Convergence Culture: Henry Jenkins
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Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
Divx Na Cd Strona 1
Divx na cd 0000 0000 Original title/Tytul oryginalny 0000 Polish CD//Subt/Nap title/Tytul polski isy 10ThingsIHateAboutYou(1999) Zakochana zlosnica 1/pl 1492: Conquest of Paradise (AKA 1492: Odkrycie raju / 1492: Christophe1492:Wyprawa Colomb do / raju1492: La conquête du paradis / 1492: La conquista del paraíso) (1992) 2 Fast 2 Furious (2003) Za szybcy za wsciekli 1/pl 2046(2004) 2046 . 2/pl 21Grams (2003) 21 Gram 2/pl 25th Hour(2002) 25 godzina 2/pl 3000Miles toGraceland(2001) 3000 mil do Graceland 1/pl 50FirstDates(2004) 50 pierwszych randek 1/pl 54(1998) Klub 54 AboutSchmidt(2002) About Schmidt 2/pl Abrelosojos(AKA Open Your Eyes) (1997) Otworz oczy 1/pl Adaptation (2002) Adaptacja 2/pl Alfie(2004) Alfie 2/pl Ali(2001) Ali Alien3 (1992) Obcy 3 AlienResurrection (1997) 4 Obcy 4 – Przebudzenie Obcy 2 – Decydujace Aliens (1986) 2 starcie Alienvs. Predator(AKA Alienversus Predator/ AvP) (2004) Obcy Kontra Predator Amelia/ Fabuleux destin d'Amélie Poulain, Le (AKA Amelie from AmeliaMontmartre / Amelie of Montmartre / Fabelhafte Welt der Amelie, Die / Fabulous Destiny of Amelie Poulain / Amelie) (2001) AmericanBeauty(1999) American Beauty AmericanPsycho(2000) American Psycho Anaconda(1997) Anakonda AngelHeart (1987) Harry Angel AngerManagement(2003) Dwoch gniewnych ludzi Animal Farm (1999) Folwark zwierzecy Animatrix, The(2003) Animatrix AntwoneFisher(2002) Antwone Fisher Apocalypse Now(AKA Apocalypse Now: Redux(2001)) (1979) DirApokalipsa cut Aragami(2003) Aragami Atame(AKA Tie Me Up! Tie Me Down!) (1990) Zwiaz mnie Avalanche(AKA Nature -
Vol. 3 Issue 4 July 1998
Vol.Vol. 33 IssueIssue 44 July 1998 Adult Animation Late Nite With and Comics Space Ghost Anime Porn NYC: Underground Girl Comix Yellow Submarine Turns 30 Frank & Ollie on Pinocchio Reviews: Mulan, Bob & Margaret, Annecy, E3 TABLE OF CONTENTS JULY 1998 VOL.3 NO.4 4 Editor’s Notebook Is it all that upsetting? 5 Letters: [email protected] Dig This! SIGGRAPH is coming with a host of eye-opening films. Here’s a sneak peak. 6 ADULT ANIMATION Late Nite With Space Ghost 10 Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Car- toon Network’s Michael Lazzo, Senior Vice President, Programming and Production. The Beatles’Yellow Submarine Turns 30: John Coates and Norman Kauffman Look Back 15 On the 30th anniversary of The Beatles’ Yellow Submarine, Karl Cohen speaks with the two key TVC pro- duction figures behind the film. The Creators of The Beatles’Yellow Submarine.Where Are They Now? 21 Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland. The Mainstream Business of Adult Animation 25 Sean Maclennan Murch explains why animated shows targeted toward adults are becoming a more popular approach for some networks. The Anime “Porn” Market 1998 The misunderstood world of anime “porn” in the U.S. market is explored by anime expert Fred Patten. Animation Land:Adults Unwelcome 28 Cedric Littardi relates his experiences as he prepares to stand trial in France for his involvement with Ani- meLand, a magazine focused on animation for adults. -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era. -
Downloadable Pdf
EDITED BY ANDREAS TRESKE, UFUK ÖNEN, BESTEM BÜYÜM AND I. ALEV DEGIM ˘ IMAGE, TIME AND MOTION: NEW MEDIA CRITIQUE FROM TURKEY A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 7 EDIT BY ANDREAS TRESKE, UFUK ÖNEN, BESTEM BÜYÜM AND I. ALEV DEGIM ˘ IMAGE, TIME AND MOTION NEW MEDIA CRITIQUE FROM TURKEY (2003 - 2010) Theory on Demand #7 Image, Time and Motion New Media Critique fromTurkey, Ankara (2003 - 2010) Edited by: Andreas Treske, Ufuk Önen, Bestem Büyüm and I. Alev Degim. ˘ Design: Katja van Stiphout DTP: Margreet Riphagen Printer: ‘Print on Demand’ Publisher: Institute of Network Cultures, Amsterdam 2011 ISBN: 978-90-816021-5-0 Contact Institute of Network Cultures phone: +3120 5951863 fax: +3120 5951840 email: [email protected] web: http://www.networkcultures.org This publication is available through various print on demand services. For more information, and a freely downloadable pdf: http://networkcultures.org/theoryondemand. This publication is licensed under the Creative Commons Attribution Noncommercial No Derivative Works 3.0 Netherlands License. No article in this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author. IMAGE, TIME AND MOTION: NEW MEDIA CRITIQUE FROM TURKEY 3 CONTENTS Introduction Andreas Treske 5 PART I Finding Art in the Labyrinth of Media Introduction by Ufuk Önen & Andreas Treske 11 “Street Museum”: Thinking About Interactivity and Artworks in a Work That Does Not Use New Media Fulya Ertem 12 The Vicious Circle of Changing Media, Methods, Products and Experiences in Architecture Deniz Hasırcı 16 The Structure of Seeing: Reading David Hockney’s ‘Joiners’ Through Space and Time Bilge Demirtasş¸ 30 Two Questions / Interpreting Signatures: ‘As If The End of the World has Already Come and Gone’ Çagrı ˘ Barıs¸ Kasap 36 PART II Jump, Run and Take your Seats: Film, Narrative, Interactivity and 3D Introduction by I. -
Feature Films and Licensing & Merchandising
Vol.Vol. 33 IssueIssue 88 NovemberNovember 1998 1998 Feature Films and Licensing & Merchandising A Bug’s Life John Lasseter’s Animated Life Iron Giant Innovations The Fox and the Hound Italy’s Lanterna Magica Pro-Social Programming Plus: MIPCOM, Ottawa and Cartoon Forum TABLE OF CONTENTS NOVEMBER 1998 VOL.3 NO.8 Table of Contents November 1998 Vol. 3, No. 8 4 Editor’s Notebook Disney, Disney, Disney... 5 Letters: [email protected] 7 Dig This! Millions of Disney Videos! Feature Films 9 Toon Story: John Lasseter’s Animated Life Just how does one become an animation pioneer? Mike Lyons profiles the man of the hour, John Las- seter, on the eve of Pixar’s Toy Story follow-up, A Bug’s Life. 12 Disney’s The Fox and The Hound:The Coming of the Next Generation Tom Sito discusses the turmoil at Disney Feature Animation around the time The Fox and the Hound was made, marking the transition between the Old Men of the Classic Era and the newcomers of today’s ani- 1998 mation industry. 16 Lanterna Magica:The Story of a Seagull and a Studio Who Learnt To Fly Helming the Italian animation Renaissance, Lanterna Magica and director Enzo D’Alò are putting the fin- ishing touches on their next feature film, Lucky and Zorba. Chiara Magri takes us there. 20 Director and After Effects: Storyboarding Innovations on The Iron Giant Brad Bird, director of Warner Bros. Feature Animation’s The Iron Giant, discusses the latest in storyboard- ing techniques and how he applied them to the film. -
The Text and Its Additions, Additions and Text – from Entertainment Supersystem to Cultural Universe Konrad Dominas
26 fall 2016 The Text And Its Additions, Additions And Text – From Entertainment Supersystem To Cultural Universe Konrad Dominas A literary text seems in contemporary culture to be endlessly mediated by new media, as well as popular literature and pop culture. These spaces change the tone of relations between a text and its environment, creating a new perspective on the question of what constitutes an addi- tion to the text and what function it performs. As a result of these changes, a peculiar system of varied elements– literature, film, animation, internet services, social media, comics, etc. – has arisen, whose signature factor is the gradual effacement of borders between its constitu- ent parts. The text is ceasing to be a point of reference in this system and is instead becoming, for example, an addition to a film or to a sequence of computerized animation. Describing such relationships is not only a difficult task, but also a risky one. The most impor- tant problem we face in tackling it is the interdisciplinary nature of the phenomenon and the lack of a suitable methodology. Furthermore, representatives of various scholarly disciplines have attempted to develop a theory connecting literary texts, new media and popular culture and to endow them with a uniform character using various research tools. A typical feature of such theoretical endeavours is a certain kind of unification based on a terminology developed in order to cover the entire, complicated problem in its range. We thus have Marsha Kinder, who in her 1991 book Playing with Power in Movies, Television, and Video Games. -
The Matrix Hero on Youtube: Fan Vids As a Form of Transmedia Storytelling
In: Social Media ISBN: 978-1-63463-175-4 Editor: Annmarie Bennet © 2015 Nova Science Publishers, Inc. Chapter 5 THE MATRIX HERO ON YOUTUBE: FAN VIDS AS A FORM OF TRANSMEDIA STORYTELLING Dorothy Wai-sim Lau Academy of Film, Hong Kong Baptist University, Hong Kong ABSTRACT Fan vids are an emergent form of storytelling in the current social media epoch. As a genre of works, they comprise montages of visual material culled *from mass media source texts and set to music through the grassroots practice of vidding. As vidders search, cull, and edit movie images, they recast the cinematic stories by decontextualizing the source materials and extending the frontier of the narrative to other signifying realms. Vidding could be said to constitute a grassroots, fan-driven form of transmedia storytelling, by which the integral elements of a fiction are systematically dispersed across multiple media platforms. The Matrix, a celebrated Hollywood science fiction franchise, has inspired many such instances of transmedia storytelling, demonstrating how the story is retold by ordinary fans as they transpose movie images from cinematic space to cyberspace. This essay focuses on two fan vids from YouTube, the most popular video-sharing site, entitled “I, Neo (Mos Def / Massive Attack / Matrix Mashup)” and “Matrix Vs. Excision & Downlink - Existence VIP Dub Mashup” to examine how vidders incorporate new content to expand and alter the Matrix narrative into the bottom-up generated content. When Matrix footage is eclectically cut to electronic music, Neo’s story is no * [email protected]. 94 Dorothy Wai-sim Lau longer represented and understood within a fixed symbolic system, but rather in a hybrid, open framework, allowing for diverse directionality of interpretation. -
A Theory of the Transmedia Franchise Character
A Theory of the Transmedia Franchise Character Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Clare Elizabeth Parody September 2011 Abstract In contemporary media landscapes characterised by technological, industrial, and cultural convergence, transmedia fictional practice, that is, the generation of multiple texts, products and experiences across multiple media outlets cohered by a common narrative reality, cast of characters, or entertainment brand, is in the ascendancy. This thesis begins from the observation that although transmedia practice is coterminously beginning to receive more and more critical attention, there remains much work to be done theorising the “total entertainment” experiences (Grainge, 2008: 11) it produces in fictional terms. It identifies a particular need for further critical investigation of how transmedia fictional practice interacts with the design, development, and representation of character. It takes as its fundamental starting principle the assumption that transmediality can be defined and operationalised as a particular modality of fiction, producing particular orientations and operations of meaning and representation, and that the trans-textual, trans-medial extension of a fiction can be identified and delineated as a fictional practice. In dialogue with existing critical work organised by the concept of transmedia storytelling, and industrial discourses and practices of cross-platform production, I conceptualise and define the object of study of this thesis as the practice of transmedia franchising, of which transmedia storytelling is positioned as a sub-genre. The thesis comprises an original theory of the transmedia franchise character as a fictional object, situated in a poetics of transmedia franchising as a fictional practice. -
Renditions of the Real in the Edge of the Construct Film Cycle
Confronting the limits: Renditions of the Real in the Edge of the Construct Film Cycle. Kate Greenwood Submitted for the degree of Doctor of Philosophy Discipline of English The University of Adelaide December 2006 Contents Abstract.......................................................................................................................... iv Declaration...................................................................................................................... v Acknowledgements ....................................................................................................... vi Introduction.................................................................................................................... 7 Chapter One: Film and Ideology: a critical account of political modernism. ............. 17 Žižek’s Missing Lacanians. ....................................................................................... 17 Realism and Ideology. ............................................................................................... 23 The late 60s and 70s: the era of political modernism. ............................................... 32 Cinéthique: lifting the veil from the apparatus. ......................................................... 36 Cahiers du Cinéma and Screen: the ‘disquieting unintelligibility’ of the Real. ........ 59 Suture: concealing the disquieting unintelligibility of the Real................................. 71 Chapter Two: Matter, Form and Content.................................................................... -
Anime Anime Anime
August 1996 Vol. 1 No. 5 Anime Anime Anime Background Briefings by Jerry Beck Manga Goes Fred Patten For The Mainstream Table of Contents 3 Editor's Notebook 4 Letters to the Editor 5 Anime: Hollywood’s Invisible Animation Genre Jerry Beck recounts his fascination with anime and how his frustration with Hollywood’s attitude towards it led him and Carl Macek to do something about it. 8 A Capsule History of Anime A brief tour by Fred Patten of Japanese animation from its beginnings by hobbyists in 1917 to its current status as one of the major producing countries in the world. 13 Fredd Ladd: An Interview by Harvey Deneroff In the early days of American television, anime gained a small foothold. Fred Ladd, who played a key role in this effort, recalls what happened. 17 Manga Entertainment:Taking Anime to the Next Stage Manga, a division of UK’s Island Records, has become a major powerhouse in international anime. Mark Segall reports on the phenomena in his interview with Manga executives Mike Preece and Marvin Gleicher. 22 Anime in Europe A survey of how anime spread through the major countries of Europe and the difficulties it encountered in terms of censorship. John Gosling reports from England. 26 The Hidden World of Anime John Gosling looks at some of the differences between Western and Japanese animation, as well as speculating on the various cultural influences seen in anime. 30 Raoul Servais: An Interview 35 Belgium filmmaker Raoul Servais, who recently completed his first feature, talks with Philippe Moins about his films, international festivals, and the problems of making features, among other things. -
Newsletter 17/08 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 17/08 DIGITAL EDITION Nr. 237 - September 2008 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 17/08 (Nr. 237) September 2008 editorial Hallo Laserdisc- und DVD-Fans, nahezu den ganzen Tag im Kino ver- Und lohnenswerten dazu. Wir empfeh- liebe Filmfreunde! bracht haben. Da verliert man sehr len dringend Dr. Annas Hausapotheke Wenn Sie diese Zeilen lesen, so ist dies schnell jegliches Zeitgefühl. Das ab Seite 3. Und wer wissen möchte, ein untrügliches Zeichen dafür, dass Fantasy Filmfest fordert eben auch welche Kinofilme demnächst einen Be- unser Urlaub ganz offensichtlich schon seinen Tribut. Aber dennoch haben wir such wert sind, der sollte in Wolfram wieder vorbei ist. Und er war wieder es in vollen Zügen genossen. Unseren Hannemanns Film-Blog schmökern. Ab einmal definitiv zu kurz. Aber wem sa- persönlichen Erfahrungsbericht zu die- Seite 5 mit allen Flops und Tops. Und gen wir das? Ihnen wird es sicherlich sem Festival werden wir in einem der ab Seite 25 erwartet Sie wie jedes Jahr auch nicht anders ergehen. Oder ist es nächsten Newsletter publizieren. unser Hinweis auf das nächste Filmfe- Ihnen schon einmal gelungen, Ihre Schließlich sollen Sie auch wissen, stival der Superlative: das 4. Todd-AO komplette Filmsammlung in einem einzi- welche DVDs es künftig zu kaufen 70mm Filmfestival in der Schauburg in gen Urlaub zu konsumieren? Man kann lohnt.