The Mystery of the Black Books by Warren Hinkle 111

Total Page:16

File Type:pdf, Size:1020Kb

The Mystery of the Black Books by Warren Hinkle 111 -Ht l Rp l Ous l F 4 AccuRcyr The Mystery of the Black Books by Warren Hinkle 111 A saga of hotshot international espionage from the great days of Ramparts 1-109 G CormIG t12) C—cpr-C-S7rrG 1. n New Orleans, as you probably then working for Ramparts maga- other places in the world at the know, the D.A. is called the zine, was chewing the conspiracy drop of a dollar. His disillusion I "Jolly Green Giant." Jim Gar- fat with Jim Garrison and enjoy- with the C.I.A. began when he rison is tall enough, and normally ing a Southern bourbon without worked for them in the Congo. jolly enough, and, in his dealings benefit of mint. Turner_suggested. "You can rescue nuns," the Agency with a cheating government and an that it would be nice to know what had told him. He found himself ambush-primed press in the months I • Z. I ' .11 • II shooting up supply boats instead. and years after the Kennedy assas- clere_f_hlna_ERennedy. Assuming But he kept flying, partly for the sination, he showed himself green that they didn't do it, they doubt- money, which was good, partly be- enough to earn the title, whatever less had a pretty good idea who cause he was hooked on adventure, the significance of tine original did. The thought of the K.G.B.'s and the C.I.A. was the big Connec- nickname. bulging files on the C.I.A. lit Gar- tion. Most everyone also knows, in rison up. It is testimony to the perverse- some snickering fashionable way, "Even if they'd cooperate," Tur- ness of his world that—although he what happened to the District At- ner said, "we could never make the came to see himself as working for torney and his assassination inves- approach from the D.A.'s office. The the bad guys, an employment he tigation. In New York terms, he wolves out there would never stop was loath to give up because he en- closed opening night. But some- howling if they caught us asking joyed the means if not the end— where back in the primordial ooze the time of day of the K.G.B." his dangerous compulsion to simul- of the Garrison investigation there Garrison frowned. taneously do something for the good lingers a story that has never been Never mind that, said Turner. guys was limited by his inability to told before. It is not an assassina- Ramparts would make the Russians find any. Ile had once tried an un- tion story, it is primarily a mys- an offer they couldn't refuse. I was dercover assignment for the federal tery story, and it is not even a the editor at Ramparts in those nares, but their bumbling ways story about Garrison himself, al- days, so what happened after that nearly got him killed. Given the though his interests at the time inevitably i nvolved me. paucity of angels, he latched onto spurred on the events. There have It was a week later. In hot pur- Ramparts as a reasonable alterna- been good reasons for the long si- suit of his goal, Turner was having tive to evil and a place where lence of the participants, or vic- coffee in a San Francisco restau- double agents were granted instant tims, as the telling places certain rant with a young man who had no status as war heroes. As often as people where they perhaps should name. He was the shady side of he was in the office, and visiting not have been, and involves the thirty-five, tall, tanned, sandy- our homes, there remained a restive violation, or alleged violation, of haired, with high raw cheekbones quality about him, a separateness, several laws of the land, among and polished turquoise eyes. He as if he were lonely out there in the them those proscribing the unau- was not a professional mystery cold and wanted companionship, yet thorized dealings by private citi- man, although he was mysterious didn't want to come all the way in. zens with the governments of un- about his profession, and it would We called him Jim Rose. At least friendly foreign powers. By now, be as accurate to say he had several that was the name by which he was though, Richard Nixon the Elder names as none, because names to known to everyone on the magazine, has left pecker tracks all over those him were as paper plates, to be including one of the secretaries previously clear ground rules, and used and then discarded. His pri- with whom he took up housekeep- one no longer knows if one is deal- mary employment, in the year and a ing between derrings-do. But he ing with an old enemy or a new half that Ramparts had known him, had a name for every day of the friend until one picks up the morn- was that of a contract combat pilot week. He was Jack Carter when ing paper. So I will be indiscreet. for the C.I.A. He flew a Douglas he worked in Miami, until later he As the story quickly becomes B-26 out of Miami on itinerant became too hot and decided to "kill caught up in the whirlpools and bombing raids against the Cuban off" Carter by simulating a plane rapids of international intrigue, I coastline. His targets were usually crash at sea, thus discouraging the will begin, as simply as possible, pedestrian objects such as oil tanks, spoilsports in the F.A.A. from in- at the beginning—which, as is the although once he made a pass over quiring further into the checkered case in many mysteries, was a con- a Russian-built radar installation. history of Carter's flight plans. He versation over a friendly drink He had also flown aerial reconnais- had several newspaper clippings re-, about a proposition of dubious le- sance missions over Cuba out of porting his own death, which he gality. Central and South American air- would exhibit with the eager shy- In the New Orleans Summer of fields. ness of someone showing you an 1968, Bill Turner, an ex-F.B.I. man He had flown and fought in many appendix scar or bottled gallstone. 12e ESQUIRE: APRIL He was also known as Dawes, also tion in America, save perhaps the was and explained the peculiar cir- as McLeish, also as several other CIA., he boarded a jet for Mexico cumstances of his mission. The Rus- people, among which I was always City, on his way along the yellow sian warily asked for the camera partial to Rose, because of Gertrude brick road to see the wizard of es- which hung around Rose's neck, and Stein and all. But by any name he pionage at the Russian Embassy. It said he would return it when their was, as Damon Runyan said about had been agreed all around that the conversation was completed. Rose those types who stand out among act of asking to borrow a cup of got it back later, "in better work- other types of their type, the "gen- intelligence from the K.G.B. had ing order than when I gave it to uine item." He loved adventure, and best take place in another country. him." second only to that he loved talking By the estimate of the Reader's The Russian and the young about adventure. Digest, the Russian Embassy in American without a name talked This Rose with no tame was the Mexico City is "one of the world's for two hours. Rose explained Gar- man we tapped to send to the Rus- great sanctuaries of subversion." It rison's theory of the assassination, sians. has the appearance of a giant cuck- and the Russian nodded on occasion Turner hardly had time to raise oo clock that has been put under at the mention of the C.I.A. Rose the subject over coffee that morn- house. arrest. A grey Victorian made his plea for "sanitized" in- ing when Rose, indicating a devil- mansion bedecked with gingerbread formation from the K.G.B. files on may-care willingness to make the cupolas, it is cut off from the out- Oswald and others. approach to the K.G.B., said he side world by grounds dotted with "Our assumption is that you would volunteer. peach trees and patrolled by sen- must have information about these Anyone who has seen a good spy tries with a do-not-touch look about matters that we do not," he said. movie knows how to get in touch them, who are in turn cut off from The Russian rose from his seat with the K.G.B. All you do is go to the street by an iron fence unsuit- unblinking. He asked Rose where a Russian Embassy and ask to see able for pole vaulting. The twenty- he was staying, and suggested he the Second Secretary, who is in- four-hour work of the Embassy is stick to his hotel and not do too variably the resident Soviet intelli- carried out behind shuttered win- much touring. "It may be neces- gence chief. (If you're looking in dows to the sound of crickets at sary for you to stay in Mexico an American Embassy for the night, melting into the click and City for a few days." C.I.A., best try the Cultural At- whir of camera shutters by day, as Rose was followed when he left taché first.) moat of the handsome houses across the Embassy for the hotel.
Recommended publications
  • Alex Tyler (Actor) Equity Member
    Alex Tyler (Actor) Equity Member All enquiries: Lakeside Casting Agency Agent : Phil Mckay Lakeside Casting Agency Top Floor 63 Scotland Road Carlisle CA3 9HT Tel: 01228 401093 mob: 07850 597689 Email : [email protected] _________________________________________________________________________________ D.O.B. 07.12.1994 Height 5.11” Chest 37” Waist 31” Inside leg 31” Collar 14½ EEEyesEyes Blue Hair Brown Build Slim Shoe 9½” HaHaHatHa t 22” Playing Age 16 to 27 _________________________________________________________________________________ Training Professional Actors Workshop Lakeside Actors Academy July 2017 HNC Acting & Performance City of Glasgow College Sept 2015 to August 2016 Royal Conservatoire of Scotland Acting Radio & Voice Technique : August 2016 _________________________________________________________________________________ Theatre + Film 2017 The Waiter Home from Home Paul Murphy BBC TV 2016 The Boyfriend Scots Squad Iain Davidson BBC TV Scotland 2016 Rick Virtually Happening Darrel Kirk Screen Academy Scotland 2016 Tom Change Brian McLean CoGC Student Production 2016 Arthur The Assembly Cole Lynch UWS Student Production 2016 Dracula Stuck with no Time Callum McLaughlin Glasgow Clyde College 2016 Magistrate/Chorus Lysistrata Anne McLeod Glasgow College 2014 Chorus Oliver Paul Kennedy St Aidan’s High 2006 Shere Khan The Jungle Book Donna Allen St Mary’s School _________________________________________________________________________________ Music Vocal Range: A2 - C6/falsetto G5 Accents English RP, West Country English, Scouse, Scottish (Glaswegian), Southern American, New York, American General. Australian Broad, Irish Dublin/Belfast. Skills and experience Barista, Improv, Canoe/ Kayaking, Walking in Heels, Full Passport Hobbies Socialising Sci-fi. Harry Potter. Doctor Who. Always Sunny in Philadelphia. Archer. Classic Comedies: Fawlty Towers/ Spaced/ Black Books/ Inbetweeners/ Peep Show/ AbFab/ Blackadder/ Father Ted/ Only Fools and Horses/ Red Dwarf.
    [Show full text]
  • Publishing Blackness: Textual Constructions of Race Since 1850
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE publishing blackness publishing blackness Textual Constructions of Race Since 1850 George Hutchinson and John K. Young, editors The University of Michigan Press Ann Arbor Copyright © by the University of Michigan 2013 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2016 2015 2014 2013 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Publishing blackness : textual constructions of race since 1850 / George Hutchinson and John Young, editiors. pages cm — (Editorial theory and literary criticism) Includes bibliographical references and index. ISBN 978- 0- 472- 11863- 2 (hardback) — ISBN (invalid) 978- 0- 472- 02892- 4 (e- book) 1. American literature— African American authors— History and criticism— Theory, etc. 2. Criticism, Textual. 3. American literature— African American authors— Publishing— History. 4. Literature publishing— Political aspects— United States— History. 5. African Americans— Intellectual life. 6. African Americans in literature. I. Hutchinson, George, 1953– editor of compilation. II. Young, John K. (John Kevin), 1968– editor of compilation PS153.N5P83 2012 810.9'896073— dc23 2012042607 acknowledgments Publishing Blackness has passed through several potential versions before settling in its current form.
    [Show full text]
  • TV 17 Wednesday, October 2
    TUESDAY OCTOBER 1 2019 TV 17 WEDNESDAY, OCTOBER 2 6.00 Morning Programs. 12.00 ABC 6.00 Sunrise. 8.30 The Morning Show. 6.00 Today. 8.30 Today Extra. (PG) 6.00 The Talk. (PG) 7.00 Ent. Tonight. 6.00 WorldWatch. 1.30 Dateline. (R) News At Noon. 1.00 Dream Gardens. (PG) 11.00 News. 11.30 Movie: Two 11.00 Morning News. 11.30 Ellen (R) 7.30 Celebrity Name Game. (PG, R) 2.00 Insight. (R) 3.00 The Churchills. (R) 1.30 Compass. (PG, R) 2.00 Pulse. Against Time. (2002) (PG, R) 1.30 Cricket. DeGeneres. (PG) 12.30 World's Greatest 8.00 Bold. (PG, R) 8.30 Studio 10. (PG) (PG, R) 4.00 The Supervet. (PG, R) (M, R) 3.05 Cook And The Chef. (R) 3.30 Women's Twenty20 International Series. Islands. (PG, R) 1.30 The Block. (PG, R) 12.00 Dr Phil. (PG, R) 2.00 Ent. Tonight. 5.00 Letters And Numbers. (R) 5.30 Hard Quiz. (PG, R) 4.00 Think Tank. (PG, Australia v Sri Lanka. Game 3. 4.30 The 2.30 News. 3.30 Afternoon News. 4.30 2.30 Neighbours. (PG, R) 3.00 Judge Mastermind Australia. (R) 6.00 SBS R) 5.00 Making Child Prodigies. (PG, Chase Aust. 5.30 News. Hot Seat. 5.30 News. Judy. (PG) 3.30 GCBC. (R) 4.00 Everyday World News. 7.00 Tony Robinson: R) 5.30 Brush With Fame. (PG, R) 6.00 6.30 Home And Away. (PG) 6.30 A Current Affair.
    [Show full text]
  • Bafta Rocliffe New Writing Showcase – Tv Comedy 2016
    In addition to our top three finalists, theF ORUM LIST includes BAFTA Rocliffe patrons include: three additional projects. To contact any of the writers, simply Jenni Konner, Christine Langan, Julian Fellowes, John Madden, Mike Newell, BAFta ROCLIFFE NEW WrITING email [email protected] with your details and we will connect Richard Eyre, David Parfitt, Cameron you with them. McCracken, Peter Kosminsky, David Yates, SHOWcaSE Ð TV COMEDY 2016 Finola Dwyer, Michael Kuhn, Nik Powell, FRENEMIES by Paul Wilson Duncan Kenworthy, Rebecca OÕBrien, TUESDAY 21 JUNE 2016 No break-up is easy. But if two people can make each other Simon Relph, Sue Perkins, John Bishop and Dave Spikey. BAFTA 195 PIccaDILLY, LONDON W1J 9LN unhappy when they’re together, imagine the pain they can inflict when they’re apart. Rocliffe Producer and Moderator GALGOROTH by Alex Harvey FaraH ABUSHWESHA Parodic animated comedy series, spoofing ‘80s sci-fi/fantasy cartoons, [email protected] coupling puerile humour with epic storylines and satire: South Park BAFTA Producers meets He-man. JULIA CarrUTHERS [email protected] HELP by Sally Tatum & David Brain KAM KANDOLA FLYNN HELP is the story of what happens when your best friend becomes [email protected] your nanny. Rocliffe Producer JADE GrEEN [email protected] KEVIN CECIL is a writer and After becoming neither FaraH ABUSHWESHA runs A huge thank you to our script selection panelists and jurors. Casting script editor. He won an Emmy, an electrical engineer nor Rocliffe and is the Director FaYE TIMBY a Writer’s Guild of America an actor, multi-BAFTA of Content for the comedy The Jury [email protected] award and a Writer’s Guild of nominated ADAM TANDY platform PYPO.
    [Show full text]
  • 1 © 2013 Yougov Ltd. All Rights Reserved Yougov.Co.Uk Liberal
    Liberal Democrat rank Have I Got News for You 1 Mock the Week 2 QI 3 Black Books 4 The IT Crowd 5 Brass Eye 6 Doctor Who 7 Red Dwarf 8 Futurama 9 Newswipe with Charlie Brooker 10 Family Guy 11 Russell Howard's Good News 12 Pride and Prejudice 13 Sherlock 14 The Thick of It 15 Being Human 16 Wallace and Gromit 17 Grand Designs 18 Elementary 19 Bremner, Bird and Fortune 20 8 Out of 10 Cats 21 Just a Minute 22 Blackadder 23 The Big Bang Theory 24 Fry's Planet Word 25 Jeeves and Wooster 26 Spaced 27 Dexter 28 Castle 29 The Armando Iannucci Shows 30 House of Cards 31 Green Wing 32 Firefly 33 That Mitchell And Webb Look 34 Buffy the Vampire Slayer 35 Parks and Recreation 36 Brainiac 37 Whose Line Is It Anyway? 38 Time Team 39 Tomorrow's World 40 Scrubs 41 Peep Show 42 Knowing Me, Knowing You... with Alan Partridge 43 BBC News 44 Campus 45 The Golden Age of Canals 46 That Was The Week That Was 47 Charlie Brooker's Screenwipe 48 1 © 2013 YouGov Ltd. All Rights Reserved yougov.co.uk Liberal Democrat rank Look Around You 49 Stand Up for the Week 50 Arrested Development 51 Dirk Gently 52 Stingray 53 The Sunday Night Project 54 Would I Lie To You? 55 Psychoville 56 The Big Fat Quiz of the Year 57 Wonders of the Universe 58 South Park 59 Vicious 60 Watson & Oliver 61 Dead Ringers 62 Absolutely Fabulous 63 Extreme Makeover 64 True Blood 65 Jack Dee Live at the Apollo 66 Nigella Bites 67 Planet Earth 68 Hancock's Half Hour 69 Friends 70 Putin, Russia and the West 71 How the Earth Was Made 72 Kath & Kim 73 Changing Rooms 74 My So-Called Life 75 Click 76 Ask Rhod Gilbert 77 Vic Reeves Big Night Out 78 Batman 79 How Clean is Your House? 80 Goodness Gracious Me 81 Supernatural 82 Walking with Dinosaurs 83 American Dad! 84 The Hitchhiker's Guide to the Galaxy 85 The Day Today 86 Not the Nine O'Clock News 87 Argumental 88 Is It Bill Bailey? 89 Russell Howard Live 90 Acorn Antiques 91 The Impressions Show with Culshaw and Stephenson 92 My Hero 93 The Office 94 House 95 New Girl 96 The Returned 97 Big Train 98 Due South 99 Destination Titan 100 2 © 2013 YouGov Ltd.
    [Show full text]
  • Not Your Mother's Library Transcript Mini-Episode 20: British Comedy
    Not Your Mother’s Library Transcript Mini-Episode 20: British Comedy (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a reader’s advisory podcast from the Oak Creek Public Library. I am Rachel, purportedly. The podcast’s other host, Leah, is—very much like myself—churning out mini-episode after mini-episode to keep you entertained while the library building is closed. At time of recording, our Governor’s Safe at Home order has been extended to just about the end of May 2020. Please continue to practice social distancing and healthy hygiene, listeners. We have been promoting a slew of digital resources on our website and social media channels, so visit oakcreeklibrary.org or look for us on Facebook @oakcreeklibrary. You can also contact us weekdays between 9:00 and 5:00 in case you have any questions that need answering. Leave a message on our voicemail by calling 414 766-7900, and feel free to email us by using the address [email protected]. We also do our best to respond quickly on Facebook Messenger, should you prefer that line of communique. As for Not Your Mother’s Library, we are continuing to share some of our favorite things with you. There are no limits to the types of media we consume on the daily. This month, I have been delving into different genres, so let’s wrap up May with something lighter— something filled with laughter. We are going to take a quick peek at British comedy. Ricky Gervais supplied an article for Time.com describing the difference between American and British humor.
    [Show full text]
  • English Folk Traditions and Changing Perceptions About Black People in England
    Trish Bater 080207052 ‘Blacking Up’: English Folk Traditions and Changing Perceptions about Black People in England Submitted for the degree of Master of Philosophy by Patricia Bater National Centre for English Cultural Tradition March 2013 This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. Trish Bater 080207052 2 Abstract This thesis investigates the custom of white people blacking their faces and its continuation at a time when society is increasingly aware of accusations of racism. To provide a context, an overview of the long history of black people in England is offered, and issues about black stereotypes, including how ‘blackness’ has been perceived and represented, are considered. The historical use of blackface in England in various situations, including entertainment, social disorder, and tradition, is described in some detail. It is found that nowadays the practice has largely been rejected, but continues in folk activities, notably in some dance styles and in the performance of traditional (folk) drama. Research conducted through participant observation, interview, case study, and examination of web-based resources, drawing on my long familiarity with the folk world, found that participants overwhelmingly believe that blackface is a part of the tradition they are following and is connected to its past use as a disguise. However, although all are aware of the sensitivity of the subject, some performers are fiercely defensive of blackface, while others now question its application and amend their ‘disguise’ in different ways.
    [Show full text]
  • Man up – Biographies
    Presents MAN UP A film by Ben Palmer (88 min., UK, 2015) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia LOGLINE When Nancy is mistaken for Jack’s blind date under the clock at Waterloo Station, she decides to take fate into her own hands and just go with it. What could possibly go wrong? MAN UP is an honest, heart-warming romantic comedy about taking chances and rolling with the consequences. One night, two people, on a first date like no other... SHORT SYNOPSIS Meet Nancy (Lake Bell): 34, single, hung-over, and exhausted by her well meaning but clueless friends’ continual matchmaking. 10 times bitten, 100 times shy, after an especially disastrous set-up at her friends’ engagement party, Nancy is basically done with dating. She’s reached the end of her rope, and is more than happy to hole up, seal up, and resign herself to a life alone. That is until Jack (Simon Pegg) mistakes Nancy for his blind date under the clock at Waterloo Station, and she does the unthinkable and just… goes with it. Because what if pretending to be someone else finally makes her man up, and become her painfully honest, awesomely unconventional, and slightly unstable true self? Best just to let the evening unfold, roll with the consequences, and see if one unpredictable, complicated, rather unique night can bring these two messy souls together.
    [Show full text]
  • Objectivity Lies: the Rhetoric of Anthropology,” in the Rhetoric of the Human Sciences: Language and Argument in Scholarship and Public Affairs, Eds
    ABSTRACT HUMANITIES JONAS-FOWLER, JOYCELYN J. B.A. CLARK ATLANTA UNIVERSITY, 1996 M.P.A. TROY STATE UNIVERSITY, 2005 IS THIS BLACK ENOUGH FOR YOU? A COMPARATIVE ANALYSIS OF AFRICAN-AMERICAN FAMILIES PORTRAYED IN BLACK FAMILY TELEVISION COMEDIES BETWEEN 1980 AND 2000 Committee Chair: Charmayne Patterson, Ph.D. Dissertation dated May 2018 Research shows that black people watch more television than any other race of people, and, given that television is the most influential media tool, the content of what may affect an audience’s behavior and beliefs deserves analysis. This study examines the black family, alleged pathology, strengths that are specifically associated with them, its portrayal on television, and how television is used as a tool for socialization and influence. A content analysis of the top thirty black family shows that appeared on major network television between 1980 and 2000 was conducted to determine if the family framed was portrayed realistically. Each show analyzed was found to portray some characteristic of strong black families, attributes some media and social critics had not previously recognized or acknowledged. This study suggests that further research is warranted from black family, cultural, and media scholars, as well as social policy and i program makers, and on how television influences entire cultures to shift socially and economically. ii IS THIS BLACK ENOUGH FOR YOU? A COMPARATIVE ANALYSIS OF AFRICAN-AMERICAN FAMILIES PORTRAYED IN BLACK FAMILY TELEVISION COMEDIES BETWEEN 1980 AND 2000 A DISSERTATION SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY JOYCELYN JONAS-FOWLER DEPARTMENT OF HUMANITIES ATLANTA, GEORGIA MAY 2018 © 2018 JOYCELYN JONAS-FOWLER All Rights Reserved ACKNOWLEDGMENTS I thank God for his favor and blessings and for being a God of thousands of chances.
    [Show full text]
  • English Language and Literature Pragmatic Analysis of Ironic
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Mária Savkaničová Pragmatic Analysis of Ironic Humour in Black Books Bachelor‟s Diploma Thesis Supervisor: Mgr., Jan Chovanec, Ph. D. 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‟s signature I would like to express my special thanks to my supervisor, Mgr. Jan Chovanec, Ph.D for his guidance and professional support during the time of research and writing of this thesis. Secondly, I would also like to thank all who encouraged and helped me in any respect during that time. Table of Contents 1. Introduction ................................................................................................................... 6 2. Definition of Humour ................................................................................................... 8 2.1 Linguistic Theories of Humour ............................................................................. 11 2.1.1 Incongruity-Resolution Theories .................................................................... 11 2.2.1 The Hostility Theories .................................................................................... 12 2.3.1 Release/Relief Theories .................................................................................. 12 2.3.2 The Semantic Script Theory ........................................................................... 13 2.3.3 The
    [Show full text]
  • Channel 4'S 25 Year Anniversary
    Channel 4’s 25 year Anniversary CHANNEL 4 AUTUMN HIGHLIGHTS Programmes surrounding Channel 4’s anniversary on 2nd November 2007 include: BRITZ (October) A two-part thriller written and directed by Peter Kosminsky, this powerful and provocative drama is set in post 7/7 Britain, and features two young and British-born Muslim siblings, played by Riz Ahmed (The Road to Guantanamo) and Manjinder Virk (Bradford Riots), who find the new terror laws have set their altered lives on a collision course. LOST FOR WORDS (October) Channel 4 presents a season of films addressing the unacceptable illiteracy rates among children in the UK. At the heart of the season is a series following one dynamic headmistress on a mission to wipe out illiteracy in her primary school. A special edition of Dispatches (Why Our Children Can’t Read) will focus on the effectiveness of the various methods currently employed to teach children to read, as well as exploring the wider societal impact of poor literacy rates. Daytime hosts Richard and Judy will aim to get children reading with an hour-long peak time special, Richard & Judy’s Best Kids’ Books Ever. BRITAIN’S DEADLIEST ADDICTIONS (October) Britain’s Deadliest Addictions follows three addicts round the clock as they try to kick their habits at a leading detox clinic. Presented by Krishnan Guru-Murphy and addiction psychologist, Dr John Marsden, the series will highlight the realities of addiction to a variety of drugs, as well as alcohol, with treatment under the supervision of addiction experts. COMEDY SHOWCASE (October) Channel 4 is celebrating 25 years of original British comedy with six brand new 30-minute specials starring some of the UK’s best established and up and coming comedic talent.
    [Show full text]
  • 4.3 the IT Crowd
    Univerzita Palackého v Olomouci Filozofická fakulta Katedra divadelních filmových a mediálních studií Jan Valnoha Televizní pořady Grahama Linehana Graham Linehan’s Television Programs Bakalářská Diplomová práce Vedoucí práce: Mgr. Jakub Korda Olomouc 2009 Prohlašuji, že jsem tuto diplomovou práci vypracoval samostatně a uvedl v ní veškerou literaturu a ostatní zdroje, které jsem použil. V Olomouci dne 20. 4. 2009 ............................................................... Jan Valnoha 2 Anotace: Práce se zabývá televizní tvorbou producenta a režiséra Grahama Linehana. Zaměřuje se na vnitřní vztahy a podobnosti seriálů, na jejichž tvorbě se podílel na postu režiséra, či scénáristy, konkrétně se jedná o seriály Father Ted, Big Train, Black Books a The IT Crowd. Resumé: The aim of this thesis is work of TV director and producer Graham Linehan. Main focus is on inner relationships and similarities between TV series which Graham Linehan contributed on as a director or screenwriter. Namely the series Father Ted, Big Train, Black Books and The IT Crowd are mentioned. 3 Obsah: Úvod ......................................................................................................5 Přehled použité literatury................................................................…… 7 1. Osobnost Grahama Linehana…………………………………………. 9 2. Skečová show……………………………………………………………11 2.1 Big Train…………………………………………………………….. 14 3. Sitkom.............................................................................................. 16 3.1 Father Ted………………………………………………………….
    [Show full text]