Factual Factual Tune in To… Factual

Total Page:16

File Type:pdf, Size:1020Kb

Factual Factual Tune in To… Factual Factual Factual Tune in to… Factual ABC Program Sales Worldwide offers a range of distinctive award-winning Factual programming to entertain, inform and educate audiences worldwide. From world class documentaries to science, natural history, education and current affairs, there is something to fill all your factual programming needs. Family Footsteps SOCIETY Series 1: 4 x 60’ Series 2: 4 x 60’ Family Footsteps creates a sliding-doors experience for a group of diverse young people by returning them to their migrant parents’ homeland. Faced with challenges of living like a local, these intrepid explorers experience how their lives could have been today if fate had taken a different course. It is a journey of self discovery – as they explore their parents’ homeland, their connection between two countries is strengthened as they come to understand and appreciate more about their families, their culture and ultimately themselves. DIRECTOR (SERIES 1) SEAN COUSINS, MALCOLM MCDONALD; (SERIES 2) SEAN COUSINS, KAY PAVLOU; PRODUCER (SERIES 1) TONY WRIGHT; PRODUCERS (SERIES 2) TARNI JAMES, TONY WRIGHT; ASSOCIATE PRODUCER (SERIES 1) SOPHIE MEYRICK; EXECUTIVE PRODUCER STEPHEN AMEZDROZ; DECEMBER FILMS PTY LTD 2 Program Sales Worldwide T 61 2 8333 3314 E [email protected] The Snakebuster WILDLIFE / ADVENTURE 26 x 27’ Bruce George is a man on a mission. Dressed in black, covered in tattoos, and riding a Harley Davidson, Bruce is The Snakebuster. When Bruce gets the call this rough tough Aussie bloke hits the road and races to the scene. It’s his job to remove highly venomous snakes from domestic situations. But for the Snakebuster, it’s often a question of saving the snake from the people rather than the people from the snake. While he may look tough Bruce has a soft spot for snakes – the deadlier the better! This is adventure television with serious bite! Narrator/Presenter Bruce George; Writers/Directors Duncan Chard, Sam Smith, Rhian Skirving, Julia Redwood; Line Producer Andrea Quesnelle; Series Producer Sam Smith; Executive Producer for DiscoverY NetworKS Europe Leonie Hutchinson; Executive Producers ED Punchard, Julia Redwood; Prospero Productions WORLD RIGHTS EXCLUDING GERMAN SPEAKING TERRITORIES, SAARC, CHINA AND TaIwaN 4 Program Sales Worldwide T 61 2 8333 3314 E [email protected] SOCIETY / All Points of the Compass HISTORY 1 x 55’ While the Vietnam War raged, senior political leader Charles Tran Van Lam recorded his family’s domestic life on his Super 8 camera. As his sons dressed up in cowboy suits and his daughters pirouetted through ballet lessons, he held meetings with the most powerful political players in the world. But when Saigon fell in 1975, Tran Van Lam left his country with nothing – not even his citizenship. Told by his nine children from their now disparate locations around the globe, the Trans’ story is a unique window to an extraordinary era and an insight into an eastern diaspora, flung to all points of the compass. WRITER/DIRECTOR JUDY RYMER; PRODUCERS BEVAN CHILDS, JUDY RYMER; EXECUTIVE PRODUCERS ABC DAVID JOWSEY, BBC SCOTLAND EWAN ANGUS; RYMER BAYLY WATSON PTY LTD 6 Program Sales Worldwide T 61 2 8333 3314 E [email protected] Navy Divers REALITY 4 x 27’ Enter the highly competitive and dangerous underwater world and discover just what it takes to make it as a navy diver. Action-packed and highly charged, Navy Divers follows clearance diver trainees as they embark on the biggest challenge of their lives. Plunging to death defying depths, defusing live explosives and launching covert attacks behind enemy lines makes navy clearance diving one of the toughest jobs in the world. One mistake can mean the difference between life and death. This elite force demands complete physical and mental strength as they endure the navy’s hardest and most extreme training program. Compelling adventure television, Navy Divers is fascinating look of life at the front line of national defence. Creators Ingrid Longley, John MCCourt; Directors Steve Westh, Russell Vines; Producers ED Punchard, Julia Redwood; Prospero Productions 7 Catalyst SCIENCE 34 x 30’ ongoing magazine series A multi-award winning magazine series that makes sense of our world. From medicine to the environment, the outer reaches of the universe to the innermost secrets of our own extraordinary bodies, the Catalyst team of science journalists investigate the “real world” implications, ethics and politics behind the “hot button” issues of today: climate change; nuclear-solar-wind-tidal-geothermal power; DNA and genome technology, medical miracles and the ongoing “mind- expanding discoveries” into the workings of the human brain. Every episode tells us something we didn’t know, takes us somewhere we’ve never been and introduces us to concepts that are beyond belief. PRODUCERS BELINDA GIBBON, PAUL SCHNELLER, INGRID ARNOTT; PRODUCTION MANAGER ROBERT REYNOLDS; INTERNATIONAL PRODUCER ROBERT BRENNAN; SUPERVISING EP FACTUAL PETER MCEVOY; EXECUTIVE PRODUCER NICK LEE; SERIES PRODUCER GREG SWANBOROUGH; ABC TV PREVIOUS CATALYST SERIES (8 X 30’) ALSO AVAILabLE 8 Program Sales Worldwide T 61 2 8333 3314 E [email protected] Catalyst Specials The Science of Dating: The Times of Our Lives (Part 1) 1 x 26’ “How to Catch a Mate” 1 x 26’ In our youth-obsessed world, we put considerable effort Everybody wants it, but not all of us get it. So how do we go into hiding the ravages of time by wearing make-up, about becoming a sex magnet? In this episode, three human dyeing our hair, or even lying about our age, but the guinea pigs are put through their paces in the “lab of love”. reality is we are all getting older. Catalyst explores what We find out if pheromones (the smells of desire) can really turn happens inside our bodies as we age and discovers that on the partner of your dreams; whether fear is the ultimate it’s a mysterious process; even though the signs of age aphrodisiac; and whether the body often says what the lips are familiar, the jury is still out on why we age. Is it our would never dare to mention. There’s a lot of fun and a few livers, our genes or even too much oxygen that makes us anxious moments as we pull out all the stops in getting our old? Catalyst exposes the enigma of age, as some of the subjects the dates they so desperately desire. world’s cutting-edge scientists compete to explain it. REPORTER DR PAUL WILLIS; PRODUCER JULIE MILLER; ABC TV REPORTER PAUL WILLIS; PRODUCER ILI BARÉ; EXECUTIVE PRODUCER NICK LEE; ABC TV The Science of Business: The Times of Our Lives (Part 2) 1 x 26’ “How to Make It Big” 1 x 26’ Science meets hope in this episode of Catalyst, as some In today’s business world, climbing the corporate ladder is of the world’s leading minds take us on their race for the the name of the game. But what does it take to get to the ageing “cure”. Can we really stay young through diet, or top? Catalyst looks at the science of success in business is the way we age all in the mind? Science is chasing a and goes in search of the factors that make our corporate longevity pill – but should we be tampering with the cycle high flyers the winners they are. When it comes to being a of life and death? In this special on ageing, we’ll see how successful boss, emotional intelligence is more important close we are to living healthier, longer lives. We also ask than overall intelligence. Mapping arguments, defining whether the human brain and its ability to extend our life goals and being a rebel with a very good cause are all traits expectancy could achieve more than is good for us. Catalyst explores in the search for the secrets of success. REPORTER PAUL WILLIS; PRODUCER ILI BARÉ; REPORTER DR PAUL WILLIS; PRODUCER JULIE MILLER; ABC TV EXECUTIVE PRODUCER NICK LEE; ABC TV 10 To Catch a Liar 1 x 27’ Human Sub 1 x 25’ How good are you at spotting a lie? Sébastien Murat – “The Human Sub” – attempts to break the world record We’re told lies up to 100 times a day, for extreme human breath-holding diving. He can hold his breath for over yet research shows fewer than one in eight minutes and swim four laps of an Olympic swimming pool underwater 1,000 people can reliably detect lies. on a single breath. For the challenge Sébastien has developed a unique But science has declared war on strategy that he believes will circumvent the medical dangers. He will mimic deception, and To Catch a Liar crosses deep diving marine mammals by emptying his lungs of air before descending the world to put the latest lie detection to the extreme depths. His biggest obstacles are the life-threatening technology to the test. Witness an actual conditions such as shallow-water blackout and decompression illness. lie forming in the brain, visit the US REPORTER RICHARD SMITH; PRODUCER ANDREW HOLLAND; Department of Defence’s “Booth of Truth”, EXECUTIVE PRODUCER SONYA PEMBERTON; ABC TV find out when lying is good for you and why we’re all so susceptible to liars. Dirty Little Secrets 1 x 26’ WRITERS LOUISE HEYWOOD, JONICA NEWBY; Is the air in our cities safe to breathe? New science about fine particle PRODUCER LOUISE HEYWOOD; EXECUTIVE PRODUCER ANDREW HOLLAND; ABC TV pollution has a dire warning for public health. A storm of toxic dust and poison gases swirls through our streets and suburbs every day from Hypnosis 1 x 27’ our vehicle exhausts. The global epidemic of fine particle pollution is estimated to kill nearly a billion people each year.
Recommended publications
  • Attorney Says Five Plaintiffs Will Drop Lawsuit Challenging Occupational License Ordinance
    W^-i. FEATURES: RECREATION: EVERY WEEK: Leonard Mosley Fishing tips... Highs' 10C Classifieds... 21C, is on the road Shelling tips... 11C Club news... 15A in the 70s again... 1B Tides... 2A 11C Police beat... 5A 1961-1988 Still first on Sanibel and Captiva VOL. 27, NO. 8 TUESDAY, FEB. 23,1988 THREE SECTIONS, 76 PAGES 50 CENTS Attorney says five plaintiffs will drop lawsuit challenging occupational license ordinance By BARBARA BRUNDAGE Islander staff writer "We really appreciate the A class action suit against the city of city attorney's efforts." Sanibel challenging a 1986 occupational Ralph Wood ring license ordinance will be abandoned if Plaintiff the City Council adopts a revised ver- sion of the law, Steve Carta, attorney for the five plaintiffs, said Friday. City Council reviewed the reworked form, Carta said, he will file a notice of ordinance for the first time last Tues- "voluntary dismissal" in Lee County day. Second reading is set for March Circuit Court. 15. Carta called its clarification of the Last Dec. 11 Circuit Court Judge city manager's authority to inspect William Nelson dismissed the suit first Island businesses' books and records filed in March 1987. But Nelson gave "highly satisfying." If the ordinance passes in its present Please see SUIT, page 19A Survey will determine how much Island wildlife dies 'on the road' By SCOTT MARTELL regularly and would be willing to call Islander staff writer him with information about road kills they find. Sanibel itself is a wildlife sanctuary, "We're looking for reptiles, birds, but its entrance road, the Sanibel mammals ..
    [Show full text]
  • Refining Your Timpani Roll by Tom Freer
    Refining Your Timpani Roll by Tom Freer Following are some techniques and calisthenics for refining one's timpani roll. This is one of a timpanist's most frequently used techniques, yet it seems to get minimal attention in practice and development. To get started you should have the following: 1. Metronome (best quality you can afford) 2. Tape recorder, mini disc recorder, or video camera 3. Mirror 4. Towels to mute timpani 5. Method Books: Eckehardt, Keune - Pauken (Ein Schulwerk) Fred Hinger - Technique for the Virtuoso Timpanist Saul Goodman - Modern Method for Timpani Friese/Lepak - Timpani Method Heinrich Knauer - all books Richard Hochrainer - all books Assuming the player has a good knowledge of roll technique, I will not elaborate on such things as forte piano rolls, measured rolls, and the like. However, I will touch on roll attack, speed, and release. To get started, using two timpani, place a mirror on your music stand right in front of you for clear viewing, place a towel on each drum opposite your playing area, place your metronome on your music stand, and get your tape player ready to record. It may sound strange at first, but using the towels on the heads creates a timpani "practice pad" which not only saves your ears a bit but is immensely helpful in exposing any flaws you may not notice because of the very forgiving resonance of the ringing timpani head. Now that you are set up and ready with your two timpani practice pads. Keep in mind that you are trying to improve the evenness of your hands and smoothness of your roll.
    [Show full text]
  • Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
    Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding.
    [Show full text]
  • The Key Lessons Learnt from Producing the ABC Programme Talking
    The key lessons learnt from producing the ABC programme Talkin g Heads a talk show/documentary hybrid in a fast turnaround environment Jack King HND: Business Studies (Aston Birmingham) This exegesis is submitted as the written component for the degree of Master of Arts (Research) Film and Television Production: Creative Industries Queensland University of Technology 2009 Supervisors: Associate Professor Geoff Portmann and Associate Professor Alan McKee Abstract The following exegesis will detail the key advantages and disadvantages of combining a traditional talk show genre with a linear documentary format using a small production team and a limited budget in a fast turnaround weekly environment. It will deal with the Australian Broadcasting Corporation series Talking Heads, broadcast weekly in the early evening schedule for the network at 18.30 with the presenter Peter Thompson. As Executive Producer for the programme at its inception I was responsible for setting it up for the ABC in Brisbane, a role that included selecting most of the team to work on the series and commissioning the music, titles and all other aspects required to bring the show to the screen. What emerged when producing this generic hybrid will be examined at length, including: The talk show/documentary hybrid format needs longer than 26’30” to be entirely successful. The type of presenter ideally suited to the talk show/documentary format requires someone who is genuinely interested in their guests and flexible enough to maintain the format against tangential odds. The use of illustrative footage shot in a documentary style narrative improves the talk show format.
    [Show full text]
  • The Plight of ABC Produced Programs and Staff and Can Be Found at Plight-Of-Abc-Produced-Programs-And-Staff
    Re: Recent ABC programming decisions From: Ken McKay Tuesday August 30th, 2011 Please find here the contents of a web page I have uploaded to the watvhistory.com web site. It is titled The plight of ABC produced programs and staff and can be found at http://watvhistory.com/2011/08/the- plight-of-abc-produced-programs-and-staff/ Because the site deals with WA television history matters, the emphasis given to the story is that of change, and the impact it has. Most of the content relates directly to the issues the Senate Hearing will be considering... The plight of ABC produced programs and staff POSTED BY KEN ON AUGUST - 29 - 2011 This is an examination of current issues facing the ABC. Fulfilling the ABC charter, program cuts, outsourcing, centralisation, technological change and job losses. As to be expected, there are a number of points of view, which this article will endeavour to report accurately in a fair and balanced manner. They are very contentious issues, which have been evolving over many years as broadcasting facilities, techniques and management styles change, from the previous bureaucratic, slow moving public service structure to one more aware of modern business philosophies, and capable of great innovation. The earlier days were more labour intensive when Perth was an isolated outpost, separated from the rest of the country by not only distance and poor roads, but also primitive communications. The history of change gave witness to a variety of predicaments as our ancestors approached the industrial age. Change manifests itself in different forms over time, and even though the circumstances vary, there is still an impact as people try to cope with a new age.
    [Show full text]
  • Stephen Harrington Thesis
    PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production.
    [Show full text]
  • Contents What’S New
    July / August, No. 4/2011 CONTENTS WHAT’S NEW Quandamooka Native Title Determination ............................... 2 Win a free registration to the Joint Management Workshop at the 2011 National Native 2012 Native Title Conference! Title Conference: ‘What helps? What harms?’ ........................ 4 Just take 5 minutes to complete our An extract from Mabo in the Courts: Islander Tradition to publications survey and you will go into the Native Title: A Memoir ............................................................... 5 draw to win a free registration to the 2012 QLD Regional PBC Meeting ...................................................... 6 Native Title Conference. Those who have What’s New ................................................................................. 6 already completed the survey will be automatically included. Recent Cases ............................................................................. 6 Legislation and Policy ............................................................. 12 Complete the survey at: Native Title Publications ......................................................... 13 http://www.tfaforms.com/208207 Native Title in the News ........................................................... 14 If you have any questions or concerns, please Indigenous Land Use Agreements (ILUAs) ........................... 20 contact Matt O’Rourke at the Native Title Research Unit on (02) 6246 1158 or Determinations ......................................................................... 21 [email protected]
    [Show full text]
  • A STUDY GUIDE by Katy Marriner
    © ATOM A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN-13-978-1-74295-072-3 http://www.theeducationshop.com.au PLEASE NOTE: TEACHERS ARE ADVISED TO PREVIEW THE FILM BEFORE SHOWING IT TO STUDENTS. STUDENTS SHOULD ALSO BE BRIEFED ABOUT THE CONTENT AND PURPOSE OF WALL BOY PRIOR TO VIEWING. WALL BOY WALL BOY is a sensitive account of the issues facing vulnerable young people in contemporary Australian society. The film is both unsettling and brave in its dramatisation of the fractured world of a vulnerable adolescent. Some students may find the references to sex and drugs too confronting and the dimensions of the narrative too upsetting. This study guide accompanies the short fiction film WALL BOY by Shark Island Productions, makers of THE OASIS documentary. It has been written for senior secondary students and practitioners, and provides information and suggestions for learning activities in English, Drama, Health and Human Development, Media, Religion and Society, VCE VET Community Services and curriculum projects exploring social justice issues in contemporary Australian society. WALL BOY could also be shown to teachers as part of professional development sessions addressing student welfare and pastoral care. Some of the questions and activities in this study guide will be of use to organisations, community groups and counselling services that support vulnerable young people. WALL BOY is the story of a vulnerable sixteen- year-old boy forced to work as a male sex worker at a notorious spot in inner city Sydney called The Wall. A youth worker from the Salvation Army’s outreach bus tries to reach out to him, but the © ATOM SCREEN EDUCATION boy won’t speak or even make eye contact.
    [Show full text]
  • En Iyi 83. Orijinal Şarkı
    http://www.bilisimdergisi.org/s130 En iyi 83. Orijinal Şarkı Tarih: 27 Şubat 2011, Pazar Yer: Kodak Tiyatrosu (Hollywood, Los Angeles, California) Sunucular: Anne Hathaway & James Franco Prodüktörler: Bruce Cohen & Don Mischer Yönetmen: Don Mischer Nihal Sandıkçı Amerikan Akademi filmin müziklerini yapan ödüllü besteci William bir türlü “Hak etti”, “Gerçekten çok iyiydi” Ödülleri, 27 Şubat’ta Los Ross’du. diyeceğimiz türden bir müziğin ya da şarkının Angeles’da düzenlenen Tamamını izleyemedim ancak şahit olduğum ödül aldığına çok da şahit olmadık. Elimizden törende sahipleriyle kadarıyla yine çok şatafatlı ve iyi planlanmış, dedikodusunu yapmaktan başka bir şey 83.buluştu. Töreni genç yıldızlar James Franco ve etkileyici bir törendi. “Türkiye’nin Oscarı” gelmeyen bu alışageldik durumu bir kenara Anne Hathaway sundu. Törenin tanıtımlarında diye lanse edilen, modası geçmiş ve gereksiz koyalım ve sinema dünyasının en prestijli çok iyi ve eğlenceli bir sunum olacağının ipuçlarını bir gösterişten öteye geçememiş ödül ödüllerinin verildiği gecenin detaylarına veren Hathaway, kimseyi şaşırtmadı; gerçekten törenlerimizin neredeyse tamamını mideme geçelim. iyi bir seçimdi (Özellikle son yıllarda akademinin kramplar girerek izlediğim için, hem teknik sunucu seçiminde yaptığı yanlış tercihleri hem de sanatsal anlamda kalitesi çok yüksek Bu yıl en iyi müzikte beş, en iyi şarkıda dört düşünürsek…). Ben daha sağlam espriler olan Akademi ödüllerinin bu profesyonelliğini aday vardı. Gecede anonsu 10. sırada yer alan bekliyordum ama olmadı, bir-iki iyi espriden konuşmaya değer buluyorum. “Özgün müzik” ödülünü Nicole Kidman ve Hugh öteye gidemediler. Gerçi bu da “güzellik” gibi Jackman, 20. sırada yer alan “Özgün şarkı” göreceli olan kavramlardan olabilir. Bu işinden Kabul etmek gerekir ki bu yılki sonuçlardan ödülünü ise Jennifer Hudson açıkladı.
    [Show full text]
  • July/August 2003 No.4/2003
    July/August 2003 No.4/2003 The Native Title Newsletter is published Contents every second month. The newsletter includes a summary of native title as reported in the News from the Native Title press. Although the summary canvasses media Research Unit from around Australia, it is not intended to be Indigenous Rights Discussion Paper 2 an exhaustive review of developments. Indigenous Researchers Forum 2 The Native Title Newsletter also includes Takin’ it out and Takin’ it through 3 contributions from people involved in native title research and processes. Views ex- Feature pressed in the contributions are those of the David Ross - ‘Future Directions’ 4 authors and do not necessarily reflect the views of the Australian Institute of Aboriginal Regular items and Torres Strait Islander Studies. Native title in the news 5 Applications lodged with NNTT 11 Stop Press Registration test decisions 11 The 2003 Indigenous Researchers Forum is being held from the 1-3 October at ‘Univer- Notifications 13 sity House’ at the Australian National Uni- Treaty, lets get it right: New Publication versity in Canberra. To register, or for more Recent additions to AIATSIS Library 15 information go to the AIATSIS website at: http://www.aiatsis.gov.au/ rsrch/ confer- Native title research unit publications 17 ences/irf2003/index.htm The Newsletter is also available in ELECTRONIC format. This will provide a FASTER service for you, and will make possible much greater distribution. If you would like to SUBSCRIBE to the Native Title Newsletter electronically, please send an email to [email protected], and you will be helping us provide a better service.
    [Show full text]
  • “The Peking to Paris Rally”
    1 “The Peking to Paris Rally” Sam Peters has been a member of the Vines community since 1989. He is a man who enjoys a challenge. Here are a few examples. Flew to Germany to experience the Berlin Wall coming down. Went to Russia and trained for a week to fly a Russian MIG . Signed on as crew to sail the Mediterranean. Climbed Kilimanjaro and made it to the summit. Drove a dirt bike for a month through the outback of Mexico. Skied just about every black run in the U.S., Canada and Argentina. Won his age group in the handball national championship. Thirteen matches in two days. So this year it was time for something really big. “The Peking to Paris Rally”. Ninety-six cars entered, mostly with professional competitors. Fly from Cincinnati to Beijing (6,830 air miles) then drive 7,610 miles through Asia/Europe in 33 days with friend and mechanic, Enos Reed, in a 1940 Studebaker called (Stu).We are told that we can track car 41 (Stu) on “Yellow Brick” a transponder installed to track the car on the internet. Preparations are underway, registering, collecting ID’s and Chinese driver’s licenses, uploading way points in Marine GPS and going to briefings. The field will compete in two basic divisions, the Vintageant category, (pre 1941 model cars) with 42 entrants including “Stu” and the Classic category (pre 1975 models) with 54 entrants. The race, set to start on May 28th is on schedule. No sooner underway then the first glitch is encountered. The Chinese government has confiscated all of the GPS equipment suggesting that it might be used for spying.
    [Show full text]
  • 2019 AACTA AWARDS PRESENTED by FOXTEL All Nominees – by Category FEATURE FILM
    2019 AACTA AWARDS PRESENTED BY FOXTEL All Nominees – by Category FEATURE FILM AACTA AWARD FOR BEST FILM PRESENTED BY FOXTEL HOTEL MUMBAI Basil Iwanyk, Gary Hamilton, Julie Ryan, Jomon Thomas – Hotel Mumbai Double Guess Productions JUDY & PUNCH Michele Bennett, Nash Edgerton, Danny Gabai – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING Brad Pitt, Dede Gardner, Jeremy Kleiner, Liz Watts, David Michôd, Joel Edgerton – Plan B Entertainment, Porchlight Films, A Yoki Inc, Blue-Tongue Films THE NIGHTINGALE Kristina Ceyton, Bruna Papandrea, Steve Hutensky, Jennifer Kent – Causeway Films, Made Up Stories RIDE LIKE A GIRL Richard Keddie, Rachel Griffiths, Susie Montague – The Film Company, Magdalene Media TOP END WEDDING Rosemary Blight, Kylie du Fresne, Kate Croser – Goalpost Pictures AACTA AWARD FOR BEST INDIE FILM PRESENTED BY EVENT CINEMAS ACUTE MISFORTUNE Thomas M. Wright, Virginia Kay, Jamie Houge, Liz Kearney – Arenamedia, Plot Media, Blackheath Films BOOK WEEK Heath Davis, Joanne Weatherstone – Crash House Productions BUOYANCY Rodd Rathjen, Samantha Jennings, Kristina Ceyton, Rita Walsh – Causeway Films EMU RUNNER Imogen Thomas, Victor Evatt, Antonia Barnard, John Fink – Emu Runner Film SEQUIN IN A BLUE ROOM Samuel Van Grinsven, Sophie Hattch, Linus Gibson AACTA AWARD FOR BEST DIRECTION HOTEL MUMBAI Anthony Maras – Hotel Mumbai Double Guess Productions JUDY & PUNCH Mirrah Foulkes – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING David Michôd – Plan B Entertainment, Porchlight Films, A Yoki Inc,
    [Show full text]