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( • ) Hrvatski Filmski Ljetopis God ( • ) Hrvatski Filmski Ljetopis god. 18 (2012) broj 71, jesen 2012. Hrvatski filmski ljetopis utemeljili su 1995. Hrvatsko društvo filmskih kritičara, Hrvatska kinoteka i Filmoteka 16 Utemeljiteljsko uredništvo: Vjekoslav Majcen, Ivo Škrabalo i Hrvoje Turković Časopis je evidentiran u FIAF International Index to Film Periodicals, Web of Science (WoS) i u Arts and Humanities Citation Index (A&HCI) ( • ) Hrvatski Filmski Ljetopis Uredništvo / Editorial Board: Nikica Gilić (glavni urednik / editor-in-chief) Krešimir Košutić (novi filmovi i festivali / new films and festivals) Bruno Kragić Karla Lončar (izvršna urednica / managing editor) Jurica Starešinčić Tomislav Šakić Hrvoje Turković (odgovorni urednik / supervising editor) Suradnici / Contributors: Ivana Jović (lektorski savjeti / proof-reading) Juraj Kukoč (kronika / chronicles) Sandra Palihnić (prijevod sažetaka / translation of summaries) Duško Popović (bibliografije / bibliographies) Anka Ranić (UDK) Dizajn / Design: Igor Kuduz *pinhead Priprema za tisak / Prepress: Kolumna d.o.o., Zagreb Nakladnik / Publisher: Hrvatski filmski savez / Croatian Film Association Za nakladnika / Publishing Manager: Vera Robić-Škarica ([email protected]) Tisak / Printed By: Tiskara C.B. Print, Samobor Adresa / Contact: Hrvatski filmski savez (za Hrvatski filmski ljetopis), HR-10000 Zagreb, Tuškanac 1 TAJNICA REDAKCIJE: Kristina Dorić ([email protected]) telefon/phone: (385) 01 / 4848771 telefaks/fax: (385) 01 / 4848764 e-mail uredništva: [email protected] / [email protected], [email protected] / [email protected] www.hfs.hr/ljetopis Izlazi tromjesečno u nakladi od 1000 primjeraka Cijena: 50 kn / Godišnja pretplata: 150 kn Žiroračun: Zagrebačka banka, 2360000-1101556872, Hrvatski filmski savez (s naznakom “za Hrvatski filmski ljetopis”) Hrvatski filmski ljetopis is published quarterly by Croatian Film Association Subscription abroad: 60 € / Account: 2100058638/070 S.W.I.F.T. HR 2X / IBAN: HR8323600001101556872 Godište 18. (2012) izlazi uz potporu Ministarstva kulture Republike Hrvatske, Hrvatskog audiovizualnog centra i Gradskog ureda za obrazovanje, kulturu i šport Grada Zagreba / Ovaj broj zaključen je 5. 8. 2012. NASLOVNICA / FRONT Cover: Tokijski vjetropir (Seijun Suzuki, 1966) © 1967 Nikkatsu Corporation ( • ) Hrvatski filmski ljetopis 71, JESEN 2012. Sadržaj SUZUKI 5 Danijel Brlas / Simfonija stiliziranog neposluha ili: Dobro nam došli, gospodine Suzuki! / Uz Gošća urednica: retrospektivu filmova Seijuna Suzukija, Filmski programi, 4. lipnja – 2. srpnja 2012. Tanja Vrvilo 11 Shigehiko Hasumi / Svijet bez godišnjih doba 25 Tanja Vrvilo / Borbena elegija Seijuna Suzukija 33 Roland Domenig / Suzuki Seijun gets fired – A drama in four acts STUDIJE 39 Josip Lah / Vizualna antropologija između znanosti i umjetnosti ESEJI 51 Dejan D. Marković / Nepodnošljive istine: cinéma liberté Petera Watkinsa 64 Ivan Žaknić / Politika i suvremeni američki film strave FESTIVALI I REVIJE 77 5. Subversive Film Festival (2012): Među ruševinama Imperija, Stipe Radić 84 22. Animafest – Svjetski festival animiranog filma (2012): Četrdeset godina vrhunske animacije na Animafestu, Jurica Starešinčić 91 1. Fantastic Zagreb Film Festival (2012): Negdje preko crne duge, Stipe Radić 97 59. Festival igranog filma u Puli (2012): Pula debitanata, Krešimir Košutić / U znaku francuske kinematografije, Tomislav Kurelec NOVI FILMOVI 111 Kinorepertoar: Bel Ami (Vanja Kulaš), Cosmopolis (Valentina Lisak), Fleke (Marijan Krivak), Inspektor Martin i banda puževa (Diana Robaš), Izdaja (Janko Heidl), Koliba u šumi (Mario Slugan), Korak po korak (Josip Grozdanić), Kraljevstvo izlazećeg Mjeseca (Dragan Jurak), Prometej (Tomislav Šakić), Sjene tame (Boško Picula), Sramota (Maja Gregorović), Tražeći ljubav za kraj svijeta (Petra Vukelić), Vitez tame: povratak (Višnja Pentić) NOVE KNJIGE 156 Vjeran Kovljanić / U početku bijaše linija / Nedeljko Dragić, Avantura linije: 690 crteža ispod šestinskog šeširića, Zagreb 2011. 161 Mario Slugan / Dobrodošao odmak od ustaljenih teorijskih okvira / Jacques Rancière, Filmska fabula, Zagreb 2011. PRILOZI ZA 167 Silvestar Kolbas / Kompozicija kadra. Polazišta za radionicu. NASTAVU FILMA I MEDIJSKE KULTURE DODACI 173 Kronika / Filmografija kinorepertoara / Tekuća bibliografija filmskih publikacija / English Summaries / O suradnicima / Najava tribine Hrvatskog filmskog ljetopisa / Upute suradnicima ( • ) Hrvatski filmski ljetopis 71, FALL 2012. CONTENTS SUZUKI 5 Danijel Brlas / Stylized disobedience symphony or: Welcome, Mr. Suzuki! / Following the Guest editor: retrospective of Seijun Suzuki’s films, Film programmes, June 4 – July 2, 2012. Tanja Vrvilo 11 Shigehiko Hasumi / World without seasons 25 Tanja Vrvilo / Seijun Suzuki’s Fighting Elegy 33 Roland Domenig / Suzuki Seijun gets fired – A drama in four acts FILM STUDIES 39 Josip Lah / Visual anthropology between science and art ESSAYS 51 Dejan D. Marković / Unbearable truths: cinéma liberté by Peter Watkins 64 Ivan Žaknić / Politics and contemporary American horror film FESTIVALS 77 5th Subversive Film Festival (2012): Amid ruins of the Empire, Stipe Radić 84 22nd Animafest – World Festival of Animated Film (2012): Forty years of first-rate animation at Animafest, Jurica Starešinčić 91 1st Fantastic Zagreb Film Festival (2012): Somewhere over the black rainbow, Stipe Radić 97 59th Pula Film Festival (2012): Pula marked by debutant directors, Krešimir Košutić / Characterized by French films, Tomislav Kurelec NEW FILMS 111 Theatres: Bel Ami (Vanja Kulaš), Cosmopolis (Valentina Lisak), Blurs (Marijan Krivak), Inspector Martin and the Snail Gang (Diana Robaš), Haywire (Janko Heidl), The Cabin in the Woods (Mario Slugan), Step by Step (Josip Grozdanić), Moonrise Kingdom (Dragan Jurak), Prometheus (Tomislav Šakić), Dark Shadows (Boško Picula), Shame (Maja Gregorović), Seeking a Friend for the End of the World (Petra Vukelić), The Dark Knight Rises (Višnja Pentić) NEW BOOKS 156 Vjeran Kovljanić / In the beginning there was the line / Nedeljko Dragić, The Adventure of the Line: 690 Drawings under the Šestine Hat, Zagreb 2011 161 Mario Slugan / A welcome detachment from the well-established theoretical frameworks / Jacques Rancière, Film Fables, Zagreb 2011 ATTACHMENTS FOR 167 Silvestar Kolbas / Frame composition. Workshop starting point. FILM AND MEDIA CULTURE LESSONS APPENDICES 173 Chronicle / Filmographies / Film publications bibliographies / English Summaries / Contributors to this issue / Announcement of a public discussion by Hrvatski filmski ljetopis / Submission guide SUZUKI UDK: 791.633-051Suzuki, S. Danijel Brlas Simfonija stiliziranog neposluha ili: Dobro nam došli, gospodine Suzuki! Uz retrospektivu filmova Seijuna Suzukija, Filmski programi, 4. lipnja – 2. srpnja 2012. Zagrebačko kino Tuškanac i riječko Art-kino Croatia ove su godine otvorili svoja vrata široko obuhvatnoj retrospektivi jednog od najzanimljivijih autora u povijesti japanske, ali i svjetske kine- matografije. Uvrnute filmske eskapade Seijuna Suzukija time su prvi put zabljesnule na domaćim kinoekranima u svojim originalnim formatima, okupljene u broju dostojnom ovog klasika japan- skog modernizma. Unatoč relativnoj zastupljenosti na domaćim filmskim festivalima i sporadič- nim retrospektivama (primjerice u posljednjih nekoliko godina ciklusi suvremenog japanskog fil- ma održavali su se u sklopu Filmskih programa Hrvatskog filmskog saveza te na nultom izdanju Fantastic Zagreb Film Festivala), može se ustvrditi kako su zahvaljujući ovomu projektu domaći filmofili bili u prigodi prisustvovati jednoj od najcjelovitijih i najusustavljenijih retrospektiva ja- panskog filma do sada. Činjenica da je riječ o autoru koji je svjetsku reputaciju stekao tek dvadese- tak godina nakon što je načinio svoja najglasovitija djela – a hrvatskoj publici bilo je potrebno još otprilike toliko da se službeno upozna s njegovim radom – čini cijeli ovaj projekt još vrednijim. U programu retrospektive većim je dijelom bilo zastupljeno razdoblje koje je Suzuki proveo pod ugovorom s filmskim studijem Nikkatsu – čak devetnaest od 22 filma pripada tom razdoblju. Prikladno, budući da Nikkatsu baš ove godine slavi svoju 100. obljetnicu djelovanja, ali i posve razumno, budući da je najveći dio Suzukijeva opusa nastao upravo na Nikkatsuovoj tekućoj vrpci, a dobrim dijelom i kao reakcija na nju. Upravo su ta dva elementa – krotko štancanje žanrovskih naslova i ozlojeđeni revolt prema istom – ključna za Suzukijevu filmografiju. Nastao u sklopu ovogodišnjih Filmskih mutacija: festivala nevidljivog filma, program je zorno dočarao dihotomiju u Suzukijevim filmovima, svojevrstan oblik nasilna prožimanja industrijskog, komercijalnog, žan- rovski strogo kodirana aspekta s jedne strane i autorskih, avangardističkih težnji s druge. Odabir da se filmovi prikazuju nekronološki, u naizgled nasumično odabranim parovima, svakako je do- datno naglasio tu opreku. Tako smo umjesto klasično narativne progresije – od šegrtskih poče- taka i pokoravanja studijskim prohtjevima preko postupna provlačenja kroz rupe korporativnog nemara do mahnitog, nezadrživog rasplamsaja kreativne energije koja je napokon razorila okove industrije i učinila osebujna sineasta (nezaposlenom) ikonom japanskog modernizma – dobili prikaz spomenute opreke u nešto manje uobičajenom poretku: korporativno i kreativno u pri- rodnom antagonizmu, ali i neraskidivo povezano. Drugim riječima, iz Suzukijeve filmografije ra- zvidne “mutacije žanrovskih prekoračenja” – da posudimo termin organizatorice programa Tanje Hrvatski Vrvilo – u ovakvu aranžmanu
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