20Th Century Architecture
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Common Heritage Совместное Наследие
COMMON HERITAGE СОВМЕСТНОЕ НАСЛЕДИЕ The multicultural heritage of Vyborg and its preservation Мультикультурное наследие Выборга и его сохранение COMMON HERITAGE СОВМЕСТНОЕ НАСЛЕДИЕ The multicultural heritage of Vyborg and its preservation Proceedings of the international seminar 13.–14.2.2014 at The Alvar Aalto library in Vyborg Мультикультурное наследие Выборга и его сохранение Труды мeждународного семинара 13.–14.2.2014 в Центральной городской библиотеке А. Аалто, Выборг Table of contents Оглавление Editor Netta Böök FOREWORD .................................................................6 Редактор Нетта Бёэк ПРЕДИСЛОВИЕ Graphic design Miina Blot Margaretha Ehrström, Maunu Häyrynen: Te dialogical landscape of Vyborg .....7 Графический дизайн Мийна Блот Маргарета Эрстрëм, Мауну Хяйрюнен: Диалогический ландшафт Выборга Translations Gareth Grifths and Kristina Kölhi / Gekko Design; Boris Sergeyev Переводы Гарет Гриффитс и Кристина Кëлхи / Гекко Дизайн; Борис Сергеев Publishers The Finnish National Committee of ICOMOS (International Council for Monuments and Sites) and OPENING WORDS The Finnish Architecture Society ..........................................................12 Издатели Финляндский национальный комитет ИКОМОС (Международного совета по сохранению ВСТУПИТЕЛЬНЫЕ СЛОВА памятников и достопримечательных мест) и Архитектурное общество Финляндии Maunu Häyrynen: Opening address of the seminar ............................15 Printed in Forssa Print Мауну Хяйрюнен: Вступительное обращение семинара Отпечатано в типографии Forssa Print -
Wivi Lönn in Electrom-Journal-Word
1 Wivi Lönn Villas in Electromedia: A Pilot Study in Videographic Art Education Introduction Wivi Lönn (1872-1962) is one of the first female architects in the whole world. In the USA as well as in Finland 1 there were a few ladies who studied architecture and also received the title somewhat earlier, but Wivi herself had created an independent carrier, with around a hundred important projects. She won the first prize in the international competition with a male colleague, Armas Lindgren 2. The project was the Opera of Estonia. Wivi Lönn has been notified as an important national figure. The Finnish TV has made a program about her work. She has also received some proclamation on the internet, from the cities running architectural education throughout Finland (Helsinki, Tampere and Oulu). This was the background when Wivi Lönn was selected as the subject of study for a course in digital art education and digital culture at Jyväskylä University, Jyväskylä, Finland. Evidently, it was because the Institute was and still is operating in an old beer factory designed by the very own, Wivi Lönn and surrounded by her famously designed nine villas and one of the city’s early library. The project is described from the following viewpoints: 1. Wivi Lönn, 2. Älylä and Seminar Hill garden suburb, 1 Helamaa, E., Arkkitehtuurikoulutus Suomessa, 175 vuotta, Rakennustieto (Helsinki, 2000), 24 2 ibid. 36 2 3. Inhabitants of the villas, 4. Personal style, 5. Spirit of place and time, 6. Documentation. The work was organized to be a collaborative pilot study between the Art Education Institute and the so-called ALMONDe-group (Azmin, Laapotti, Majurinen, Oksala [Novel Design]). -
Powerpoint Sunusu
TEDU ARCH 222 HISTORY OF ARCHITECTURE II PRESENTATION 03.05.2018 ELIEL SAARINEN «THE CITY ITS GROWTH ITS DECAY ITS FUTURE» MEHMET AKÇAKOCA BURAK AĞBULUT ELIEL SAARINEN T E He was an architect, a city planner, educator, writer D and president of Cranbrook Academy of Art. He was U born on 20th August 1873 in Finland. His education A life started with painting at Helsinki University, then R he studied architecture at Polytechnic Institute of C Helsinki. He started to work with Herman Gesellius H and Armas Lindgren who were the classmates from 2 Polytechnic Institute of Helsinki. 2 2 HERMAN GESELLIUS T E He was a Finnish architect and one of the founder of firm D Gesellius, Lindgren and Saarinen. Wuorio house is the most U important work of Herman Gesellius. He designed that project A between 1908 and 1909 but he did not finish because of health R problems. Armas Lindgren finished this house from1913 in C 1914. Gesillius finished his architectural career in 1912 because H of serious sickness and he died early because of throat cancer 2 in 1916 2 2 ARMAS LINDGREN T He was a Finnish architect and born on 28th November E 1874. He worked with two famous Finnish architects D Gustaf Nyström and osef Stanback while he was studying U architecture. After that, he studied history of art and A culture in Sweden, Denmark, Germany, France and the R United Kingdom for two years.In 1905, he seperated his C way from Gesellius, Lİndgren and Saarinen Firm and he H set up his own Office 2 2 2 LINDGREN WORKS He became a professor at Polytechnic Institute T of Helsinki, he was a charge of the history of art E lecture in 1900. -
Helsinki Echo
HELSINKI ECHO HELSINKI BITES – A GUIDE TO the HistORY OF the CitY WelcOME TO A JOURneY phere of the times. You can take a walk home and listen to the radio. You can thROUgh the Fascinating through the streets of the 1930s and also pop into a bar to play hits on the histORY OF Helsinki! This check out window displays or spend time jukebox or peer into the secret world of journey will take you through various on the beach trying on swimsuits. If you an inner courtyard. Helsinki Echo will eras and lets you experience the atmos- feel tired, you can have a rest in a 1950s show you the way, take it with you! VibRant CitY OF the 1930'S LeisURE TIME AT HOME in the 1950'S GRieF anD DRAMA The Chang- ing Face OF the CITY NOstalgic 1970'S BAR The CARE- takeR'S RealM A Skate- BOARDER'S KEEN EYE 2 | ALONG THE STREETS Helsinki echO | 3 The CAFÉ BRONDin at Etelä- Wäinö Aaltonen, Rudolf Koivu and having a permanent place to stay since Esplanadi 20 becomes a popular meet- Eino Leino. One of the “Brondinistas” student days, and every member of our ing place among artists in the 1910s. is named Ponkki. “Ponkki was no art- coterie felt it their duty to put him up The regulars include such names as ist. He had no speciality, but he under- when he turned up at your doorstep.”* Jalmari Ruokokoski, Tyko Sallinen, stood everybody. No one recalled him * Vilho Nenonen: Tavattiin Brondalla. SPReaDing like ElantO Shops of the Elanto Cooperative were a familiar sight in Helsinki. -
HELSINKI, FINLAND and IWG Secretariat and Co-Chair 2010–2014
Application to host the 6th IWG World Conference on Women and Sport 2014 in HELSINKI, FINLAND and IWG Secretariat and Co-Chair 2010–2014 Finnish Sports Federation, Finnish Ministry of Education, City of Helsinki City of Espoo, City of Vantaa Helsinki Convention Bureau, Finland Convention Bureau Empower women in sport today: harvest the fruits tomorrow Picture: Eero Venhola, Picture: Paul Williams, Finlandia Hall City of Helsinki Tourist & Convention Bureau Good Morning my Dear Friend! Look around – yes, you are in Helsinki, Finland, and the water you see behind you is Töölönlahti. It is a bay in the middle of the cultural and sports center of our capital. For us it is like a living room especially this time of the year, But it is worth knowing that if you turn again, you will June, when the sun sleeps for just a couple of hours a day also see the sport centre of Helsinki; the Olympic Stadium – if even that! in which the Olympic Games were held in 1952, the Ice Sta- Turn round a bit. Can you see the white marble building? dium, which has hosted many big championships including That is Finlandia Hall designed by architect Alvar Aalto. It is the European Championships of Basketball in 1967. There is where our Conference is going to be held. Yes, you are right also the Eläintarha Stadium where Paavo Nurmi ran during – the Conference of Security and Cooperation in Europe was his best years. held in this very same building in 1975. In Finland we are This Töölönlahti area is where we love to walk and run, proud to hear world leaders speak about “the spirit of Hel- be romantic and enjoy the culture. -
Yolanda Ortega Sanz Universitat De Girona
Yolanda Ortega Sanz Universitat de Girona Yolanda Ortega Sanz is an architect Her research has been published and pre- and associate professor at Polytechnic sented in several conferences as: 1st In- School, Universitat de Girona, Catalonia, ternational Conference on contemporary Spain; where she teaches architectural architects: Jørn Utzon, Sevilla, Spain; 1st design. Ortega was educated at School of Conference on architectural competition, architecture in Barcelona and Arkitekts- Nordic Symposium, KTH, Stockholm, kolen i Aarhus, Denmark. Later on, she Sweden; or Responsibilities and Oppor- received a grant to be a young researcher tunities in Architectural Conservation, at Danmarks Kunstbibliotek, Copenhagen. CSAAR, Amman, Jordan. Currently, she is PhD Candidate in the research group FORM where she develops her thesis entitled “Nordic assembly” focus on Modern Architecture in Nordic countries. Welfare State. Sociological Aesthetics Welfare | Ortega Sanz | 474 WELFARE STATE. SOCIOLOGICAL AESTHETICS Modern architecture and democracy on Nordic countries, Denmark [My theme] concerns itself with the creation of beauty and with the measure of its reverberations in the democratic society. By the word “democracy” […] I speak of the form of life which, without political iden- tification, is slowly spreading over the whole world, establishing itself upon the foundation of increasing industrialization, growing communi- cation and information services, and the broad admission of the masses to higher education and the right to vote. What is the relationship of this form of life to art and architecture today? Walter Gropius1 ERBE DER MODERNE DAS In 1954, thirty-five years after founding the Bauhaus, Walter Gropius travelled around the world, revising his ideas about a democratic environment for the twentieth-century man. -
1900-Luvun Suomalaisen Arkkitehtuurin Tyylit, Osa II Elina Standertskjöld Amanuenssi, Suomen Rakennustaiteen Museo [email protected]
Rakennusperintö – 1900-luvun suomalaisen arkkitehtuurin tyylit, osa II Elina Standertskjöld Amanuenssi, Suomen rakennustaiteen museo [email protected] 1930-luku miseen. He ottivat kantaa myös yhteiskunnalli- siin kysymyksiin, työväestön ja vähävaraisten Maailmanlaajuinen talouslama, joka alkoi New puolesta. Liike oli demokraattinen ja kansainvä- Yorkin pörssiromahduksesta kesällä 1929, hil- linen. Sen keulakuvaksi nousi sveitsiläinen ark- jensi myös Suomen vientimarkkinat ja valta- kitehti Le Corbusier, jonka mukaan ihmiskun- kunta ajautui rahoituskriisiin. Laman aikana, nan pelastus oli uudessa arkkitehtuurissa. Sak- jolloin kaikesta oli pulaa, karsittiin rakennuksis- sassa keskeisessä asemassa oli arkkitehti Walter takin kaikki mikä miellettiin turhaksi. Tilojen Gropiuksen 1919 perustama Bauhaus-koulu. suunnittelussa ja materiaalien valinnoissa pyrit- Koulun opetus käsitti kaikki taiteen alat, ja sen tiin säästämään. Niukkaeleinen tyyli liittyi myös vaikutus ulottuu pitkälle meidänkin päiviemme laajempaan yhteiskunnalliseen murrokseen. arkkitehtuuriin, valokuvaukseen, kirjapainotai- Arkkitehtien tärkeimmäksi työtehtäväksi teeseen ja muotoiluun. nousi pienasuntojen suunnittelu, mikä edellytti Funktionalismin aikakaudella modernista tuli massatuotantoa ja standardisointia. Ornament- muotisana, jolla oli vahva positiivinen lataus. tien ja yksilöllisten rakennusosien valmistus ei Koneita ja tekniikkaa ihailtiin siinä määrin, että ollut teollisesti mahdollista. Muutos alkoi vähi- niistä tuli suosittuja aiheita maalaustaiteessa ja -
Latest Development in the Finnish Building Information System
LATEST DEVELOPMENT IN THE FINNISH BUILDING INFORMATION SYSTEM Matti Rautiola> ICIS NEW ZEALAND > 2016-03-14 1 MATTI RAUTIOLA Director General Professor, Architect SAFA The Building Information Foundation RTS Malminkatu 16 A, POB 1004, FIN-00101 Helsinki Tel +358 40 5088861 [email protected] www.rakennustieto.fi Matti Rautiola> ICIS NEW ZEALAND > 2016-03-14 2 THE BUILDING INFORMATION FOUNDATION RTS • Established in 1942 • Finnish Association of Architects • Alvar Aalto, Viljo Revell, Aarne Ervi, Aulis Blomstedt • Private, not-for-profit foundation • Ownership • R & D • Certification • Publishing rights of main products • New information content through 50 committees / 500experts • BuildingSmartFinland / 110 members • New information with 60 partner organisations • Societal networking • Public forums • Grants, scholarships and awards Matti Rautiola> ICIS NEW ZEALAND > 2016-03-14 3 THE BUILDING INFORMATION FOUNDATION RTS • Comprehensive coverage in urban planning, design, construction, maintenance Collaboration with The Electrical Contractors´ Association of Finland STUL / Info • Finland / Helsinki, Tampere, Kuopio • Estonia / Tallinn • Russia / St. Petersburg, • No public funding • Turnover € <10 M • Staff of 90 Matti Rautiola> ICIS NEW ZEALAND > 2016-03-14 4 SERVICES AND PRODUCTS > RT Files, Planning, Building and Structural Design > RT HVAC > RT KH, Facitlity Mangement > RT Infra, Infra Structure > RT Ratu, Building Productivity Files, DigiRatu > RT SIT, Interior Design > RT Product, Building Materials and Products > RT Specification -
Rethinking National Romanticism in the Architecture of Riga at the Turn of the Twentieth Century
SILVIja GROSA 56 Rethinking National Romanticism in the Architecture of Riga at the Turn of the Twentieth Century Silvija Grosa The article deals with the problem of interpretation related to national romanticism in Riga’s early twentieth-century architecture, focusing on the development of the term, as well as on its suitability. The complex cultural-historical context of early twentieth-century Riga is delineated; as in many peripheries of Europe, Riga was permeated by searches for a national style in the neo-romanticist vein typical of the period. This study attempts to answer the question of whether this trend, known in the Latvian history of architecture as Latvian national romanticism, really expresses the aspirations for a Latvian national style, as Baltic German architects were involved in its implementation and the trend was critically reviewed in early twentieth- century Latvian periodicals. In addition, architects of Latvian origin also put forward some ideas regarding classical heritage as a possible paradigm of national art. Fifteen years ago Riga’s historical centre was included in the UNESCO World Heritage List, testifying to the unique character and artistic quality of its architecture. This prestigious status has led both local and international circles to take an interest in Riga’s architecture at the turn of the twentieth century; the number of publications dealing with this subject has also increased. Still, not all issues related to the study and interpretation of Riga’s architecture have been resolved. This article aims to take up the problem of interpretation of ‘national romanticism’ in Riga’s architecture; the issue is well described in the text found on the website of the Riga Art Nouveau Museum: National romanticism reflects the attempts of Riga’s architects to create a spe- cific Latvian architecture. -
It Is Hoped the Necessity of Efficient Libraries As a Support To;*
DOCUMENT ED 071 ,31 LI 004 135 TITLE Advaittms in Library and Information Sciencein Finland. INSTITUTION Finnish Government, Helsinki.: PUB DATE 72 NOTE 27p.;(0 References) AVAILABLE FROMSumas larjastoseura (Finnish LibraryAssoc.); Nuseokatu 18 A, -00100 -Helsinki 10 Finland(No charge) EDPS PRICE 111-$0.65 RC Not -Available fromEDRS. DESCRIPTORS ForeignCountries; *InformationScience;Information Systems;Librarians;:Library :Collections; Library Planning;*LibraryScience; *Public -Libraries; *Research _Libraries- IDENTIFIERS *Finland; NORDDOIC; :Nordic CommitteeOn DocuMentation and infOrmition; Sciehtifidwand.Technical Information -ABSTRACT --* The reseatch,Llibitries in Finland-are inthe majOrity ofcase-libraries of universities=-and other institutionsforhigher education.:Librariect tesearch_.institutes-and=_Soms other=special libraries account for -some 20-30% of-the-total _OperatiOnalcapacity. Itishopedthe necessity of efficientlibraries as a Support to;* teaching _and research willbe_expressed:in ,a concrete way -in the revised legislation concerning. thedevelopmentof the university system. .The-developMent of publiclibraries from 1964: through 1972 is briefly traced and the develOpment ofScientific and technical information- from _1964=through 1970 is recounted..(MithortigH) -PERMISSION TO REPRODUCE THIS COPY- U.S. DEPARTMENT OF HEALTH. RIGHTED MATERIAL SY MICROFICHE ONLY EDUCATION & WELFARE HAS,REEN GRANTED fly_ . 4 ,OFFICE OF EDUCATION 3 (Jom; IICI f S JOS &Ara. TIIS DOCUMENT, HAS BEEN REPRO- DUCED EXACTLY AS RECEIVED FROM 1,iraty -
Art Nouveau and Finnish Architect Women: Wivi Lönn – a Case Study Renja Suominen-Kokkonen, University of Helsinki Abstract A
Strand 1. Breaking the Art Nouveau Glass Ceiling: The Women of Art Nouveau Art Nouveau and Finnish Architect Women: Wivi Lönn – A Case Study Renja Suominen-Kokkonen, University of Helsinki Abstract At the end of the 19th century the statutes of the Helsinki Polytechnic Institute took a liberal attitude regarding supernumerary students, making it possible to admit women. Already between 1887 and 1894, six women enrolled to study architecture – Wivi (Olivia) Lönn (1872–1966) was one of them. She became the first Finnish woman to follow an independent career in architecture, designing a large number of projects between 1898 and 1945. This paper discusses how this was possible, and concentrates especially on her early years in Tampere, where she designed several public Art Nouveau buildings. Key words: Art Nouveau in Finland, women architects, Wivi Lönn, the city of Tampere During the 19th century Finland was an autonomous part of Imperial Russia. After being a part of Sweden for 600 years, this new situation from 1809 onwards meant that the country had now its own legislation, gradually also its own money and customs borders. Finland’s development towards modern industries began seriously in the middle of the 19th century, and as there were no developed traditions of professional institutes, nor any Academy traditions, there was a shortage of skilled professionals in technology and the building industry. The state played an active role in the development of professions, and professional groups depended in their aims and strategies on the goodwill of the state bureaucracy.1 The attitudes of the bureaucracy were important for progress in technology, and the education and training of women. -
PALE NORDIC ARCHITECTURE Why Are Our Walls So White?
PALE NORDIC ARCHITECTURE Why are our walls so white? BATCHELOR’S THESIS SISKO ANTTALAINEN AALTO UNIVERSITY PALE NORDIC ARCHITECTURE – WHY ARE OUR WALLS SO WHITE? – ABSTRACT The aim was to investigate the perception of whiteness in Nordic architecture and analyse the rea- sons behind the pale colour scheme in a public space context. The word pale was used alongside with white, since it gave broader possibilities to ponder over the topic. The geographical research area was framed to cover Sweden and Finland, although the search for underlying reasons extended beyond the borders of the North. Architecture was viewed as an entity, including both exteriors and interiors. The focus was on reasoning around the question “why” to arouse professional discourse about the often-unquestioned topic. Analysing the background of a commonly acknowledged phe- nomenon strives to make architects more conscious of the background of their aesthetics so that future decisions can be based on a more complex set of knowledge rather than leaning on tradition. Because of the wide demarcation of the research question, the project started with self-formulated hypothesis, after which they were thoroughly analysed. The formulated pre-assumptions were, that the Nordic paleness is, firstly, a consequence of misinterpreted past architecture. Moreover, natu- ral circumstances of the North, the symbolism connected to white and the tradition of canonising modernism were established as hypothesis. Lastly, architect education, combined with the tendency of prototyping with white materials were assumed to endorse the pale colour scheme. The misinter- pretations’ possible implication in the perception of whiteness was also examined as a part of the re- 1 search.