good

50-59 = Very poor

CHAPTER V

CONCLUSION AND SUGGESTION

In this chapter, researcher presents the outcomes of the research involving conclusion and suggestion.

A. Conclusion

After getting the data and analyzing it, the researcher can draw

conclusions below:

1. The data are classified into 5 types. From 30 data which are taken by the

researcher, 1 (3,33%) data belongs to Frozen style, 6 (20%) data

belongs to Formal style, 7 (23,33%) data belongs to Consultative style ,

15 (50%) data belongs to Casual style, 1 (3, 33%) data belongs to

Intimate style.

2. The application of this study can be applied in teaching speaking in the

X grade senior high school semester 1. The material which is closely

related with Language style formal and informal short functional text

and monologue. Teacher can use utterances in the movie to teach short

functional text such as announcement, spoken invitation, monologue,

spoken language.

B. Suggestion

Having known the result of the research, the researcher gives some

suggestions for English teachers, students, and next researchers.

1. English teachers

Teacher can apply language style in process of teaching students so

teachers can show students the way how to speak appropriately. This

study also can be teacher‟s source in teaching speaking. More specific

is short functional text and monologue. The use of movie also can

make the learning process more interesting.

2. The students

Student are expected to learn about language style so it can be

applied in their real life. The utterances in the movie also can be their

sources in learning short functional text and monologue in formal and

informal way.

3. Next researcher

Analyzing types of language style is kind of interesting research.

Other research can explore more about language style. This research

may become their reference for their study.

BIBLIOGRAPHY

Alwasilah, A Chaedar. 1993. Linguistik: Suatu Pengantar. 1993. Bandung: Angkasa Arikunto, Suharsimi. 2010. Prosedur Penelitian: Suatu Pendekatan Praktik. Jakarta : PT. Rineka Cipta Brown, Douglas. 2000. Teaching by Principle An Interactive Approach to Language Pedagogy 2th Edition. New York: Longman Biber, Douglas and Edward Finegan. 1994. Sociolinguistic Perspectives on Register. New York: Oxford University Press Chaer, Abdul and Leonie Agustina. 2004. Sosiolingustik: Perkenalan Awal. Jakarta: Rineka Cipta Creswell, John W. 2012. Educational Research Fourth Edition. Boston: Pearson Emilya, Somia. 2010. Language Style in King Speech Movie. Surakarta: UNS Fomkin,Victoria Robert Rodman and Nina Hyams. 2007. An Introduction to Language. Boston: Thomson Wadsworth. Holmes, J. 2001. An Introduction To Sociolinguistics Second Edition. New York: Longman Hornby. 2011. Oxford Advance Learner‟s Dictionary of Current English. New York: Oxford University Press Hudson, RA.1996.Sociolinguistic. Cambridge: University Press Lucas, C , Bailey, R. 2006 Sociolinguistics Variation in American Sign Language. Washington D.C: Gallaudet University Press Jacobs, Christopher. 2000. Film Theory and Approaches to Criticism. New York: Hunnington Manser, H. Martin. 2000. Oxford Learner‟s Pocket Dictionary New Edition. New York: Oxford University Press. Meyerhoff, Meriam. 2006. Introducing Sociolinguistics. New York : Routledge Nazir, Moh. 2005. Metode Penelitian. Bogor : Ghalia Indonesia

Sudjana, Dr. Nana. 2009. Penelitian dan Penilaian Pendidikan. Bandung: Sinar Baru Algesindo Sugiyono. 2011. Metode Penelitian Kuantitatif Kualitatif dan R&D. Bandung : Penerbit Alfabeta Tagliamonte, Sali A. 2006. Analysing Sociolinguistic Variation. Cambridge: Cambridge University Press Wardhaugh, R. 2006. An Introduction to Sociolinguistics 5th Edition. Chicester: Blackwell Zulaekho, Siti. 2011. Language Style of Muluk In Alangkah Lucunya Negeri Ini Movie. Semarang: UNDIP http://www.filmsite.org/genres accessed on October 9th at 20: 00 pm http://www.imdb.com/The Prestige/tt1024255/synopsis accessed on October 12th at 08: 30 am http://chrisnolan.wikia.com/wiki/Robert Angier accessed on October 12th at 09: 14 am

APPENDICES

1 13 00:00:57,072 --> 00:00:58,903 00:01:45,220 --> 00:01:47,017 MAN 1: Are you watching closely? Where do you think you're going?

2 14 00:01:00,642 --> 00:01:03,304 00:01:47,088 --> 00:01:49,454 (CHIRPING) I'm part of the bloody act, you fool.

3 15 00:01:05,713 --> 00:01:10,207 00:01:53,761 --> 00:01:55,490 MAN 2 : Every magic trick consists (LOUD ZAPPING) of three parts, or acts. 16 4 00:02:02,370 --> 00:02:04,838 00:01:10,285 --> 00:01:13,686 The second act is called "the turn." The first part is called "the pledge." 17 5 00:02:04,906 --> 00:02:07,966 00:01:13,755 --> 00:01:17,122 (ZAPPING) The magician shows you something ordinary. 18 00:02:19,320 --> 00:02:22,346 6 The magician takes 00:01:17,192 --> 00:01:20,650 the ordinary something A deck of cards, a bird or a man. 19 7 00:02:23,958 --> 00:02:27,018 00:01:25,433 --> 00:01:27,697 and makes it do (APPLAUSE) something extraordinary.

20 8 00:02:31,533 --> 00:02:35,629 00:01:27,769 --> 00:01:29,703 Now you're looking for the He shows you this object. secret, but you won't find it,

9 21 00:01:29,771 --> 00:01:32,365 00:02:35,703 --> 00:02:39,537 Perhaps he asks you to inspect it, because, of course, you're not really looking. 10 00:01:32,440 --> 00:01:35,466 22 to see that it is indeed real, 00:02:39,607 --> 00:02:41,234 You don't really want to know. 11 00:01:35,543 --> 00:01:38,603 23 unaltered, normal. 00:02:44,379 --> 00:02:46,870 You want to be... fooled. 12 00:01:42,250 --> 00:01:45,151 24 But, of course, it probably isn't. 00:02:48,550 --> 00:02:50,984 But you wouldn't clap yet,

36 25 00:03:34,295 --> 00:03:36,195 00:02:51,052 --> 00:02:55,216 I followed him. because making something disappear isn't enough. 37 00:03:36,264 --> 00:03:39,529 26 It was Borden, 00:02:55,290 --> 00:02:58,885 watching Mr. Angier drown. You have to bring it back. 38 27 00:03:39,601 --> 00:03:43,037 00:03:00,395 --> 00:03:04,161 Would you please describe That's why every magic trick your occupation to the jury, Mr. Cutter. has a third act. 39 28 00:03:43,104 --> 00:03:45,470 00:03:04,232 --> 00:03:05,893 CUTTER : The hardest part. I'm an ingénieur, I design illusions

29 40 00:03:05,967 --> 00:03:08,492 00:03:45,540 --> 00:03:48,703 The part we call... and construct the apparatus necessary for performing them. 30 00:03:08,570 --> 00:03:09,901 41 ..."the prestige." 00:03:48,776 --> 00:03:53,213 So, Mr. Cutter, was this 31 water-filled tank beneath the stage 00:03:09,971 --> 00:03:12,906 (MUFFLED SCREAMING) 42 00:03:53,281 --> 00:03:54,873 32 part of Mr. Angier's illusion? 00:03:20,682 --> 00:03:24,880 MAN :The prestige? And did Robert 43 Angier, the Great Danton, your employer, 00:03:54,949 --> 00:03:58,817 No. The tank was brought 33 on for the first trick 00:03:24,953 --> 00:03:27,387 get to that final part 44 of his trick that night? 00:03:58,886 --> 00:04:00,854 and then taken offstage. 34 00:03:27,455 --> 00:03:29,548 45 - No, sir. Something went wrong. 00:04:00,922 --> 00:04:04,221 - What went wrong? Borden must have placed it under the trap door after the end of it. 35 00:03:30,725 --> 00:03:34,217 46 I saw someone making 00:04:04,292 --> 00:04:05,850 their way below stage. How large was this tank?

47 the trick is worthless. 00:04:05,927 --> 00:04:08,521 It's a normal tank 58 for escape under water, 00:04:31,719 --> 00:04:33,983 How can we know 48 that the tank wasn't simply 00:04:08,596 --> 00:04:10,723 about 400 or 500 gallons. 59 00:04:34,055 --> 00:04:36,523 49 some part of the trick that went wrong? 00:04:10,798 --> 00:04:13,289 How do you think he 60 was able to move the tank 00:04:36,591 --> 00:04:38,650 Mr. Cutter, I see your predicament. 50 00:04:13,368 --> 00:04:15,734 61 under the trap door 00:04:38,726 --> 00:04:41,126 without anyone noticing? But Alfred Borden's life hangs in the balance. 51 00:04:15,803 --> 00:04:18,169 62 - He's a magician, ask him. 00:04:41,195 --> 00:04:44,358 - (LAUGHING) the details to me in private,

52 63 00:04:18,239 --> 00:04:19,331 00:04:44,432 --> 00:04:47,265 MAN : I ask I might be able to judge again, their relevance to the case.

53 64 00:04:19,407 --> 00:04:22,638 00:04:47,335 --> 00:04:49,963 would this man explain the mechanics Might this be an acceptable compromise? of Mr. Angier's illusion. 65 54 00:05:08,256 --> 00:05:11,623 00:04:22,710 --> 00:04:26,043 GUARD : I'm The Real Transported Man is one going to have to ask of the most sought after illusions you to turn out your pockets.

55 66 00:04:26,114 --> 00:04:27,308 00:05:15,763 --> 00:05:19,324 in this business. Not my idea, sir. The warden saw his show in Manchester last year 56 00:04:27,382 --> 00:04:28,940 67 I have the right to sell it on. 00:05:19,400 --> 00:05:21,265 where he vanished into thin air. 57 00:04:29,017 --> 00:04:31,645 68 If I reveal the method here, 00:05:21,336 --> 00:05:23,827

He's convinced he'll try and escape. Five thousand pounds.

69 80 00:05:23,905 --> 00:05:25,702 00:06:05,513 --> 00:06:08,004 (MEN Talk to Fallon, my ingénieur. SHOUTING) Money's for him.

70 81 00:05:27,241 --> 00:05:30,039 00:06:08,082 --> 00:06:11,779 I told him the only way Yes, I did. He offered Borden's going to disappear to sell me your tricks.

71 82 00:05:30,111 --> 00:05:32,545 00:06:11,853 --> 00:06:14,720 is if I leave him out there All except the most valuable with the other inmates. one, The Transported MAN.

72 83 00:05:38,419 --> 00:05:39,750 00:06:14,789 --> 00:06:18,088 Check the locks... Well, I won't forgive myself for selling my greatest trick. 73 00:05:41,456 --> 00:05:43,014 84 ...twice. 00:06:18,159 --> 00:06:19,592 Even for your daughter? 74 00:05:50,098 --> 00:05:52,623 85 OWENS : My 00:06:21,262 --> 00:06:25,596 name is Owens. If you are for the drop, your daughter is going to need looking after. 75 00:05:52,700 --> 00:05:54,964 86 I'm a solicitor. 00:06:25,666 --> 00:06:27,395 Fallon will take care of her. 76 00:05:55,036 --> 00:05:58,699 87 I represent Lord Caldlow, an 00:06:27,468 --> 00:06:29,197 accomplished amateur magician and... Perfect, Fallon.

77 88 00:05:58,773 --> 00:06:01,367 00:06:29,270 --> 00:06:31,295 BORDEN : A man with a past How much? as obscure as your own.

78 89 00:06:01,442 --> 00:06:03,774 00:06:31,372 --> 00:06:36,400 - He is interested... The courts have motioned she be removed - How much for my tricks? from his care. She will be an orphan.

79 90 00:06:03,845 --> 00:06:05,437 00:06:36,477 --> 00:06:38,741

I know you're no stranger - Really? to the workhouse. 102 91 00:07:07,975 --> 00:07:11,502 00:06:39,514 --> 00:06:41,345 On his return, he mounted It's better than here? a version of The Transported Man

92 103 00:06:41,416 --> 00:06:44,647 00:07:11,579 --> 00:07:15,538 I'm offering you a way to wrap up that the papers said was your affairs with dignity. better even than your original.

93 104 00:06:44,719 --> 00:06:46,687 00:07:15,616 --> 00:07:17,811 I'm offering your daughter a future. If you want angier's secrets,

94 105 00:06:46,754 --> 00:06:49,780 00:07:17,885 --> 00:07:22,447 As Lord Caldlow's ward, you go dig him up and ask him yourself. she will want for nothing... 106 95 00:07:22,523 --> 00:07:24,388 00:06:49,857 --> 00:06:51,688 I want your secret, Mr. Borden. ...ever. 107 96 00:07:27,328 --> 00:07:28,761 00:06:51,759 --> 00:06:54,751 Consider your daughter. Well, think it over. 108 97 00:07:36,204 --> 00:07:38,172 00:06:54,829 --> 00:06:58,595 ANGIER : And Lord Caldlow A cipher, would like you to have this, 109 98 00:07:38,239 --> 00:07:40,264 00:06:58,666 --> 00:07:01,191 an enigma... as a show of good faith. It might be of interest. 110 00:07:42,176 --> 00:07:44,007 99 ... a search, 00:07:01,269 --> 00:07:04,796 Robert Angier's diary, including 111 the time he spent in Colorado 00:07:44,078 --> 00:07:45,067 a search for answers. 100 00:07:04,872 --> 00:07:06,134 112 learning your trick. 00:07:52,753 --> 00:07:56,553 Even if Colorado 101 is the end of my journey, 00:07:06,207 --> 00:07:07,902 - He never learned it. 113

00:07:56,624 --> 00:07:59,821 it'll take much longer to unravel 125 00:09:17,505 --> 00:09:20,997 114 Your telegram didn't indicate 00:07:59,894 --> 00:08:01,794 how long you'd be staying with us. the rest of Borden's secrets. 126 115 00:09:21,075 --> 00:09:22,702 00:08:03,931 --> 00:08:05,831 As long as it takes. See, the cipher in his notebook is 127 116 00:09:22,777 --> 00:09:26,042 00:08:05,900 --> 00:08:08,391 I will need a coach tomorrow unlocked by a single word, to take me up the mountain.

117 128 00:08:08,469 --> 00:08:11,438 00:09:26,113 --> 00:09:27,842 but it will still take months Well, the peak's closed, sir. to translate his writing. 129 118 00:09:27,915 --> 00:09:29,746 00:08:11,506 --> 00:08:14,270 For scientific experimentation. And to know his mind. 130 119 00:09:29,817 --> 00:09:31,785 00:08:17,211 --> 00:08:19,543 Yes, I know. Well, my passion is equal to the task. 131 120 00:09:31,852 --> 00:09:33,149 00:08:32,627 --> 00:08:36,154 That's why I'm here. MAN : Mr. Angier, welcome 132 to Colorado Springs. 00:09:40,394 --> 00:09:42,624 Whoa. Whoa. 121 00:08:51,546 --> 00:08:54,606 133 - The whole town has electricity. 00:09:44,332 --> 00:09:47,267 - Yes, sir. (DRIVER) You'll have to walk 122 the rest, I'm afraid, sir. 00:09:11,799 --> 00:09:13,289 Well... 134 00:09:59,180 --> 00:10:03,514 123 00:09:14,857 color="#D900D9">(RUMBLING) ...quite a reception. 135 124 00:10:11,325 --> 00:10:14,817 00:09:14,936 --> 00:09:17,427 (RUMBLING You're our first guest CONTINUES) of the season, Mr. Angier.

136 00:10:57,772 --> 00:11:00,434 00:10:17,565 --> 00:10:19,726 - I've come to see Tesla. - (ELECTRICAL - Why? ZAPPING) - (GROANS) 148 00:11:00,508 --> 00:11:04,569 137 He made a machine 00:10:19,800 --> 00:10:22,792 for a colleague of mine some time ago. (DOOR SLAMS) 149 00:11:04,645 --> 00:11:08,137 138 - Can you get me a meeting with him? 00:10:22,870 --> 00:10:26,033 - Impossible, I'm afraid. MAN : I'm amazed how many 150 of you newspaper writers 00:11:08,215 --> 00:11:10,445 I've brought a lot of money. 139 00:10:26,107 --> 00:10:28,166 151 can't read my sign. 00:11:10,518 --> 00:11:12,179 I'm sorry, Mr. Angier. 140 00:10:32,913 --> 00:10:35,507 152 Not the welcome I was expecting. 00:11:13,254 --> 00:11:15,814 I simply can't help. 141 00:10:38,486 --> 00:10:40,545 153 I know you. 00:11:16,991 --> 00:11:20,119 I'll be staying 142 at the hotel, indefinitely. 00:10:44,525 --> 00:10:46,049 You're the Great Danton. 154 00:11:23,464 --> 00:11:25,557 143 Hey, what am I holding? 00:10:46,127 --> 00:10:48,425 I saw your show in London. 155 00:11:25,633 --> 00:11:26,930 144 Your watch. 00:10:48,496 --> 00:10:51,260 Seven times you guessed every object 156 00:11:31,739 --> 00:11:35,231 145 ANGIER : 00:10:51,332 --> 00:10:53,562 Borden's journal the audience had in their pockets. entry for April 3, 1897,

146 157 00:10:53,634 --> 00:10:57,695 00:11:35,309 --> 00:11:37,402 I'm Alley. Sorry about the fence. describes a show People keep interfering with our work. at the Orpheum Theatre.

147 158

00:11:37,478 --> 00:11:40,379 bind her feet... That was just days after he first met me. 169 00:12:12,913 --> 00:12:15,438 159 ...around the ankle. 00:11:43,117 --> 00:11:46,484 BORDEN 170 : We were two young men 00:12:15,516 --> 00:12:17,609 at the start of a great career, Are either of you two gentlemen sailors?

160 171 00:11:46,554 --> 00:11:48,886 00:12:17,685 --> 00:12:19,516 two young men devoted to an illusion, - No. - No. 161 00:11:48,956 --> 00:11:51,516 172 two young men who never 00:12:20,321 --> 00:12:23,415 intended to hurt anyone. I'm sure you can both tie a strong knot.

162 173 00:11:51,592 --> 00:11:53,355 00:12:31,432 --> 00:12:33,263 MAN : Which (DRUM TAPPING of you brave souls CONTINUES)

163 174 00:11:53,427 --> 00:11:56,157 00:13:01,195 --> 00:13:03,891 is willing to bind (STOPWATCH this lovely young woman? TICKING)

164 175 00:11:56,230 --> 00:11:57,857 00:13:03,964 --> 00:13:07,627 (DRUM color="#D900D9">(SHOUTING) ROLL)

165 176 00:11:57,932 --> 00:11:59,866 00:13:16,944 --> 00:13:19,504 MAN : Me! (APPLAUSE) 166 00:11:59,934 --> 00:12:02,835 177 - 00:13:30,115 color="#D900D9">(APPLAUSE) He's complacent, - (DRUM he's predictable, he's boring. TAPS) 178 167 00:13:30,191 --> 00:13:32,751 00:12:08,342 --> 00:12:09,866 Milton has gotten success, If you would tie her wrists, whatever that means,

168 179 00:12:10,478 --> 00:12:12,844 00:13:32,827 --> 00:13:36,058

so now he's scared. 00:14:04,358 --> 00:14:06,553 He won't take any risks at all. Then you sell it to him for a small fortune. 180 00:13:36,130 --> 00:13:39,190 191 He's squandering the goodwill 00:14:06,627 --> 00:14:09,721 of his audience with tired, - What? - I suppose you have such a trick? 181 00:13:39,266 --> 00:13:41,860 192 - second-rate tricks... 00:14:09,797 --> 00:14:12,357 - They're all favorites. - I sure do. - Would you care to sell it to me? 182 00:13:41,936 --> 00:13:45,428 193 Give me something fresh. 00:14:12,433 --> 00:14:14,025 He won't even try a bloody bullet catch. No. No one else can do my trick.

183 194 00:13:45,506 --> 00:13:47,337 00:14:14,101 --> 00:14:16,228 A bullet catch is suicide. - Any trick can be duplicated. - Wrong. 184 00:13:47,408 --> 00:13:51,401 195 All it takes is some smartass 00:14:16,303 --> 00:14:20,034 volunteer to put a button in the barrel. If Mr. Borden has invented his masterpiece, 185 00:13:51,478 --> 00:13:53,742 196 - Use a plant. 00:14:20,107 --> 00:14:22,007 - You can't for every trick. he's prepared to do it.

186 197 00:13:53,814 --> 00:13:55,782 00:14:22,076 --> 00:14:24,203 No seats left for the punters. Milton is a showman, but Borden is right, 187 00:13:55,850 --> 00:13:59,650 198 All right, no bullet catch, whatever, 00:14:24,278 --> 00:14:25,905 but the point is a real magician he won't get his hands dirty.

188 199 00:13:59,720 --> 00:14:01,347 00:14:25,980 --> 00:14:29,541 tries to invent something new If you want to see what it takes to make real magic, 189 00:14:01,422 --> 00:14:04,289 200 that other magicians will 00:14:29,617 --> 00:14:33,451 scratch their heads over. go to the Tenley. There's a Chinaman there and he really has what it takes. 190

201 and Julia's on the hoist, 00:14:33,520 --> 00:14:35,750 - Chung Ling Soo. 212 - I can't afford that. 00:15:02,783 --> 00:15:03,875 she'll break her leg. 202 00:14:35,823 --> 00:14:37,552 213 I know the bloke run the door. 00:15:03,951 --> 00:15:05,578 It's the wrong knot. 203 00:14:37,625 --> 00:14:41,959 214 You two go and see that show, and 00:15:05,653 --> 00:15:08,520 whichever one of you can tell me Like I said, the Langford double will hold tighter. 204 00:14:42,029 --> 00:14:45,123 215 how he does the goldfish bowl 00:15:08,589 --> 00:15:12,116 trick gets the prize. The Langford double isn't a wet knot. It's too dangerous. 205 00:14:45,199 --> 00:14:47,463 216 - Which is? 00:15:12,192 --> 00:15:14,422 - Ten minutes onstage If the rope swells, she can't slip it.

206 217 00:14:47,534 --> 00:14:49,365 00:15:14,495 --> 00:15:17,726 with my old friend, Mr. Ackerman. - I can slip a Langford underwater. - We can practice. 207 00:14:49,436 --> 00:14:50,869 218 - Really? 00:15:17,798 --> 00:15:21,734 - Who's Ackerman? - Borden, he said no. - Oh, you know knots better than me? 208 00:14:50,938 --> 00:14:53,998 219 The top theatrical agent in London. 00:15:21,802 --> 00:15:23,793 Listen, no more mistakes. 209 00:14:54,074 --> 00:14:57,066 220 - I saw you drop the knot again. 00:15:23,871 --> 00:15:26,567 - WOMAN : I All right. Yeah? Do you? turned my wrists. You want to take over?

210 221 00:14:57,144 --> 00:14:59,772 00:15:26,640 --> 00:15:29,575 Some nights you - Just leave. just don't get it, do you? - I didn't think so.

211 222 00:14:59,847 --> 00:15:02,714 00:15:34,014 --> 00:15:35,845 I mean, if that knot slips Hey, Cutter, where's he from?

(ORIENTAL- 223 SOUNDING GUITAR 00:15:35,916 --> 00:15:39,215 STRUMMING) Where are you from? He shifts props for Virgil at the hall. 234 00:16:23,664 --> 00:16:28,328 224 (SNARE DRUM 00:15:39,286 --> 00:15:42,449 ROLL) - Worried he'll steal your tricks? - Doesn't deal in methods. 235 00:16:36,010 --> 00:16:38,444 225 ANGIER : 00:15:42,523 --> 00:15:45,583 You're wrong. It can't be. - How do you know? - Because I hired him 236 00:16:38,512 --> 00:16:42,243 226 - Look at the man. 00:15:45,659 --> 00:15:48,890 - This is the trick. to find out how Virgil does the orange trick. 237 00:16:42,316 --> 00:16:44,341 227 This is the performance. Right here. 00:15:48,963 --> 00:15:51,295 - I don't trust him. 238 - He's a natural magician. 00:16:44,418 --> 00:16:46,784 This is why no one 228 can detect his method. 00:15:51,365 --> 00:15:53,458 'Course you can't trust him. 239 00:16:48,555 --> 00:16:50,147 229 Total devotion to his art. 00:15:53,534 --> 00:15:54,899 I think he's all right. 240 00:16:51,158 --> 00:16:52,887 230 A lot of self-sacrifice. 00:15:54,969 --> 00:15:57,301 - You think everyone's all right. 241 - Even you. 00:16:52,960 --> 00:16:55,326 You know. 231 00:15:57,371 --> 00:16:01,205 242 Watch your sightlines. If I can see you 00:16:55,396 --> 00:16:58,092 kiss your wife's leg every night, It's the only way to escape...

232 243 00:16:01,275 --> 00:16:03,937 00:16:58,165 --> 00:17:00,599 so can the blokes at the ends ...all this, you know? of rows three and four! 244 233 00:17:04,371 --> 00:17:08,068 00:16:18,225 --> 00:16:22,719 I can barely lift this thing

and it's not even filled with water. 256 245 00:17:46,080 --> 00:17:48,344 00:17:09,710 --> 00:17:12,042 I thought of a name for you. Or fish, look. 257 246 00:17:49,716 --> 00:17:53,208 00:17:12,112 --> 00:17:14,376 - The Great Danton. I don't know. Hang on a second. - (CHUCKLES) 247 00:17:16,316 --> 00:17:19,012 258 He must be strong as an ox. 00:17:53,287 --> 00:17:56,256 Do you like it? But it's sophisticated. 248 00:17:21,655 --> 00:17:24,488 259 He's been pretending 00:17:56,323 --> 00:17:57,756 to be a cripple for years. It's French.

249 260 00:17:24,558 --> 00:17:28,153 00:18:03,730 --> 00:18:07,894 Any time he's in public, ANGIER : any time he goes out. It's unthinkable. Borden writes as if no one but he understood the true nature of magic. 250 00:17:28,228 --> 00:17:31,163 261 Borden saw it at once. 00:18:13,540 --> 00:18:16,270 But I couldn't fathom it. But what does he know of self- sacrifice? 251 00:17:31,231 --> 00:17:34,098 262 Living my whole life 00:18:21,381 --> 00:18:23,508 pretending to be someone else. You bloody fool.

252 263 00:17:34,168 --> 00:17:35,897 00:18:26,920 --> 00:18:29,047 You are pretending. (APPLAUSE) 253 00:17:35,969 --> 00:17:37,994 264 I don't think changing a name compares. 00:18:51,078 --> 00:18:54,673 - (WHIMPERING) 00:17:38,072 --> 00:17:40,540 He killed it. Not your name. Who you are - It's OK. and where you're from. 265 255 00:18:54,748 --> 00:18:58,582 00:17:40,607 --> 00:17:44,566 - He killed it. I promised I wouldn't embarrass - He didn't. my family with my theatrical endeavors.

266 278 00:19:02,656 --> 00:19:04,351 00:20:12,025 --> 00:20:13,822 Look, now he'll bring it back. Never show anyone.

267 279 00:19:06,593 --> 00:19:09,528 00:20:13,894 --> 00:20:16,624 - No, he killed it. They'll beg you - No, he didn't. and flatter you for the secret,

268 280 00:19:11,865 --> 00:19:15,460 00:20:16,697 --> 00:20:20,189 (APPLAUSE but as soon as you give it up, CONTINUES) you'll be nothing to them.

269 281 00:19:17,838 --> 00:19:20,807 00:20:20,267 --> 00:20:22,531 Look, see, he's all right. He's fine. You understand? Nothing.

270 282 00:19:20,874 --> 00:19:24,970 00:20:22,603 --> 00:20:25,663 - Look at him. The secret impresses no one. - But where's his brother? 283 271 00:20:25,739 --> 00:20:29,334 00:19:27,681 --> 00:19:30,946 The trick you use it for is everything. He's a sharp lad, your son. 284 272 00:20:33,580 --> 00:20:36,515 00:19:31,018 --> 00:19:33,612 Well, thank you for lunch, Mr. Borden. Oh, he's my nephew. 285 273 00:20:36,583 --> 00:20:38,073 00:19:33,687 --> 00:19:35,177 You're welcome. Ah. 286 274 00:20:39,519 --> 00:20:41,180 00:19:35,255 --> 00:19:39,351 Alfred, it's Alfred. (CHIRPING) 287 275 00:20:41,255 --> 00:20:42,847 00:19:39,426 --> 00:19:40,916 Alfred. You're the lucky one today. 288 276 00:20:42,923 --> 00:20:45,892 00:20:01,515 --> 00:20:04,678 So I could use a cup of tea. Are you watching closely? 289 277 00:20:45,959 --> 00:20:49,486 00:20:07,454 --> 00:20:08,944 I can't allow... Look closer. It's the landlord. It's not...

290 00:22:01,501 --> 00:22:03,469 00:20:50,931 --> 00:20:54,162 They've been sold to a Lord Caldlow. You think that's... is that enough to keep me out? 302 00:22:03,537 --> 00:22:06,301 291 An avid collector, 00:20:54,234 --> 00:20:57,465 very interested in the case. (CHUCKLING) I 303 think so. 00:22:06,373 --> 00:22:08,864 Yeah. Well, don't let him take this. 292 00:20:58,472 --> 00:21:00,064 304 So I'll see you again? 00:22:08,942 --> 00:22:11,740 - Why ever not? 293 - It's too dangerous. 00:21:09,283 --> 00:21:11,774 Milk and sugar? 305 00:22:11,812 --> 00:22:13,973 294 I'm sure beneath its bells and whistles 00:21:32,873 --> 00:21:34,841 What's in there? 306 00:22:14,047 --> 00:22:16,345 295 it's got a simple 00:21:34,908 --> 00:21:36,842 and disappointing trick. Angier's machine. 307 296 00:22:16,416 --> 00:22:18,850 00:21:45,419 --> 00:21:47,046 The most disappointing of all, sir. You built this, Mr. Cutter? 308 297 00:22:21,021 --> 00:22:22,716 00:21:47,120 --> 00:21:49,987 It has no trick. Oh, no, sir. This wasn't built by a magician. 309 00:22:25,158 --> 00:22:26,750 298 It's real. 00:21:50,057 --> 00:21:52,082 This was built by a wizard. 310 00:22:27,928 --> 00:22:29,793 299 (SCOFFS) 00:21:52,159 --> 00:21:57,153 A man who can actually do 311 what magicians pretend to do. 00:22:29,863 --> 00:22:32,161 This is the tank Angier drowned in? 300 00:21:57,230 --> 00:22:01,428 312 Tell me, Your Honor, what happens 00:22:32,232 --> 00:22:34,291 with these things after the trial? Yes.

301 313

00:22:34,368 --> 00:22:36,529 00:23:06,900 --> 00:23:08,868 This is the... There was an audience.

314 326 00:22:36,603 --> 00:22:39,663 00:23:09,703 --> 00:23:11,762 ...place where the performer's You see, this water tank hand reaches through 327 315 00:23:11,838 --> 00:23:15,274 00:22:39,740 --> 00:22:41,002 was of particular significance to the trick padlock. to these two men.

316 328 00:22:41,074 --> 00:22:43,338 00:23:16,576 --> 00:23:19,101 A standard magical Particularly awful significance. apparatus for escapes? 329 317 00:23:22,015 --> 00:23:27,009 00:22:43,410 --> 00:22:45,901 MILTON : Yeah, with one important difference. Which of you brave souls is willing to bind this lovely young woman? 318 00:22:45,979 --> 00:22:48,004 330 This isn't a trick lock. 00:23:27,087 --> 00:23:29,521 (DRUM 319 TAPS) 00:22:48,081 --> 00:22:50,049 It's been switched for a real one. 331 00:23:29,589 --> 00:23:31,079 320 If you would tie her wrists, 00:22:50,117 --> 00:22:52,085 What a way to kill someone. 332 00:23:31,158 --> 00:23:33,319 321 bind her feet around the ankle. 00:22:52,152 --> 00:22:54,848 They're magicians, Your Honor. 333 00:23:46,540 --> 00:23:49,134 322 - Are either of you gentlemen sailors? 00:22:54,921 --> 00:23:00,325 - No. Showmen, men who live by dressing up plain and sometimes brutal truths, 334 00:23:49,209 --> 00:23:51,040 323 00:23:03,491 color="#D900D9">(LAUGHTER) to amaze, to shock. 335 324 00:23:51,111 --> 00:23:53,306 00:23:03,563 --> 00:23:05,724 I'm sure you can both tie a strong knot. Even without an audience? 336 325 00:24:06,293 --> 00:24:08,193

(MILTON 00:26:14,387 --> 00:26:18,289 CLAPS) but it took him five minutes to cough.

337 349 00:24:25,212 --> 00:24:27,544 00:26:18,358 --> 00:26:20,383 (STOPWATCH He said it was like... TICKING) 350 338 00:26:20,460 --> 00:26:22,291 00:24:29,416 --> 00:24:33,352 ...going home. (DRUM ROLL) 351 00:26:27,634 --> 00:26:29,966 339 What do you want, Borden? 00:24:47,334 --> 00:24:48,426 (GASPS) 352 00:26:36,776 --> 00:26:38,801 340 I'm sorry for your loss, Angier. 00:24:48,502 --> 00:24:49,696 Robert! 353 00:26:42,616 --> 00:26:44,675 341 Which knot did you tie? 00:25:11,858 --> 00:25:13,257 No, no. 354 00:26:47,821 --> 00:26:50,756 342 I keep asking myself that. 00:25:17,230 --> 00:25:19,755 Julia. Julia! 355 00:26:50,824 --> 00:26:52,815 343 - And? 00:25:45,725 --> 00:25:47,852 - And... (GASPS) 356 344 00:26:54,561 --> 00:26:57,428 00:26:04,444 --> 00:26:07,311 I'm sorry, I just don't know. CUTTER : I knew an old sailor once. 357 00:26:59,499 --> 00:27:00,989 345 You don't know? 00:26:07,380 --> 00:26:10,281 They told me he went overboard, 358 00:27:02,836 --> 00:27:04,770 346 I'm sorry. 00:26:10,350 --> 00:26:12,443 tangled in the sails. 359 00:27:05,739 --> 00:27:08,333 347 You don't know? 00:26:12,519 --> 00:26:14,316 They pulled him out, 360 00:27:11,945 --> 00:27:14,140 348 You don't know?!

361 372 00:27:20,420 --> 00:27:23,753 00:27:53,920 --> 00:27:56,821 - Alfred? Oh, my God. - Good news. We got our first booking. 373 362 00:27:56,890 --> 00:27:59,723 00:27:24,224 --> 00:27:26,158 We should have told Fallon. I don't think we've had the pleasure. That is great.

363 374 00:27:26,226 --> 00:27:29,252 00:27:59,793 --> 00:28:02,261 - Mr. Fallon is my ingénieur. Oh, come here. - Where did you get all...? 375 364 00:28:02,328 --> 00:28:05,297 00:27:29,329 --> 00:27:33,322 (CHUCKLING) - He's a very enterprising soul Oh.

365 376 00:27:33,400 --> 00:27:35,197 00:28:05,365 --> 00:28:06,889 is... is Mr. Fallon. So... Alfred, what is this?

366 377 00:27:35,268 --> 00:27:38,704 00:28:06,966 --> 00:28:11,130 - We can't afford to pay him. Oh, this is just the trick to work - The money will come with the audience. Ackerman up at the end of my act.

367 378 00:27:38,772 --> 00:27:42,469 00:28:11,204 --> 00:28:13,900 But what about until then? Is it the masterpiece, the great trick? What I earn, it's barely enough for us. 379 368 00:28:13,973 --> 00:28:16,737 00:27:42,542 --> 00:27:46,501 No, no, no, the world is Don't worry about it. I'll share not ready for that one yet. half my food with him or something. 380 369 00:28:16,810 --> 00:28:21,144 00:27:46,579 --> 00:27:49,548 This is just your run-of-the-mill, You're going to be daring, spectacular bullet catch. doing that with someone else. 381 370 00:28:21,214 --> 00:28:23,739 00:27:49,616 --> 00:27:51,516 - A bullet catch. No. You're... - Yeah, but it's safe.

371 382 00:27:51,584 --> 00:27:53,848 00:28:23,817 --> 00:28:26,115 Having a baby. I promise. Look.

383 394 00:28:28,488 --> 00:28:30,752 00:29:06,659 --> 00:29:07,785 - Shoot me. Wadding. - Shoot you? 395 384 00:29:09,429 --> 00:29:11,522 00:28:30,824 --> 00:28:32,052 Then the bullet. Go on, shoot me. 396 385 00:29:12,132 --> 00:29:13,861 00:28:34,561 --> 00:28:36,586 Ramrod. - Right there. - No, I can't. 397 00:29:18,571 --> 00:29:20,562 386 Hold out your hand. 00:28:36,663 --> 00:28:39,223 No, no, not there. 398 Shoot me here. Don't... 00:29:22,642 --> 00:29:26,578 The bullet is not even in the 387 gun when the charge is fired. 00:28:43,470 --> 00:28:46,337 - (LAUGHS) 399 - How's that? 00:29:26,646 --> 00:29:30,412 Once you know, 388 it's actually very obvious. 00:28:46,406 --> 00:28:49,739 That's very good. Tell me how you do it. 400 00:29:31,484 --> 00:29:33,475 389 Well, I mean, you still get... 00:28:49,809 --> 00:28:50,935 No, I can't do that. 401 00:29:33,553 --> 00:29:35,145 390 It's dangerous. 00:28:53,012 --> 00:28:55,879 - Well, then you can't do it. 402 - I can't do it? 00:29:35,221 --> 00:29:37,416 - People still get killed doing that. 391 - How? 00:28:55,949 --> 00:28:59,282 I'm sorry, but I can't 403 raise a child on my own. 00:29:37,490 --> 00:29:40,220 You get some smartass who 392 could put a penny or a button 00:28:59,352 --> 00:29:01,684 You don't tell anybody that I told you. 404 00:29:40,293 --> 00:29:43,626 393 or, God forbid, Sarah, somebody 00:29:01,755 --> 00:29:04,087 could put a bullet down there. - OK. - Gunpowder. 405

00:29:43,696 --> 00:29:46,893 00:30:23,436 --> 00:30:24,869 Don't worry. Don't worry, All right.

406 417 00:29:46,966 --> 00:29:50,231 00:30:41,054 --> 00:30:43,784 because I'm not gonna let (BOOING) anything happen. 418 407 00:30:43,857 --> 00:30:47,156 00:29:50,303 --> 00:29:53,170 BORDEN : Everything's gonna Metal rings, be all right because... ladies and gentlemen.

408 419 00:29:54,541 --> 00:29:57,806 00:30:47,227 --> 00:30:49,889 ...I love you very much. If there are any ladies and gentlemen here. 409 00:30:00,446 --> 00:30:03,745 420 - Say it again. 00:30:49,963 --> 00:30:53,330 - I love you. - Solid metal. - MAN : Seen 410 that already. 00:30:04,818 --> 00:30:07,286 - Not today. 421 - What? 00:30:57,070 --> 00:30:59,061 (BOOING) 411 00:30:07,353 --> 00:30:10,516 422 Well, some days it's not true, 00:31:03,977 --> 00:31:05,069 and today you don't mean it. Who threw that?

412 423 00:30:10,590 --> 00:30:13,821 00:31:08,982 --> 00:31:13,385 Maybe today you're more (BOOING in love with magic than me. CONTINUES)

413 424 00:30:13,893 --> 00:30:16,521 00:31:21,661 --> 00:31:23,458 I like being able This is what you came for, is it? to tell the difference. 425 414 00:31:27,300 --> 00:31:28,790 00:30:16,596 --> 00:30:19,394 So... It makes the days it is true 426 415 00:31:29,903 --> 00:31:31,803 00:30:19,465 --> 00:30:21,797 ...who wants to volunteer? mean something. 427 416 00:31:31,871 --> 00:31:33,634

- MAN : I do! MAN 2 : color="#D900D9">(GROANING) Me! 439 428 00:32:48,748 --> 00:32:52,411 00:31:33,706 --> 00:31:37,039 BORDEN He came in to demand color="#D900D9">(SHOUTING) an answer, and I told him the truth.

429 440 00:31:41,381 --> 00:31:42,439 00:32:52,485 --> 00:32:55,648 Me. That I have fought with myself over that night, 430 00:31:44,217 --> 00:31:46,276 441 Me. 00:32:55,722 --> 00:32:59,055 one half of me swearing blind 431 that I tied a simple slipknot, 00:31:50,790 --> 00:31:52,917 (AUDIENCE 442 SILENT) 00:32:59,125 --> 00:33:02,492 the other half convinced 432 that I tied the Langford double. 00:31:59,699 --> 00:32:02,190 Are you man enough, sir? 443 00:33:02,562 --> 00:33:04,587 433 I can never know for sure. 00:32:07,173 --> 00:32:09,004 Yes. 444 00:33:07,533 --> 00:33:09,797 434 How can he not know! 00:32:19,786 --> 00:32:21,845 Which knot did you tie, Borden? 445 00:33:09,869 --> 00:33:11,632 435 ANGIER : 00:32:28,061 --> 00:32:30,325 How can he not know? Which knot did you tie, Borden? 446 436 00:33:13,272 --> 00:33:15,763 00:32:31,497 --> 00:32:33,192 He must know what he did. I don't know. 447 437 00:33:15,842 --> 00:33:17,241 00:32:35,969 --> 00:32:38,494 He must. - (GUNSHOT) 448 - (GASPS) 00:33:19,879 --> 00:33:21,870 Sarah, that bloody hurts. 438 00:32:38,571 --> 00:32:42,007 449 00:33:22,582 --> 00:33:25,210

I don't understand 460 how it can be bleeding again. 00:34:25,078 --> 00:34:28,275 I never thought I'd find an answer 450 at the bottom of a pint glass. 00:33:25,284 --> 00:33:27,718 It's as bad as the day it happened. 461 00:34:28,347 --> 00:34:29,939 451 Hasn't stopped your looking. 00:33:29,455 --> 00:33:33,391 - We have to get a doctor back. 462 - We can't afford the doctor back. 00:34:35,154 --> 00:34:38,021 Heard about a booking. 452 Nice little theater. 00:33:33,459 --> 00:33:34,892 (BABY 463 CRIES) 00:34:38,091 --> 00:34:40,924 - Young, up-and-coming magician. 453 - Who? 00:33:34,961 --> 00:33:38,556 - You've woken her. 464 - Great. 00:34:40,993 --> 00:34:43,723 - You. 454 - Me? Booking? Why? 00:33:38,631 --> 00:33:41,532 I'm sorry, I need this to heal 465 so I can get back to work. 00:34:43,796 --> 00:34:45,889 I want to keep on working. 455 00:33:41,601 --> 00:33:45,367 466 You've got to face things. What tricks 00:34:45,965 --> 00:34:49,196 can you perform with this injury? Who's going to hire the ingénieur that killed Julia McCullough 456 00:33:45,438 --> 00:33:48,896 467 I can do car pulls. 00:34:49,268 --> 00:34:51,395 I can do some prop tricks. in front of a sellout crowd at the Orpheum? 457 00:33:48,975 --> 00:33:53,344 468 I can still do that. I can do 00:34:52,171 --> 00:34:54,366 the trick I've been telling you about. Someone who knows it wasn't your fault.

458 469 00:33:53,413 --> 00:33:55,540 00:34:54,440 --> 00:34:57,932 The one that they're Someone who knows Alfred Borden gonna remember me for. and his repertoire of exotic knots.

459 470 00:33:57,917 --> 00:33:59,509 00:34:58,010 --> 00:35:01,537 Come on. I hear he had a spot of bad luck catching a bullet south of the river.

- Not like this. 471 - I don't want to kill doves. 00:35:01,614 --> 00:35:04,412 That's a dangerous trick, that one. 483 00:35:39,619 --> 00:35:41,484 472 Then stay off the stage. 00:35:09,622 --> 00:35:11,590 We'll have to whitewash the windows, 484 00:35:41,554 --> 00:35:43,249 473 You're a magician, not a wizard. 00:35:11,657 --> 00:35:15,354 confound the more curious 485 members of the public, but it will do. 00:35:43,322 --> 00:35:47,190 You got to get your hands dirty, if 474 you're going to achieve the impossible. 00:35:15,428 --> 00:35:17,123 (STOMPS ON 486 FLOOR) 00:35:48,661 --> 00:35:51,027 In here, Miss Wenscombe. 475 00:35:17,196 --> 00:35:20,825 487 - We should see about an assistant. 00:35:51,097 --> 00:35:55,557 - I've made some arrangements. No point in meeting Mr. Angier if you don't fit. On the right. 476 00:35:21,734 --> 00:35:23,497 488 You settled on a name? 00:35:58,738 --> 00:36:00,763 - What's so hard about this? 477 - Nothing. 00:35:24,403 --> 00:35:26,064 Yes, I have. 489 00:36:00,840 --> 00:36:03,365 478 You're going... down here. 00:35:26,139 --> 00:35:28,004 The Great Danton. 490 00:36:03,442 --> 00:36:09,108 479 (INDISTINCT 00:35:28,074 --> 00:35:30,599 TALKING) It's a bit old-fashioned, isn't it? 491 480 00:36:09,182 --> 00:36:12,049 00:35:32,011 --> 00:35:34,241 - And this will conceal, right? No, it's sophisticated. - Oh, sure.

481 492 00:35:34,313 --> 00:35:37,077 00:36:12,718 --> 00:36:14,310 The birdcage can't be - Tighten up on there. our climax. Everybody knows it. - Yep.

482 493 00:35:37,150 --> 00:35:39,550 00:36:14,387 --> 00:36:15,411

OK. 505 00:37:01,500 --> 00:37:03,024 494 Yep. 00:36:17,523 --> 00:36:18,581 This ties up here? 506 00:37:04,837 --> 00:37:06,532 495 - Under? 00:36:18,658 --> 00:36:20,057 - Under, yeah. - Ties in the back. - Good. 507 00:37:08,107 --> 00:37:09,404 496 Come around his foot. 00:36:26,132 --> 00:36:28,327 Breathe as little as possible. 508 00:37:09,475 --> 00:37:10,908 497 - Careful. 00:36:34,840 --> 00:36:37,468 - It's all right. Now, you see? 509 498 00:37:27,360 --> 00:37:31,694 00:36:37,543 --> 00:36:38,942 (GRINDING) - OK. 510 499 00:37:31,764 --> 00:37:34,028 00:36:42,381 --> 00:36:44,212 - Your volunteer, put their hand there. She's not experienced, - Yeah?

500 511 00:36:44,283 --> 00:36:46,308 00:37:34,100 --> 00:37:35,931 but she knows how to present herself. And another one here.

501 512 00:36:46,385 --> 00:36:50,981 00:37:36,002 --> 00:37:39,529 A pretty assistant is the most If you'll place your hands effective form of misdirection. on either side of the cage, please.

502 513 00:36:51,057 --> 00:36:54,424 00:37:39,605 --> 00:37:40,936 Thank you. Ladies and gentlemen, Thank you, Olivia. for my final trick, 514 503 00:37:41,007 --> 00:37:44,773 00:36:54,493 --> 00:36:57,257 You best not be intending I will require the assistance to hurt this animal, Mr. Angier. of two volunteers. 515 504 00:37:44,844 --> 00:37:47,210 00:36:57,330 --> 00:36:59,594 - Of course not. Mr. Merrit, if you would oblige me? - Ready? Right.

516 beautiful when it's full. 00:37:47,980 --> 00:37:50,778 - One... 528 - Two... 00:38:22,315 --> 00:38:23,304 Don't worry. 517 00:37:51,517 --> 00:37:52,779 529 Three. 00:38:23,382 --> 00:38:25,612 You all say that. Why should I worry? 518 00:37:56,789 --> 00:37:58,586 530 That's bloody marvelous, Cutter. 00:38:25,685 --> 00:38:28,552 If your tricks don't get them 519 in, somebody else's will. 00:37:59,592 --> 00:38:00,786 Very nice. 531 00:38:28,621 --> 00:38:32,717 520 Maybe somebody willing 00:38:00,860 --> 00:38:02,657 to do a bullet catch or a water escape? And the best part is... 532 521 00:38:32,792 --> 00:38:34,350 00:38:05,398 --> 00:38:07,958 Cheap thrills, Mr. Merrit. (CHUCKLING) 533 00:38:34,427 --> 00:38:38,090 522 People hoping for an accident, 00:38:08,034 --> 00:38:10,468 likely to see one too. I thought you said I had to get my hands dirty. 534 00:38:38,164 --> 00:38:40,155 523 What would that do for your business? 00:38:10,536 --> 00:38:12,436 Someday, perhaps you will. 535 00:38:40,232 --> 00:38:43,099 524 00:38:14,063 color="#D900D9">(CHUCKLING) I just had to know that you can. You got a week, John.

525 536 00:38:14,140 --> 00:38:16,074 00:38:43,169 --> 00:38:46,536 Very nice. Very nice, indeed. - Thank you, Mr. Merrit. - (CHUCKLES) 00:38:16,142 --> 00:38:19,805 I haven't had the chance to compliment 537 you on your beautiful theater. 00:38:47,673 --> 00:38:52,303 (UP-TEMPO 527 CLASSICAL MUSIC) 00:38:19,879 --> 00:38:22,245 It'll be a lot more 538

00:38:54,513 --> 00:38:55,878 The audience doesn't seem Thank you. to be responding.

539 549 00:38:55,948 --> 00:38:57,609 00:39:27,213 --> 00:39:29,443 - (MUSIC They've seen a lot of tricks before, ENDS) - (APPLAUSE) 00:39:29,515 --> 00:39:32,006 but not this next one. 540 00:38:57,683 --> 00:39:01,312 551 Uh... Sir, in the third row there. 00:39:41,060 --> 00:39:42,823 Cloth over. 541 00:39:01,387 --> 00:39:04,083 552 Please stand up 00:39:42,895 --> 00:39:44,658 and show us your handkerchief. Keep your fingers crossed.

542 553 00:39:06,092 --> 00:39:07,889 00:39:44,730 --> 00:39:46,994 - (LAUGHTER) - This isn't mine. 554 00:39:51,170 --> 00:39:54,105 543 00:39:11,418 color="#D900D9">(APPLAUSE) Perhaps you'd return it to the lady in the aisle of the second row. 555 00:39:55,174 --> 00:39:56,835 544 (ANGIER 00:39:11,497 --> 00:39:13,795 CHUCKLES) I believe she has yours. 556 545 00:39:59,412 --> 00:40:01,403 00:39:13,866 --> 00:39:16,061 (ALL color="#D900D9">(APPLAUSE) 557 546 00:40:01,480 --> 00:40:04,779 00:39:16,135 --> 00:39:20,071 - You've seen this one before? (UP-TEMPO - MAN : PIANO MUSIC) We've seen them all before.

547 558 00:39:20,139 --> 00:39:24,803 00:40:04,850 --> 00:40:06,977 I'm sorry. I'm so sorry. I'm making I'll make it a little so many mistakes. I'm so nervous. harder then, shall I?

548 559 00:39:24,877 --> 00:39:27,141 00:40:07,052 --> 00:40:10,021

Two volunteers, please. 00:40:47,124 --> 00:40:49,285 A lady and a gentlemen. - Don't suppose we can do this again. - No. 560 00:40:10,089 --> 00:40:13,286 571 To hold this cage with me. 00:40:49,359 --> 00:40:51,793 - So, what's the climax of our show? 561 - Show? 00:40:13,359 --> 00:40:15,327 I'll perform this feat in a manner 572 00:40:51,862 --> 00:40:54,990 562 - You don't have a show. 00:40:15,394 --> 00:40:19,922 - We have a week's engagement. never before seen by yourselves or any other audience anywhere in the world. 573 00:40:55,065 --> 00:40:58,660 563 To perform magic, not butcher birds 00:40:19,999 --> 00:40:22,331 and break my customers' fingers. (DRUM ROLL) 574 00:40:58,735 --> 00:41:01,431 564 Clear out, anything here 00:40:22,401 --> 00:40:25,029 in the morning gets burned. Madame, place one hand on the back of the cage, 575 00:41:01,505 --> 00:41:03,939 565 - Mr. Merrit... 00:40:25,104 --> 00:40:26,628 - It's done, John. one hand on the front. 576 566 00:41:04,007 --> 00:41:06,805 00:40:26,705 --> 00:40:29,071 I've hired a comedian. Sir, one hand on the bottom of the cage You know I hate comedians.

567 577 00:40:29,141 --> 00:40:30,665 00:41:08,945 --> 00:41:11,436 one hand on the top. CUTTER : Well, there's 568 plenty of good theaters. 00:40:36,949 --> 00:40:39,281 - (SNAPPING) 00:41:11,515 --> 00:41:14,348 - (WOMAN If we can come up with a new trick, SCREAMS) 579 569 00:41:14,418 --> 00:41:17,649 00:40:44,154 --> 00:40:47,055 - change the name of the act. - I should've spotted him. - The name stays. - You had a lot of plates going. 580 570 00:41:19,489 --> 00:41:24,620

Right, well, then the new trick's Beautiful, isn't it? gonna have to be irresistible then. God, I miss New York, though.

581 592 00:41:24,695 --> 00:41:26,720 00:42:11,241 --> 00:42:13,675 I have a couple of methods to try out. - Why are you here? - The lightning lives here. 582 00:41:26,797 --> 00:41:30,028 593 And then we need a new angle 00:42:13,744 --> 00:42:15,371 on the presentation. And not much else.

583 594 00:41:30,100 --> 00:41:31,931 00:42:15,445 --> 00:42:16,969 And if you need some inspiration, Our work is secret.

584 595 00:41:32,002 --> 00:41:35,165 00:42:17,614 --> 00:42:19,514 there's a technical exposition That a cipher? at the Albert Hall this week. 596 585 00:42:21,618 --> 00:42:24,746 00:41:35,238 --> 00:41:37,968 A rotating transposition Engineers, scientists, you know? that shifts every day of the diary.

586 597 00:41:38,041 --> 00:41:41,340 00:42:24,821 --> 00:42:28,814 That sort of thing captures Simple but time-consuming to translate, the public's imagination. even with the five-letter keyword.

587 598 00:41:41,411 --> 00:41:45,438 00:42:28,892 --> 00:42:30,621 (THUNDER Which is? RUMBLING) 599 588 00:42:30,694 --> 00:42:32,685 00:41:58,395 --> 00:42:01,796 We magicians have a circle of trust. Mind if I join you? Tesla sends me down here during the storms. 600 00:42:32,763 --> 00:42:36,859 589 You have a circle of trust 00:42:01,865 --> 00:42:05,096 with someone whose diary you stole? Perfect excuse to come join the Great Danton for a drink. 601 00:42:36,933 --> 00:42:38,696 590 Maybe I bought it. 00:42:06,069 --> 00:42:08,469 Two of them. 602 00:42:38,769 --> 00:42:41,499 591 And you're hoping to find 00:42:08,538 --> 00:42:11,166 a great secret in there?

- You're a magician. 603 00:42:41,571 --> 00:42:43,869 615 I've already found it. 00:43:22,345 --> 00:43:24,074 Who's gonna believe you? 604 00:42:43,940 --> 00:42:45,339 616 That's why I'm here. 00:43:25,248 --> 00:43:27,443 Not long now. 605 00:42:51,548 --> 00:42:54,176 617 Tesla built one for another magician. 00:43:27,517 --> 00:43:29,985 Our equipment requires 606 a great deal of current. 00:42:54,251 --> 00:42:56,014 Why would you want the same thing? 618 00:43:30,053 --> 00:43:31,782 607 Tesla electrified the whole town 00:42:56,086 --> 00:42:58,077 Call it a professional rivalry. 619 00:43:31,855 --> 00:43:34,915 608 in exchange for using the 00:42:58,155 --> 00:43:02,285 generators when we need them. Mr. Tesla has built unusual machines for unusual people. 620 00:43:36,126 --> 00:43:39,323 609 We do our tests when 00:43:03,293 --> 00:43:06,387 the townspeople are asleep. - But he would never talk about it. - I understand discretion. 621 00:43:39,396 --> 00:43:42,092 610 Mr. Tesla doesn't want 00:43:06,463 --> 00:43:07,760 to scare anyone. I just want the machine. 622 611 00:43:44,501 --> 00:43:47,334 00:43:11,101 --> 00:43:12,762 (ELECTRICAL Finish your drink. HUMMING)

612 623 00:43:13,737 --> 00:43:16,433 00:43:59,916 --> 00:44:01,941 I want to show you something. Where are the wires? I think you'll have 624 613 00:44:03,320 --> 00:44:04,582 00:43:16,506 --> 00:43:18,736 Exactly. a special appreciation for our work. 625 614 00:44:13,797 --> 00:44:16,493 00:43:18,809 --> 00:43:22,267 Where's the generator? - I thought it was a secret.

626 Free, clean power. 00:44:16,566 --> 00:44:17,999 Like to know the future? You saw it last week. 637 627 00:44:51,868 --> 00:44:54,928 00:44:18,068 --> 00:44:21,162 The man who's speaking right now - That must be ten miles from here. is going to change the world. - Fifteen. 638 628 00:44:55,005 --> 00:44:59,374 00:44:21,238 --> 00:44:25,334 Come one, come all. And I have to ride all of them Immediate seating, no waiting. before I get to bed. 639 629 00:44:59,442 --> 00:45:02,843 00:44:25,408 --> 00:44:28,104 (LOUD I'll send word for you ELECTRICAL ZAPPING) in a few days, Mr. Angier. 640 630 00:45:14,491 --> 00:45:15,719 00:44:28,178 --> 00:44:32,274 Ladies and gentlemen, ANGIER : Magic. Real magic. 641 00:45:15,792 --> 00:45:17,760 631 (GASPS) 00:44:32,349 --> 00:44:34,476 MAN : Now 642 appearing, only here 00:45:17,827 --> 00:45:19,658 at London's Royal Albert Hall, Objections have been raised...

632 643 00:44:36,520 --> 00:44:38,818 00:45:19,729 --> 00:45:23,165 one of the miracles of our age. They should be raised. Does that look safe to you? 633 00:44:38,889 --> 00:44:43,485 644 A technological marvel. You've never 00:45:23,233 --> 00:45:25,793 seen anything like it in your lives. Part of Thomas Edison's smear campaign

634 645 00:44:43,560 --> 00:44:46,290 00:45:25,869 --> 00:45:31,569 Your eyes will not believe against Mr. Tesla's what they're witnessing. superior alternating current.

635 646 00:44:46,363 --> 00:44:49,230 00:45:31,641 --> 00:45:34,474 The miracle of Nikola Tesla, MAN : We ladies and gentlemen. have asked Mr. Tesla to reconsider. 636 00:44:49,299 --> 00:44:51,790 647

00:45:34,544 --> 00:45:37,035 658 MAN 2 : 00:46:52,389 --> 00:46:55,017 Which he will not! Happiness that should have been mine.

648 659 00:45:37,113 --> 00:45:42,278 00:46:55,091 --> 00:46:57,116 But I've been told he refuses But I was wrong. to appear under any such restrictions. 660 649 00:46:57,193 --> 00:47:01,823 00:45:42,352 --> 00:45:44,912 His notebook reveals that - (GASPS) he never had the life that I envied. - This thing's gonna blow. 661 650 00:47:01,898 --> 00:47:04,526 00:45:46,256 --> 00:45:48,690 The family life Ladies and gentlemen, please. that he craves one minute,

651 662 00:46:27,397 --> 00:46:28,523 00:47:04,601 --> 00:47:08,901 BORDEN : he rails against the next, Hey. demanding freedom.

652 663 00:46:30,767 --> 00:46:33,201 00:47:08,972 --> 00:47:11,964 Hello, Jess. His mind... his mind is a divided one.

653 664 00:46:35,672 --> 00:46:39,472 00:47:12,042 --> 00:47:13,475 Have you had a nice day His soul is restless. with mommy? Huh? 665 654 00:47:13,543 --> 00:47:15,670 00:46:40,410 --> 00:46:42,435 His wife and child, tormented Sarah. 666 655 00:47:15,745 --> 00:47:19,704 00:46:42,512 --> 00:46:45,413 by his fickle and contradictory nature. - I love you. - See, today it's true. 667 00:47:23,920 --> 00:47:26,411 656 So, what do you think you'll call her? 00:46:45,482 --> 00:46:48,042 - Yeah. 668 - Hello. 00:47:26,489 --> 00:47:27,854 I don't know. 657 00:46:49,953 --> 00:46:52,319 669 ANGIER : 00:47:27,924 --> 00:47:30,222 I saw happiness. Everybody needs a name, so, what's hers?

670 682 00:47:31,127 --> 00:47:32,924 00:48:18,808 --> 00:48:22,244 Maybe Sarah. Only if I teach you how to read.

671 683 00:47:35,298 --> 00:47:37,698 00:48:22,312 --> 00:48:24,678 That's a lovely name. They're just stupid tricks, right? That's a lovely name. 684 672 00:48:24,748 --> 00:48:27,979 00:47:37,767 --> 00:47:40,998 Haven't helped you Well, you talk about what you want get out of here, have they? to do for the rest of the day. 685 673 00:48:28,051 --> 00:48:31,384 00:47:41,071 --> 00:47:42,936 Or can't you undo real locks, professor? All right, go on, you talk with her. 686 674 00:48:32,756 --> 00:48:35,418 00:47:45,375 --> 00:47:49,641 Maybe I'm just biding my time. Are they taking her away? 687 675 00:48:35,492 --> 00:48:37,983 00:47:49,713 --> 00:47:51,613 Maybe one day I'll... To the workhouse? 688 676 00:48:38,061 --> 00:48:40,689 00:47:54,451 --> 00:47:55,941 ...open my hand, get your attention, You keep talking. 689 677 00:48:40,764 --> 00:48:43,665 00:47:58,655 --> 00:48:01,055 ask, "Are you watching closely?" Tell Owens I've reconsidered. Take it. 690 678 00:48:43,733 --> 00:48:45,826 00:48:01,124 --> 00:48:02,921 Maybe a magic whirl or two. Go on, take it. 691 679 00:48:48,438 --> 00:48:50,269 00:48:06,496 --> 00:48:08,623 And then I'll be gone. It's for the best. 692 680 00:48:53,877 --> 00:48:56,937 00:48:13,436 --> 00:48:16,030 How'd you get so famous then? Let me see. 693 681 00:48:57,847 --> 00:48:59,576 00:48:16,106 --> 00:48:18,734 Magic. I'm gonna learn all the professor's secrets. 694 00:49:02,051 --> 00:49:04,918

- Oi! Borden, get back here! - (ALL 706 LAUGING) 00:50:02,345 --> 00:50:06,941 Mr. Alley has effused about your act 695 to me on any number of occasions. 00:49:04,988 --> 00:49:06,546 Thank you. 707 00:50:08,785 --> 00:50:10,343 696 Hold out other hand. 00:49:06,623 --> 00:49:08,591 Shut up! 708 00:50:18,928 --> 00:50:22,728 697 - What's conducting the electricity? 00:49:09,526 --> 00:49:11,824 - Our bodies, Mr. Angier. (LAUGHING CONTINUES) 709 00:50:22,799 --> 00:50:26,997 698 Quite capable of conducting 00:49:11,895 --> 00:49:13,988 and, indeed, producing energy. Where's the bloody key?! 710 699 00:50:28,538 --> 00:50:30,597 00:49:14,063 --> 00:49:17,931 Have you eaten, Mr. Angier? (DISTANT ELECTRICAL HUMMING) 711 00:50:32,508 --> 00:50:35,671 700 00:49:23,071 color="#D900D9">(CHUCKLING) I ANGIER : need something impossible. February 8, 1899. 712 701 00:50:37,447 --> 00:50:42,214 00:49:23,139 --> 00:49:25,266 You're familiar with the phrase, Today, finally, a breakthrough. "Man's reach exceeds his grasp"?

702 713 00:49:25,341 --> 00:49:28,071 00:50:42,285 --> 00:50:43,980 Tesla's agreed to see me. Is a lie.

703 714 00:49:28,144 --> 00:49:31,341 00:50:44,053 --> 00:50:46,078 (ELECTRICAL Man's grasp exceeds his nerve. ZAPPING) 715 704 00:50:47,290 --> 00:50:50,157 00:49:35,819 --> 00:49:36,979 Society only tolerates Perfectly safe. one change at a time.

705 716 00:49:58,508 --> 00:50:02,274 00:50:51,628 --> 00:50:54,893 So this is the Great Danton. First time I tried to change the world,

717 729 00:50:54,964 --> 00:50:56,727 00:51:28,932 --> 00:51:32,891 I was hailed as a visionary. Perhaps not, but have you considered the cost? 718 00:50:57,233 --> 00:50:59,360 730 Second time... 00:51:33,870 --> 00:51:35,201 I'm not sure I follow. 719 00:50:59,435 --> 00:51:02,461 731 ...I was asked politely to retire. 00:51:36,272 --> 00:51:38,103 Go home, forget this thing. 720 00:51:03,606 --> 00:51:07,133 732 So here I am, enjoying my retirement. 00:51:38,174 --> 00:51:40,369 I can recognize an obsession. 721 00:51:07,210 --> 00:51:11,078 733 Nothing is impossible, Mr. Angier. 00:51:40,443 --> 00:51:44,470 What you want is simply expensive. - No good will come of it. - Hasn't good come of your obsessions? 722 00:51:11,147 --> 00:51:13,377 734 If I were to build for you this machine, 00:51:44,547 --> 00:51:47,778 At first, but I have 723 followed them too long. 00:51:13,449 --> 00:51:16,509 you would be presenting it 735 merely as illusion? 00:51:47,850 --> 00:51:49,784 I am their slave. 724 00:51:16,586 --> 00:51:19,919 736 Well, if people actually 00:51:49,852 --> 00:51:52,946 believed the things I did on stage, And one day, they will choose to destroy me. 725 00:51:19,989 --> 00:51:22,389 737 they wouldn't clap, they'd scream. 00:51:54,757 --> 00:51:59,194 If you understand an obsession, then 726 you know you won't change my mind. 00:51:22,458 --> 00:51:24,449 Think of sawing a woman in half. 738 00:52:00,129 --> 00:52:01,118 727 So be it. 00:51:24,527 --> 00:51:26,859 Have you considered the cost of this? 739 00:52:02,632 --> 00:52:03,963 728 Will you build it? 00:51:26,930 --> 00:51:28,864 Price is not an object. 740

00:52:04,934 --> 00:52:08,495 Cutter's hoping you let things lie. I've already begun to build it, Mr. Angier. 752 00:53:03,226 --> 00:53:06,093 741 He says if Borden thinks 00:52:08,571 --> 00:52:12,564 things are even between you... I hope you enjoy the mountain air. This will take some time. 753 00:53:06,162 --> 00:53:07,993 742 Even? 00:52:20,149 --> 00:52:22,947 (DEEP INHALE & 754 EXHALE) 00:53:08,064 --> 00:53:10,624 My wife for a couple of his fingers? 743 00:52:36,499 --> 00:52:39,195 755 Uh... I thought you'd gone. 00:53:10,700 --> 00:53:13,794 He has a family now 744 and he's performing again. 00:52:40,336 --> 00:52:42,804 I don't really have anywhere to go. 756 00:53:13,870 --> 00:53:16,703 745 Borden is out there living 00:52:44,774 --> 00:52:46,674 his life just as he intended, You've been sleeping here? 757 746 00:53:16,773 --> 00:53:19,469 00:52:46,743 --> 00:52:51,476 as if nothing had happened Cutter said it'd be all right till we and look at me. get another booking. What are you doing? 758 747 00:53:19,542 --> 00:53:22,033 00:52:51,547 --> 00:52:53,777 I'm alone and no theater will touch me. Uh... research. 759 748 00:53:22,111 --> 00:53:23,703 00:52:53,850 --> 00:52:55,283 Us. Part of a magician's job 760 749 00:53:23,780 --> 00:53:26,146 00:52:55,351 --> 00:52:58,218 You're going to need a better disguise. is to... watch his competition, see what illusions... 761 00:53:43,666 --> 00:53:45,861 750 I need a volunteer. 00:52:58,287 --> 00:53:01,222 You're going to do something 762 to that man, aren't you? 00:53:45,935 --> 00:53:47,402 WENSCOMBE 751 : What happened? 00:53:01,290 --> 00:53:03,155

763 ANGIER : 00:53:48,404 --> 00:53:50,235 Did they applaud Did you hurt him? when you saw it?

764 775 00:53:52,141 --> 00:53:53,438 00:54:41,023 --> 00:54:44,891 What happened, Robert? It was too good. It was too simple. The audience hardly had time to see it. 765 00:53:55,845 --> 00:53:59,804 776 You, sir. Just a rubber ball, yes? 00:54:44,961 --> 00:54:47,828 - He's a dreadful magician. 766 - A wonderful magician. 00:53:59,882 --> 00:54:00,974 Thank you. 777 00:54:47,897 --> 00:54:50,422 767 He's a dreadful showman. 00:54:01,050 --> 00:54:03,644 He doesn't dress it up, Just a rubber ball? No. 778 768 00:54:50,500 --> 00:54:52,331 00:54:03,719 --> 00:54:06,916 - how to sell it. Not normal. Not a normal rubber ball. - How does he do it?

769 779 00:54:06,989 --> 00:54:08,115 00:54:52,401 --> 00:54:54,426 It's magic. - He uses a double. - No, it's too simple. 770 00:54:08,925 --> 00:54:10,984 780 He had a new trick. 00:54:54,504 --> 00:54:55,994 This is a complex illusion. 771 00:54:25,007 --> 00:54:26,565 781 WENSCOMBE 00:54:56,072 --> 00:54:58,472 : Was it good? You say that because you don't know the method. 772 00:54:30,947 --> 00:54:34,906 782 It was the greatest 00:54:58,541 --> 00:55:00,941 magic trick I've ever seen. It's a double that comes out. It's the only way. 773 00:54:36,919 --> 00:54:38,750 783 - (DOOR 00:55:01,010 --> 00:55:04,912 OPENS) I've seen him perform it three times. - (MINIMAL The prestige is the same man. APPLAUSE) 784 774 00:55:04,981 --> 00:55:08,508 00:54:38,821 --> 00:54:40,948 - No, it's not.

- The same man comes out of the cabinet. or you listen to how I would do it.

785 796 00:55:08,584 --> 00:55:10,848 00:55:41,450 --> 00:55:43,975 It's the same man. And the only way that I know how to do it 786 00:55:10,920 --> 00:55:13,616 797 He wears padded gloves 00:55:44,053 --> 00:55:46,521 to hide his damaged fingers, is to find you a bloody good double.

787 798 00:55:13,689 --> 00:55:16,283 00:55:47,523 --> 00:55:48,922 but, if you look closely, you can tell. All right.

788 799 00:55:17,994 --> 00:55:20,861 00:55:50,359 --> 00:55:52,850 He doesn't know how to sell it Take a good look. to an audience, but I do. Let's get out there and find me.

789 800 00:55:20,930 --> 00:55:23,364 00:55:52,929 --> 00:55:55,056 Yeah, we could use it Whoo! as a climax to the show. 801 790 00:55:55,131 --> 00:55:56,621 00:55:23,432 --> 00:55:25,832 Look, look. Yes. 802 791 00:56:01,170 --> 00:56:02,694 00:55:25,902 --> 00:55:29,099 What's that? The man stole my life, I'm gonna steal his trick. 803 00:56:06,042 --> 00:56:08,340 792 - It's for you. 00:55:29,172 --> 00:55:31,333 - What's this for? We got to find someone who looks like you. 804 00:56:08,978 --> 00:56:10,809 793 Come. 00:55:31,407 --> 00:55:34,934 - He doesn't use a double. 805 - I don't know how Borden does it. 00:56:13,950 --> 00:56:15,713 SARAH : 794 You... 00:55:35,011 --> 00:55:39,505 Either... You either wait for him 806 to retire and buy the secret, 00:56:15,785 --> 00:56:19,812 - I asked you last week... 795 - You caught me in a wrong mood. 00:55:39,582 --> 00:55:41,379

807 00:56:19,889 --> 00:56:22,084 817 - But you won't ever... 00:57:05,067 --> 00:57:08,161 - Sarah, Yes. Are you laughing now?

808 818 00:56:22,158 --> 00:56:25,321 00:57:08,237 --> 00:57:10,262 I'm gonna have (CHUCKLING)

809 819 00:56:25,394 --> 00:56:30,058 00:57:11,607 --> 00:57:13,234 The act is taking off. Soon we'll be in I have to take a piss. a bigger theater, things will work out. 820 810 00:57:14,644 --> 00:57:17,738 00:56:32,635 --> 00:56:36,435 - He's out of his mind. I can't believe it. Thank you. - Of course, he's an out-of-work actor. Thank you. It's beautiful. 821 811 00:57:17,813 --> 00:57:19,713 00:56:43,079 --> 00:56:46,173 He's perfect. He needs a little help. - Gerry? - (GASPS) 822 Darling, look at you. 00:57:19,782 --> 00:57:22,751 But when I get done with him, 812 he could be your brother. 00:56:46,249 --> 00:56:49,218 Mr. Cutter, Mr. Angier, 823 I'd like you to meet Gerald Root. 00:57:22,818 --> 00:57:25,412 I don't need him to be my 813 brother, I need him to be me. 00:56:49,285 --> 00:56:51,446 Mm-hm. 824 00:57:25,488 --> 00:57:27,183 814 Give me a month. 00:56:51,520 --> 00:56:54,216 - (WHISPERING 825 INDISTINCTLY) 00:57:33,963 --> 00:57:36,591 - (WENSCOMBE So you open the door... GIGGLES) 826 815 00:57:36,666 --> 00:57:38,133 00:56:54,290 --> 00:56:58,226 ...and... A pleasure. Pleasure to meet you fine gentlemen. 827 00:57:40,169 --> 00:57:42,000 816 00:57:02,025 color="#D900D9">(CHUCKLING) Would you like for me to tell you a little joke? Come here. 828

00:57:43,406 --> 00:57:45,431 840 (EXHALES) 00:58:23,746 --> 00:58:25,304 (ROOT 829 SIGHS) 00:57:45,508 --> 00:57:47,271 Come on. 841 00:58:26,615 --> 00:58:28,242 830 (WENSCOMBE 00:57:49,545 --> 00:57:50,910 GIGGLES) - (GROANS) - (CHUCKLING) 00:58:28,317 --> 00:58:30,649 All I have to do is 831 keep myself stinking drunk, 00:57:50,980 --> 00:57:52,914 Couldn't you have found a softer one? 843 00:58:30,720 --> 00:58:33,052 832 and no one will be able 00:57:52,982 --> 00:57:55,314 to tell the difference. Well, it's not for sleeping on. 844 833 00:58:33,122 --> 00:58:35,215 00:57:55,384 --> 00:57:57,443 Have a little faith, sir. So, if you come down through there... 845 834 00:58:35,291 --> 00:58:39,193 00:58:00,122 --> 00:58:03,148 Now, would you favor us ...does Root go up through there? with a performance, Mr. Root? - Yep. 846 835 00:58:57,646 --> 00:58:59,876 00:58:03,225 --> 00:58:05,284 (CLAPPING)

836 847 00:58:05,361 --> 00:58:08,819 00:58:59,949 --> 00:59:04,113 Well, it has to be. Borden's You'd drink, too, if you knew trick is getting noticed. the world half as well as I do.

837 848 00:58:11,667 --> 00:58:14,033 00:59:07,823 --> 00:59:09,518 The place was packed today. Did you think you were unique?

838 849 00:58:15,638 --> 00:58:17,435 00:59:09,592 --> 00:59:12,288 You went and saw his show again. I've been Caesar, I've played Faust.

839 850 00:58:17,506 --> 00:58:19,940 00:59:12,361 --> 00:59:15,455 Ready to meet yourself, Mr. Angier? How difficult could it possibly be to play the Great Danton?

862 851 00:59:47,763 --> 00:59:51,062 00:59:15,531 --> 00:59:18,659 (APPLAUSE) yourself now, Root, for nothing. 863 852 00:59:51,400 --> 00:59:54,563 00:59:18,734 --> 00:59:20,998 Ladies and gentlemen, much I'd rather be him for now. of what you've seen may be termed

853 864 00:59:21,070 --> 00:59:23,834 00:59:54,637 --> 00:59:58,403 I find it, uh... amusing. - as illusions or entertaining trifles. - (RIMSHOT) 00:59:25,107 --> 00:59:27,200 (CHUCKLES) 00:59:58,474 --> 01:00:00,567 (APPLAUSE) 00:59:27,276 --> 00:59:29,005 "My liege, 866 01:00:03,078 --> 01:00:04,136 856 Alas... 00:59:29,078 --> 00:59:32,411 I did deny no prisoners." 867 01:00:04,213 --> 01:00:06,238 857 00:59:34,642 color="#D900D9">(DRUMROLL) - You look wonderful. - Oh, thank you. 868 01:00:06,315 --> 01:00:08,840 858 ...I cannot claim 00:59:34,717 --> 00:59:37,982 this next feat as illusion. Root has to keep a low profile. Anyone sees him, the game's up. 869 01:00:09,752 --> 01:00:10,946 859 Watch carefully. 00:59:38,053 --> 00:59:40,851 I don't know how you do things. 870 I'm not sure I wanna know. 01:00:12,388 --> 01:00:14,822 You will see no trickery, 860 00:59:40,923 --> 00:59:43,255 871 Have you thought what we should call it? 01:00:14,890 --> 01:00:17,984 for no trickery is employed. 861 00:59:43,325 --> 00:59:47,489 872 There's no point being coy. Borden 01:00:18,060 --> 01:00:21,427 calls his trick The Transported man. Merely a technique familiar to certain citizens of the Orient

They care about the one who comes out. 873 01:00:21,497 --> 01:00:23,658 884 and various holy men of the Himalayas. 01:01:21,724 --> 01:01:23,783 I care about the man in the box. 874 01:00:26,936 --> 01:00:29,962 885 Indeed, many of you may be 01:01:23,859 --> 01:01:28,159 familiar with this technique, Thank you. I don't know, maybe we could switch before the trick. 875 01:00:30,039 --> 01:00:33,202 886 but for those of you who 01:01:28,230 --> 01:01:30,391 are not, do not be alarmed. I'm the prestige, and Root's below stage. 876 01:00:33,275 --> 01:00:36,335 887 What you're about to see 01:01:30,466 --> 01:01:33,401 is considered safe. No, the anticipation of the trick is everything. 877 01:00:40,950 --> 01:00:44,283 888 (APPLAUSE, 01:01:33,469 --> 01:01:36,529 CHEERING) We need your showmanship to build up the suspense. 878 01:00:52,394 --> 01:00:54,555 889 (APPLAUSE, 01:01:36,605 --> 01:01:40,166 CHEERING CONTINUES) Once Root opens his mouth, it's over. He can't introduce this trick. 879 01:01:07,910 --> 01:01:10,970 890 To our achievement. 01:01:40,242 --> 01:01:42,972 Of course I can. I'm the Great Danton. 880 01:01:11,046 --> 01:01:13,810 891 The manager says he's 01:01:43,045 --> 01:01:46,640 never seen a reaction like it. Root, you bloody fool, get out of that wardrobe and makeup. 881 01:01:13,883 --> 01:01:17,182 892 At least he saw it. I spent 01:01:46,715 --> 01:01:49,377 the ovation hiding under the stage. Anyone could walk in here at any minute.

882 893 01:01:17,253 --> 01:01:19,585 01:01:49,451 --> 01:01:51,510 No one cares about Congratulations, all. the man who disappears. 894 883 01:01:51,587 --> 01:01:55,284 01:01:19,655 --> 01:01:21,646 Life is not full of these

moments. We worked hard. 906 01:02:32,595 --> 01:02:34,688 895 That's how we advance. Think of it. 01:01:55,357 --> 01:01:57,018 We need to celebrate properly. 907 01:02:34,763 --> 01:02:37,960 896 People are excited by Cutter's 01:02:00,763 --> 01:02:03,231 version. Imagine what we'd do What's wrong? Is it your wife? 908 897 01:02:38,033 --> 01:02:42,470 01:02:03,299 --> 01:02:05,597 with the real illusion. We'd have the No, it's the trick. greatest magic act anyone's ever seen. It isn't good enough. 909 898 01:02:42,538 --> 01:02:46,304 01:02:05,668 --> 01:02:09,001 - He knows I work for you. BORDEN's trick is nothing - Exactly why he'll want to hire you. compared to ours. He has no style. 910 899 01:02:46,375 --> 01:02:48,935 01:02:09,071 --> 01:02:12,939 - He'll want my secret. He doesn't spend the finale - Why would he trust me? hiding under the stage. 911 900 01:02:49,011 --> 01:02:51,707 01:02:13,008 --> 01:02:15,909 Because you're - I need to know how he does it. gonna tell him the truth. - Why? 912 901 01:02:54,617 --> 01:02:56,448 01:02:15,978 --> 01:02:18,469 Hmm? So I can do it better. 913 902 01:03:03,993 --> 01:03:05,119 01:02:20,549 --> 01:02:23,017 Good girl. I need you to go and work for him. 914 903 01:03:05,194 --> 01:03:08,220 01:02:26,055 --> 01:02:27,784 (RATTLING)

904 915 01:02:29,058 --> 01:02:30,252 01:03:08,297 --> 01:03:11,824 You'll be my spy. You must be curious to see what so much money has bought you. 905 01:02:30,326 --> 01:02:32,521 916 We just got our start. 01:03:12,501 --> 01:03:15,402 You want me to leave? Fitting you should be here for her maiden voyage.

01:04:05,921 --> 01:04:08,822 917 - Interesting workshop. 01:03:15,471 --> 01:03:17,302 - Yeah, we make do. Your hat. 929 918 01:04:08,891 --> 01:04:11,052 01:03:25,247 --> 01:03:27,841 - My name is Olivia... You might want to stand back. - I know who you are.

919 930 01:03:29,752 --> 01:03:31,219 01:04:11,126 --> 01:04:12,787 (ELECTRIC Here to steal the rest of my show? ZAPPING) 931 920 01:04:12,861 --> 01:04:14,761 01:03:42,965 --> 01:03:47,129 To give your show what it's missing. (FIZZLING) 932 921 01:04:14,830 --> 01:04:18,061 01:03:48,303 --> 01:03:49,429 - Yeah, what might that be? I don't understand. - Me.

922 933 01:03:49,505 --> 01:03:51,837 01:04:18,133 --> 01:04:22,593 Perhaps it would be best (CHUCKLES) I was just 923 saying that, wasn't I? 01:03:51,907 --> 01:03:53,534 Is there a problem, Mr. Tesla? 934 01:04:22,671 --> 01:04:24,969 924 - A woman's touch. 01:03:53,609 --> 01:03:55,634 - I've left Angier. - No. Come back next week. - Next week? 935 01:04:25,040 --> 01:04:27,099 925 - All right. 01:03:55,711 --> 01:03:58,271 - I want a job. - Next week, it will be fine. - Tesla! 936 01:04:27,176 --> 01:04:28,507 926 Yeah. 01:03:58,347 --> 01:04:00,076 Just a little temperamental. 937 01:04:28,577 --> 01:04:30,408 927 I know you've no reason to trust me. 01:04:02,751 --> 01:04:04,742 (DOOR 938 CLOSING) 01:04:30,479 --> 01:04:32,037 Why wouldn't I trust you? 928

939 950 01:04:32,114 --> 01:04:35,550 01:05:06,648 --> 01:05:10,140 You're only the mistress of my It's astonishing. How does enemy. Why wouldn't I trust you? he do it? And tell me, Olivia,

940 951 01:04:37,219 --> 01:04:39,153 01:05:10,219 --> 01:05:13,677 - Mr. Borden does he enjoy taking his bows - Alfred. under the stage?

941 952 01:04:41,590 --> 01:04:43,251 01:05:13,756 --> 01:05:17,055 I'm going to tell you the truth. It's killing him. He's obsessed with discovering your methods. 942 01:04:43,325 --> 01:04:45,555 953 Now that is a slippery notion 01:05:17,126 --> 01:05:20,186 He thinks of nothing else, 943 takes no pleasure in our success. 01:04:45,627 --> 01:04:47,959 in our line of work, 954 isn't it, Miss Wenscombe? 01:05:20,262 --> 01:05:21,752 And I've had enough. 944 01:04:50,065 --> 01:04:52,727 955 I am here because he sent me here. 01:05:21,830 --> 01:05:24,230 There is no future with him. 945 01:04:52,801 --> 01:04:55,269 956 He wants me to work for you 01:05:25,367 --> 01:05:29,098 and steal your secret. He sent me here to steal your secrets, but I've come to offer you his. 946 01:04:55,337 --> 01:04:58,704 957 What does he need my secret for? 01:05:29,171 --> 01:05:33,073 His trick is topnotch. This is the truth... is it?

947 958 01:04:58,774 --> 01:05:01,368 01:05:37,613 --> 01:05:39,911 He vanishes, Think you'd better get dressed, sir. and then he reappears instantly 959 948 01:05:39,982 --> 01:05:44,009 01:05:01,443 --> 01:05:03,934 Root, you're late and more drunk than on the other side usual. Get down below stairs right away. of the stage, mute, overweight 960 949 01:05:44,086 --> 01:05:45,815 01:05:04,012 --> 01:05:06,572 No. and, unless I'm mistaken, very drunk. 961

01:05:45,888 --> 01:05:49,255 972 No, we need to have 01:06:22,524 --> 01:06:25,755 a little chat, Mr. Cutter. - What's your point? - My point is, you've climbed too high 962 01:05:49,324 --> 01:05:53,658 973 We have a problem. Cutter, Borden 01:06:25,828 --> 01:06:28,262 is performing right across the street. to get away with professional embarrassment. 963 01:05:53,729 --> 01:05:56,994 974 Yeah, we have a bigger problem. 01:06:28,330 --> 01:06:31,697 We don't do any tricks we can't control. 964 01:05:57,065 --> 01:06:00,057 975 Root. He's realized 01:06:33,869 --> 01:06:37,168 that he can make demands. Just pay him for now. We keep doing the trick until Borden opens, 965 01:06:00,135 --> 01:06:02,228 976 Wha...? He's blackmailing us? 01:06:37,239 --> 01:06:39,207 and then we'll phase it out. 966 01:06:02,304 --> 01:06:04,272 977 I was surprised, to tell you the truth. 01:06:40,108 --> 01:06:41,598 All right. 967 01:06:04,339 --> 01:06:06,933 978 It usually takes them 01:06:44,379 --> 01:06:46,506 a lot longer to figure it out. ANGIER : Cutter was always surprised 968 01:06:07,009 --> 01:06:09,569 979 - How much does he want? 01:06:46,582 --> 01:06:48,482 - It makes no difference. how fast Root turned bad.

969 980 01:06:09,645 --> 01:06:13,103 01:06:48,550 --> 01:06:53,112 - We've got to stop doing the trick. To what do I owe the pleasure - Stop the trick? Look at this. of this rather welcome pint of ale?

970 981 01:06:13,182 --> 01:06:19,018 01:06:53,188 --> 01:06:56,316 Last week they said you were - You're the Great Danton, aren't you? the premier stage performer in London. - Sh, sh, sh, sh, sh.

971 982 01:06:19,087 --> 01:06:22,454 01:06:56,391 --> 01:07:00,054 Not magician, mind you. Of course I am, but don't advertise it, Performer of any kind. because I'll be mobbed with fans.

983 - BORDEN : 01:07:00,128 --> 01:07:02,562 Another. ANGIER : - I'm not performing tonight. We paid him enough to keep him in beers. 994 01:07:38,100 --> 01:07:40,125 984 I'm only doing one show, 01:07:02,631 --> 01:07:04,724 but to be frank, You wouldn't expect him to rock the boat. 995 01:07:40,202 --> 01:07:42,534 985 my people pretty much 01:07:04,800 --> 01:07:07,394 run things these days. MANy of you may be familiar with this technique, 996 01:07:42,604 --> 01:07:43,798 986 Get up there. 01:07:07,469 --> 01:07:10,961 but for those of you 997 who aren't, do not be alarmed. 01:07:45,173 --> 01:07:46,231 Get up! 987 01:07:11,039 --> 01:07:14,202 998 What you're about to see 01:07:46,308 --> 01:07:49,072 is considered safe. Your illusion, The Transported man,

988 999 01:07:14,276 --> 01:07:17,905 01:07:49,144 --> 01:07:51,738 - And who are you? I'm not claiming to know your methods, - I am a humble admirer 1000 989 01:07:51,813 --> 01:07:56,011 01:07:17,980 --> 01:07:20,574 but I had a similar trick in my act, and a fellow practitioner. 1001 990 01:07:56,084 --> 01:07:58,917 01:07:20,649 --> 01:07:23,015 and, uh... (WHISPERING) I used a double. 991 01:07:27,289 --> 01:07:28,984 1002 (GRUNTS) 01:07:58,987 --> 01:08:04,186 - Mm, I see, very good. 992 - Well, it was, and then it went bad. 01:07:32,394 --> 01:07:35,227 - BORDEN : 1003 Another one? 01:08:04,259 --> 01:08:07,660 - Oh, if you insist. What I didn't count on was that when I incorporated this bloke 993 01:07:35,297 --> 01:07:38,027 1004

01:08:07,729 --> 01:08:09,822 this next feat as illusion. into my act, 1016 1005 01:08:51,173 --> 01:08:54,540 01:08:09,898 --> 01:08:11,889 What you're about to see he had complete power over me. is considered safe.

1006 1017 01:08:13,035 --> 01:08:14,662 01:08:58,847 --> 01:09:00,542 Complete power, you say? Ahh!

1007 1018 01:08:19,107 --> 01:08:21,234 01:09:03,251 --> 01:09:06,345 (LAUGHING) color="#D900D9">(MOANING)

1008 1019 01:08:21,310 --> 01:08:23,870 01:09:14,029 --> 01:09:16,725 (CROWD color="#D900D9">(APPLAUSE) LAUGHING)

1009 1020 01:08:25,547 --> 01:08:28,141 01:09:16,798 --> 01:09:20,359 (GRUNTING) color="#D900D9">(APPLAUSE)

1010 1021 01:08:30,652 --> 01:08:32,085 01:09:29,044 --> 01:09:31,478 Ohh! (LAUGHS) color="#D900D9">(CHUCKLING)

1011 1022 01:08:32,154 --> 01:08:37,421 01:09:31,546 --> 01:09:32,706 Be very careful giving (LAUGHING, someone that power over you. APPLAUSE)

1012 1023 01:08:37,492 --> 01:08:41,826 01:09:32,781 --> 01:09:37,741 Huh. Thank you. Um... Oh! The Great Danton.

1013 1024 01:08:41,897 --> 01:08:44,764 01:09:43,959 --> 01:09:45,824 Yes, thank you for the warning. I apologize.

1014 1025 01:08:44,833 --> 01:08:47,529 01:09:45,894 --> 01:09:49,660 Hmm. Cheers. There simply is too much magic...

1015 1026 01:08:48,971 --> 01:08:51,098 01:09:49,731 --> 01:09:52,495 I cannot claim ...for my stage at The Pantages

He's taken everything from me. 1027 My wife, my career, 01:09:52,567 --> 01:09:54,728 across the street. 1039 01:10:38,914 --> 01:10:40,779 1028 - now you. 01:09:58,774 --> 01:10:01,709 - You sent me. Pardon my intrusion. 1040 1029 01:10:40,849 --> 01:10:43,909 01:10:03,779 --> 01:10:08,182 I sent you to steal his secret, And go easy on the poor chap. not to improve his act. He does try so very hard. 1041 1030 01:10:43,985 --> 01:10:45,543 01:10:08,250 --> 01:10:10,980 - It's my job. (ALL LAUGHING, - Or fall in love! APPLAUDING) 1042 1031 01:10:45,620 --> 01:10:48,384 01:10:11,053 --> 01:10:13,487 - I did everything you asked! I don't know how Borden found him. - Yes? Yes?

1032 1043 01:10:13,555 --> 01:10:15,455 01:10:48,457 --> 01:10:50,948 Kept him under wraps. I was careful. - How does he do it? - Cutter was right, a double. 1033 01:10:15,524 --> 01:10:17,185 1044 Yeah, well, he did. 01:10:51,026 --> 01:10:53,256 - 'Course he said that. 1034 - He didn't say it. 01:10:18,360 --> 01:10:20,351 Do you think it was her? 1045 01:10:53,328 --> 01:10:56,764 1035 I've seen things, makeup, glasses, wigs. 01:10:26,601 --> 01:10:29,570 We don't use for the show. You weren't expecting me? 1046 1036 01:10:56,832 --> 01:10:59,562 01:10:29,638 --> 01:10:32,368 - I've seen it hidden backstage. I expected you sooner. - Misdirection. Your message said afternoon. 1047 1037 01:10:59,634 --> 01:11:02,330 01:10:32,441 --> 01:10:34,705 He leaves them lying It takes a bit for me around to make you think that. to get around these days. 1048 1038 01:11:02,404 --> 01:11:04,269 01:10:34,776 --> 01:10:38,837 He doesn't know when I'm looking.

it will take months to decode. 1049 01:11:04,339 --> 01:11:07,570 1061 All the time, Olivia! That's who he is! 01:11:39,141 --> 01:11:42,042 - And without the keyword? 1050 - Perhaps never. 01:11:07,642 --> 01:11:08,904 That's what it takes! 1062 01:11:42,110 --> 01:11:43,737 1051 - We'll see. 01:11:08,977 --> 01:11:11,411 - We will not see. He lives his act, don't you see? 1063 1052 01:11:43,812 --> 01:11:46,747 01:11:13,448 --> 01:11:16,815 If I don't get that back by Just because you're sleeping tomorrow he'll know I took it. with him doesn't mean he trusts you. 1064 1053 01:11:46,815 --> 01:11:49,113 01:11:16,885 --> 01:11:19,285 - Leave him. You think you can see - I can't. He knows where I live. everything, don't you? 1065 1054 01:11:50,452 --> 01:11:55,253 01:11:19,354 --> 01:11:22,187 This is his diary, Olivia. All of his The Great Danton is a blind fool. secrets are right here in my hands.

1055 1066 01:11:22,257 --> 01:11:23,656 01:11:55,924 --> 01:11:57,516 His notebook. It won't bring your wife back.

1056 1067 01:11:25,026 --> 01:11:27,290 01:11:57,592 --> 01:12:00,288 You stole it? I don't care about my wife. I care about his secret. 1057 01:11:27,362 --> 01:11:29,159 1068 I borrowed it for tonight. 01:12:07,669 --> 01:12:10,570 (SIGHS, 1058 GRUNTS) 01:11:29,231 --> 01:11:31,426 I thought you could translate 1069 some of it... 01:12:13,542 --> 01:12:16,272 Look, I'll, um... 1059 01:11:31,500 --> 01:11:35,561 1070 I can't. No one can. It's a cipher. 01:12:16,344 --> 01:12:18,676 I'll go to his workshop 1060 and stage a break-in. 01:11:35,637 --> 01:11:39,073 Even with the keyword, 1071

01:12:18,747 --> 01:12:21,944 Good evening. - He'll know you took it. - Yes, me. Not you. 1084 01:13:30,085 --> 01:13:32,144 1072 01:12:25,042 color="#D900D9">(CHATTERING) Understand? 1085 1073 01:13:34,889 --> 01:13:36,516 01:12:33,495 --> 01:12:34,484 I'm walking tonight. Robert. 1086 1074 01:13:36,591 --> 01:13:39,151 01:12:36,898 --> 01:12:39,696 Let him come. I don't care. I have fallen in love with him. 1087 1075 01:13:39,227 --> 01:13:41,923 01:12:40,602 --> 01:12:43,070 ALL : Then I know how hard Professor! Professor! this has been for you. 1088 1076 01:14:09,557 --> 01:14:11,548 01:12:51,613 --> 01:12:53,103 (MAN Notebook? YELLS)

1077 1089 01:12:55,750 --> 01:12:57,741 01:14:18,166 --> 01:14:21,431 Then he's just getting started. (HEART BEATING) 1078 01:12:57,886 --> 01:12:59,979 1090 (CLAPPING) 01:14:44,426 --> 01:14:46,553 (MAN 1079 GAGGING) 01:13:00,055 --> 01:13:04,082 ( (DRUMROL(CYMBAL CRASHES) COUGHING)

1080 1091 01:13:04,159 --> 01:13:06,821 01:15:04,312 --> 01:15:05,745 (ELECTRICAL ZAPPING) - (GUNSHOT) 1081 - Ahh! 01:13:14,569 --> 01:13:16,969 (APPLAUSE) 1092 01:15:05,814 --> 01:15:08,374 1082 - You all right? 01:13:26,982 --> 01:13:28,449 - I'm alive. ALL :Professor! 1093 1083 01:15:08,450 --> 01:15:10,543 01:13:28,516 --> 01:13:30,006 Saves me cutting you an air hole.

01:15:56,464 --> 01:16:00,025 1094 Write down your method, 01:15:24,632 --> 01:15:27,192 Mr. Borden, describe it in full. - I'm impressed. - Why is that? 1106 01:16:13,148 --> 01:16:15,514 1095 I want the whole method, 01:15:27,268 --> 01:15:30,237 not the keyword. You're finally getting your hands dirty. 1107 1096 01:16:15,583 --> 01:16:17,983 01:15:30,305 --> 01:15:33,206 I don't know if your secret's It's what a good trick costs, Angier. in your notebook.

1097 1108 01:15:33,274 --> 01:15:36,072 01:16:18,052 --> 01:16:20,520 Risk, sacrifice. The keyword is the method.

1098 1109 01:15:36,144 --> 01:15:38,635 01:16:24,526 --> 01:16:25,823 The sacrifice, I'm afraid, Where's my ingénieur? is all gonna be yours, 1110 1099 01:16:32,967 --> 01:16:35,595 01:15:38,713 --> 01:15:40,340 - Alive? unless you give me what I want. - How fast can you dig?

1100 1111 01:15:41,716 --> 01:15:43,843 01:16:38,072 --> 01:16:41,098 - Which is? Fallon, you hear me? Fallon! - Your secret. 1112 1101 01:16:42,410 --> 01:16:45,072 01:15:43,918 --> 01:15:45,317 - ANGIER : My secret? How's the arm? - Still attached. 1102 01:15:45,387 --> 01:15:48,515 1113 Your method for The Transported man. 01:16:46,514 --> 01:16:48,072 Did you find your answer? 1103 01:15:48,590 --> 01:15:51,423 1114 Fallon wouldn't tell me. 01:16:48,149 --> 01:16:51,915 He doesn't talk at all. Our answer, Cutter. I haven't looked yet. I wanted you to share this. 1104 01:15:51,493 --> 01:15:54,985 1115 - You have my notebook. 01:16:51,986 --> 01:16:54,420 - Useless without the keyword. I already know how he does it, Robert.

1105 1116

01:16:54,489 --> 01:16:57,583 01:17:43,538 --> 01:17:45,062 Same way he always has, I'm sorry. the same way as we do. 1129 1117 01:17:50,378 --> 01:17:53,973 01:16:57,659 --> 01:17:00,127 Good evening. Hello, darling. It's just that you want something more. (LAUGHS)

1118 1130 01:17:00,195 --> 01:17:02,959 01:17:54,048 --> 01:17:55,538 Well, let's find out then, shall we? Champagne, your finest.

1119 1131 01:17:07,268 --> 01:17:08,701 01:17:55,617 --> 01:17:58,313 What does it mean? I didn't know we were going to be joined for dinner. 1120 01:17:16,544 --> 01:17:19,012 1132 It means, Cutter, we have 01:17:58,386 --> 01:18:00,684 a journey ahead of us. Absolutely, we are celebrating.

1121 1133 01:17:19,080 --> 01:17:21,947 01:18:00,755 --> 01:18:02,450 - To America. Miss Wenscombe, Mr. Fallon. - Robert? 1134 1122 01:18:03,458 --> 01:18:06,325 01:17:22,016 --> 01:17:24,985 - What are we celebrating? Listen to me. - We've hit upon a new trick.

1123 1135 01:17:25,053 --> 01:17:28,511 01:18:06,394 --> 01:18:08,453 Obsession is a young man's game. - Haven't we? - What trick, Freddie? 1124 01:17:28,590 --> 01:17:30,114 1136 Come on. 01:18:08,530 --> 01:18:10,555 Yes, Freddie, what trick? 1125 01:17:30,191 --> 01:17:32,659 1137 I can't follow you any further in it. 01:18:10,632 --> 01:18:15,035 I am going to bury 1126 myself alive every night, 01:17:33,728 --> 01:17:35,662 I can't, I'm sorry. 1138 01:18:15,103 --> 01:18:18,971 1127 and then someone will come along 01:17:39,767 --> 01:17:41,462 and dig me up. Wonderful. Then the rest is up to me. 1139 1128 01:18:19,040 --> 01:18:22,134

- I think he's had quite enough... Everybody else loves it. - No, pour the champagne. 1150 1140 01:19:03,351 --> 01:19:05,285 01:18:22,210 --> 01:18:25,907 Why are you being like this? Pour the... Sarah, don't talk to me like that. I'm not a bloody child. 1151 01:19:05,353 --> 01:19:08,254 1141 I had a terrible ordeal today. 01:18:25,980 --> 01:18:29,177 - Perhaps it would be better... 1152 - Mr. Fallon, escort her home. 01:19:08,323 --> 01:19:12,089 I thought that 1142 something very precious... 01:18:29,250 --> 01:18:32,083 - My husband's being a bore. 1153 - Oh, please. 01:19:13,261 --> 01:19:15,195 ...had been lost to me. 1143 01:18:32,153 --> 01:18:35,953 1154 - I see no reason you should suffer. 01:19:15,263 --> 01:19:18,391 - Don't ruin this evening. So I just wanted to celebrate just a little. 1144 01:18:38,359 --> 01:18:41,260 1155 Good night, Mrs. Borden. 01:19:18,466 --> 01:19:21,924 Good night, Freddie. All right, what? What did you lose?

1145 1156 01:18:45,700 --> 01:18:47,998 01:19:27,075 --> 01:19:28,633 - Freddie? I see, more secrets. - That's my name. 1157 1146 01:19:29,577 --> 01:19:32,740 01:18:48,069 --> 01:18:51,436 Sarah, secrets are my life. - Not at home. - I'm not always at home, am I? 1158 01:19:34,682 --> 01:19:37,947 1147 - Our life. 01:18:53,241 --> 01:18:55,903 - No, Alfred, stop, this isn't you. Couldn't you have at least taken off the beard? 1159 01:19:38,019 --> 01:19:40,487 1148 Stop performing. 01:18:55,977 --> 01:19:00,141 Sarah, I just came from 1160 the bloody theater just now. 01:19:42,490 --> 01:19:44,651 (SHUDDERS) 01:19:00,214 --> 01:19:03,274 All right? I'm out in public. 1161

01:20:04,646 --> 01:20:07,137 1172 I thought I had the place to myself. 01:20:41,482 --> 01:20:42,471 ...is it? 1162 01:20:07,215 --> 01:20:10,514 1173 Unexpected guests, not very polite. 01:20:50,525 --> 01:20:53,983 No, that's what he told 1163 me to tell you. The truth... 01:20:10,585 --> 01:20:12,416 A lot of questions. 1174 01:20:54,062 --> 01:20:57,896 1164 ...is that I loved him and I stood by 01:20:12,487 --> 01:20:15,285 him and he sent me to you, At first, I thought they worked for the government. 1175 01:20:57,965 --> 01:21:01,492 1165 like he would send a stagehand 01:20:15,356 --> 01:20:19,019 to pick up his shirts. - No? - Worse, they work for Thomas Edison. 1176 01:21:01,569 --> 01:21:04,367 1166 I hate him for that. 01:20:20,995 --> 01:20:23,486 BORDEN 1177 : Today, a most 01:21:04,439 --> 01:21:07,670 curious development. I could spot Angier's methods from the back of the theater. 1167 01:20:23,564 --> 01:20:26,624 1178 His assistant came to us 01:21:09,377 --> 01:21:11,641 with a proposition. So, what could you possibly have to offer me? 1168 01:20:28,269 --> 01:20:31,670 1179 Obviously, Angier has sent her 01:21:11,713 --> 01:21:13,340 and told her to admit as much. You may know his tricks,

1169 1180 01:20:31,739 --> 01:20:34,537 01:21:13,414 --> 01:21:16,474 Does he enjoy taking but you can't understand why his bows under the stage? no one sees yours are better.

1170 1181 01:20:34,609 --> 01:20:38,375 01:21:16,551 --> 01:21:19,111 He sent me here to steal your secrets, You hide this. but I've come to offer you his. I had to look very closely

1171 1182 01:20:38,446 --> 01:20:41,415 01:21:19,187 --> 01:21:21,519 This is the truth... to spot it during The Transported man,

01:22:01,395 --> 01:22:05,229 1183 to the dangers of such an affair, 01:21:21,589 --> 01:21:24,422 but this makes you unique. 1195 01:22:05,299 --> 01:22:10,100 1184 I need assurances of fidelity, of love. 01:21:24,492 --> 01:21:26,517 It shows you aren't using a double. 1196 01:22:11,139 --> 01:22:12,731 1185 But how to be sure? 01:21:26,594 --> 01:21:29,085 You mustn't hide it. 1197 You must display it proudly. 01:22:14,942 --> 01:22:19,276 I know a way. It's the only 1186 way to know her mind. 01:21:29,163 --> 01:21:33,930 I'm sure it takes great skill 1198 to perform illusions with one good hand. 01:22:19,347 --> 01:22:21,178 How could he send you away? 1187 01:21:34,001 --> 01:21:35,764 1199 Yeah, it does. 01:22:23,050 --> 01:22:26,144 BORDEN 1188 : She must help me 01:21:37,538 --> 01:21:40,701 rid ourselves of Angier. So let people know. 1200 1189 01:22:32,760 --> 01:22:35,752 01:21:40,775 --> 01:21:44,267 Today, my mistress You can be so much more than proves her truthfulness. he is and I can show you how. 1201 1190 01:22:35,830 --> 01:22:37,559 01:21:45,980 --> 01:21:48,574 Not to me, you understand. BORDEN : I think 1202 she's telling the truth. 01:22:37,632 --> 01:22:40,260 I've been 1191 convinced since she led me to Root. 01:21:48,649 --> 01:21:50,776 I think we cannot trust her. 1203 01:22:40,334 --> 01:22:43,861 1192 Today, Olivia proves her love for me 01:21:54,322 --> 01:21:56,790 But I love her. I need her. 1204 01:22:43,938 --> 01:22:46,406 1193 to you, Angier. 01:21:57,992 --> 01:22:01,325 To open myself to such a relationship, 1205 01:22:46,474 --> 01:22:50,877 1194 Yes, Angier, she gave you

this notebook at my request. 1217 01:23:29,784 --> 01:23:32,480 1206 You stole my money because 01:22:50,945 --> 01:22:54,381 your funding was cut off. And yes, "Tesla" is merely the key to my dairy, 1218 01:23:32,553 --> 01:23:35,454 1207 You've been shooting 01:22:54,448 --> 01:22:57,246 sparks in my top hat, not to my trick. You really think I'd part 1219 01:23:35,523 --> 01:23:39,015 1208 laughing at me all along, 01:22:57,318 --> 01:23:00,446 while using my money to stave off ruin. with my secret so easily after so much? 1220 1209 01:23:39,861 --> 01:23:41,988 01:23:00,521 --> 01:23:02,182 - I have seen Edison's men. Goodbye, Angier. - Where?

1210 1221 01:23:02,256 --> 01:23:04,622 01:23:42,063 --> 01:23:44,554 May you find solace In the hotel, I have a mind for your forward ambition to bring them up here.

1211 1222 01:23:04,692 --> 01:23:06,489 01:23:44,632 --> 01:23:47,328 back in your American home. That would be unwise, Mr. Angier.

1212 1223 01:23:16,003 --> 01:23:17,630 01:23:47,401 --> 01:23:50,529 Tesla! It is true that you are our last remaining financier, 1213 01:23:19,574 --> 01:23:21,974 1224 Tesla! Alley! 01:23:50,605 --> 01:23:52,470 but we have not stolen your money. 1214 01:23:23,177 --> 01:23:24,166 1225 Alley! 01:23:52,540 --> 01:23:54,007 This is my cat. 1215 01:23:24,245 --> 01:23:26,839 1226 Tesla never made a machine 01:23:54,075 --> 01:23:57,135 like the one I asked for. When I told you I could make you a machine, I spoke a truth. 1216 01:23:26,914 --> 01:23:29,712 1227 - I never said he had. 01:23:57,211 --> 01:23:58,303 - You let me believe that he had. Why isn't it working?

1228 01:23:58,379 --> 01:24:00,711 1240 Because exact science, Mr. Angier, 01:24:39,253 --> 01:24:40,379 (MEOWS) 1229 01:24:00,781 --> 01:24:02,180 1241 is not an exact science. 01:24:40,454 --> 01:24:42,945 (ELECTRICAL 1230 ZAPPING) 01:24:02,250 --> 01:24:05,413 The machine simply 1242 does not operate as expected. 01:24:53,434 --> 01:24:56,198 (SIGHS) 1231 01:24:05,486 --> 01:24:09,513 1243 - It requires further examination. 01:24:56,270 --> 01:24:58,898 - So where did my top hat go? I hope whatever you were really doing with my money 1232 01:24:09,590 --> 01:24:10,648 1244 Nowhere. 01:24:58,973 --> 01:25:01,407 was more worthwhile, Mr. Tesla. 1233 01:24:10,725 --> 01:24:13,523 1245 We tried the damn thing a dozen times. 01:25:13,721 --> 01:25:15,814 (MEOWING) 01:24:13,594 --> 01:24:15,221 The hat went nowhere. 1246 01:25:15,890 --> 01:25:18,723 1235 (CATS 01:24:15,296 --> 01:24:17,196 SCREECHING) We need to try different material. 1247 1236 01:25:28,903 --> 01:25:32,134 01:24:17,265 --> 01:24:19,426 (SCREECHING It may provoke a different result. CONTINUES)

1237 1248 01:24:19,967 --> 01:24:21,992 01:25:32,206 --> 01:25:34,436 (HISSING) color="#D900D9">(MEOWING) 1249 1238 01:25:57,331 --> 01:25:58,320 01:24:22,069 --> 01:24:23,627 Alley! Great. 1250 1239 01:26:01,402 --> 01:26:03,131 01:24:30,778 --> 01:24:34,737 So the machine was working? You are responsible for whatever happens to this animal, doctor. 1251

01:26:03,204 --> 01:26:06,833 1262 I never checked the calibration, 01:26:44,578 --> 01:26:48,036 'cause the hat never moved. Daddy will go run his errands, and I'll be back before you know it. 1252 01:26:06,907 --> 01:26:09,774 1263 These things never quite 01:26:48,115 --> 01:26:51,846 work as you expect them to. So you go get ready. We'll go see those chimpanzees. (HOOTS) 01:26:09,844 --> 01:26:12,335 That's one of the principal 1264 beauties of science. 01:26:54,855 --> 01:26:58,256 Sarah... what are you doing? 1254 01:26:12,413 --> 01:26:15,871 1265 I'll need a couple of weeks to iron out 01:27:01,929 --> 01:27:04,921 the problems with the machine. Each of us have our vices.

1255 1266 01:26:15,950 --> 01:26:18,009 01:27:08,035 --> 01:27:10,503 We'll send word when it's ready. Sarah, whatever you may think...

1256 1267 01:26:20,221 --> 01:26:23,190 01:27:12,073 --> 01:27:15,702 Don't forget your hat. ...your only competition for my affections is our little girl. 1257 01:26:23,257 --> 01:26:26,988 1268 - Well, which one is mine? 01:27:15,776 --> 01:27:18,745 - They are all your hats. I love you. I will always love you

1258 1269 01:26:32,933 --> 01:26:35,925 01:27:18,813 --> 01:27:20,246 You look so pretty and you alone. in this new dress of yours. 1270 1259 01:27:22,116 --> 01:27:25,916 01:26:36,003 --> 01:26:39,837 - You mean it today. - Are we going to the zoo? - Absolutely. - No, Daddy has some errands to run. 1271 1260 01:27:25,986 --> 01:27:29,820 01:26:39,907 --> 01:26:42,137 Which makes it so much - But you promised. harder when you don't. - I promised, did I? 1272 1261 01:27:39,166 --> 01:27:41,964 01:26:42,209 --> 01:26:44,507 More shopping. She does Then go to the zoo, we shall. love the smell of money.

1273 01:28:27,748 --> 01:28:30,774 01:27:42,036 --> 01:27:46,336 Leave your family at home The little lady wants to go to the zoo, where they belong. so I thought you could take her, yeah? 1285 1274 01:28:30,851 --> 01:28:34,116 01:27:46,407 --> 01:27:48,773 I'm trying. I'm trying, Olivia. I mean, I can do it tomorrow, if not. 1286 1275 01:28:34,188 --> 01:28:36,554 01:27:48,843 --> 01:27:52,142 - I'll get dressed. And, uh... Sarah, - Yeah.

1276 1287 01:27:52,213 --> 01:27:54,340 01:28:38,058 --> 01:28:41,084 she knows. I saw Fallon hanging around again.

1277 1288 01:27:54,415 --> 01:27:58,579 01:28:41,162 --> 01:28:43,630 Uh, at least she knows There's something about that something is not right, that man I don't trust.

1278 1289 01:27:58,652 --> 01:28:01,553 01:28:43,697 --> 01:28:46,757 so if you can just do You trust me? Then trust Fallon. whatever you can to help me. 1290 1279 01:28:46,834 --> 01:28:49,496 01:28:01,622 --> 01:28:06,184 He protects the things Talk to her, just that I care about. convince her that I do love her. 1291 1280 01:28:49,570 --> 01:28:52,562 01:28:16,837 --> 01:28:18,805 (ENGINE What is it, Freddie? SPUTTERS)

1281 1292 01:28:18,873 --> 01:28:21,171 01:29:27,741 --> 01:29:30,232 Listen, don't call me that, please. We're sorry to see you go, Mr. Angier.

1282 1293 01:28:21,242 --> 01:28:25,110 01:29:30,311 --> 01:29:32,871 It's nothing. It's just that We were sorry to see sometimes it seems wrong. Mr. Tesla leave, as well.

1283 1294 01:28:25,179 --> 01:28:27,670 01:29:32,947 --> 01:29:35,040 I told you, when you're He's very good to Colorado Springs. with me, you're with me. 1295 1284 01:29:35,115 --> 01:29:37,777

Mr. Angier, 1306 01:30:40,848 --> 01:30:42,816 1296 Destroy it. 01:29:37,851 --> 01:29:41,480 I didn't think it was necessary 1307 to tell Edison's men about the box. 01:30:42,883 --> 01:30:46,182 Drop it to the bottom 1297 of the deepest ocean. 01:29:41,555 --> 01:29:43,216 What box? 1308 01:30:46,253 --> 01:30:49,654 1298 Such a thing will bring you only 01:30:08,549 --> 01:30:11,950 misery. TESLA : I apologize for leaving without saying goodbye. 1309 01:30:53,527 --> 01:30:57,156 1299 ANGIER : 01:30:12,019 --> 01:30:17,252 Tesla's warning is But I seem to have outstayed as unheeded as he knew it would be. my welcome in Colorado. 1310 1300 01:30:57,231 --> 01:31:00,792 01:30:17,324 --> 01:30:21,818 Today I tested the machine. The truly extraordinary is not Taking precautions in case permitted in science and industry. 1311 1301 01:31:00,868 --> 01:31:03,837 01:30:21,895 --> 01:30:24,693 Tesla hadn't ironed out Perhaps you'll find the kinks in its operation. more luck in your field, 1312 1302 01:31:03,904 --> 01:31:05,701 01:30:24,765 --> 01:30:27,427 But if it went wrong, where people are happy to be mystified. 1313 01:31:05,773 --> 01:31:07,934 1303 I would not want to live 01:30:27,501 --> 01:30:31,460 like that for long. You will find what you are looking for in this box. 1314 01:31:10,678 --> 01:31:12,270 1304 (ELECTRICAL 01:30:31,538 --> 01:30:35,975 ZAPPING) Alley has written you a thorough set of instructions. 1315 01:31:27,394 --> 01:31:31,524 1305 ANGIER : 01:30:36,043 --> 01:30:40,776 But here at the turn, I add only one suggestion I must leave you, Borden. on using the machine. 1316

01:31:31,598 --> 01:31:33,828 Yes, you, Borden, 1328 01:32:19,179 --> 01:32:21,545 1317 They're not complete. 01:31:33,901 --> 01:31:36,267 sitting there in your cell, 1329 01:32:21,615 --> 01:32:24,345 1318 It's just the pledge 01:31:36,337 --> 01:31:40,364 and the turn for each. reading my diary, awaiting your death, 1330 1319 01:32:24,418 --> 01:32:28,479 01:31:40,441 --> 01:31:42,432 Without the prestige for these for my murder. tricks, these are worthless.

1320 1331 01:31:47,781 --> 01:31:51,080 01:32:28,555 --> 01:32:30,580 Angier's journal, that gesture Yeah. of good faith, that's a fake. 1332 1321 01:32:30,657 --> 01:32:34,184 01:31:51,151 --> 01:31:52,448 You get the rest of it... I assure you, it's not. when you bring my daughter here.

1322 1333 01:31:52,519 --> 01:31:55,454 01:32:36,930 --> 01:32:39,160 The provenance of the journal I want to say goodbye. is clear and under no doubt. 1334 1323 01:32:40,901 --> 01:32:44,064 01:31:55,522 --> 01:32:00,016 SARAH :We have to go through it now. And it's written in Angier's own hand, We have to go through it now. for which we have numerous examples. 1335 1324 01:32:44,138 --> 01:32:46,504 01:32:01,895 --> 01:32:03,795 Now, listen to me, deny it all you want. It don't matter. 1336 1325 01:32:46,573 --> 01:32:48,939 01:32:05,733 --> 01:32:07,758 Olivia means nothing. So my tricks. 1337 1326 01:32:49,009 --> 01:32:50,806 01:32:11,004 --> 01:32:14,462 - Olivia? - All of them. - I need an assistant. - Including The Transported man? 1338 1327 01:32:50,878 --> 01:32:53,711 01:32:15,909 --> 01:32:19,106 - I'll go to her, I'll tell her. - Lord Caldlow will be very pleased. - You'll tell her what? - No, he won't.

1339 lovely little girl, we're married. 01:32:53,781 --> 01:32:55,840 I know what you really are, Alfred. 1350 01:33:31,585 --> 01:33:33,246 1340 What is so wrong with your life? 01:32:57,951 --> 01:32:59,714 - I know. 1351 - Sarah, Sarah, Sarah. 01:33:33,320 --> 01:33:35,914 Alfred, I can't live like this! 1341 01:32:59,787 --> 01:33:02,415 1352 - I can't keep it in. 01:33:35,989 --> 01:33:38,355 - You can't talk like this. Well, what do you want from me?

1342 1353 01:33:02,489 --> 01:33:05,014 01:33:41,695 --> 01:33:45,392 - No. No. I... I want... - Sarah, shut up! Sarah, shut up! 1354 1343 01:33:45,466 --> 01:33:48,526 01:33:05,092 --> 01:33:09,222 I want you to be... honest with me. I don't want to hear it anymore. You can't talk like this. 1355 01:33:51,271 --> 01:33:53,739 1344 No tricks. 01:33:11,832 --> 01:33:15,233 SARAH : You 1356 can't hide it anymore, 01:33:53,807 --> 01:33:55,900 because I know, Alfred, I know. No lies.

1345 1357 01:33:15,302 --> 01:33:18,738 01:33:55,976 --> 01:33:59,776 I know what you really are, Alfred. And no secrets.

1346 1358 01:33:18,806 --> 01:33:21,604 01:34:06,053 --> 01:34:09,386 I can't live like this. Do you... do you love me?

1347 1359 01:33:21,675 --> 01:33:23,802 01:34:12,459 --> 01:34:14,086 Oh, well, you think Not today. I can live like this? 1360 1348 01:34:16,230 --> 01:34:17,288 01:33:23,877 --> 01:33:27,040 No. You think I bloody enjoy living like this? 1361 01:34:21,835 --> 01:34:24,668 1349 (BIRDS 01:33:27,114 --> 01:33:31,517 CHIRPING) We have this beautiful house,

1362 01:34:54,801 --> 01:34:57,599 1373 - 01:36:18,882 color="#D900D9">(CRASHING) I need your help, John. - (BIRDS SQUAWKING) 1374 01:36:18,952 --> 01:36:21,750 1363 It's my last show. A limited engagement. 01:35:28,468 --> 01:35:31,403 (SEAGULLS 1375 CALLING) 01:36:21,822 --> 01:36:23,449 Your last show? 1364 01:35:42,416 --> 01:35:44,646 1376 (BIRDS 01:36:23,523 --> 01:36:27,653 FLUTTERING) A wise man once told me obsession was a young man's game. 1365 01:35:54,962 --> 01:35:55,986 1377 Who's there? 01:36:27,728 --> 01:36:31,289 I'm almost done. There's one thing left. 1366 01:35:59,132 --> 01:36:01,225 1378 I'm looking for an old friend. 01:36:32,299 --> 01:36:34,824 The Real Transported man. 1367 01:36:01,301 --> 01:36:04,236 1379 I heard about a booking, 01:36:36,637 --> 01:36:38,628 nice little theater, You want to design a show around it?

1368 1380 01:36:04,304 --> 01:36:06,738 01:36:38,705 --> 01:36:41,572 - good up-and-coming magician. I don't want you backstage - You're back. I need you in front managing.

1369 1381 01:36:06,807 --> 01:36:08,399 01:36:41,642 --> 01:36:44,304 It's good to see you, John. Call in any favors or connections you have left 1370 01:36:09,176 --> 01:36:11,906 1382 Good rehearsal space. 01:36:44,378 --> 01:36:45,845 to get us the right booking. 1371 01:36:11,979 --> 01:36:14,743 1383 Blind stagehands, I like it. 01:36:48,005 color="#D900D9">(LAUGHS) What sort of booking you after?

1372 1384 01:36:14,815 --> 01:36:17,477 01:36:48,081 --> 01:36:50,481 You always had a good eye for publicity. The sort that Borden can't ignore.

1396 1385 01:37:48,275 --> 01:37:51,540 01:36:56,857 --> 01:37:00,088 It's very rare to see... Oh, what an honor it is to see you again, sir. 1397 01:37:51,611 --> 01:37:53,078 1386 ...real magic. 01:37:00,160 --> 01:37:04,119 You told me you only wanted to show me 1398 one trick that'd pique my interest. 01:37:54,581 --> 01:37:56,276 It's been many years since... 1387 01:37:04,197 --> 01:37:07,360 1399 - It's a very clever trick. 01:37:56,349 --> 01:37:58,078 - Pleased to meet you, Mr. Ackerman. Are you interested in helping us?

1388 1400 01:37:07,434 --> 01:37:10,301 01:38:00,153 --> 01:38:03,884 Likewise, I'm sure. Yes... but you'll have Let's get on, shall we? to dress it up a little.

1389 1401 01:37:13,940 --> 01:37:15,703 01:38:06,159 --> 01:38:07,820 Turn it on, gentlemen. Disguise it.

1390 1402 01:37:20,947 --> 01:37:22,073 01:38:09,496 --> 01:38:11,987 Very pretty. Give them enough reason to doubt it.

1391 1403 01:37:33,126 --> 01:37:36,789 01:38:12,799 --> 01:38:16,030 That's it, Cutter? He simply disappears? You haven't spoken about her, Freddie, not once. 1392 01:37:36,863 --> 01:37:39,229 1404 That's not a trick. He has to come back. 01:38:16,103 --> 01:38:19,800 Why would I talk about her to you, hm? 1393 01:37:39,299 --> 01:37:41,460 1405 - There has to be a... 01:38:19,873 --> 01:38:23,741 - ANGIER : A Because she was a part of prestige? your life and now she's gone.

1394 1406 01:37:41,535 --> 01:37:42,524 01:38:26,713 --> 01:38:31,207 Exactly. You know, the day before she killed herself she said she wanted to meet me. 1395 01:37:45,539 --> 01:37:48,201 1407 Pardon me. 01:38:31,284 --> 01:38:34,219 That she had something

to tell me about you. I love you. No, Olivia, I love you.

1408 1420 01:38:34,287 --> 01:38:37,882 01:39:11,725 --> 01:39:13,693 I was such a coward, That's the truth. I couldn't bring myself to face her. 1421 1409 01:39:13,760 --> 01:39:16,160 01:38:37,958 --> 01:38:39,448 That is the truth that matters. But... 1422 1410 01:39:16,229 --> 01:39:20,632 01:38:40,660 --> 01:38:42,924 You could be in some other restaurant ...what would she have said? with some other woman right now,

1411 1423 01:38:42,996 --> 01:38:46,090 01:39:20,700 --> 01:39:22,292 You want to know the truth about me? talking about me that way.

1412 1424 01:38:47,367 --> 01:38:49,858 01:39:22,369 --> 01:39:24,496 The truth is that... - No. - Yes. 1413 01:38:52,038 --> 01:38:54,029 1425 ...I never loved Sarah. 01:39:27,941 --> 01:39:31,672 It's inhuman to be so cold. 1414 01:38:55,242 --> 01:38:56,732 1426 I never loved her. 01:39:37,350 --> 01:39:38,612 He's back. 1415 01:38:56,810 --> 01:38:59,040 1427 You married her, 01:39:39,519 --> 01:39:42,784 you had a child with her. After two years, he's got a new trick.

1416 1428 01:38:59,112 --> 01:39:02,206 01:39:42,856 --> 01:39:45,518 Yes. Part of me. Part of me did, but... They're saying it's the best London's ever seen. 1417 01:39:02,282 --> 01:39:04,216 1429 ...the other part didn't. 01:39:47,727 --> 01:39:50,195 You should see the look 1418 on your face, Professor. 01:39:04,284 --> 01:39:08,516 The part that found you, 1430 the part that's sitting here right now. 01:39:52,065 --> 01:39:53,999 You should go to him. 1419 01:39:08,588 --> 01:39:11,648 1431

01:39:54,067 --> 01:39:56,592 01:40:52,158 --> 01:40:54,956 You two deserve each other. When I tell you the lady who taught me this illusion 1432 01:40:01,575 --> 01:40:05,511 1443 But I'm afraid I'm booked. The Moscow 01:40:55,028 --> 01:40:57,019 Ballet plays through next year. actually died performing it,

1433 1444 01:40:05,579 --> 01:40:10,141 01:40:57,097 --> 01:41:00,396 Then get rid of them. There will be you'll understand the seriousness 100 performances, no more, no less. of the dangers involved.

1434 1445 01:40:10,217 --> 01:40:12,708 01:41:02,569 --> 01:41:04,969 Five performances a week, no matinees. - Let's begin. - (APPLAUSE) 01:40:14,521 --> 01:40:17,547 That's what you'll 1446 charge for each ticket. Good day. 01:41:14,681 --> 01:41:17,309 In my travels, I have seen the future. 1436 01:40:20,927 --> 01:40:25,193 1447 01:41:22,714 color="#D900D9">(APPLAUSE) And it is a strange future, indeed.

1437 1448 01:40:25,265 --> 01:40:28,701 01:41:22,789 --> 01:41:24,950 (FOOTSTEPS ON The world, ladies and gentlemen, STAGE) 1449 1438 01:41:25,025 --> 01:41:27,323 01:40:40,280 --> 01:40:44,910 is on the brink of new Ladies and gentlemen, my first trick of the evening involves considerable risk. 1450 01:41:27,394 --> 01:41:29,123 1439 and terrifying possibilities. 01:40:46,152 --> 01:40:47,517 Anyone in the audience 1451 01:41:29,195 --> 01:41:31,186 1440 (TAPS 01:40:47,587 --> 01:40:50,420 CANE) who would be irrevocably damaged by seeing a man drown 1452 01:41:38,204 --> 01:41:42,436 1441 01:40:52,082 color="#D900D9">(APPLAUSE) should leave now. 1453 1442 01:41:49,616 --> 01:41:53,074

What you're about to witness One hundred performances. Why? is not magic. 1465 1454 01:43:25,045 --> 01:43:26,603 01:41:54,254 --> 01:41:55,653 Does his method dictate that? It's purely science. 1466 1455 01:43:26,679 --> 01:43:28,579 01:41:55,722 --> 01:41:58,156 Is it a publicity move? What is it? I'd like to invite you to come up on stage now 1467 01:43:28,648 --> 01:43:31,014 1456 He's a no-talent magician, 01:41:58,224 --> 01:42:01,216 and they call him so that you can examine the machine for yourselves. 1468 01:43:31,084 --> 01:43:33,484 1457 the bloody best in England. Why? 01:42:17,177 --> 01:42:19,509 (ELECTRICAL 1469 ZAPPING) 01:43:33,553 --> 01:43:36,317 Fifty yards in a second! In a second! 1458 01:42:51,778 --> 01:42:54,508 1470 (CROWD 01:43:36,389 --> 01:43:39,483 MURMURING, GASPING) And all that we know is he uses a trap door. 1459 01:42:54,581 --> 01:42:56,446 1471 01:43:43,825 color="#D900D9">(APPLAUSE) Brilliant! What is going on under that stage? Huh?! 1460 01:42:56,516 --> 01:42:58,347 1472 Man's reach 01:43:43,897 --> 01:43:46,331 Why can't you out-think him? 1461 01:42:58,418 --> 01:43:01,546 1473 exceeds his imagination. 01:44:01,448 --> 01:44:06,647 They do this every night, 1462 after each performance. Yeah? 01:43:01,621 --> 01:43:05,216 (APPLAUSE, 1474 CHEERING) 01:44:06,719 --> 01:44:09,210 (SIGHS) 1463 01:43:12,832 --> 01:43:14,197 1475 Bravo! 01:44:32,946 --> 01:44:34,277 BORDEN :Huh. 1464 01:43:22,242 --> 01:43:24,972 1476

01:44:35,148 --> 01:44:38,117 1488 -(CRUMPLING PAPER) 01:45:46,686 --> 01:45:50,417 - We're done. - Hey, where do you think...? - I'm part of the bloody act, you fool. 1477 01:44:39,419 --> 01:44:40,977 1489 All right? 01:45:55,695 --> 01:45:57,890 (ELECTRIC ZAPPING) 1478 01:44:42,288 --> 01:44:44,051 1490 Let him have his trick. 01:45:59,432 --> 01:46:00,421 Who was that? 1479 01:44:44,124 --> 01:44:46,615 1491 I don't need his secret. 01:46:04,537 --> 01:46:07,529 (RUMBLING) 1480 01:44:46,693 --> 01:44:48,183 1492 So... 01:46:21,554 --> 01:46:24,045 (ZAPPING 1481 CONTINUES) 01:44:49,696 --> 01:44:52,665 ...don't go back there, 1493 you leave him alone. 01:46:45,411 --> 01:46:47,003 (SILENCE) 1482 01:44:52,732 --> 01:44:55,997 1494 Both of us... just leave him alone. 01:46:56,990 --> 01:47:01,120 - (MUFFLED 1483 SCREAMING) 01:44:56,069 --> 01:44:57,696 - Hey! Where's the bloody key?! We're done. 1495 1484 01:47:01,194 --> 01:47:02,752 01:45:06,446 --> 01:45:08,505 Where's the bloody key?! ANGIER :I told you, John. 1496 1485 01:47:02,829 --> 01:47:05,127 01:45:08,581 --> 01:45:10,674 (BORDEN I don't want you backstage on this one. YELLING)

1486 1497 01:45:12,318 --> 01:45:14,718 01:47:05,198 --> 01:47:08,929 I would like to Where's the bloody key?! invite you onstage now He's bloody drowning!

1487 1498 01:45:14,787 --> 01:45:17,483 01:47:18,177 --> 01:47:19,166 so that you can examine Hold on! the machine for yourselves. 1499

01:47:20,280 --> 01:47:21,304 Mr. Cutter, if you need to know (SCREAMS) where to deliver these items...

1500 1511 01:47:24,484 --> 01:47:25,951 01:48:22,408 --> 01:48:26,003 What have you done? No, it's just there is one particular item, 1501 01:47:47,774 --> 01:47:53,212 1512 MAN : Alfred 01:48:26,946 --> 01:48:29,540 BORDEN, you have been found this item, in fact, guilty of the murder of Robert Angier. 1513 1502 01:48:29,615 --> 01:48:31,879 01:47:53,279 --> 01:47:57,511 - I would like to... You will be hanged - You would like to... by the neck until dead. 1514 1503 01:48:31,951 --> 01:48:33,043 01:47:57,583 --> 01:48:00,552 ...buy. May the Lord have mercy on your soul. 1515 1504 01:48:33,119 --> 01:48:35,019 01:48:02,322 --> 01:48:04,483 - Buy yourself? OWENS : Mr. - Yeah, I suppose so. Cutter? 1516 1505 01:48:36,255 --> 01:48:38,189 01:48:04,557 --> 01:48:06,184 - This is the machine? Owens. - Yes.

1506 1517 01:48:06,259 --> 01:48:09,092 01:48:38,257 --> 01:48:40,487 Oh, thank you for coming, Mr. Owens. Well, I'm afraid Lord Caldlow was adamant 1507 01:48:09,162 --> 01:48:13,531 1518 It has fallen to me to dispose 01:48:40,560 --> 01:48:42,790 of Mr. Angier's equipment. about purchasing this particular item.

1508 1519 01:48:13,599 --> 01:48:15,191 01:48:42,862 --> 01:48:45,956 But I notice from this manifest Do you think I could talk to Lord Caldlow in person? 1509 01:48:15,268 --> 01:48:18,965 1520 that Lord Caldlow has purchased 01:48:46,032 --> 01:48:48,796 the bulk of the items. Out of the question, I'm afraid.

1510 1521 01:48:19,038 --> 01:48:22,337 01:48:51,237 --> 01:48:53,137

Of course, 1533 01:49:30,243 --> 01:49:32,575 1522 Daddy, can I come in there? 01:48:53,206 --> 01:48:56,437 I suppose if, in the course 1534 of your delivery arrangements, 01:49:33,212 --> 01:49:35,840 Not right now. Not right now, darling. 1523 01:48:56,509 --> 01:49:00,969 1535 your paths were to cross, 01:49:35,915 --> 01:49:38,179 I can't stop you speaking your mind. No, but everything is gonna be all right. 1524 01:49:01,948 --> 01:49:03,074 1536 Thank you. 01:49:39,752 --> 01:49:41,481 You must be Lord Caldlow? 1525 01:49:03,216 --> 01:49:04,547 1537 (DOOR 01:49:41,554 --> 01:49:45,285 OPENS) Caldlow. Yes, I am. I always have been.

1526 1538 01:49:04,650 --> 01:49:06,811 01:49:50,329 --> 01:49:52,524 - MAN : Still They flatter you with all those chains. here, Borden? - For now. 1539 01:49:52,598 --> 01:49:55,624 1527 Don't they know you can't escape 01:49:07,420 --> 01:49:10,389 without your rubber ball? You got a visitor. Lord Caldlow. 1540 1528 01:49:55,701 --> 01:49:58,693 01:49:10,456 --> 01:49:12,549 I pulled you out... out of that tank. With a little girl. 1541 1529 01:49:58,771 --> 01:50:02,605 01:49:20,833 --> 01:49:22,733 All I wanted to do was prove Jess? that I was a better magician.

1530 1542 01:49:22,802 --> 01:49:24,429 01:50:02,675 --> 01:50:04,575 Hello, my love. But you couldn't leave me alone.

1531 1543 01:49:24,504 --> 01:49:27,962 01:50:06,078 --> 01:50:08,171 How are you? I've missed you so much. I don't know what you've done.

1532 1544 01:49:28,040 --> 01:49:30,167 01:50:10,082 --> 01:50:13,779 Fallon's missed you too. We both have. But you're not afraid to get your hands dirty anymore, are you?

01:50:46,118 --> 01:50:48,245 1545 Look, here. 01:50:13,853 --> 01:50:17,118 No, not anymore. And I win. 1557 01:50:49,789 --> 01:50:53,054 1546 That's what you're after. 01:50:17,190 --> 01:50:20,523 That's what this is about. No one cares about the man in the box, the man who disappears. 1558 01:50:53,860 --> 01:50:55,225 1547 Take it. 01:50:20,593 --> 01:50:21,719 You win? 1559 01:50:55,294 --> 01:50:56,989 1548 - Your secret? 01:50:23,162 --> 01:50:27,826 - Yeah. This ain't a bloody competition anymore. This is my little girl's life. 1560 01:51:00,199 --> 01:51:03,760 1549 You always were the better magician. 01:50:27,900 --> 01:50:30,892 We both know that. And don't you dare put her in the middle of this. 1561 01:51:04,403 --> 01:51:06,997 1550 Whatever your secret was, 01:50:30,970 --> 01:50:33,962 you have to agree, Oh, I know how hard it is to have someone so special 1562 01:51:08,140 --> 01:51:09,471 1551 mine is better. 01:50:34,040 --> 01:50:36,406 taken away from you, don't I, Borden? 1563 01:51:11,177 --> 01:51:14,544 1552 Don't do this. Don't do this, 01:50:37,410 --> 01:50:40,140 Angier. Jess, Jess! And you can't take it with you, now, can you? 1564 01:51:14,614 --> 01:51:18,141 1553 Jess, I'm gonna take you 01:50:40,213 --> 01:50:42,113 home soon. I promise. Oh, she'll be looked after. 1565 1554 01:51:18,217 --> 01:51:20,777 01:50:42,181 --> 01:50:44,206 - For God's sake. Goodbye, Professor. Come on, darling. - I promise. Look!

1555 1566 01:50:44,283 --> 01:50:46,046 01:51:24,624 --> 01:51:28,219 No, no, no, no, stop, my darling. I promise. I love you, Jess.

1556 1567

01:51:28,294 --> 01:51:29,955 I love you. 1579 01:52:02,562 --> 01:52:05,122 1568 Run along now. 01:51:30,029 --> 01:51:31,656 - Come on. 1580 - I love you. 01:52:05,197 --> 01:52:07,722 Sir, there's a gentleman waiting. 1569 01:51:31,731 --> 01:51:33,426 1581 I love you, Jess. 01:52:24,550 --> 01:52:27,280 - Dear God. 1570 - Hello, Cutter. 01:51:33,499 --> 01:51:35,831 Angier! Angier! 1582 01:52:28,254 --> 01:52:30,688 1571 You're still alive. 01:51:35,902 --> 01:51:37,995 What, do you think 1583 this place can hold me? 01:52:30,756 --> 01:52:32,621 How is it you're still alive? 1572 01:51:38,070 --> 01:51:41,096 1584 Angier! They're gonna bloody hang me! 01:52:32,692 --> 01:52:35,092 I saw you on a slab, for God's sake. 1573 01:51:41,173 --> 01:51:43,698 1585 And you can put a stop to this now! 01:52:38,097 --> 01:52:40,122 - Child. 1574 - Good night, sir. 01:51:44,343 --> 01:51:46,538 Listen! Listen! That man... 1586 01:52:40,199 --> 01:52:42,167 1575 ANGIER : 01:51:46,612 --> 01:51:48,978 Good night, Jess. Listen, that man is the one I'm in for killing! 1587 01:52:43,402 --> 01:52:45,063 1576 I've seen her before. 01:51:49,048 --> 01:51:53,382 Listen! If he's alive, I'm not guilty! 1588 01:52:45,137 --> 01:52:47,662 1577 I saw her in court with... 01:51:53,452 --> 01:51:55,716 - I'm not guilty! 1589 - I don't care! 01:52:48,608 --> 01:52:50,235 ...Fallon. 1578 01:51:55,788 --> 01:51:57,881 1590 - Get hold of him. 01:52:52,345 --> 01:52:54,939 - Angier! - What have you done?

- She needs looking after. 01:53:49,468 --> 01:53:51,902 Both of us. 1591 01:52:55,014 --> 01:52:57,505 1603 She needs her father. 01:53:54,707 --> 01:53:58,108 I mean, I don't have 1592 as far to go as you. 01:52:57,583 --> 01:53:00,552 You're letting him hang, 1604 and I helped you. 01:54:03,416 --> 01:54:04,747 No. 1593 01:53:00,620 --> 01:53:05,557 1605 I came here to beg Lord Caldlow 01:54:06,285 --> 01:54:09,345 to let me destroy that machine. You were right. I should have left him to his damn trick. 1594 01:53:07,026 --> 01:53:10,462 1606 I am not going to beg you for anything. 01:54:11,123 --> 01:54:13,216 I'm sorry. 1595 01:53:10,529 --> 01:53:13,794 1607 You don't have to. I'm gonna 01:54:14,760 --> 01:54:17,092 make sure it is never used again. I'm sorry for a lot of things.

1596 1608 01:53:14,934 --> 01:53:18,028 01:54:18,230 --> 01:54:20,960 Then, Lord Caldlow... I'm sorry about Sarah.

1597 1609 01:53:20,573 --> 01:53:22,632 01:54:22,068 --> 01:54:25,526 ...where do you want me to deliver it? Didn't mean to hurt her, I didn't.

1598 1610 01:53:22,708 --> 01:53:26,474 01:54:27,406 --> 01:54:31,740 My theater. It belongs You go live your life in full now, with the prestige materials. all right? You live for both of us.

1599 1611 01:53:26,946 --> 01:53:29,540 01:54:40,586 --> 01:54:42,076 John, I tried not to involve you. Goodbye.

1600 1612 01:53:42,495 --> 01:53:44,759 01:55:27,867 --> 01:55:30,301 So... Are you watching closely?

1601 1613 01:53:46,799 --> 01:53:49,393 01:56:01,667 --> 01:56:03,601 We go alone now. Put it down on the end.

1602 1614

01:56:37,002 --> 01:56:40,768 Abracadabra. Take a minute to consider your achievement. 1627 01:58:15,401 --> 01:58:16,959 1615 01:56:41,841 --> 01:56:44,639 I once told you about a sailor 1628 01:58:20,706 --> 01:58:22,970 1616 MOANS) 01:56:44,710 --> 01:56:47,008 who described drowning to me. 1629 01:58:32,952 --> 01:58:35,978 1617 (ANGIER MOANS) 01:56:47,079 --> 01:56:49,274 Yes, he said it was like going home. 1630 01:58:45,864 --> 01:58:48,594 1618 A brother? A twin? 01:56:50,382 --> 01:56:54,148 I was lying. He said it was agony. 1631 01:58:50,436 --> 01:58:52,802 1619 You were Fallon. 01:57:33,893 --> 01:57:38,057 MAN :Alfred Borden, this day, 1632 in the name of the king 01:58:54,306 --> 01:58:56,968 - The whole time? 1620 - No. 01:57:38,130 --> 01:57:40,121 and the High Court of England, 1633 01:58:58,010 --> 01:59:00,342 1621 We were both Fallon. 01:57:40,199 --> 01:57:42,030 you will meet your end. 1634 01:59:00,412 --> 01:59:02,312 1622 We were both Borden. 01:57:44,136 --> 01:57:46,161 No one cares about the man in the box. 1635 01:59:07,686 --> 01:59:10,655 1623 Were you the one who went into the box? 01:57:51,010 --> 01:57:52,739 Cutter? 1636 01:59:10,723 --> 01:59:12,418 1624 Or the one who came back out? 01:57:57,416 --> 01:57:58,940 Cutter! 1637 01:59:13,726 --> 01:59:16,024 1625 We took turns. 01:58:00,819 --> 01:58:03,083 MAN :Do you have anything to say? 1638 01:59:20,833 --> 01:59:22,892 1626 The trick is where we would swap. 01:58:07,826 --> 01:58:09,225

1639 1651 01:59:29,108 --> 01:59:31,008 02:00:15,554 --> 02:00:16,543 Cutter knew. Cutter knew. ...just.

1640 1652 01:59:31,076 --> 01:59:33,340 02:00:19,191 --> 02:00:20,920 But I told him it was But not for them. too simple, too easy. 1653 1641 02:00:23,495 --> 02:00:25,725 01:59:34,546 --> 01:59:35,535 See, sacrifice, Robert, No. 1654 1642 02:00:25,798 --> 02:00:28,528 01:59:37,082 --> 01:59:39,050 that's the price of a good trick. Simple, maybe, but not easy. 1655 1643 02:00:30,569 --> 02:00:33,129 01:59:39,118 --> 01:59:42,884 You wouldn't know There's nothing easy anything about that, would you? about two men sharing one life. 1656 1644 02:00:33,205 --> 02:00:36,333 01:59:48,560 --> 01:59:51,757 (GROANING) how it can be bleeding again? 1657 1645 02:00:36,408 --> 02:00:38,342 01:59:55,234 --> 01:59:58,032 I've... I've made sacrifices. Wha... What about Olivia and your wife? 1658 1646 02:00:38,410 --> 02:00:40,378 01:59:59,038 --> 02:00:00,938 - No. We each loved one of them. - Yes.

1647 1659 02:00:04,576 --> 02:00:07,306 02:00:40,846 --> 02:00:43,940 I loved Sarah. It takes nothing to steal another man's work. 1648 02:00:07,379 --> 02:00:09,904 1660 He loved Olivia. 02:00:44,016 --> 02:00:46,780 Yeah, it takes everything. 1649 02:00:09,982 --> 02:00:12,416 1661 We each had half of a full life, 02:01:06,839 --> 02:01:08,966 No, no, wait, I'm not... 1650 02:00:12,484 --> 02:00:15,476 1662 really, which was enough for us... 02:01:09,041 --> 02:01:10,702

02:02:01,894 --> 02:02:04,419 1663 You did terrible things. 02:01:15,647 --> 02:01:18,275 It took courage. 1676 02:02:05,430 --> 02:02:07,898 1664 Really terrible things, Robert. 02:01:20,285 --> 02:01:23,482 It took courage to climb 1677 into that machine every night, 02:02:09,935 --> 02:02:11,425 And all for nothing. 1665 02:01:24,289 --> 02:01:26,723 1678 not knowing... 02:02:12,404 --> 02:02:13,598 For nothing? 1666 02:01:26,792 --> 02:01:28,919 1679 ...if I'd be the man in the box... 02:02:13,672 --> 02:02:15,003 BORDEN :Yeah. 1667 02:01:31,964 --> 02:01:33,226 1680 ...or in the prestige. 02:02:18,677 --> 02:02:21,305 You never understood... 1668 02:01:34,566 --> 02:01:37,592 1681 Do you want to see... 02:02:21,380 --> 02:02:23,371 ...why we did this. 1669 02:01:37,669 --> 02:01:39,967 1682 ...what it cost me? 02:02:26,485 --> 02:02:29,045 The audience knows the truth. 1670 02:01:40,038 --> 02:01:42,802 1683 You didn't see where you are, did you? 02:02:30,189 --> 02:02:32,623 The world is simple. 1671 02:01:43,709 --> 02:01:46,109 1684 Look. Look. 02:02:32,691 --> 02:02:34,420 It's miserable. 1672 02:01:47,212 --> 02:01:48,702 1685 I don't care. 02:02:34,493 --> 02:02:38,190 Solid... Solid all the way through. 1673 02:01:53,418 --> 02:01:56,979 1686 You went halfway around the world. 02:02:40,532 --> 02:02:42,864 But if you could fool them, 1674 02:01:57,055 --> 02:01:59,819 1687 You spent a fortune. 02:02:42,935 --> 02:02:45,096 even for a second... 1675

1688 The magician shows you 02:02:46,638 --> 02:02:49,038 something ordinary. ...then you could make them wonder. 1699 1689 02:03:42,928 --> 02:03:45,863 02:02:50,175 --> 02:02:52,370 The second act is called "the turn." And then you... 1700 1690 02:03:47,332 --> 02:03:50,199 02:02:52,444 --> 02:02:54,674 The magician takes Then you got to see something the ordinary something

1691 1701 02:02:54,746 --> 02:02:56,407 02:03:50,269 --> 02:03:53,136 very special. and makes it into something extraordinary. 1692 02:03:00,719 --> 02:03:03,244 1702 You really don't know. 02:03:54,473 --> 02:03:58,375 But you wouldn't clap yet, 1693 because making something disappear 02:03:06,325 --> 02:03:07,986 It was... 1703 02:03:58,443 --> 02:04:02,539 1694 isn't enough. You have to bring it back. 02:03:09,061 --> 02:03:12,030 ...it was the look on their faces. 1704 02:04:36,982 --> 02:04:39,416 1695 Now you're looking for the secret. 02:03:14,967 --> 02:03:16,764 INHALES DEEPLY) 1705 02:04:42,354 --> 02:04:46,085 1696 But you won't find it, because, 02:03:27,212 --> 02:03:32,047 of course, you're not really looking. CUTTER : Every magic trick consists of three parts, or acts. 1706 02:04:49,194 --> 02:04:52,630 1697 You don't really want to work it out. 02:03:35,487 --> 02:03:38,945 The first part is called "the pledge." 1707 02:04:55,434 --> 02:04:57,732 1698 You want to be fooled. 02:03:39,024 --> 02:03:41,788