The Early History of Man — Part 5
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THE KINGS and QUEENS of BRITAIN, PART I (From Geoffrey of Monmouth’S Historia Regum Britanniae, Tr
THE KINGS AND QUEENS OF BRITAIN, PART I (from Geoffrey of Monmouth’s Historia Regum Britanniae, tr. Lewis Thorpe) See also Bill Cooper’s extended version (incorporating details given by Nennius’s history and old Welsh texts, and adding hypothesised dates for each monarch, as explained here). See also the various parallel versions of the Arthurian section. Aeneas │ Ascanius │ Silvius = Lavinia’s niece │ Corineus (in Cornwall) Brutus = Ignoge, dtr of Pandrasus │ ┌─────────────┴─┬───────────────┐ Gwendolen = Locrinus Kamber (in Wales) Albanactus (in Scotland) │ └Habren, by Estrildis Maddan ┌──┴──┐ Mempricius Malin │ Ebraucus │ 30 dtrs and 20 sons incl. Brutus Greenshield └Leil └Rud Hud Hudibras └Bladud │ Leir ┌────────────────┴┬──────────────┐ Goneril Regan Cordelia = Maglaurus of Albany = Henwinus of Cornwall = Aganippus of the Franks │ │ Marganus Cunedagius │ Rivallo ┌──┴──┐ Gurgustius (anon) │ │ Sisillius Jago │ Kimarcus │ Gorboduc = Judon ┌──┴──┐ Ferrex Porrex Cloten of Cornwall┐ Dunvallo Molmutius = Tonuuenna ┌──┴──┐ Belinus Brennius = dtr of Elsingius of Norway Gurguit Barbtruc┘ = dtr of Segnius of the Allobroges └Guithelin = Marcia Sisillius┘ ┌┴────┐ Kinarius Danius = Tanguesteaia Morvidus┘ ┌──────┬────┴─┬──────┬──────┐ Gorbonianus Archgallo Elidurus Ingenius Peredurus │ ┌──┴──┐ │ │ │ (anon) Marganus Enniaunus │ Idvallo Runo Gerennus Catellus┘ Millus┘ Porrex┘ Cherin┘ ┌─────┴─┬───────┐ Fulgenius Edadus Andragius Eliud┘ Cledaucus┘ Clotenus┘ Gurgintius┘ Merianus┘ Bledudo┘ Cap┘ Oenus┘ Sisillius┘ ┌──┴──┐ Bledgabred Archmail └Redon └Redechius -
Cordelia''s Portrait in the Context of King Lear''s
Paula M. Rodríguez Gómez Cordelias Portrait in the Context of King Lears... 181 CORDELIAS PORTRAIT IN THE CONTEXT OF KING LEARS INDIVIDUATION* Paula M. Rodríguez Gómez** Abstract: This analysis attempts to show the relations between the individual psyche and the contents of the collective unconscious. Following Von Franzs analytical technique, the tragic action in King Lear will be read as an individuation process that will rescue archetypal contents and solve existential paradoxes that cause an imbalance between the ego and the self, leading to self-destruction. Once communication is eased and balance is restored, the transformation-seeking process that engaged the design of the play itself becomes resolved, and events can be led to a conventional tragic resolution. Jungian analysis will therefore provide a critical framework to unveil the subconscious contents that tear the character of the king between annihilation and survival, the anima complex that affects the king, responding thus for the action of the play and its centuries-old success. Keywords: collective unconscious, myth, individuation, archetype, tragedy, anima. Resumen: Este análisis pretende sacar a la luz las relaciones entre la psyche individual y los contenidos del inconsciente colectivo. Siguiendo la técnica analítica de Von Franz, la acción trágica de King Lear será entendida a través del proceso de individuación que revierte sobre los contenidos arquetípicos y resuelve las paradojas existenciales que cau- san el desequilibrio entre ego y self. Una vez que la comunicación es facilitada y el equilibrio psíquico recuperado, el proceso transformativo que afecta la génesis de la trama se resuelve y el argumento alcanza una resolución convencional. -
Genre and Identity in British and Irish National Histories, 1541-1691
“NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 A dissertation presented by Sarah Elizabeth Connell to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April 2014 1 “NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 by Sarah Elizabeth Connell ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2014 2 ABSTRACT In this project, I build on the scholarship that has challenged the historiographic revolution model to question the valorization of the early modern humanist narrative history’s sophistication and historiographic advancement in direct relation to its concerted efforts to shed the purportedly pious, credulous, and naïve materials and methods of medieval history. As I demonstrate, the methodologies available to early modern historians, many of which were developed by medieval chroniclers, were extraordinary flexible, able to meet a large number of scholarly and political needs. I argue that many early modern historians worked with medieval texts and genres not because they had yet to learn more sophisticated models for representing the past, but rather because one of the most effective ways that these writers dealt with the political and religious exigencies of their times was by adapting the practices, genres, and materials of medieval history. I demonstrate that the early modern national history was capable of supporting multiple genres and reading modes; in fact, many of these histories reflect their authors’ conviction that authentic past narratives required genres with varying levels of facticity. -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
Orixes Da Materia De Bretaña
Santiago Gutiérrez García Orixes da Materia de Bretaña A Historia Regum Britanniae e o pensamento europeo do século XII Centro Ramón Piñeiro para a Investigación en Humanidades Santiago de Compostela 2002 Edita Xunta de Galicia Consellería de Educación e Ordenación Universitaria Dirección Xeral de Política Lingüística Centro Ramón Piñeiro para a Investigación en Humanidades Conselleiro de Educación e Ordenación Universitaria Celso Currás Fernández Director Xeral de Política Lingüística Xesús P. González Moreiras Coordinador Científico Constantino García Direcctor Técnico de Literatura Anxo Tarrío Varela ISBN: 84-453-3319-4 D.L.: C-727-2002 Realización Grafinova S.A. Cuberta Beato de Liébano, Comentario da Apocalipse. Manuscrito F 117/2E, f.117v. Catedral de Burgo de Osma e San Xerome escribindo rodeado dos monxes. Primeira metade do século XVI. Museo Lázaro Galdeano. Madrid. ÍNDICE PRESENTACIÓN ........................................................................................ 5 INTRODUCCIÓN ...................................................................................... 7 CAPÍTULO I Da chegada normanda á monarquía anxevina ........................................ 17 A resistencia celta fronte a saxóns e normandos .................................... 22 A formación da Inglaterra anglonormanda ............................................ 27 A propaganda anxevina e o retorno de Artur .......................................... 34 Historia e historiografía no século XII inglés: celtas, saxóns e normandos ............................................................................... -
On the Legend of Weland the Smith. by THOMAS WRIGHT, Esq
315 XXIV.—On the Legend of Weland the Smith. By THOMAS WRIGHT, Esq. F.S.A. Bead 11th March, 1847. MY LORD, The interest which, at the last meeting of your Society, you appeared to take in the traditions connected with the cromlech known as that of Wayland Smith, described in the paper by Mr. Akerman, has encouraged me to offer a few remarks on the subject, which, though not possessing much novelty, have not hitherto been, I think, laid before English readers in a connected form. As Mr. Akerman has observed, the Antiquaries of former days have treated with too much contempt the local legends connected with the monuments of our early forefathers; and through their neglect we have lost irretrievably a large portion of the valuable materials which connected the popular belief of our peasantry hardly a hundred years ago with the mythology of our forefathers at a remote period, when it differed comparatively little from the other branches of the same primeval stock which are now so widely separated. During a century these materials, the popular legends and traditions of the peasantry have been rapidly disappearing before the march of modern improvements; and I would earnestly impress upon the members of this Society the utility of collecting and preserving as many of them as still exist. When our forefathers came into this island, they found it covered with Roman towns and buildings, as well as with monuments of an earlier population, in the shape of cromlechs, vast entrenchments, and other similar works. With the character and uses of the Roman buildings they were perfectly well acquainted; but they looked with greater reverence on cromlechs, and barrows, and indeed on all earthworks of which the origin was not very apparent, because their own superstitions had taught them to attribute such structures to the primeval giants of their mythology, who were objects of dread even to the gods themselves. -
Trojans at Totnes and Giants on the Hoe: Geoffrey of Monmouth, Historical Fiction and Geographical Reality
Rep. Trans. Devon. Ass. Advmt Sci., 148, 89−130 © The Devonshire Association, June 2016 (Figures 1–8) Trojans at Totnes and Giants on the Hoe: Geoffrey of Monmouth, Historical Fiction and Geographical Reality John Clark MA, FSA, FMA Curator Emeritus, Museum of London, and Honorary Reader, University College London Institute of Archaeology Geoffrey of Monmouth’s largely fi ctional History of the Kings of Britain, written in the 1130s, set the landing place of his legendary Trojan colonists of Britain with their leader Brutus on ‘the coast of Totnes’ – or rather, on ‘the Totnesian coast’. This paper considers, in the context of Geoffrey’s own time and the local topography, what he meant by this phrase, which may refl ect the authority the Norman lords of Totnes held over the River Dart or more widely in the south of Devon. We speculate about the location of ‘Goemagot’s Leap’, the place where Brutus’s comrade Corineus hurled the giant Goemagot or Gogmagog to his death, and consider the giant fi gure ‘Gogmagog’ carved in the turf of Plymouth Hoe, the discovery of ‘giants’ bones’ in the seventeenth century, and the possible signifi cance of Salcombe’s red-stained rocks. THE TROJANS – AND OTHERS – IN DEVON Geoffrey of Monmouth’s Historia Regum Britanniae (History of the Kings of Britain) was completed in about 1136, and quickly became, in medieval terms, a best-seller. To all appearance it comprised what ear- lier English historians had said did not exist – a detailed history of 89 DDTRTR 1148.indb48.indb 8899 004/01/174/01/17 111:131:13 AAMM 90 Trojans at Totnes Britain and its people from their beginnings right up to the decisive vic- tory of the invading Anglo-Saxons in the seventh century AD. -
Pagan Beliefs in <I>The Serpent's Tooth</I>
Volume 26 Number 1 Article 13 10-15-2007 Pagan Beliefs in The Serpent's Tooth Joe R. Christopher (emeritus) Tarleton State University, TX Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christopher, Joe R. (2007) "Pagan Beliefs in The Serpent's Tooth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 26 : No. 1 , Article 13. Available at: https://dc.swosu.edu/mythlore/vol26/iss1/13 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract An examination of the pagan belief structure in The Serpent’s Tooth, Diana Paxson’s retelling of King Lear. Discusses her use of source material in Shakespeare, Geoffrey of Monmouth, and early pagan religious beliefs. Additional Keywords Monmouth, Geoffer Mythlore y. Historia Regum Britanniae; Paganism in fantasy; Paxson, Diana. -
A Spot Called Crayford the Legend of Hengest
A Spot Called Crayford The Legend of Hengest KS2 Pupil Response PACK By Peter Daniel and Kate Morton Illustrations by Michael Foreman 1 This WorkBook Belongs TO: Write your name and class here: ___________________________ Write your name below in Anglo Saxon Runes: 2 Name: ....................................................... Date: ....................... Below is the Anglo-Saxon alphabet. Write your name above in runes. Can you spell my name out in the ancient Saxon alphabet? Hengest H E N G E S T Don’t leave me out of this. We’re brothers and do every- thing together! Horsa H O R S A 3 A Letter of Apology from Honorius Gildas tells us that after the Romans left Britannia, barbarians invaded Britain and the people appealed for help to a Roman general called Flavius Aetius: The barbarians push us back to the sea, the sea pushes us back to the barbarians; between these two we are either drowned or slaughtered.” the Groans of the Britons’ Gildas Honorius, the Western Roman Emperor (393-423AD) sent The Rescript of Honorius 411AD a letter of apology telling the Britons that they must 'look to their own defences'. Thus ending Rome’s ties with Britain. Imagine you are Emperor Honorius to write a letter of apology to the Britons. Use the map above to • Let the Britons know you know who their enemies are Honorius was Western • Can you explain why the Emperor is in no position to help? Roman Emperor • Use the letter template to draft your letter 4 ‘A Letter of apology from Honorius’ Ravenna Itialy 411AD Dear Britons Tell the Britons that you know who is attacking them. -
Downloaded from Brill.Com09/24/2021 05:15:28PM Via Free Access 318 Faletra Empire
Chapter 11 Colonial Preoccupations in Geoffrey of Monmouth’s De gestis Britonum Michael Faletra Nearly three quarters of the way through the sweep of legendary history that constitutes Geoffrey of Monmouth’s De gestis Britonum, the narrative grinds almost to a halt. Whereas parts of the history had glossed over dozens of kings and hundreds of years, sometimes in a page or two, the pace of events lead- ing up to the reign of King Arthur had steadily slowed, only to arrive at a near standstill in Geoffrey’s description of Arthur’s Plenary Court. It is a moment of great political importance, the celebration of the king’s victory both over the Saxons who had plagued the realm for a generation and over much of what is now France: like several of his more successful predecessors on the British throne, Arthur returns to Britain a conqueror. The Plenary Court held to stage Arthur’s coronation and to celebrate his glorious new order takes place on Pentecost in the Welsh city of Caerleon: “Located in Glamorgan on the River Usk at a lovely site not far from where the Severn empties into the sea, it had an abundance of riches greater than that of any other city and was thus an excellent place to hold a high feast.”1 No expense is spared, Geoffrey reminds his Anglo-Norman readers, and he treats them to lavish descriptions of the coronation processions, the splendid regalia, the celebratory games, and the feasting for many hundreds of guests – all of which seem calculated to drive home the fact that ancient Britain had attained a cultural pinnacle: -
In England, Scotland, and Wales: Texts, Purpose, Context, 1138-1530
Victoria Shirley The Galfridian Tradition(s) in England, Scotland, and Wales: Texts, Purpose, Context, 1138-1530 A Thesis Submitted for the Degree of Doctor of Philosophy in English Literature Cardiff University 2017 i Abstract This thesis examines the responses to and rewritings of the Historia regum Britanniae in England, Scotland, and Wales between 1138 and 1530, and argues that the continued production of the text was directly related to the erasure of its author, Geoffrey of Monmouth. In contrast to earlier studies, which focus on single national or linguistic traditions, this thesis analyses different translations and adaptations of the Historia in a comparative methodology that demonstrates the connections, contrasts and continuities between the various national traditions. Chapter One assesses Geoffrey’s reputation and the critical reception of the Historia between the twelfth and sixteenth centuries, arguing that the text came to be regarded as an authoritative account of British history at the same time as its author’s credibility was challenged. Chapter Two analyses how Geoffrey’s genealogical model of British history came to be rewritten as it was resituated within different narratives of English, Scottish, and Welsh history. Chapter Three demonstrates how the Historia’s description of the island Britain was adapted by later writers to construct geographical landscapes that emphasised the disunity of the island and subverted Geoffrey’s vision of insular unity. Chapter Four identifies how the letters between Britain and Rome in the Historia use argumentative rhetoric, myths of descent, and the discourse of freedom to establish the importance of political, national, or geographical independence. Chapter Five analyses how the relationships between the Arthur and his immediate kin group were used to challenge Geoffrey’s narrative of British history and emphasise problems of legitimacy, inheritance, and succession. -
MANY MOTIVES: GEOFFREY of MONMOUTH and the REASONS for HIS FALSIFICATION of HISTORY John J. Berthold History 489 April 23, 2012
MANY MOTIVES: GEOFFREY OF MONMOUTH AND THE REASONS FOR HIS FALSIFICATION OF HISTORY John J. Berthold History 489 April 23, 2012 i ABSTRACT This paper examines The History of the Kings of Britain by Geoffrey of Monmouth, with the aim of understanding his motivations for writing a false history and presenting it as genuine. It includes a brief overview of the political context of the book at the time during which it was first introduced to the public, in order to help readers unfamiliar with the era to understand how the book fit into the world of twelfth century England, and why it had the impact that it did. Following that is a brief summary of the book itself, and finally a summary of the secondary literature as it pertains to Geoffrey’s motivations. It concludes with the claim that all proposed motives are plausible, and may all have been true at various points in Geoffrey’s career, as the changing times may have forced him to promote the book for different reasons, and under different circumstances than he may have originally intended. Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin Eau Claire with the consent of the author. ii CONTENTS INTRODUCTION 1 Who was Geoffrey of Monmouth? 3 Historical Context 4 The Book 6 Motivations 11 CONCLUSION 18 WORKS CITED 20 WORKS CONSULTED 22 1 Introduction Sometime between late 1135 and early 1139 Geoffrey of Monmouth released his greatest work, Historia Regum Britanniae (History of the Kings of Britain in modern English).