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Bibliography BIBLIOGRAPHY Adams, Marie Jeanne 1969 System and Meaning in East Sumba Textile Design: A Study in Traditional Indo- nesian Art. New Haven, Conn.: Yale University Southeast Asia Studies. 1973 “Structural Aspects of a Village Art.” American Anthropologist 75:265-279. Alebua, Ezekial 1988 “Special Message from the Prime Minister.” Official Souvenir Programme, 10th Independence Anniversary Celebrations, 2-3. Honiara: Government Printer. Anderson, Benedict 1983 Imagined Communities: Reflections on the Origin and Spread of Nationalism. London and New York: Verso. Anderson, Laurie 1986 “Maoriness and the Clash of Cultures in Patricia Grace’s Mutuwhenua.” World Literature Written in English 26:188-190. Arens, W., and Ivan Karp, eds. 1989 Creativity of Power: Cosmology and Action in African Societies. Washington, D.C.: Smithsonian Institution Press. Arvidson, K. O. 1975 “The Emergence of a Polynesian Literature.” World Literature Written in English 14:91-115. Babadzan, Alain 1988 “Kastom and Nation-Building in the South Pacific.” In Ethnicities and Nations: Processes of Interethnic Relations in Latin America, Southeast Asia, and the Pacific, ed. R. Guidieri, F. Pellizzi, and S. J. Tambiah, 199-228. Austin: Uni- versity of Texas Press. Babcock, Barbara 1978 The Reversible World: Symbolic Inversion in Art and Society. Ithaca, N.Y.: Cor- nell University Press. 1982 “Ritual Undress and the Comedy of Self and Other.” In A Crack in the Mirror: Reflexive Perspectives in Anthropology, ed. J. Ruby, 187-203. Philadelphia: University of Pennsylvania Press. Pacific Studies, Vol. 15, No. 4--December 1992 319 320 Pacific Studies, Vol. 15, No. 4--December 1992 1984 “Arrange Me into Disorder: Fragments and Reflections on Ritual Clowning.” In Rite, Drama, Festival, Spectacle: Rehearsals toward a Theory of Cultural Per- formance, ed. John J. MacAloon, 102-108. Philadelphia: Institute for the Study of Human Issues. Bage, S., S. Foliaki, and V. Healy 1992 “Prevalence, Knowledge, and Attitude Survey of Family Planning, Honiara and Guadalcanal.” Unpublished report, Tropical Health Program, University of Queensland, Brisbane, Australia. Bailey, C. R. Kim 1985 “Acculturation and Change in Ponapean Dances.” In Dance as Cultural Heri- tage, vol. 2, ed. Betty True Jones, 122-130. Dance Research Annual 15. New York: Congress on Research in Dance. Bakhtin, Mikhail M. 1968 Rabelais and His World. Trans. Helene Iswolsky. Cambridge: Harvard Univer- sity Press. 1981 The Dialogic Imagination: Four Essays. Ed. M. Holquist; trans. C. Emerson and M. Holquist. Austin: University of Texas Press. Baré, Jean-François 1987 Tahiti, les temps et les pouvoirs. Paris: Editions de l’ORSTOM. Barnett, Homer 1951 Proposal to South Pacific Commission, Project S.12. MS on file at Smithsonian Institution, Washington, D.C.; copy in the files of Karen L. Nero, University of California, Irvine. Bascom, William 1950 “Ponape: The Tradition of Retaliation.” Far Eastern Quarterly 10:56-62. Bateson, Gregory 1958 Naven. 2d ed. Stanford, Calif.: Stanford University Press. 1972 Steps to an Ecology of Mind. New York: Ballantine. Barthes, Roland 1974 S/Z. Trans. Richard Miller. New York: Hill & Wang. Bauman, R. 1977 Verbal Art as Performance. Rowley, Mass.: Newbury House. Beaglehole, J. C., ed. 1963 The Endeavour Journal of Joseph Banks 1768-1771. 2 vols. Sydney: Angus and Robertson. Beatson, Peter 1989 The Healing Tongue. Studies in New Zealand Art and Society 1. Palmerston North, N.Z.: Massey University. Becker, A. L. 1979 “Text-Building, Epistemology, and Aesthetics in Javanese Shadow Theatre.” In The Imagination of Reality: Essays in Southeast Asian Coherence Systems, ed. A. L. Becker and A. A. Yengoyan, 211-243. Norwood, N.J.: Ablex. Bibliography 321 Becker, A. L., and A. A. Yengoyan, eds. 1979 The Imagination of Reality: Essays in Southeast Asian Coherence Systems. Nor- wood, N.J.: Ablex. Becker, J. 1979 “Time and Tune in Java.” In The Imagination of Reality: Essays in Southeast Asian Coherence Systems, ed. A. L. Becker and A. A. Yengoyan, 197-210. Nor- wood, N. J.: Ablex. Ben-Amos, Paula Girshick 1989 “African Visual Arts from a Social Perspective.” African Studies Review 32 (2): 1-53. Benedict, Burton 1983 The Anthropology Of World’s Fairs: San Francisco’s Panama Pacific Interna- tional Exposition of 1915. Berkeley, Calif.: Lowie Museum of Anthropology. Bernart, Luelen 1977 The Book of Luelen. Trans. and ed. J. Fischer, S. Riesenberg, and M. Whiting. Pacific History Series, no. 8. Honolulu: University Press of Hawaii. Bernstein, B. 1964 “Elaborated and Restricted Codes: Their Social Origins and Some Conse- quences.” Special issue, American Anthropologist 66, pt. 2: 55-69. 1971 Class, Codes, and Control. Vol. 1. London: Routledge & Kegan Paul. Berthold, Margot 1972 A History of World Theater. New York: Frederick Ungar. Beston, John 1977 “An Interview with Witi Ihimaera.” World Literature Written in English 16:115-126. 1984 “The Fiction of Patricia Grace.” Ariel 2:41-53. Billings, Dorothy K. 1969 “The Johnson Cult of New Hanover.” Oceania 40:13-19. Reprinted in Readings in General Anthropology, ed. Lowell D. Holmes, 408-415. New York: Ronald Press, 1971. 1970 “New Ireland Art: An Ill-starred Quest for Holy Meaning.” Paper presented to the annual meeting of the American Anthropological Association, San Diego. 1972 “Styles of Culture: New Ireland and New Hanover.” Ph.D. diss., University of Sydney. 1983 “The Play’s the Thing: The Political Power of Dramatic Presentation.” Journal of the Polynesian Society 92:439-462. 1987 “Expressive Style and Culture: Individualism and Group Orientation Con- trasted.” Language in Society 16:475-497. 1989a “Cultural Hegemony and Applied Anthropology.” Paper presented at the annual meeting of the Society for Applied Anthropology, Santa Fe, N.M., April. 1989b “Individualism and Group-Orientation: Contrasting Personalities in Contrasting Melanesian Cultures.” In Heterogeneity in Cross-Cultural Psychology, ed. Daphne Keats, Donald Munro, and Leon Mann, 92-103. Amsterdam/Lisse: Swets and Zeitlinger B. V. 322 Pacific Studies, Vol. 15, No. 4--December 1992 1989c “Is Fieldwork Art or Science?” In The Humbled Anthropologist: Tales from the Pacific, ed. Philip DeVita, 1-8. San Francisco: Wadsworth. 1991a “Cultural Style and Solutions to Conflict.” Journal of Peace Research 28 (3): 249- 262. 1991b “Little Collaborations in New Ireland (Papua New Guinea).” High Plains Applied Anthropologist 11-12: 112-126. 1991c “Social Organization and Knowledge.” Australian Journal of Anthropology (for- merly Mankind) 2 (1): 109-125. 1992 “Cultural Hegemony and Applied Anthropology.” Canberra Anthropology, forthcoming. Billings, D. K., and Nicolas Peterson 1967 “Malanggan and Memai in New Ireland.” Oceania 38:24-32. Binney, Judith 1984 “Myth and Explanation in the Ringatu Tradition.” Journal of the Polynesian Society 93:345-398. Binney, Judith, et al. 1979 Mihaia. Wellington: Oxford University Press. 1986 Nga Morehu. Wellington: Oxford University Press. Blackburn, Julia 1979 The White Men: The First Responses of Aboriginal Peoples to the White Man. London: Orbis Publishing. Blacking, John 1985 “Movement, Dance, Music, and the Venda Girls’ Initiation Cycle.” In Society and the Dance: The Social Anthropology of Process and Performance, ed. Paul Spencer, 64-91. New York: Cambridge University Press. Bloch, Maurice 1974 “Symbols, Song, Dance, and Features of Articulation: Is Religion an Extreme Form of Traditional Authority?” European Journal of Sociology 15:55-81. 1975 “Introduction.” In Political Language and Oratory in Traditional Society, ed. M. Bloch, 1-28. London: Academic Press. Bodrogi, Tibor 1959 Oceanian Art. Budapest: Corvina. 1987 “New Ireland Art in Cultural Context.” In Assemblage of Spirits: Idea and Image in New Ireland, ed. L. Lincoln, 17-32. New York: George Braziller. Borofsky, Robert 1987 Making History: Pukapukan and Anthropological Constructions of Knowledge. New York: Cambridge University Press. Brake, Brian, James McNeish, and David Simmons 1980 The Art of the Pacific. New York: Harry Abrams. Brandes, Stanley 1988 Power and Persuasion: Fiestas and Social Control in Rural Mexico. Philadelphia: University of Pennsylvania Press. Bibliography 323 Brenneis, Donald 1987 “Performing Passions: Aesthetics and Politics in an Occasionally Egalitarian Community” American Ethnologist 14 (2): 236-250. Brenneis, D. L., and F. R. Myers, eds. 1984 Dangerous Words: Language and Politics in the Pacific. New York: New York University Press. Brockett, Oscar G. 1964 The Theatre: An Introduction. New York: Holt Rinehart. 1977 History of the Theater. 3d ed. Boston: Allyn & Bacon. Brown, C. H. 1984 “The Forced Sterilization Program under the Indian Emergency: Results in One Settlement.” Human Organization 43 (1): 49-54. Brown, J. Carter 1991 Foreword. In Circa 1492: Art in the Age of Exploration, ed. J. A. Levenson. Washington, D.C.: National Gallery of Art. Browning, Mary 1970 “Micronesian Heritage.” Dance Perspectives 43. Brustein, Robert 1971 Revolution as Theater: Notes on the New Radical Style. New York: Liveright. Buhler, Alfred, Terry Barrow, and Charles P. Mountford 1962 The Art of the South Sea Islands, including Australia and New Zealand. New York: Crown Publishers. Bunnag, J. E. 1986 “Communicating for Health: A Third World Perspective.” In Health Education and the Media, ed. D. S. Leathar, G. B. Hastings, and J. K. Davies, 215-228. Oxford: Pergamon Press. Burling, R. 1977 Review of Political Language and Oratory in Traditional Society, ed. M. Bloch. American Anthropologist
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