Spring and Autumn 2012

Total Page:16

File Type:pdf, Size:1020Kb

Spring and Autumn 2012 THE SCRIBLERIAN Spring and Autumn 2012 Vol. XLIV, No. 2–XLV, No. 1 RECENT ARTICLES Astell: REYNOLDS, PAIGE. ‘‘Spiritual Sovereignty and the Meaning of Marriage: Mary Astell and John Milton’’ Barbauld: MONTINI, DONATELLA. ‘‘Anna Laetitia Barbauld’s Ethics of Sentiment’’ Barker: KVANDE, MARTA. ‘‘Jane Barker’s Exilius: Politics, Women, Narration, and the Public’’ Behn: BEACH, ADAM R. ‘‘Behn’s Oroonoko, the Gold Coast, and Slavery in the Early Modern Atlantic World’’ MARTIN, JUDITH. ‘‘Oroonoko in Nineteenth-Century Germany: Race and Gender in Luise Mu¨hlbach’s Aphra Behn’’ WALLINGER, HANNA. ‘‘The ‘Royal Slave’ Oroonoko in Aphra Behn and Luise Mu¨hlbach’’ SNIDER, ALVIN. ‘‘The Curious Impertinent on the Restoration Stage’’ Congreve: ROY, SONA. ‘‘Congreve’s Debt to Plautus’’ WIDMAYER, ANNE F. ‘‘Scandalous Will, Or, Congreve’s Library and Female Power’’ Defoe: AVILA-PIRES, FERNANDO DIAS DE. ‘‘Robinson Crusoe’s Illness’’ LESSENICH, ROLF. ‘‘Daniel Defoes historische Romane’’ (‘‘Daniel Defoe’s Historical Novels’’) STARR, G. A. ‘‘Defoe and China’’ Dryden: AIREY, JENNIFER L. ‘‘Eve’s Nature, Eve’s Nurture in Dryden’s Edenic Opera’’ GELINEAU, DAVID. ‘‘Following the Leaf through Part of Dryden’s Fables’’ GREENWOOD, MARIA K. ‘‘What Dryden Did to Chaucer’s The Knight’s Tale, or Translation as Ideological Input’’ NEILL, MICHAEL. ‘‘ ‘An artificiall following of nature’: Dryden, Etherege, and the Perfection of Art’’ WALLS, KATHRYN. ‘‘Titus Oates as ‘Monumental Brass’ in Absalom and Achitophel’’ WINN, JAMES A. ‘‘ ‘Confronting Art with Art’: The Dryden-Purcell Collaboration in King Arthur’’ Fielding: FLETCHER, ANGUS AND MICHAEL BENVENISTE. ‘‘Defending Pluralism: The Chicago School and the Case of Tom Jones’’ LEE, ANTHONY W. ‘‘ ‘The winding labyrinths of nature’: The Labyrinth and Providential Order in Tom Jones’’ NYE, EDWARD. ‘‘Modernity in Desfontaines’s Translations of Joseph Andrews’’ ROGERS, VANESSA. ‘‘Fielding’s Ballad Operas and Eighteenth-Century English Musical Theatre’’ ROTHSTEIN, ERIC. ‘‘Joseph Andrews, Realism, and Openness’’ Gay: BARKER, ANTHONY. ‘‘Big City Corruption, Small Town Venality: Gay’s The Beggar’s Opera (1728) in Ayckbourn’s A Chorus of Disapproval (1984)’’ MCKENZIE, ANDREA. ‘‘The Real Macheath: Social Satire, Appropriation, and Eighteenth Century Criminal Biography’’ Handel: MCGEARY, THOMAS. ‘‘Handel as Art Collector: Art, Connoisseurship, and Taste in Hanoverian Britain’’ Haywood: SCHOFIELD, MARY ANNE. ‘‘A Brief Note on Haywood Scholarship: or, The Fatal Inquiry into the Timely Discovery and Fruitful Enquiry into the Fatal Fondness of Contemporary Scholars for Eliza Haywood’’ Mandeville: HENKE, CHRISTOPH. ‘‘Pernicious Reason and Good Sense: Ethics and Common Sense in Bernard Mandeville’s Fable of the Bees and Samuel Johnson’s Writings’’ Pope: CLEARY, SCOTT M. ‘‘Slouching toward Augusta: Alexander Pope’s 1736 ‘Windsor Forest’ ’’ DOYLE, CHARLES CLAY AND CLEMENT CHARLES DOYLE. ‘‘ ‘Wretches Hang That Jury Men May Dine’ ’’ ENGELL, JAMES. ‘‘Johnson on Blackmore, Pope, Shakespeare—and Johnson’’ HAMMOND, BREAN. ‘‘Pope and Young on Night’’ INGRAM, ALLAN. ‘‘The Dark Side of the Moon: Anti-Illumination in the Poetry of Pope’’ PRITCHARD, JONATHAN. ‘‘Pope at Chiswick’’ QUINSEY, KATHERINE M. ‘‘Dualities of the Divine in Pope’s Essay on Man and The Dunciad’’ ROUSSEAU, GEORGE. ‘‘Medicine and the Body’’ Richardson: MONTINI, DONATELLA. ‘‘Anna Laetitia Barbauld’s Ethics of Sentiment’’ Rochester: LAUTEL-RIBSTEIN, FLORENCE. ‘‘A Libertine’s Protracted Night: Rochester Redivivus ac Gallice Redditus’’ Rowe: BACKSCHEIDER, PAULA R. ‘‘Elizabeth Singer Rowe: Lifestyle as Legacy’’ Smollett: CORSE, TAYLOR. ‘‘Slavery in Roderick Random’’ MAY, JAMES E. ‘‘Descriptive Bibliography with Collations of Variant Readings for the Lifetime Editions of Smollett’s Continuation’’ MAY, JAMES E. ‘‘The Publication and Revision of Smollett’s Continuation of the Complete History of England, 1760–1771’’ RODDEN, JOHN. ‘‘In Love with Narcissa: Smollett’s Roderick Random as Narcissus’’ TABATA, TOMOJI. ‘‘‘Wickedly, Falsely, Traitorously, and Otherwise Evil-adverbiously, Revealing’ the Author’s Style: Correspondence Analysis of -ly Adverbs in Dickens and Smollett’’ Sterne: COLIPCAˇ , GABRIELA IULIANA. ‘‘Shandying Translation, Translating Shandeism’’ DAY, W. G. ‘‘Attribution Problems in Sterne’s Ecclesiastical and Secular Politickings’’ DESCARGUES-GRANT, MADELEINE. ‘‘Sterne and the Miracle of the Fragment’’ JONES, DARRELL. ‘‘Difference and Representation in Locke and Sterne’’ LEONARD, ANNE. ‘‘Sterne, Sutton, and Bohemia’’ NEW, MELVYN. ‘‘An Examination of Kenneth Monkman’s Attributions to Sterne, 1745 1748’’ NEW, MELVYN AND PETER DE VOOGD. ‘‘A Sterne Holograph’’ NEW, MELVYN. ‘‘John Carr and Laurence Sterne’s Ghost’’ NEWBOULD, M. C. ‘‘Fly-on-the-wall: Toby’s Fly and ‘Parasitic’ Parody’’ NEWBOULD, M-C. ‘‘ ‘The utmost fluidity exists with the utmost permanence’: Virginia Woolf’s un-Victorian Sterne’’ NICHOLLS, HILARY. ‘‘Sterne and Catherine Fourmantel’’ RICHARDSON, ROBBIE. ‘‘Consuming Indians: Tsonnonthouan, Colonialism, and the Commodification of Culture’’ Swift: FAUSKE, CHRISTOPHER J. ‘‘A Most Unlikely Friendship? Jonathan Swift, George Berkeley, and the Bonds of Philosophy with, Perhaps, an Answer to an Age-Old Problem’’ FURBANK, P. N. ‘‘Misreading Gulliver’’ HAMMOND, BREAN S. AND NICHOLAS SEAGER. ‘‘Jonathan Swift’s Historical Novel: The Memoirs of Capt. John Creichton (1731)’’ LYNALL, GREGORY. ‘‘ ‘An Author Bonoe Notoe, and an Adeptus,’ Swift’s Alchemical Satire and Satiric Alchemy in A Tale of a Tub’’ MCDOWELL, NICHOLAS. ‘‘Tales of Tub Preachers: Swift and Heresiography’’ MOORE, SEAN. ‘‘Swift and Ireland’s Revenue: The Public Finance Context of Irish Economic Pamphleteering’’ PALMERI, FRANK. ‘‘Satire and the Psychology of Religion in Swift and Nietzsche’’ REAL, HERMANN J. ‘‘Confessions of a Coffee Drinker: or, How Coffee Became Sex(y)’’ REAL, HERMANN JOSEF. ‘‘The Dean and the Lord Chancellor: or, Swift Saving his Bacon’’ SHUFELT, JOHN. ‘‘The Trickster as an Instrument of Enlightenment: George Psalmanazar and the Writings of Jonathan Swift’’ WARD, JAMES. ‘‘Bodies for Sale: Marketing A Modest Proposal’’ Thomson: CONNELL, PHILIP. ‘‘Newtonian Physico-Theology and the Varieties of Whiggism in James Thomson’s The Seasons’’ KEENLEYSIDE, HEATHER. ‘‘Personification for the People: On James Thomson’s The Seasons’’ Young: BAKER, JOHN A. ‘‘Is There a Youngian Night?’’ Miscellaneous: BARRY, KEVIN. ‘‘Learned Blindness: Irish Counter-Enlightenment’’ CALDWELL, TANYA M. ‘‘Restoration Parodies of Virgil and English Literary Values’’ ENGELL, JAMES. ‘‘Johnson on Blackmore, Pope, Shakespeare—and Johnson’’ FABIAN, BERNHARD AND MARIE-LUISE SPIECKERMANN. ‘‘The English Book on the Continent’’ FORSTER, JEAN-PAUL. ‘‘Lighting at Night and Darkness at Noon’’ IRIMIA, MIHAELA. ‘‘Our Demotic Augustinianism, a Pattern Launched by the Eighteenth Century Novel’’ JUHAS, KIRSTEN. ‘‘Du Cros, Leibniz, and An Answer to a Scurrilous Pamphlet: New Light on Sir William Temple’s French Adversary’’ LINKER, LAURA. ‘‘Catharine Trotter and the Humane Libertine’’ MACMAHON, BARBARA. ‘‘The Effects of Sound Patterning in Poetry: A Cognitive Pragmatic Approach’’ MANNING, DAVID. ‘‘Theological Enlightenments and Ridiculous Theologies: Contradistinction in English Polemical Theology’’ NU¨ NNING, VERA. ‘‘Civilising Women? Women, Morals, and Manners in Eighteenth Century Britain’’ POLLACK, ELLEN. ‘‘The Future of Feminist Theory and Eighteenth-Century Studies’’ STANZEL, FRANZ KARL. ‘‘Two Cultures? Newton and Darwin—Pope, Thomson, Young, Akenside et al.’’ VARNEY, ANDREW. ‘‘The Dark Desire for Narrative: Night in Eighteenth-Century Fiction’’ BOOK REVIEWS PAT ROGERS. A Political Biography of Alexander Pope Divine Rhetoric: Essays on the Sermons of Laurence Sterne, ed. W. B. Gerard HENRY FIELDING. Plays Volume II, 1732–1734, ed. Thomas Lockwood E. DEREK TAYLOR. Reason and Religion in ‘‘Clarissa’’: Samuel Richardson and ‘‘The Famous Mr. Norris, of Bemerton’’ Exploring the Richardson Circle Using theOrlando Database, http: / / orlando.cambridge.org MARY HELEN MCMURRAN. The Spread of Novels: Translation and Prose Fiction in the Eighteenth Century ELIZABETH KRAFT. Women Novelists and the Ethics of Desire, 1684–1814: In the Voice of Our Biblical Mothers PATRICIA MEYER SPACKS. Reading Eighteenth-Century Poetry British Women Poets of the Long Eighteenth Century: An Anthology, ed. Paula R. Backscheider and Catherine E. Ingrassia PATRICK MU¨ LLER. Latitudinarianism and Didacticism in Eighteenth-Century Literature: Moral Theology in Fielding, Sterne, and Goldsmith BOOKS BRIEFLY NOTED JONATHAN SWIFT. A Modest Proposal and Other Writings, ed. and intro. Carole Fabricant HENRY FIELDING. Amelia, ed. Linda Bree MARGARET COHEN. The Novel and the Sea ALEXANDER POPE. The Iliad and Odyssey of Homer, 2 volumes, intro. Steven Shankman, illus. Avery Lawrence John Gay’s ‘‘The Beggar’s Opera’’ 1728–2004: Adaptations and Re-Writings, ed. Uwe Bo¨ker et al. The Rival Widows, or Fair Libertine (1735), ed. Tiffany Potter Staging Pain, 1580–1800: Violence and Trauma in British Theatre, ed. James Robert Allard and Mathew R. Martin VAUGHAN HART. Sir John Vanbrugh, Storyteller in Stone JEREMY MUSSON. The Country Houses of Sir John Vanbrugh ELAINE MCGIRR. Heroic Mode and Political Crisis, 1660–1745 NICHOLAS AMHURST. Terrae-Filius or, the Secret History of the University of Oxford (1721; 1726), ed. William E. Rivers. JOHN MULLAN. Anonymity: A Secret History of English Literature CHANTEL M. LAVOIE. Collecting Women: Poetry and Lives, 1700–1780 Orlando: Women’s Writing
Recommended publications
  • "A Battle of Wits": Tubbian Entrapment in Swift
    Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2006 ”A battle of wits”: Tubbian entrapment in Swift Frischknecht, Andreas Abstract: Mein auf Leserreaktion basierender Zugang zu Swift beabsichtigt zu zeigen, dass Swifts satirische Schriften vor allem die Gefangennahme ihrer Leser zum Ziel haben. Satire wird somit als aktiver, den Leser miteinbeziehender Prozess betrachtet und ihre Eigenschaften und Strategien als ”Tön- nern” bezeichnet. Dies geschieht im Bezug auf das Bild der Tonne, welches gleichsam für Satire und daraus resultierende Lesergefangennahme in Swift steht und von Swift in seiner ersten grossen Satire, A Tale of a Tub, entwickelt wurde. Es gibt verschiedene ”Tönnerne” Eigenschaften in Swift. Swifts Satire ”neigt zur Drehung”; sie ist ”hohl” und ”leer”; sie ist ”lärmig, und hölzern”; und sie ist schliesslich besonders geeignet, ihre Leser, Walen gleich, ”durch Vergnügen” abzulenken (Tale 40). Folglich sind die markan- testen Merkmale ein Gefühl der Instabilität aufgrund konstanter perspektivischer Wechsel (”Drehen”); extremistische Natur und gleichzeitige Kritik an Extremismus, also Paradox, von einer grundsätzlichen Zirkularität der Methode stammend (die Form der Tonne); Leere, Abwesenheit des Autors durch Zuhil- fenahme satirischer personae und ein daraus folgendes Wertevakuum, in das der Leser gefangen wird und gezwungen, seine eigenen Entscheidungen zu treffen; Materialismus und Körperlichkeit, die satirische Methode der Demütigung durch körperliche Entfremdung; und schliesslich die Absicht des Erweckens von Interesse und Verwirrung durch eine Ansammlung verschiedenster Sichtweisen. My reader-response approach to Swift tries to show that Swift’s satiric writings are primarily designed to entrap their read- ers. Satire is perceived as process in action.
    [Show full text]
  • The Shifting Persona in Jonathan Swift's a Tale of A
    THE SHIFTING PERSONA IN JONATHAN SWIFT'S A TALE OF A TUB THE SHIFI'ING PERSONA IN JONATHAN SWIFT'S A TALE OF A TUB By HARRIETTE WALLACE, B.A. I • A Tqesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University . May 1971 MASTER OF ARTS (1971) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: The Shifting Persona in Jonathan Swift's A Tale of ~ Tub AUTHOR: Harriette Wallace, B.A. (The College of St. Catherine) SUPERVISOR: Professor Gordon Vichert NUMBER OF PAGES: 160 SCOPE AND CONTENTS: This thesis endeavors to investigate the shifting rhetoric of A Tale of ~ Tub with the object of determining the nature of the speaker in both allegory and digressions. It concludes that a single voice, Modern by Swift's standards, speaks throughout. This voice adopts various Modern positions yet is not consistent in being Modern, for it does·, on occasion, let through Swift's own point of view. ii I wish to thank Dr. Gordon Vichert for his helpful suggestions during the preparation of this thesis. iii TABLE OF CONTENTS Page I. INTRODUCTION 1 II. THE PERSONA TRADITION 13 III. THE ALLEGORY AND ITS PERSONA 38 IV. THE PERSONA AND THE REST OF THE TALE 69 V. THE HEART OF THE MATTER: "A DIGRESSION ON MADNESS" 105 VI. BIBLIOGRAPHY 155 iv I INTRODUCTION This study began as a close reading of A Tale £!~~ with particular focus on its rhetoric. The Tale contains peculiar and confusing shifts in style and point of view, and by examining these shifts I have hoped to make my own judgment concerning the voice or voices responsible for them.
    [Show full text]
  • Front Matter
    Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information the cambridge companion to women’s writing in britain, 1660–1789 Women writers played a central role in the literature and culture of eighteenth- century Britain. Featuring essays on female writers and genres by leading scho- lars in the field, this Companion introduces readers to the range, significance, and complexity of women’s writing across multiple genres in Britain between 1660 and 1789. Divided into two parts, the Companion first discusses women’s participation in print culture, featuring essays on topics such as women and popular culture, women as professional writers, women as readers and writers, and place and publication. Additionally, Part I explores the ways that women writers crossed generic boundaries. The second part contains chapters on many of the key genres in which women wrote, including poetry, drama, fiction (early and later), history, the ballad, periodicals, and travel writing. The Companion also provides an introduction surveying the state of the field, an integrated chronology, and a guide to further reading. catherine ingrassia is Professor of English at Virginia Commonwealth University in Richmond, Virginia. She is the author of Authorship, Commerce, and Gender in Eighteenth-Century England: A Culture of Paper Credit (Cambridge, 1998); editor of a critical edition of Eliza Haywood’s Anti- Pamela and Henry Fielding’s Shamela (2004); and co-editor of A Companion to the Eighteenth-Century Novel and Culture (2005) and the anthology British Women Poets of the Long Eighteenth Century (2009).
    [Show full text]
  • R.Kirschbaum, Thesis, 2012.Pdf
    Introduction: Female friendship, community and retreat Friendship still has been design‘d, The Support of Human-kind; The safe Delight, the useful Bliss, The next World‘s Happiness, and this. Give then, O indulgent Fate! Give a Friend in that Retreat (Tho‘ withdrawn from all the rest) Still a Clue, to reach my Breast. Let a Friend be still convey‘d Thro‘ those Windings, and that Shade! Where, may I remain secure, Waste, in humble Joys and pure, A Life, that can no Envy yield; Want of Affluence my Shield.1 Anne Finch’s “The Petition for an Absolute Retreat” is one of a number of verses by early modern women which engage with the poetic traditions of friendship and the pastoral.2 Finch employed the imagery and language of the pastoral to shape a convivial but protected space of retreat. The key to achieving the sanctity of such a space is virtuous friendship, which Finch implies is both enabled by and enabling of pastoral retirement. Finch’s retreat is not an absolute retirement; she calls for “a Friend in that Retreat / (Tho’ withdrawn from all the rest)” to share in the “humble Joys and pure” of the pastoral. Friendship is “design’d [as] the Support of Human-kind”, a divine gift to ease the burden of human reason and passion. The cause of “the next World’s Happiness, and this”, 1 Anne Finch, “The Petition for an Absolute Retreat” in Miscellany Poems, on Several Occasions, printed for J.B. and sold by Benj. Tooke at the Middle-Temple-Gate, William Taylor in Pater-Noster-Row, and James Round (London, 1713), pp.
    [Show full text]
  • The Library, the Labyrinth, and "Things Invisible": a Comparative
    i The Library, the Labyrinth, and “Things Invisible:” A Comparative Study of Jonathan Swift’s A Tale of a Tub and Jorge Louis Borges’ Ficciones A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Amber M. Lockard 10 April 2009 ii Liberty University School of Communication Master of Arts in English ____________________________________________________________________ Thesis Chair Date ____________________________________________________________________ First Reader Date ____________________________________________________________________ Second Reader Date iii Table of Contents Chapter One—Introduction: “Reducing All Mankind:” A Comparative Study of Jonathan Swift’s A Tale of a Tub and Jorge Louis Borges’ Ficciones ……....……….…...…………………….1 Chapter Two: Ambushed by the Author—Fantasy, Allegory, and Narration in Swift’s A Tale of a Tub ……………………………….……………………….……….……………………….7 Chapter Three: Lost in the Labyrinth—Fantasy, Allegory, and Narration in Jorge Louis Borges’ Ficciones ….………………………………………………………………….………………22 Chapter Four: “Fancy Astride his Reason”—Reason in “Death and the Compass” and “Digression Concerning Madness”…………….………………….…………………………34 Chapter Five: The Womb and the Grave—Memory in “Funes, the Memorious” and “Digression Concerning Madness”……………………………………………………………………......49 Chapter Six: “The Empty Center”—Knowing in “The Library of Babel” and A Tale …...….62 Chapter Seven—Conclusion: A Meeting of Spirit and Mind…..……………………………78 Works Cited……………………………………………………………………………..…..81 Lockard 1 Chapter One: Introduction – “Reducing All Mankind:” A Comparative Study of Jonathan Swift’s A Tale of a Tub and Jorge Louis Borges’ Ficciones One of the most difficult and yet perhaps most revealing means of investigating the proclivities and flaws of the contemporary age is to compare the literatures of this time with the literature of a past time.
    [Show full text]
  • Language and Reality in Swift's a Tale of a Tub ?
    Language and Reality in Swift's A Tale of a Tub ?. ill if pi p 1 J \ Language and Reality in Swift's A Tale of a Tub Frederik N. Smith OHIO STATE UNIVERSITY PRESS : COLUMBUS Frontispiece Giovanni Battista Piranesi, Le Carceri ("The Prisons") Plate VII, second state (ca. 1761) Copyright © 1979 by the Ohio State University Press All Rights Reserved Library of Congress Cataloging in Publication Data Smith, Frederik N 1940­ Language and reality in Swift's A tale of a tub. Bibliography: p. Includes index. 1. Swift, Jonathan, 1667-1745. A tale of a tub. 2. Swift, Jonathan, 1667-1745—Style. I. Title. PR3724.T33S6 823'.5 79-15355 ISBN 0-8142-0294-2 To the memory of my mother and father Contents Preface ix Introduction 3 One Words and Things 9 Two Wordplay 27 Three Lexical Fields 49 Four Syntax and Rhythm 71 Five Language and Madness 93 Six Reality and the Limits of Mind 125 Glossary for A Tale of a Tub 145 Bibliography 165 Index 169 Preface The manuscript of a book may be written alone, but it is not revised without the opinions of others, nor does it reach publication without the assistance of still others. I owe a great debt to my friends Professor William B. Piper of Rice University and Professor Robert Wallace of Case Western Reserve University, both of whom read the entire manuscript and made innumerable, invaluable comments and criticisms—the majority of which I incorporated into the final draft. I wish also to thank my friends and former colleagues Professor Louis D.
    [Show full text]
  • Alphabetical Index of Articles Published in Swift Studies (1986-2020)
    Alphabetical Index of Articles Published in Swift Studies (1986-2020) Alderson, Simon J., ‘Swift and the Pun’, Swift Studies, 1996, 47–57 Apke, Bernd, ‘When Nature Took Sides: Richard Janthur’s Expressionist Illustrations of Gulliver’s Voyage to the Country of the Houyhnhnms’, Swift Studies, 2013, 115– 27 Arnold, Bruce, ‘“A Protestant Purchaser”: Bartholomew Van Homrigh, Merchant Adventurer’, Swift Studies, 2000, 42–50 ———, ‘“Those Who Seek to Obtain My Estate”: Swift on Love and Envy’, Swift Studies, 1996, 25–45 Arnott, Les G., ‘A Letter to the Editor of The Independent: Modest Proposal’, Swift Studies, 2006, 125 Baines, Paul, ‘Swift’s Last Speech and Dying Words of Ebenezor Elliston: Reading the Ephemeral Text’, Swift Studies, 2013, 78–95 Baltes, Sabine, ‘Diversion, Dollars, and the Dean: Jonathan Swift and Popular Culture’, Swift Studies, 2004, 110–20 ———, ‘Father Time: The Emblematic and Iconographic Context of “The Epistle Dedicatory to His Royal Highness Prince Posterity” in Swift’s Tale’, Swift Studies, 2005, 41–50 ———, ‘“The Grandson of That Ass Quin”: Swift and Chief Justice Whitshed’, Swift Studies, 2008, 126–46 Bernard, Stephen J., ‘Jonathan Swift and A Key, Being Observations and Explanatory Notes, upon the Travels of Lemuel Gulliver, with a New Edition of A Key’, Swift Studies, 2012, 87–119 Blanchard, W. Scott, ‘Swift’s Tale, the Renaissance Anatomy, and Humanist Invective’, Swift Studies, 2001, 83–97 Bony, Alain, ‘Mutiny on the Adventure: A Possible Source of Gulliver’s Travels’, Swift Studies, 2004, 72–85 Boucé, Paul-Gabriel, ‘The Rape of Gulliver Reconsidered’, Swift Studies, 1996, 98–114 Boyle, Frank T., ‘Ehrenpreis’s Swift and the Date of the Sentiments of a Church-of-England Man’, Swift Studies, 1991, 30–37 Brown, M.
    [Show full text]
  • A Tale of a Tub and Other Works Jonathan Swift Edited by Marcus Walsh Excerpt More Information
    Cambridge University Press 978-0-521-82894-9 - A Tale of a Tub and Other Works Jonathan Swift Edited by Marcus Walsh Excerpt More information ATALEOFATUB © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82894-9 - A Tale of a Tub and Other Works Jonathan Swift Edited by Marcus Walsh Excerpt More information Figure 1. Frontispiece of ATaleofaTub, 1710. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82894-9 - A Tale of a Tub and Other Works Jonathan Swift Edited by Marcus Walsh Excerpt More information Figure 2. Title page of ATaleofaTub, 1710; The British Library, shelfmark 1077.g.2. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82894-9 - A Tale of a Tub and Other Works Jonathan Swift Edited by Marcus Walsh Excerpt More information Treatises1 wrote by the same Author, most of them mentioned in the following Discourses; which will be speedily published. A Character of the present Set of Wits2 in this Island. A Panegyrical Essay upon the Number THREE.3 A Dissertation upon the principal Productions of Grub-street.4 Lectures upon a Dissection of Human Nature.5 A Panegyrick upon the World. An Analytical Discourse upon Zeal, Histori-theo-physi-logically consid- ered.6 A general History of Ears.7 A modest Defence of the Proceedings of the Rabble in all Ages.8 A Description of the Kingdom of Absurdities.9 A Voyage into England,10 by a Person of Quality in Terra Australis incog- nita,11 translated from the Original.
    [Show full text]
  • Tennyson's Poems
    Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
    [Show full text]
  • "Text", and Swift's "A Tale of a Tub" Author(S): Marcus Walsh Source: the Modern Language Review, Vol
    Text, "Text", and Swift's "A Tale of a Tub" Author(s): Marcus Walsh Source: The Modern Language Review, Vol. 85, No. 2 (Apr., 1990), pp. 290-303 Published by: Modern Humanities Research Association Stable URL: http://www.jstor.org/stable/3731810 . Accessed: 23/12/2014 16:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Humanities Research Association is collaborating with JSTOR to digitize, preserve and extend access to The Modern Language Review. http://www.jstor.org This content downloaded from 159.178.22.27 on Tue, 23 Dec 2014 16:56:28 PM All use subject to JSTOR Terms and Conditions TEXT, 'TEXT', AND SWIFT'S A TALE OF A TUB Few printed texts make so apparent, or are so ingenious about, their textual nature and status as Swift's A Taleofa Tub,and few have given rise to so much interpretative controversy. The Tale has been a focus of some of the key disagreements in modern critical theory. It has been possible to think of the Taleas embodying, as the Apology of I 7 0 so repeatedly suggests, 'the Author's Intention', its satiric purpose being 'to expose the Abuses and Corruptions
    [Show full text]
  • The Editor, the Preface, and the Eighteenth-Century Edition: A
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2009 The ditE or, the Preface, and the Eighteenth- Century Edition: A Critical Bibliographic Study Jessica Jost-Costanzo Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Jost-Costanzo, J. (2009). The dE itor, the Preface, and the Eighteenth-Century Edition: A Critical Bibliographic Study (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/715 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE EDITOR, THE PREFACE, AND THE EIGHTEENTH-CENTURY EDITION: A CRITICAL BIBLIOGRAPHIC STUDY A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Jessica M. Jost-Costanzo December 2009 Copyright by Jessica M. Jost-Costanzo 2009 iii THE EDITOR, THE PREFACE, AND THE EIGHTEENTH-CENTURY EDITION: A CRITICAL BIBLIOGRAPHIC STUDY By Jessica M. Jost-Costanzo Approved November 18, 2009 ______________________________ ______________________________ Dr. Susan Kubica Howard Dr. Laura Engel Associate Professor of English Assistant Professor of English (Dissertation Director) (First Reader) ______________________________ Dr. Anne Brannen Associate Professor of English (Second Reader) ______________________________ ______________________________ Dr. Christopher M. Duncan Dr. Magali Cornier Michael Dean, McAnulty Graduate School Chair, Department of English Associate Professor of English iv ABSTRACT THE EDITOR, THE PREFACE, AND THE EIGHTEENTH-CENTURY EDITION: A CRITICAL BIBLIOGRAPHIC STUDY By Jessica M.
    [Show full text]
  • Elizabeth Singer Rowe
    Elizabeth Singer Rowe: Dissent, Influence, and Writing Religion, 1690-1740 Jessica Haldeman Clement PhD University of York English and Related Literature September 2017 Abstract This thesis addresses the religious poetry of Elizabeth Singer Rowe, arguing that her Dissenting identity provides an important foundation on which to which to critically consider her works. Although Rowe enjoyed a successful career, with the majority of her writing seeing multiple editions throughout her lifetime and following her death, her posthumous reputation persists as an overly pious and reclusive religious poet. Moving past these stereotypes, my thesis explores Rowe’s engagement with poetry as a means to convey various aspects of Dissent and her wider religious community. This thesis also contributes to the wider understanding of Dissenting creative writing and influence in the years following the Glorious Revolution of 1688, using Rowe’s work as a platform to demonstrate complexities and cultural shifts within the work of her contemporaries. My argument challenges the notion that Rowe’s religious poetry was a mere exercise in piety or a display of religious sentimentalism, demonstrating powerful evolutions in contemporary discussions of philosophy, religious tolerance, and the relationship between the church and state. A popular figure that appealed to a heterodox reading public, Rowe addresses many aspects of Dissent throughout her work. Combining close readings of Rowe’s poetry and religious writings with the popular works of her contemporaries, this study explores latitudinarian shifts and discussions of depravity within her religious poetry, the impact of the Clarendon Code and subsequent toleration on her conceptualisation of suffering and imprisonment, as well as her use of ecumenical language throughout her writings.
    [Show full text]