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The Perfect Mix Getting Engaged in College
05 07 10 | reportermag.com GETTING ENGAGED IN COLLEGE The other kind of RIT Rings. THE PERFECT MIX Remember: intro, rising action, climax, denouement and conclusion. ROADTRIP TO THE FUTURE Four men. Four cities. One mission. EDITOR’S NOTE TABLE OF CONTENTS 05 07 10 | VOLUME 59 | ISSUE 29 EDITOR IN CHIEF Madeleine Villavicencio | [email protected] My Innovative Mixtape MANAGING EDITOR Emily Mohlmann Every few weeks or so, I abandon the “shuffle play all” function on my MP3 player, turn off Genius on | [email protected] iTunes, and make a playlist. I spend hours listening to track after track, trimming down the set list and COPY EDITOR Laura Mandanas attempting to get the transitions just right. Sometimes, it just comes together; other times, I just can’t | [email protected] quite get it right. But one thing’s for certain: each mix is a reflection of who I am at the time of its creation. NEWS EDITOR Emily Bogle And if it’s good enough and means something, I’ll share it with someone special. | [email protected] LEISURE EDITOR Alex Rogala It crossed my mind to share a complete and perfected mix, but I decided that would take away from its | [email protected] original value. Instead, I’ve decided to share something unfinished and challenge you to help me find the FEATURES EDITOR John Howard perfect mix. Add or cut tracks as you please, and jumble them up as you see fit. And when you think you’ve | [email protected] got it, send that final track list my way. -
Happy Mondays Kinky Afro Mp3, Flac, Wma
Happy Mondays Kinky Afro mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Kinky Afro Country: UK Released: 1990 Style: Leftfield, Indie Rock MP3 version RAR size: 1652 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1528 mb Rating: 4.1 Votes: 430 Other Formats: WAV DMF AU VQF DXD AUD ASF Tracklist Hide Credits Kinky Afro A Engineer [Assistant, Recording] – Cam Engineer [Recording] – Ray BlairProducer, Arranged By, Mixed By – Paul Oakenfold And Steve Osborne* Kinky Afro (Live) B Mixed By, Recorded By – Simon Machan Companies, etc. Recorded At – Sound Factory, New York Credits Artwork [Kinky Artwork] – Central Station Design Written-By, Performer – Happy Mondays Notes Published By London Music ℗ + © 1990 Factory Communications Ltd. Track B recorded live at the 'Sound Factory' N.Y.C. July 18th 1990. Initial copies came in a 12 x 12" package . Containing a T-shirt with the band's logo on the front. There was also a information sticker attached. Barcode and Other Identifiers Barcode: 9 399601 025675 Other versions Category Artist Title (Format) Label Category Country Year Happy Kinky Afro (7", Single, FAC 302/7 Factory FAC 302/7 UK 1990 Mondays Pap) Happy Kinky Afro (VHS, FAC 302 Factory FAC 302 UK 1990 Mondays Promo, PAL) London Happy Kinky Groovy Afro Records, 869 353-2 869 353-2 France 1990 Mondays Remix (CD, Single) Barclay, Factory London Happy Kinky Groovy Afro KINKR 1 Records, KINKR 1 UK 1990 Mondays (Remix) (12", Promo) Factory Happy Kinky Afro Remix Festival DMX 76737/8 DMX 76737/8 Australia 1990 Mondays (12", Promo, W/Lbl) Records Related Music albums to Kinky Afro by Happy Mondays Happy Mondays - Hallelujah Happy Mondays - W.F.L. -
California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering. -
Happy Mondays ...Yes Please! Mp3, Flac, Wma
Happy Mondays ...Yes Please! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: ...Yes Please! Country: US Released: 1992 Style: House, Breaks, Synth-pop, Alternative Rock, Indie Rock MP3 version RAR size: 1187 mb FLAC version RAR size: 1601 mb WMA version RAR size: 1153 mb Rating: 4.6 Votes: 856 Other Formats: MOD DXD AHX MIDI AC3 WMA MPC Tracklist Hide Credits 1 Stinkin' Thinkin' 4:18 2 Monkey In The Family 4:41 3 Sunshine And Love 4:46 4 Dustman 3:44 5 Angel 5:51 Cut 'em Loose Bruce 6 4:26 Vocals – Kermit 7 Theme From Netto 4:13 8 Love Child 5:12 9 Total Ringo 3:38 10 Cowboy Dave 5:06 Companies, etc. Phonographic Copyright (p) – Factory Communications Ltd. Copyright (c) – Factory Communications Ltd. Published By – FFRR Music Ltd. Published By – London Music Ltd. Recorded At – Blue Wave Recording Studios Mixed At – Axis Studios Mixed At – Comforts Place Mastered At – Masterdisk Pressed By – PRS Hannover Credits Artwork – Central Station Design Backing Vocals – Rowetta Bass – Paul Ryder Drums – Gary Whelan Edited By, Arranged By [Assembled] – Scott Hull Guitar – Mark Day Keyboards – Paul Davis Lead Vocals – Shaun Ryder Mastered By – Bob Ludwig Mixed By – Steven Stanley Mixed By [Assistant] – John Parthum Percussion – Bruce Martin Performer [Bez] – Bez Producer – Chris Frantz, Tina Weymouth Programmed By [Additional Programs], Sampler [Additional Samples] – Bruce Martin Programmed By, Sampler – Simon Machan Recorded By – Mark Roule Recorded By [Assistant] – Bryon Europe*, Ray Mascarenas Songwriter – Happy Mondays Notes Recorded at Blue Wave Studio, St. Philip, Barbados. Assisted at Comfort's Place Studio, Lingfield, Surrey, U.K. -
Electric Guitars 51
ELECTRIC GUITARS 51. US Masters, Vector, Blue 1. Alvarez Classic Electric, Natural 52. Vester Concert Series, Black/Gold Fractal, Upg 2. Alvarez Classic Electric, Sunburst Sinvader Bridge Hum, Dual Rail Neck 3. Alvarez Electric, White 53. Washburn CT2, Black (upgraded pickups) 4. Alvarez Regulator, Green 54. Washburn CT5, Deluxe, gorgeous figured Blue 5. Bolt USA, SS, Graphic 55. Washburn_JV2, Natural 6. Brian Moore, I8.13, Green 56. Washburn_JV Jr, Flourescent Orange 7. Brian Moore, I2.13, YellowFigured 57. Washburn JB100, White 8. CB Strat guitar, White 58. Washburn KC44V, Green/ Black design 9. CC Clark, Natural 59. Washburn MR250, Red Florentine Figured 10. Charvel 275 Deluxe, Red 60. Washburn N6 (needs assembly) 11. Charvel CX390, Black 61. Washburn P290, Green Transluscent 12. ESP EC100-QM, Red 62. Washburn P290, Blue Green Transluscent 13. Fender Strat Spec. Ed., MIM, Candy Apple Red 63. Washburn P4 Luthier, Natural 14. Fender Strat, MIJ, HSS, Black 64. Washburn Pilsen WI70, Root Beer, Paint Relic’d 15. Fender Squier Showmaster Skull & Crossbones 65. Washburn RR300, Red 16. Fender Squier II, Black Relic’d 66. Washburn SBT-21, Black 17. Fender Squier Bullet, Red w SDuncan Distortion 67. Washburn WI64DL, Black and Gold 18. First Act VW Garage Master SpecEd, W W pg 68. Washburn WI64, Black 19. First Act VW Garage Master Spec Ed, W B pg 69. Washburn WI64, Black, Upg Carvin PU’s 20. Godin G5000, Black (option: Roland Synth PU) 70. Washburn WI66NC, Ebony Figured, Boogie Bros 21. Greco Hollow Body (Jap), Brown 71. Washburn WI66 Pro, Blue Figured Top 22. Harmony solid body electric, White 72. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Blue Book of Electric Guitars Sixth Edition
Blue Book of Electric Guitars Sixth Edition Gibson Electric Guitars and Basses Edited by S.P. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 1999 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. Please note: At the request of Blue Book Publications, Inc., all pricing information has been omitted. For detailed pricing information, please either contact Blue Book Publications for ordering information, or visit their web site at www.bluebookinc.com Table of Contents Gibson Background History ----------------------------------------- 3 Identifying Features --------------------------------------------------- 4 Gibson Electric Guitars ---------------------------------- 5 B.B. King Series -------------------------------------------------------- 5 Barney Kessel Series --------------------------------------------------- 6 Byrdland Model --------------------------------------------------------- -
President Munson His Successful Past Hints at RIT’S Future
The University Magazine Fall 2017 Introducing President Munson His successful past hints at RIT’s future Record number of alumni heading to medical school • First in their families to graduate government policy, designing a new piece of technology, initiating a social movement or launching a start-up company, every student can be involved in creating things that never before existed, and then putting the result into play, in an effort to improve the world. One can never underestimate the power of students and their ideas, supported by outstanding faculty and staff. By working together, we can turn big dreams into real- ity. That’s why I am excited and honored to become this great university’s 10th president. What a thrill and privilege this is for me and for Nancy. We are energized by the cutting- RIT: The University Magazine edge nature of RIT, including its talented and Executive Editors ambitious students, faculty, staff and alumni. Bob Finnerty ’07, Marketing and Communications RIT has been rapidly ascending for Deborah M. Stendardi, Government and Community Relations many years, under the leadership of President John Trierweiler, Marketing and Communications Bill Destler and his predecessors, and is now Editor one of the top few universities in the nation Mindy Mozer, Marketing and Communications Lamark Photo by Elizabeth working at the intersection of technology, Contributing Editors RIT President David Munson began in July. the arts and design. We can continue to use Lisa Cauda, Development and Alumni Relations these strengths—the core of the university— Kim Slusser, Development and Alumni Relations Craig Smith, Development and Alumni Relations to help build important and unique programs Cindy Sobieraj, Development and Alumni Relations FROM THE PRESIDENT in all disciplines, including business, the Art Director health sciences and the liberal arts. -
Gibson Declares Bankruptcy
Gibson Declares Bankruptcy David Diaz, CEO,Davenport Laroche Another timeless rock and roll icon is headed to “rehab”. This time, though, it’s not a performer. It’s the brand that tied together some of rock’s biggest names, from Elvis Presley to Keith Richards, Jerry Garcia, Slash, Ace Frehley and Jimmy Page. Each of these icons played Gibson. Slash, in fact, was an official brand ambassador for the guitar brand he proudly played on stage during a meteoric six-year run with Guns ‘n Roses. Seeing one of the new breed of guitar gods ripping through sets on his Gibson inspired a new generation of shredders to grab their Les Paul or Standard, jam and dream. Now, though, Gibson has hit a major roadblock, filing for bankruptcy protection as the company struggles to mitigate half a billion dollars in debt. As a result of the bankruptcy filing, the press is reporting that creditors will “take control” of the company, that was founded way back in 1902 and helped defined American music for more than a century. Because Gibson guitars were so popular for so many years, many are wondering why, exactly, the company is in such dire straits. There are several reasons, though many are blaming the relatively recent acquisition of Philips’ consumer audio division a few years back. That, in fact, is the first thing Gibson’s new ownership plans to let go in an attempt to get the business back in the black. The company will divest itself of the line of headphones, loudspeakers and turntables that have proven to be a drag on profitability. -
GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
Studio 2 Equipment
STUDIO 2 EQUIPMENT Console Reverb/Delay Solid State Logic Duality δelta 48 input analog console with Total Recall Bricasti M7 digital reverb #1 Bricasti M7 digital reverb #2 Computer AMS RMX16 500 series digital reverb Avid Pro Tools Ultimate 2019.6 HDX 3 w/ HD I/O 64/64 Avid HDX processing card #1 500 Series Processors Avid HDX processing card #2 AMS RMX16 500 series digital reverb Avid HDX processing card #3 API 550A three-band EQ module # 1 Apple Mac Pro (Cylinder) 3.0 GHz 8-Core/32GB w/Mojave API 550A three-band EQ module # 2 Sonnet Echo Express Iii rackmount thunderbolt PCIe chassis API 512v discrete mic/line pre #1 OWC Thunderbay 4 four-bay thunderbolt HDD enclosure API 512v discrete mic/line pre #2 OWC Drive Dock dual-bay thunderbolt/USB3.0 HDD docking station API 525 limiter/compressor module Universal Audio UAD-2 Satellite Thunderbolt – OCTO Custom Moog analog delay module Samsung 29" SE790C curved monitor Heritage Audio BT-500 bluetooth streaming module Logic Pro X 10.2 Studio Music Production Software for Mac **Source Connect Live & Pro available upon request Headphones Sony MDR 7506 I/O Sony MDR 7520 Avid HD I/O #1 Audio-Technica ATH-M50x Avid HD I/O #2 Beyer Dynamic DT770 Avid HD I/O #3 Direct Sound Extreme Isolation EX-29 Avid HD I/O #4 Master & Dynamic MH40 Avid SYNCH HD Sennheiser HD-280 Pro Antelope Robidium 10M Atomic Clock & Isochrome Trinity Aviom personal monitor mixer system for headphones Focusrite Clarett 8 Pre Grace m920 reference headphone amplifier, DAC, monitor controller Lavry AD 122 96K MKIII stereo A to