II. Nashville Fashion Alliance
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Code of Conduct
Code of conduct Inspections and Compliance Group 1 Bachelor dissertation Authors: Jenny Helge FEC 685, Autumn 2005 Therese Lein Thylin International Business Jenny Lööf Department of Business Administration & Economics Tutors:Carl-Michael Unger Viveca Fjelkner 1 Acknowledgements This dissertation concludes three and a half years of studies in the field of international business at Kristianstads University. We would like to give special thanks to our tutor Carl-Michael Unger for his support and guidance throughout the dissertation. He has encouraged us and given us suggestions on improvement. We would also like to thank Viveca Fjelkner for her help with the English language. In addition, we would like to thank Anna Nygren at Filippa K, Renée Andersson at Indiska, Ann-Marie Heinonen at KappAhl and Katarina Ekeroth at JC for their participation and commitment. Without these companies the aim of the dissertation could not have been reached. Furthermore, we would like to thank Lorenz Berzau at BSCI for his availability. Finally, we would like to thank our proofreaders for their time and assistance. Kristianstad 2005 Jenny Helge Therese Lein Thylin Jenny Lööf 2 Abstract In many of the developing countries the working conditions are poor and unfair. Many of the clothes are bought from these countries where murder, violence and arresting of the workers are common. Neither the employers nor the employees know the laws of their countries entirely and therefore have no knowledge of fundamental rights. The purpose of the dissertation has been to study the inspections and the compliances of the codes of conduct. Companies use codes of conduct to improve the working environment at the supplier. -
Swedish Household Name Filippa K's Timeless Aesthetic Feels More
Swedish household name Filippa K’s timeless aesthetic feels more relevant than ever, 26 years after it was established. We spend a day with brand founder Filippa Knutsson in her London home. By EMMA HOLMQVIST DEACON Photos by OLIVER MARTIN is for Karisma 110 SCANDINAVIANTRAVELER.COM APRIL 2019 Filippa Knutsson London life. Knutsson is back in the city that she grew up in. APRIL 2019 SCANDINAVIANTRAVELER.COM 111 Filippa Knutsson s far as Swedish brand recognition goes, Filippa K is almost up there with fat- A pack giants and fare-wear- ing pop groups. The fashion purveyor is that much of an institution in its homeland. At frst glance, its minimal- ist aesthetic may be the epitome of Swedish -ness, but dig deeper and you’ll realize there’s much more to it. The same goes for brand founder Filippa Knutsson, who’s now descending the stairs of her Islington home to greet us – a blonde vision, enrobed in a white trouser suit. THE MODERN BREED of multicultur- al eclecticism that defnes Knutsson’s Georgian home – which is dotted with artwork from the likes of André Bloc, Mamma Andersson and Le Corbusier – has found its way into the Filippa K aes- thetic, however subtle these infuences may be. “Most people describe Filippa K as uber-Scandinavian, since the look is quite minimalist, but there’s a defnite hint of Parisian elegance to it, as well as an element of London creativity,” Knuts- son says. This might be a product of the fashion fgure’s slightly divided upbringing. She WHO SHE IS grew up in the UK capital, to which she returned in 2016 after a couple of decades AND WHAT in Stockholm and a three-year stint in Paris. -
Cultural Diplomacy in the Nordic Countries “Strategies for Regional Development, Cooperation, Good Neighbor Relations” Copenhagen; September 8Th - 9Th, 2014
www.Cultural-Diplomacy-in-the-Nordics.org Cool North - Cultural Diplomacy in the Nordic Countries “Strategies for Regional Development, Cooperation, Good Neighbor Relations” Copenhagen; September 8th - 9th, 2014 Baltic Development Forum icd institute for cultural diplomacy www.Cultural-Diplomacy-in-the-Nordics.org www.Cultural-Diplomacy-in-the-Nordics.org Speakers & Delegates at Christiansborg Palace, The Parliament of Denmark Cool North - Cultural Diplomacy in the Nordic Countries www.Cultural-Diplomacy-in-the-Nordics.org 16:30 Plenary Session 3: Branding and Cultural Diplomacy, conflicting or Cool North - Cultural Diplomacy in the Nordic Countries complementary? This session will explore the relationship between the concepts of nation branding and cultural diplomacy. It will discuss the different strategies used to influence or change the way in which a Conference Agenda country or region is presented, and thus perceived, abroad. • Bernd Henningsen, Prof., Humboldt University Conference Moderator: Verner Kristiansen • Marcus Andersson, Tendensor Partner Conference venue: Fællessalen, Christiansborg Palace, the Parliament of Denmark • Ole Egberg Mikkelsen, Ambassador, Ministry of Foreign Affairs • Geir Helgesen, Director, Nordic Institute of Asian Studies Program 18.00 Evening reception at the restaurant Snapstinget, the Parliament of Denmark September 9th September 8th 12:00 Registration 9:00 Plenary Session 4: The Power of Culture in Regional Cooperation, Nordic-Baltic-Russian Cooperation 12.30 Welcoming addresses This session will explore the significant impact of culture on the strengthening of multilateral rela- tions. It will discuss cultural relations between different regions of the world today, with a special • Halldór Ásgrímsson, Former Prime Minister of Iceland & SG of Nordic Council of Ministers focus on the distinctive Nordic-Baltic-Russian relations and cooperation. -
Sustainable Fashion: from Trend to Paradigm?
Sustainable Fashion: from Trend to Paradigm? CAROLINA OBREGÓN Master of Arts in Design at The Department of Fashion and Clothing Design Aalto University School of Arts, Design & Architecture Helsinki, Finland September 2012 ACKNOWLEDGMENTS This thesis is the result of a long process of learning and writing for which I am grateful to several people: first, my sister Liliana, my greatest supporter and most adamant advisor and motivator who always encouraged me to continue and to overcome the many hurdles along the road. I am also thankful to Grace Schutte, who contributed her expertise as graphic designer in helping me do the layout of the thesis. She was also a great friend who gave me her positive attitude and good energy through this process. Anderson Allen contributed with his revisions of my English writing and his academic expertise was helpful in making sense of my non-sense. I also appreciate Juan Hinestroza’s generous remarks, encouragement and interest in my work which gave me the extra push to the finish line, an invaluable contribution that he may not be aware of. And last -but not least- this thesis would not have reached its final form without the expert comments and helpful suggestions of Cindy Kohtala. To all of the above, I am most grateful, but I also wish to acknowledge the friends and family who indirectly have supported this thesis by believing in me and being there to support me through the good times and the bad. Graphic Designer: Grace Schutte ABSTRACT Sustainable Fashion Design: from Trend to Paradigm? The fashion industry is one of today’s most unsustainable global businesses. -
Service-Based Business Models & Circular Strategies for Textiles
SERVICE-BASED BUSINESS MODELS & CIRCULAR STRATEGIES FOR TEXTILES CONTENTS Foreword 3 Executive Summary 4 Context Finland 6 Introduction 7 Business Model Framework 11 Deep dives 18 Closed Loop 19 Reuse 24 Recycling 29 Repair & Warranty 38 Renting & Leasing 43 Demand Management 52 Co-creation 60 Acknowledgements 65 About Circle Economy 66 This document was prepared by Circle Economy for Sitra and finalised on August 21st 2015. It contains an overview and evaluation of service based business models & circular strategies in textiles that are currently present or emerging on a global scale. Circle Economy has made every effort to ensure that the data and information in this document are correct. However, do to the nature of the research and sources employed, much of the information is subject to subjectivity. © Sitra 2015 2 FOREWORD Service-based business models & circular strategies are increasingly "Happiness recognized as key to delivering greater social and environmental sustainability in the industrial system. However, the understanding of the subtleties in variation and feasibility of options available (especially in the relation to the is a place textile industry) is limited, with few comprehensive or exemplary overviews available. At the same time, innovative examples of successful service-based between too models in the textiles industry do exist and it is from these examples that we can learn how to move the textile industry forward towards greater impact little and too in environmental sustainability, increased competitiveness of the supplier/ manufacturer and an increased access to high quality, affordable products for the consumer. much" In this report you will find 10 deep dive cases that represent the most promising Finnish Proverb and innovative service-based business models & circular strategies available today. -
Translating Fashion Into Danish
Translating Fashion into Danish Melchior, Marie Riegels; Skov, Lise; Csaba, Fabian Faurholt Document Version Final published version Publication date: 2009 License CC BY-NC-ND Citation for published version (APA): Melchior, M. R., Skov, L., & Csaba, F. F. (2009). Translating Fashion into Danish. Department of Intercultural Communication and Management, Copenhagen Business School. Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Creativity at Work: Translating Fashion into Danish By Marie Riegels Melchior, Lise Skov and Fabian Faurholt Csaba December 2009 Page 1 / 37 Creative Encounters Working Paper #38 Translating Fashion into Danish Introduction This paper presents an analysis of the approximation of government and fashion industry in Denmark from the 1990s to the first decade of the 21st century. The analysis follows three dimensions: 1) the industry development from manufacturing to designer-dominated creative industry, 2) the way in which the fashion industry and fashion has been written into cultural industries policies and come to play a leading role in what is now called the “culture and experience economy” policy, and 3) the institutionalization of the fashion industry and fashion through the establishment of the network organization Danish Fashion Institute in 2005. -
Social Report 2011
Social Report 2011 “Inspired by my own needs and of those around me, I set out to build a brand that had substance and truth, not dependent of the superficial trends of the fashion industry.” www.filippa-k.com Member of FWF: March 2008 Social report – Filippa K – October 2011 Contents About Filippa K 3 Facts and figures 3 History in brief 3 Filippa K organisation 3 Chart: Filippa K organisation 3 Summary: Social goals and achievements 4 Sourcing strategy 5 Sourcing strategy & pricing 5 Chart: Production by country based on cost 5 Production in Europe 5 Organisation of the sourcing department 5 Production cycle 5 Selection of new factories 6 Restricted Chemicals list 6 Integration of monitoring activities and sourcing decisions 6 Coherent system for monitoring and remediation 7 China 7 Factory A 7 Factory B 7 Factory C 8 Previous audits in Turkey and Romania/Italy 8 Complaints procedure 8 Training and capacity building 9 Staff members – information activities 9 Figure: CR Framework 9 Trading companies – information activities 9 Manufacturers and workers – information activities 9 Transparency and communication 10 Forthcoming CR work – 2012 10 Social Report 2011 2 About Filippa K About Filippa K Filippa K is a leading Swedish high quality fashion brand with 45 own stores, 25 shops-in-shops and 600 selected retailers. Our larg- FACTS AND FIGURES: est market is Sweden and the head office is located in Stockholm. Headquarter: Stockholm, Sweden Besides Sweden, Filippa K is represented on six core markets (Nor- Brand established, founded: 1993 By Filippa Knutsson and way, Denmark, Finland, The Netherlands, Germany and Belgium) as Patrik Kihlborg well as on ten additional export markets. -
Filippa K Sustainability Report 2014
SUSTAINABILITY REPORT 2014 THIS REPORT IS OPTIMIZED TO BE VIEWED ON YOUR LAPTOP SCREEN. PLEASE DO NOT PRINT IT. IT’S BEST ENJOYED VIEWED IN FULL SCREEN MODE. TABLE OF CONTENT 1. COMMENTS FROM CEO AND SUSTAINABILITY MANAGER 2. THIS IS US 3. FILIPPA K STAKEHOLDERS 4. OUR MANIFEST – LONG LASTING SIMPLICITY 5. OUR COMMITMENTS 2030 I. CONSCIOUS DESIGN FOR A BETTER FUTURE II. SUSTAINABLE SOURCING AND MANUFACTURE III. RESOURCE EFFICIENT BUSINESS IV. PEOPLE IN OUR VALUE CHAIN ARE RESPECTED V. LONG-TERM SUSTAINABLE SUCCESS 6. INITIATIVES AND CO-OPERATIONS COMMENTS FROM CEO AND SUSTAINABILITY MANAGER BACK TO TABLE OF CONTENT Sustainability has always been part of our DNA and values. To make ways to update the wardrobe, like second hand or the possibility to rent clothes that can last for a long time in both quality and style has been clothes. Another important part is to help our users to care more for their our strategy from the very beginning. We offer garments that can be products. used season after season and that represent a style rather than a trend. Circular Design is a concept inspired by ecosystems. Circular Design That is one of our greatest contributions to sustainability. is about changing our models from linear ones, where we take resources We want to be part of the solution. Being part of the solution means like for example cotton from one end and that ends up as waste in the having a business model that works in the long run. Filippa Knutsson other. Instead we need to change to circular models. -
A Brief Introduction Swedish Fashion Labels
Stockholm January 2010 Fashion in Sweden today – a brief introduction The Swedish fashion industry has gone from strength to strength over the past six years, with doubled exports. Known for its character of understatement, it is now maturing, daring to build a stronger profile. The foundation is simple lines as a reflection of Swedish design on the whole – functional and clean. It’s said that Swedish fashion tends to showcase – rather than upstage – the wearer. That is, if you don’t notice the details which make all the difference. Swedes want clothes that fit their lifestyle, daytime or evening – good-looking and cool, without being too conspicuous. This has proven to be a recipe for international success, as Swedish fashion is becoming renowned for its functionality, quality and price. Strong profile or not, functionality is key. Denim brands especially, such as Acne, Cheap Monday, Nudie and Hope, have been huge hits internationally. Newcomers like The Local Firm, Dr Denim and Denim Demon have continued to highlight the wearability of jeans – nowadays a must-have part of any Swede’s wardrobe. Well-made with clean lines and personal detailing, they have become the new ”little black dress”. There are styles for every individual; fully on-trend or just classic, with a few prominent details. Many contemporary Swedish collections are built up around a simple base wardrobe with mandatory jeans, tops and durable pieces. In combination with a creative twist and style consciousness, they create a unique and exotic feel. At the same time, Swedish fashion incorporates elements from Swedish culture by injecting symbolism and material objects; sometimes bordering on historicism and folklore, as in the cases of Odd Molly, Nygårdsanna and Ewa i Walla. -
Mapping Sustainable Textile Initiatives
TemaNord 2015:545 TemaNord TemaNord 2015:545 TemaNord Ved Stranden 18 DK-1061 Copenhagen K www.norden.org Mapping sustainable textile initiatives And a potential roadmap for a Nordic actionplan Mapping sustainable textile initiatives XX TemaNord 2015:545 ISBN 978-92-893-4211-7 (PRINT) ISBN 978-92-893-4212-4 (PDF) ISBN 978-92-893-4213-1 (EPUB) ISSN 0908-6692 TN2015545 omslag.indd 1 16-06-2015 11:15:18 Mapping sustainable textile initiatives And a potential roadmap for a Nordic actionplan Ingun Grimstad Klepp (project leader) Kirsi Laitala, Michael Schragger, Andreas Follér, Elin Paulander, Tone Skårdal Tobiasson, Jonas Eder-Hansen, David Palm, Maria Elander, Tomas Rydberg, David Watson and Nikola Kiørboe TemaNord 2015:545 Mapping sustainable textile initiatives And a potential roadmap for a Nordic actionplan Ingun Grimstad Klepp (project leader) Kirsi Laitala, Michael Schragger, Andreas Follér, Elin Paulander, Tone Skårdal Tobiasson, Jonas Eder-Hansen, David Palm, Maria Elander, Tomas Rydberg, David Watson and Nikola Kiørboe ISBN 978-92-893-4211-7 (PRINT) ISBN 978-92-893-4212-4 (PDF) ISBN 978-92-893-4213-1 (EPUB) http://dx.doi.org/10.6027/TN2015-545 TemaNord 2015:545 ISSN 0908-6692 © Nordic Council of Ministers 2015 Layout: Hanne Lebech Cover photo: ImageSelect Print: Rosendahls-Schultz Grafisk Printed in Denmark This publication has been published with financial support by the Nordic Council of Ministers. However, the contents of this publication do not necessarily reflect the views, policies or recom- mendations of the Nordic Council of Ministers. www.norden.org/nordpub Nordic co-operation Nordic co-operation is one of the world’s most extensive forms of regional collaboration, involv- ing Denmark, Finland, Iceland, Norway, Sweden, and the Faroe Islands, Greenland, and Åland. -
Symposium Brochure
Cool North - Cultural Diplomacy in the Nordic Countries “Strategies for Regional Development, Cooperation, Good Neighbor Relations” Copenhagen; September 8th - 9th, 2014 Baltic Development Forum icd institute for cultural diplomacy www.Cultural-Diplomacy-in-the-Nordics.org 16:30 Plenary Session 3: Branding and Cultural Diplomacy conflicting or Cool North - Cultural Diplomacy in the Nordic Countries complementary? “Strategies for Regional Development, Cooperation, This session will explore the relationship between the concepts of nation branding and cultural diplomacy. It will discuss the different strategies used to influence or change the way in which a Good Neighbor Relations” country or region is presented, and thus perceived, abroad. • Bernd Henningsen, Prof., Humboldt University Conference Moderator: Verner Kristiansen • Marcus Andersson, Tendensor Partner Conference venue: Fællessalen, Christiansborg Palace, the Parliament of Denmark • Ole Egberg Mikkelsen, Ambassador, Ministry of Foreign Affairs • Geir Helgesen, Director, Nordic Institute of Asian Studies Program 18.00 Evening reception at the restaurant Snapstinget, the Parliament of Denmark September 9th September 8th 12:00 Registration 9:00 Plenary Session 4: The Power of Culture in Regional Cooperation, Nordic-Baltic-Russian Cooperation 12.30 Welcoming addresses This session will explore the significant impact of culture on the strengthening of multilateral rela- tions. It will discuss cultural relations between different regions of the world today, with a special • Halldor -
Translating Fashion Into Danish
Translating Fashion into Danish By Marie Riegels Melchior, Lise Skov & Fabian Faurholt Csaba Abstract With their association to enterprise and innovation, creative industries have emerged as a legitimate concern in national cultural and economical policy in many countries across the world. In Denmark, the fashion business, in particular, has been hailed as a model for successful (post)industrial transformation. In this paper, we explore the birth of Danish fashion from the ashes of the country’s clothing manufacturing industry, suggesting that the very notion of Danish fash- ion is indicative of – and enabled by – a development towards a polycentric fash- ion system. The intriguing idea that fashion could emanate from Denmark and secure growth, jobs and exports even outside the fashion business has taken hold among policymakers, and compelled the government to embrace fashion as a na- tional project. In investigating the emergence and rising stature of Danish fashion, particular at home, we first establish a theoretical frame for understanding the cultural economic policy and the motives, principles and strategies behind it. Then – drawing inspiration from Michel Callon’s “sociology of translation” with its moments of translation: problematization, interessement, enrolment and mobiliza- tion – we identify the actors and analyze their strategic roles and interrelationship through various phases of the development of Danish fashion. Callon’s actor net- work theory (ANT) is based on the principle of “generalized symmetry” – origi- nally using a single repertoire to analyze both society and nature. We adapt this principle to study the realms of market, culture and politics within a common ana- lytical framework. In our analysis, the state responds to industry transformation, interprets it and develops its own agenda.