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Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
Link Shostakovich.Txt
FRAMMENTI DELL'OPERA "TESTIMONIANZA" DI VOLKOV: http://www.francescomariacolombo.com/index.php?option=com_content&view=article&i d=54&Itemid=65&lang=it LA BIOGRAFIA DEL MUSICISTA DA "SOSTAKOVIC" DI FRANCO PULCINI: http://books.google.it/books?id=2vim5XnmcDUC&pg=PA40&lpg=PA40&dq=testimonianza+v olkov&source=bl&ots=iq2gzJOa7_&sig=3Y_drOErxYxehd6cjNO7R6ThVFM&hl=it&sa=X&ei=yUi SUbVkzMQ9t9mA2A0&ved=0CDEQ6AEwAQ#v=onepage&q=testimonianza%20volkov&f=false LA PASSIONE PER IL CALCIO http://www.storiedicalcio.altervista.org/calcio_sostakovic.html CENNI SULLA BIOGRAFIA: http://www.52composers.com/shostakovich.html PERSONALITA' DEL MUSICISTA NELL'APPOSITO PARAGRAFO "PERSONALITY" : http://www.classiccat.net/shostakovich_d/biography.php SCHEMA MOLTO SINTETICO DELLA BIOGRAFIA: http://www.thefamouspeople.com/profiles/dmitry-shostakovich-344.php La mia droga si chiama Caterina La mia droga si chiama Caterina “Io mi aggiro tra gli uomini come fossero frammenti di uomini” (Nietzsche) In un articolo del 1932 sulla rivista “Sovetskoe iskusstvo”, Sostakovic dichiarava il proprio amore per Katerina Lvovna Izmajlova, la protagonista dell’opera che egli stava scrivendo da oltre venti mesi, e che vedrà la luce al Teatro Malyi di Leningrado il 22 gennaio 1934. Katerina è una ragazza russa della stessa età del compositore, ventiquattro, venticinque anni (la maturazione artistica di Sostakovic fu, com’è noto, precocissima), “dotata, intelligente e superiore alla media, la quale rovina la propria vita a causa dell’opprimente posizione cui la Russia prerivoluzionaria la assoggetta”. E’ un’omicida, anzi un vero e proprio serial killer al femminile; e tuttavia Sostakovic denuncia quanta simpatia provi per lei. Nelle originarie intenzioni dell’autore, “Una Lady Macbeth del distretto di Mcensk” avrebbe inaugurato una trilogia dedicata alla donna russa, còlta nella sua essenza immutabile attraverso differenti epoche storiche. -
Download Booklet
552129-30bk VBO Shostakovich 10/2/06 4:51 PM Page 8 CD1 1 Festive Overture in A, Op. 96 . 5:59 2 String Quartet No. 8 in C minor, Op. 110 III. Allegretto . 4:10 3 Piano Trio No. 2 in E minor, Op. 67 III. Largo . 5:35 4 Cello Concerto No. 1 in E flat, Op. 107 I. Allegretto . 6:15 5–6 24 Preludes and Fugues – piano, Op.87 Prelude and Fugue No. 1 in C major . 6:50 7 Symphony No. 5 in D minor, Op. 47 II. Allegretto . 5:08 8 Cello Sonata, Op. 40 IV. Allegro . 4:30 9 The Golden Age: Ballet Suite, Op. 22a Polka . 1:52 0 String Quartet No. 3 in F, Op. 73 IV. Adagio . 5:27 ! Symphony No. 9 in E flat, Op. 54 III. Presto . 2:48 @ 24 Preludes – piano, Op. 34 Prelude No. 10 in C sharp minor . 2:06 # Violin Concerto No. 1 in A minor, Op. 77 IV. Burlesque . 5:02 $ The Gadfly Suite, Op. 97a Romance . 5:52 % Symphony No. 10 in E minor, Op. 93 II. Allegro . 4:18 Total Timing . 66:43 CD2 1 Jazz Suite No. 2 VI. Waltz 2 . 3:15 2 Piano Concerto No. 1 in C minor, Op. 35 II. Lento . 8:31 3 Symphony No. 7 in C, Op. 60, ‘Leningrad’ II. Moderato . 11:20 4 3 Fantastic Dances, Op. 5 Polka . 1:07 5 Symphony No. 13 in B flat minor, Op. 113, ‘Babi Yar’ II. Humour . 7:36 6 Piano Quintet, Op. 57 III.Scherzo . -
Dimitri Shostakovich: a Catalogue of the Orchestral Music
DIMITRI SHOSTAKOVICH: A CATALOGUE OF THE ORCHESTRAL MUSIC 1919: Scherzo in F sharp minor for orchestra, op.1: 5 minutes 1921-22: Theme with Variations in B major for orchestra, op.3: 15 minutes 1922: “Two Fables of Krilov” for mezzo-soprano, female chorus and chamber Orchestra, op.4: 7 minutes 1923-24: Scherzo in E flat for orchestra, op.7: 4 minutes 1924-25: Symphony No.1 in F minor, op.10: 32 minutes Prelude and Scherzo for string orchestra, op.11: 10 minutes 1927: Symphony No.2 “October” for chorus and orchestra, op.14: 21 minutes 1927-28: Suite from the Opera “The Nose” for orchestra, op. 15A 1928: “Tahiti-Trot” for orchestra, op. 16: 4 minutes 1928-29/76: Suite from “New Babylon” for orchestra, op. 18B: 40 minutes 1928-32: Six Romances on Words by Japanese poets for tenor and orchestra, op.21: 13 minutes 1929: Suite from “The Bedbug” for orchestra, op.19B Symphony No.3 in E flat major “The First of May” for chorus and orchestra, op.20: 32 minutes 1929-30: Ballet “The Age of Gold”, op.22: 134 minutes (and Ballet Suite, op. 22A: 23 minutes) 1930-31: Suite from “Alone” for orchestra, op. 26 B Ballet “The Bolt”, op.27: 145 minutes (and Ballet Suite, op.27A: 29 minutes) 1930-32: Suite from the Opera “Lady Macbeth of the Mtsensk District” for orchestra, op. 29A: 6 minutes 1931: Suite from “Golden Mountains” for orchestra, op.30A: 24 minutes Overture “The Green Company”, op. 30C (lost) 1931-32: Suite from “Hamlet” for small orchestra, op. -
Of New Collected Works
DSCH PUBLISHERS CATALOGUE of New Collected Works FOR HIRE For information on purchasing our publications and hiring material, please apply to DSCH Publishers, 8, bld. 5, Olsufievsky pereulok, Moscow, 119021, Russia. Phone: 7 (499) 255-3265, 7 (499) 766-4199 E-mail: [email protected] www.shostakovich.ru © DSCH Publishers, Moscow, 2019 CONTENTS CATALOGUE OF PUBLICATIONS . 5 New Collected Works of Dmitri Shostakovich .................6 Series I. Symphonies ...............................6 Series II. Orchestral Compositions .....................8 Series III. Instrumental Concertos .....................10 Series IV. Compositions for the Stage ..................11 Series V. Suites from Operas and Ballets ...............12 Series VI. Compositions for Choir and Orchestra (with or without soloists) ....................13 Series VII. Choral Compositions .......................14 Series VIII. Compositions for Solo Voice(s) and Orchestra ...15 Series IX. Chamber Compositions for Voice and Songs ....15 Series X. Chamber Instrumental Ensembles ............17 Series XI. Instrumental Sonatas . 18 Series ХII. Piano Compositions ........................18 Series ХIII. Incidental Music ...........................19 Series XIV. Film Music ...............................20 Series XV. Orchestrations of Works by Other Composers ...22 Publications ............................................24 Dmitri Shostakovich’s Archive Series .....................27 Books ..............................................27 FOR HIRE ..............................................30 -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Piano Concerto No. 1 in C minor with Trumpet and String Orchestra, Op. 35 (1933) Dmitri Alexeyev (piano)/Philip Jones (trumpet)/Jerzy Maksymiuk/English Chamber Orchestra ( + Piano Concerto No. 2, Unforgettable Year 1919, Gadfly: Suite, Tahiti Trot, Suites for Jazz Orchestra Nos. 1 and 2) CLASSICS FOR PLEASURE 382234-2 (2007) Victor Aller (piano)/Murray Klein (trumpet)/Felix Slatkin/Concert Arts Orchestra ( + Hindemith: The Four Temperaments) CAPITOL P 8230 (LP) (1953) Leif Ove Andsnes (piano)/Håkan Hardenberger (trumpet)/Paavo Järvi/City of Birmingham Symphony Orchestra ( + Britten: Piano Concerto and Enescu: Legende) EMI CLASSICS 56760-2 (1999) Annie d' Arco (piano)/Maurice André (trumpet)/Jean-François Paillard/Orchestre de Chambre Jean François Paillard (included in collection: "Maurice André Edition - Volume -
Yhtenäistetty Dmitri Šostakovitš : Teosten Yhtenäistettyjen Nimekkei- Den Ohjeluettelo / Heikki Poroila
Suomen musiikkikirjastoyhdistyksen julkaisusarja 141 Yhtenäistetty Dmitri Šostakovitš Teosten yhtenäistettyjen nimekkeiden ohjeluettelo Heikki Poroila Suomen musiikkikirjastoyhdistys Helsinki 2014 Julkaisija Suomen musiikkikirjastoyhdistys r.y. © Heikki Poroila 2014 Kolmas laitos, verkkoversio 2.0 Korjattu viimeksi 24.2.2017 Julkaistu ensimmäisen kerran vuonna 1997 paperimuotoisena julkaisuna samalla nimellä. Tämä vuoden 2014 toinen verkkoversio on nimekkeiden kielen osalta merkittävästi muutettu laitos. 01.4 POROILA , HEIKKI Yhtenäistetty Dmitri Šostakovitš : teosten yhtenäistettyjen nimekkei- den ohjeluettelo / Heikki Poroila. – Kolmas laitos, verkkoversio 2.0. – Helsinki : Suomen musiikkikirjastoyhdistys, 2014. – 68 s. – (Suomen musiikkikirjastoyhdistyksen julkaisusarja, ISSN 0784-0322 ; 141). ISBN 978-952-5363-40-1 (PDF) ISBN 978-952-5363-40-1 Esipuhe 1997 DMITRI DMITRIJEVITŠ ŠOSTAKOVITŠ (25.9.1906 – 9.8.1975) kuuluu melko kiistatta 1900-luvun keskeisten taidemusiikin säveltäjien joukkoon. Vaikkei Šostakovitš jälkikäteen arvioiden ollutkaan mikään tyylillinen uudistaja, hänen laajalle aikavälille ulottuva sävellystuotantonsa sisältää hyvin erilaisia, jopa vastakkaisia, elementtejä. Lähes viiden vuosikymmenen aikana syntyneen 15 sinfonian mittavan sarjan rinnalle asetetaan usein yhtä monesta jousikvartetosta koostuva sykli, joka tosin syntyi pääosin paljon suppeampana ajanjaksona säveltäjän elämän loppupuolella. Molemmissa sarjoissa on haluttu nähdä Šostakovitšin musiikillinen testamentti, koska sävellysten tyylillinen ja sisällöllinen -
Shostakovich 5
“Inside Masterworks” bringing music to life May 2018 Masterworks #8: Shostakovich 5 | May 4-6, 2018 The rise and fall and rise of Dmitri Shostakovich: the journey of an artist whose music became the object of censorship – and a source of terror for the composer. We often associate censorship with written or Soviet artists to survive the purges that decimated spoken expression, whether in speeches, books, the entire Soviet Union.4 movies, or other communication through words. But communication without words – the language Dmitri Shostakovich is recognized as one of the of visual art and music – can also be the subject most influential composers of the last century. of censorship. It is a miracle that his music survived, but even more miraculous was the survival of the composer While examples of censorship himself (who lived until 1975). While Shostakovich in the 21st century abound, was undoubtedly a celebrated composer within the story of Shostakovich is the Soviet Union, his life and art depended upon set in the 20th century, a time Stalin’s approval.5 By the 1930s, as compared when war and politics were with his noted contemporary, Sergei Prokofiev, intertwined with music, and who was championed by the Soviet government, when many totalitarian regimes Shostakovich was often reviled.6 subjected composers and artists to strict censorship.1 Prokofiev, who Classical music was associated rushed into with the Nazi presence, and, for a time, the Nazi the streets embrace of the music resulted in a marked decline of Petrograd in the classical -
Wwciguide September 2017.Pdf
Air Check Dear Member, The Guide This month, over ten nights, WTTW is honored to present The Vietnam War – a sweeping multi-part The Member Magazine for documentary from Burns and co-director Lynn Novick, a film that he has said is “without a doubt, the WTTW and WFMT Renée Crown Public Media Center most ambitious project” [they] have ever undertaken.” Many have tried to tell the story of a conflict 5400 North Saint Louis Avenue that, as Novick says, remains “unfinished business in American history,” but you will never see it told Chicago, Illinois 60625 in such breadth and depth. We will premiere the first episode on September 17 at 7:00 pm on WTTW11 and wttw.com/watch. We will also host Ken and Main Switchboard (773) 583-5000 Lynn here in Chicago on September 7; please check page 3 for event details. Member and Viewer Services Also this month on WTTW11, delve into more Sunday night mysteries with (773) 509-1111 x 6 Endeavour Morse and The Coroner, and enjoy a new British comedy series, WFMT Radio Networks (773) 279-2000 Marley’s Ghosts. On Labor Day, spend A Weekend in Havana with Geoffrey Chicago Production Center Baer and take a virtual tour online at wttw.com/weekendinhavana. Celebrate (773) 583-5000 Hispanic Heritage Month with a new special featuring Ballet Hispanico. Websites Join a witty terminally ill woman as she formulates her ultimate to-do list wttw.com in Before I Kick the Bucket; watch American Masters profiles of painter Tyrus wfmt.com Wong, filmmaker Richard Linklater (more below on both), and the legendary guitarist Jimi Hendrix; hear the story of the influential religious leader Martin President & CEO Daniel J. -
Dmitri Shostakovich I 2400 SIK Secon D E D Ition
SchostakowitschCover2011NEU.indd 1 Dmitri Schostakowitsch · Dmitri Shostakovich SIK 2400 secon D e D ition Dmitri Shostakovich 14.03.2011 10:46:21 d m i t r i shostakovich s i k o r s k i musikverlage h a m b u r g sik 2400 We have, wherever possible, located the copyright own- ers of the illustrations. Should we not have sufficiently succeeded in doing this or made any errors in any par- ticular case, we request that the authors contact us, so that we can immediately attend to justified demands. Wo möglich haben wir die Inhaber aller Urheberrechte der Illustrationen ausfindig gemacht. Sollte dies im Ein- zelfall nicht ausreichend gelungen oder es zu Fehlern gekommen sein, bitten wir die Urheber, sich bei uns zu melden, damit wir berechtigten Forderungen umgehend nachkommen können. © 2011 by Sikorski Musikverlage Hamburg printed in Germany (updated: 23 Setember 2014) Inhalt und Satz: Mark Heyer sikorski musikverlage 20139 Hamburg · Tel.: +49(0)40/414100-0 · Fax: +49(0)40/414100-40 www.sikorski.de · [email protected] contents preface ............................................ 6 vorwort .......................................... 9 Juvenilia ......................................... 12 chronological List of Works ................ 14 undated Works ................................ 220 systematic index of works Stage Works ....................................... 222 Orchestral Works ................................... 223 Concertos ......................................... 225 Wind Orchestra / Band .............................. 225 Vocal -
Boston Symphony Orchestra Concert Programs, Season 65,1945-1946, Trip
— /" *^ \ % r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON .© >$ $ ^%j iW?&C ^ H #i SIXTY-FIFTH SEASON 1 9 4 5 '- i 9 4 6 Carnegie Hall, New York ;; VICTOR RED SEAL RECORDS by the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Bach, C. P. E Concerto for Orchestra in D major Beethoven Symphonies Nos. 2 and 8 ; Missa Solemnis Berlioz , Symphony, "Harold in Italy" (Primrose) Three Pieces, "Damnation of Faust" Brahms Symphonies Nos. 3, 4 Violin Concerto (Heifetz) Copland "El Sal6n Mexico" Debussy "La Mer," Sarabande Faur6 "Pelleas et Melisande," Suite Elegy (Bedetti) Foote Suite for Strings Grieg "The Last Spring" Handel Larghetto (Concerto No. 12) Harris Symphony No. 3 Haydn Symphonies Nos. 94 ("Surprise") ; 102 (B-flat) Liadov "The Enchanted Lake" Liszt Mephisto Waltz Mendelssohn Symphony No. 4 ("Italian") Moussorgsky "Pictures at an Exhibition" Prelude to "Khovanstchina" Mozart Symphonies in A major (201) ; C major (338) Prokofleff Classical Symphony ; Violin Concerto No. 2 (Heifetz) "Lieutenant Kij<§," Suite ; "Love for Three Oranges," Scherzo and March ; "Peter and the Wolf" Ravel Bolero ; "Mother Goose," Suite "Daphnls and Chloe," Suite No. 2 (new recording) Rimsky-Korsakov "The Battle of Kerjenetz"; Dubinushka Satie "GymnopSdie" No. 1 Schubert "Unfinished" Symphony ; "Rosamunde," Ballet Music Schumann Symphony No. 1 ("Spring") Sibelius Symphonies Nos. 2 and 5 ; "Pohjola's Daughter" "Tapiola" ; "Maiden with Roses" Strauss, J Waltzes : "Voices of Spring," "Vienna Blood" Strauss, R "Also Sprach Zarathustra" -
6.5 X 11 Double Line.P65
Cambridge University Press 978-0-521-60315-7 - The Cambridge Companion to Shostakovich Edited by Pauline Fairclough and David Fanning Index More information Index Adorno, Theodor 38, 295 Piano Sonata, op. 106, ‘Hammerklavier’ Adventures of Korzinkina, The, op. 59 219 92, 101 Afinogenov, Alexander 170 Piano Sonata, op. 109 130 Akhmatova, Anna 251 Piano Sonata, op. 111 130 Akimov, Nikolay 160, 163, 165–8, 171, 172, ‘Rage Over a Lost Penny’ 118, 138 224, 273 String Quartet, op. 59 no. 1 61, 69 Aleichem, Sholem 362 String Quartet, op. 131 79 Tevye the Milkman (Fiddler on the Roof) String Quartet, op. 132 66, 68 362–3 String Quartet, op. 135 53 Alexandrov, Alexander 263, 265, 276 Symphony no. 3, ‘Eroica’ 126, 172 Alone, op. 26 (film score) 214–15 Symphony no. 4 13 Altman, Natan 173 Symphony no. 5 15, 224 Anna Fogt Circle 74 Symphony no. 8 13, 26 Antiformalist Rayok (choral) 227, 278 Symphony no. 9 13, 15, 26, 224 Aphorisms, op. 13 13, 67, 79, 82, 94 Violin Concerto 13 Armashevskaya, Klavdiya 202, 203 Beethoven Quartet, The 42, 49, 52, 58, 60, 63, Arnshtam, Lev 194, 217, 219, 224, 225 65, 139, 335 Asafyev, Boris 74, 80, 181, 183, 302, 309 Belinsky, op. 85 (film score) 220–1, 267, Ashkenazy, Vladimir 326 269, 343 ASM see Association of Contemporary Music Belsky, Igor 211 Association of Contemporary Music (ASM) 181 Berg, Alban 70, 72, 181, 182 Atovmyan, Lev 170 Piano Sonata 100 A Year Like a Lifetime op. 120 225 Wozzeck 55, 64, 72, 182, 185, 303, 320, 352 Beria, Lavrenty 175 Bach, Johann Sebastian 24, 29, 72, 325 Berlinsky, Valentin 42 Chaconne in D minor 137 Bezïmensky, Alexander 15, 157–8 The Well-Tempered Clavier 99, 344 Big Lightning, The (unfinished operetta) Bakhtin, Mikhail 9 164, 194–5 ‘Baletnaya Fal’sh’ see Pravda editorials Bizet, Georges 70 Ballet Suite no.3 170 Carmen 352–3 Barenboym, Lev 97, 114 Black Monk, The (unfinished opera) 66, 197 Barshai, Rudolf 337 ‘Black Sea,’ The 265 Bartók, Béla 72, 181, 182, 303, 325 Bloch, Ernest 142 Contrasts 133 Bogdanov-Berezovsky, Valerian 182 Bedbug, The, op.