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Rullandi Fiski- Loyvir Geva Fámanna- Veldi
TRYGGINGAR-TR SMÁ- SKIFTA SKAÐAR SKAÐAR RÚTAR SKAÐA- SÝN PRIVAT- HEIL- SKAÐAR LAKKERING 3TARAVEGUR s4ØRSHAVNs4ELs&AXsWWWBMFO MÁNADAGUR 5. MARS 2012 Dimmalætting ger munin hvønn dag. Eitt blað, sum á ein spennandi hátt lýsir, greinar og kveikir og setir tíni áhugamál fremst. Lesarin er kjarnin í okkara journalistikki Nr. 46 t 135. árgangur t Vika 10 t www.dimma.fo t Tlf. 790200 t Kr. 20,00 KÁRI PETERSEN, BÚSKAPARFRØÐINGUR: Fleyr í FM- RULLANDI FISKI- finaluni LOYVIR GEVA ÍTRÓTTUR síða 11 FÁMANNA- Nám bølir á VELDI lesihjálp til Kári Petersen, búskapar frøð- orðblind ingur, ávarar staðiliga landsins INNANLANDS síða 2 leiðarar ímóti at seta í verk eina skipan við langfreistaðum rull- Vit hava gjørt nakrar andi loyvum í fiskivinnuni. rundkoyringar í Havn- ini seinastu árini, og hava Hetta er uppskriftin uppá olig- hes ar virka einastandandi arki, sum vit kenna tað úr Russ- væl. Á Ringvegnum eru tvær landi og Íslandi, var ein boð skap- rundkoyringar, og kunnu vit ikki ur hansara í framløgu í Norður - INNANLANDS ímynda okkum, hvussu ferðslan landa húsinum fríggja dagin vildi gingið, um hesar ikki vóru. Síða 4-5 JAN CHRISTIANSEN Mynd: Bjartur Vest MEININGAR síða 9 Bilasølurnar hava selt 128 nýggjar www.taxi.fo bilar higartil í ár - trygt og ómakaleyst til hús www.inni.fo INNANLANDS síða 20 2 INNANLANDS Nr. 46 · 5. mars 2012 Nám bølir á lesihjálp Ein føroysk ment mánaði í 2011, og fleiri skipan, Orðabankin, orðblind og lesiveik hava til lesiveik og orðblind longu tikið skipanina niður er klár at lata næm- av netinum í eini roynd- ingum í føroyska arútgávu, men hon virkar bara í tveir mánaðir. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Jews Control U.S.A., Therefore the World – Is That a Good Thing?
Jews Control U.S.A., Therefore the World – Is That a Good Thing? By Chairman of the U.S. based Romanian National Vanguard©2007 www.ronatvan.com v. 1.6 1 INDEX 1. Are Jews satanic? 1.1 What The Talmud Rules About Christians 1.2 Foes Destroyed During the Purim Feast 1.3 The Shocking "Kol Nidre" Oath 1.4 The Bar Mitzvah - A Pledge to The Jewish Race 1.5 Jewish Genocide over Armenian People 1.6 The Satanic Bible 1.7 Other Examples 2. Are Jews the “Chosen People” or the real “Israel”? 2.1 Who are the “Chosen People”? 2.2 God & Jesus quotes about race mixing and globalization 3. Are they “eternally persecuted people”? 3.1 Crypto-Judaism 4. Is Judeo-Christianity a healthy “alliance”? 4.1 The “Jesus was a Jew” Hoax 4.2 The "Judeo - Christian" Hoax 4.3 Judaism's Secret Book - The Talmud 5. Are Christian sects Jewish creations? Are they affecting Christianity? 5.1 Biblical Quotes about the sects , the Jews and about the results of them working together. 6. “Anti-Semitism” shield & weapon is making Jews, Gods! 7. Is the “Holocaust” a dirty Jewish LIE? 7.1 The Famous 66 Questions & Answers about the Holocaust 8. Jews control “Anti-Hate”, “Human Rights” & Degraded organizations??? 8.1 Just a small part of the full list: CULTURAL/ETHNIC 8.2 "HATE", GENOCIDE, ETC. 8.3 POLITICS 8.4 WOMEN/FAMILY/SEX/GENDER ISSUES 8.5 LAW, RIGHTS GROUPS 8.6 UNIONS, OCCUPATION ORGANIZATIONS, ACADEMIA, ETC. 2 8.7 IMMIGRATION 9. Money Collecting, Israel Aids, Kosher Tax and other Money Related Methods 9.1 Forced payment 9.2 Israel “Aids” 9.3 Kosher Taxes 9.4 Other ways for Jews to make money 10. -
Viacom Media Networks
VIACOM MEDIA NETWORKS Viacom TAPE We manage the company’s physical and digital assets Research and organization Media LIBRARY and provide services to production and other groups who of material archives; data- Networks need access to library archives. Daily work flow includes entry of new material; tape circulation, cataloging, research projects, answering shipping materials between phones, record organization and management, tracking archives. and receiving shipments. 20% Learning the MTV Networks library archive database application. This is used for almost all library work 50% Library projects – Working on catalog records for a specific set of material submissions, creating manuals, etc. 30% Tape circulation – Learning to fill orders, refile tapes, and make shipments Nickelodeon OPERATIONS The Nickelodeon Global Operations group · Asset ingesting, tagging and supports several systems which facilitate cataloging of new assets as well as creation of creatives assets, consumer those from other systems such as products, marketing, advertising CRL campaigns as well as a host of digital · Enhancing metadata on existing media. The intern will work primarily with assets to improve search a group who support the digital asset · Taxonomy maintenance management systems and serve as · Maintaining the NickCentral help archivists of off-channel content created desk and responding to general site by Nickelodeon from the early 1990's to questions/issues present. · Work to streamline NickCentral Security Groupings · The digitizing of high value historical assets to insure their preservation and easy "find-ability" for years to come The digital asset management system and taxonomic structure is an ever- growing organism. We're looking for an analytical thinker that can participate in department discussions evaluating necessary top-down organizational changes as well as come up with creative solutions to problems. -
TV, ARRTSTS Eentertainmentntertainment & January 30, 2011/New Hampshire Sunday News
TV, ARRTSTS EEntertainmentntertainment & January 30, 2011/New Hampshire Sunday News Jeff Bridges, right, stars in “True Grit,” a remake of the John Wayne classic. The current version is one of several films that received multiple nominations in various categories. Hollywood gets ready OOSCARSCAR to honor its own next month is calling Page 3 Page 2 • NEW HAMPSHIRE SUNDAY NEWS • Jan. 30, 2011 TV, Arts & Entertainment Davis about to make a bid for a ‘sound’ record By MIKE CULLITY try, R&B, rock, reggae, a mix- New Hampshire Union Leader ture of just about everything is on there. There’s something By his own estimation, for everyone.” Glenn Davis has lived a Most of the album’s tracks charmed life. are three to fi ve minutes long, A musician since picking up with the entire album running drumsticks at age 4, the 48- about 500 minutes, Davis said. year-old Alexandria resident has sung with Bob Hope, Looking for publicity drummed for Frank Sinatra Davis has contacted talk- and recorded with Steve Win- show hosts Oprah Winfrey and wood. The son of a successful Ellen DeGeneres with hopes Boston-area businessman, of publicizing his world record Davis traveled the world grow- attempt and its charitable aim, ing up, worked several years but has yet to hear anything for his family’s rubber com- back, he said. The Mr. Hol- pany and retired at 40 to focus land’s Opus Foundation, the full time on his music. Music Drives Us Foundation Over the last three decades, and RockSTAR are the three Davis built an extensive music-education charities that library of recordings, but will benefi t from his effort, never released any music until Davis added. -
Finding Aid to the Historymakers ® Video Oral History with Soledad O'brien
Finding Aid to The HistoryMakers ® Video Oral History with Soledad O'Brien Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: O’Brien, Soledad, 1966- Title: The HistoryMakers® Video Oral History Interview with Soledad O'Brien, Dates: February 21, 2014 Bulk Dates: 2014 Physical 6 uncompressed MOV digital video files (2:42:12). Description: Abstract: Broadcast journalist Soledad O'Brien (1966 - ) founded the Starfish Media Group, and anchored national television news programs like NBC’s The Site and American Morning, and CNN’s In America. O'Brien was interviewed by The HistoryMakers® on February 21, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_055 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Broadcast journalist Soledad O’Brien was born on September 19, 1966 in Saint James, New York. Her father, Edward, was a mechanical engineering professor; her mother, Estela, a French and English teacher. O’Brien graduated from Smithtown High School East in 1984, and went on to attend Harvard University from 1984 to 1988, but did not graduate until 2000, when she received her B.A. degree in English and American literature. In 1989, O’Brien began her career at KISS-FM in Boston, Massachusetts as a reporter for the medical talk show Second Opinion and of Health Week in Review. In 1990, she was hired as an associate producer and news writer for Boston’s WBZ-TV station. O’Brien then worked at NBC News in New York City in 1991, as a field producer for Nightly News and Today, before being hired at San Francisco’s NBC affiliate KRON in 1993, where she worked as a reporter and bureau chief and co-hosted the Discovery Channel’s The Know Zone. -
The Auction King of Sandy Springs Paul Brown of Gallery 63 Interview on Page 12
yourhometownpros.com magazine The Auction King of Sandy Springs Paul Brown of Gallery 63 Interview on page 12 Atlanta Edition JulyPhoto courtesy / August of Discovery 2012Channel™ featured pro Q &A How did you get started in the auction business? I got started in the auction business-really the old fashioned way, from my family. My grandmother had a small antique store with my mom and dad in Sandy Springs, just about 2 miles from here. I literally grew up in an antique store, going to auctions, flea markets, estate sales and playing in the basement of the antique store. I got to learn about all kinds of cool The Gallery 63 Crew stuff - a completely nontraditional Delfino Ramos, Cindy Shook, Jon Hammond and Paul Brown education. Why things are, how they are put together, why historical significance What would you consider the strangest What’s the difference between is important. I worked for my families’ item auctioned? appraisal value and auction value? business until about 2005 and spun off in One day, a woman came in with satchel It’s worth what someone will pay for it! my own business of Gallery 63. full of teeth- baby, dog- all kinds of teeth, The person that writes the appraisal is several hundred to one thousand teeth. I never the person who writes the check. What drove you to start your own couldn’t believe it! And it brought $200 business? for the bag. You just never know what some people will buy. How do you authenticate your items? After working for my family for all that Authentication is very subjective, tricky time I was ready to get out on my own. -
Larry D. Horricks Society of Motion Picture Stills Photographers
Larry D. Horricks Society of Motion Picture Stills Photographers www.larryhorricks.com Feature Films: Spaceman of Bohemia – Netflix – Johan Renck Director Cast – Adam Sandler, Carey Mulligan Producers: Michael Parets, Max Silva, Ben Ormand, Barry Bernardi White Bird – Lionsgate – Marc Forster Director (Unit + Specials_ Cast: Gillian Anderson ,Helen Mirren, Ariella Glaser, Orlando Schwerdt Producers: Marc Forster, Tod Leiberman, David Hoberman, Raquel J. Palacio Oslo – Dreamworks Pictures / Amblin / HBO / Marc Platt Prods.– Bart Sher Director (Unit + Specials) Cast: Ruth Wilson, Andrew Scott, Jeff Wilbusch,Salim Dau, Producers: Steven Spielberg, Kristie Macosko Krieger, Marc Platt, Cambra Overend, Mark Taylor Atlantic 437 – Netflix. Ratpack Entertainment – Director Peter Thorwath Producers: Chritian Becker,Benjamin Munz The Dig – Netflix, Magnolia Mae Films – Simon Stone Director Cast: Ralph Fiennes, Carey Mulligan, Lily James, Ken Stott, Johnny Flynn Producers: Gabrielle Tana, Carolyn Marks Blackwood, Redmond Morris A Boy Called Christmas – Netflix – Gil Kenan Director (Unit + Specials) Cast: Sally Hawkins, Kristen Wiig,Maggie Smith, Jim Broadbent, Toby Jones, Michiel Huisman, Harry Lawful Producers: Graham Broadbent, Pete Czernin, Kevan Van Thompson Minamata - Metalwork Pictures /HanWay Films / MGM - Andrew Levitas Director (Unit + Specials) Cast: Johnny Depp, Bill Nighy, Minami, Hiro Sanada, Ryo Kase, Sato Tadenobu, Jun Kunimura Producers: Andrew Levitas,Gabrielle Tana, Jason Foreman, Johnny Depp, Sam Sarkar, Stephen Deuters, Kevan -
Empowering Personal Privacy: the Control of Personal Information in the Digital Sphere
EMPOWERING PERSONAL PRIVACY: THE CONTROL OF PERSONAL INFORMATION IN THE DIGITAL SPHERE by Yong Jin Park A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2009 Doctoral Committee: Professor W. Russell Neuman, Chair Associate Professor Nojin Kwak Assistant Professor Scott Walker Campbell Assistant Professor Steven J. Jackson Yong Jin Park © 2009 All Rights Reserved Dedication To My wife, Kyung Eun My son, Roland & My daughter, Dainna ii Acknowledgements For me, it was a long journey – filled with pain, sorrow, and solitude. And I remember my mom working in a restaurant late at night and carrying hot noodle bowels to send me the money I needed for a long time. When my mom lost her hair, weight, and got her lymphatic system removed in a hospital bed, I knew my due share of the cause of the pain. My Professor Neuman. … He was more than an advisor to me. As my intellectual father and mentor, he provided me with all the supports that I needed to complete this journey when others were in doubt. The support was not solely sharp and intellectual, but also warm and emotional one that carried me throughout my career at Michigan. All the best that happened to me at Michigan was due to his genuine support, care, and understanding. I am also deeply indebted to my committee members. Professor Kwak fully understood my strengths and weaknesses in private, but always defended, supported, and praised me in public. Professor Campbell, who raised the poignant criticism, never forgot to suggest ways to solve the problems in his generous and continuous support. -
Feature Films
MARCELO ZARVOS AWARDS/NOMINATIONS CINEMA BRAZIL GRAND PRIZE FLORES RARAS NOMINATION (2014) Best Original Music ONLINE FILM & TELEVISION PHIL SPECTOR ASSOCIATION AWARD NOMINATION (2013) Best Music in a Non-Series BLACK REEL AWARDS BROOKLYN’S FINEST NOMINATION (2011) Best Original Score EMMY AWARD NOMINATION YOU DON’T KNOW JACK (2010) Music Composition For A Miniseries, Movie or Special (Dramatic Underscore) EMMY AWARD NOMINATION TAKING CHANCE (2009) Music Composition For A Miniseries, Movie or Special (Dramatic Underscore) BRAZILIA FESTIVAL OF UMA HISTÓRIA DE FUTEBOL BRAZILIAN CINEMA AWARD (1998) 35mm Shorts- Best Music FEATURE FILMS MAPPLETHORPE Eliza Dushku, Nate Dushku, Ondi Timoner, Richard J. Interloper Films Bosner, prods. Ondi Timoner, dir. THE CHAPERONE Kelly Carmichael, Rose Ganguzza, Elizabeth McGovern, Anonymous Content Gary Hamilton, prods. Michael Engler, dir. BEST OF ENEMIES Tobey Maguire, Matt Berenson, Matthew Plouffe, Danny Netflix / Likely Story Strong, prods. Robin Bissell, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 MARCELO ZARVOS LAND OF STEADY HABITS Nicole Holofcener, Anthony Bregman, Stefanie Azpiazu, Netflix / Likely Story prods. Nicole Holofcener, dir. WONDER David Hoberman, Todd Lieberman, prods. Lionsgate Stephen Chbosky, dir. FENCES Scott Rudin, Denzel Washington, prods. Paramount Pictures Denzel Washington, dir. ROCK THE KASBAH Steve Bing, Bill Block, Mitch Glazer, Jacob Pechenik, Open Road Films Ethan Smith, prods. Barry Levinson, dir. OUR KIND OF TRAITOR Simon Cornwell, Stephen Cornwell, Gail Egan, prods. The Ink Factory Susanna White, dir. AMERICAN ULTRA David Alpert, Anthony Bregman, Kevin Scott Frakes, Lionsgate Britton Rizzio, prods. Nima Nourizadeh, dir. THE CHOICE Theresa Park, Peter Safran, Nicholas Sparks, prods. Lionsgate Ross Katz, dir. CELL Michael Benaroya, Shara Kay, Richard Saperstein, Brian Benaroya Pictures Witten, prods. -
Embedded Reporters: What Are Americans Getting?
Embedded Reporters: What Are Americans Getting? For More Information Contact: Tom Rosenstiel, Director, Project for Excellence in Journalism Amy Mitchell, Associate Director Matt Carlson, Wally Dean, Dante Chinni, Atiba Pertilla, Research Nancy Anderson, Tom Avila, Staff Embedded Reporters: What Are Americans Getting? Defense Secretary Donald Rumsfeld has suggested we are getting only “slices” of the war. Other observers have likened the media coverage to seeing the battlefield through “a soda straw.” The battle for Iraq is war as we’ve never it seen before. It is the first full-scale American military engagement in the age of the Internet, multiple cable channels and a mixed media culture that has stretched the definition of journalism. The most noted characteristic of the media coverage so far, however, is the new system of “embedding” some 600 journalists with American and British troops. What are Americans getting on television from this “embedded” reporting? How close to the action are the “embeds” getting? Who are they talking to? What are they talking about? To provide some framework for the discussion, the Project for Excellence in Journalism conducted a content analysis of the embedded reports on television during three of the first six days of the war. The Project is affiliated with Columbia University and funded by the Pew Charitable Trusts. The embedded coverage, the research found, is largely anecdotal. It’s both exciting and dull, combat focused, and mostly live and unedited. Much of it lacks context but it is usually rich in detail. It has all the virtues and vices of reporting only what you can see. -
Soledad O'brien
soledadUniversity o’brien of Incisive,Delaware accomplished broadcast journalist, Honorary you began your career asDegree an associate producer and news writer at doctor of WBZ-TV in Boston and moved on to NBC affiliate KRON in San Francisco, where you were a local reporter humane letters and bureau chief. Your work at KRON earned the attention of the network, and you were invited to join NBC News in New York in 1991. You worked as a field producer for Nightly News and TODAY before moving on to anchor MSNBC’s award- winning technology program The Site. Your successes there earned you a spot anchoring the network’s Weekend Today, a show with millions of viewers. While at NBC you covered major news stories such as the explosion of the space shuttle Challenger and the terrorist attacks of 9/11. In 2003 you joined CNN as co-anchor of American Morning. Today you are anchor of the CNN morning show Starting Point and special correspondent for CNN/U.S., covering political news and many other topics. During your time at CNN you have distinguished yourself by reporting from the scene on stories such as the Hurricane Katrina disaster, the tsunami in Thailand, and the Japanese earthquake and tsunami. Your many reporting awards include an Emmy for your live coverage of Haiti’s devastating hurricane and the Gracie Allen Award for your reporting from Cyprus on the Israeli-Hezbollah conflict as well as your reports from the Gulf Coast after Hurricane Katrina. You have been honored by the National Association of Black Journalists, the Congressional Hispanic Caucus Institute, and the NAACP.